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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADE927 it is the complementary color #5216D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADE927. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADE927 shade: #B2E922, #C3FB35, #D4FF48, #E5FF5B and #F6FF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADE927. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADE927 shade: #ADE927, #9CD714, #8BC501, #7AB300 and #69A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADE927 shade: #ADE925, #E2E925, #E9BC25, #E98725 and #E95225

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADE927 shade: #ADE925, #78E925, #43E925, #25E93C and #25E971

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADE927 shade matches the following richer shades: #ADE925 and #B4FD11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADE927 shade: #ADE925, #A5D638, #9EC34C, #96AF5F and #8F9C72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADE927 shade: #E9BC25, #E3E925, #AEE925, #7AE925 and #46E925

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADE927 shade: #7BAB11, #96D015, #ADE925, #BBED4A and #C9F170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADE927 shade: #ADE927, #25E987 and #D625E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADE927 shade: #ADE927, #25AEE9 and #E925AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADE927 shade: #ADE927, #25E987, #6025E9 and #E92587

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADE927 shade: #ADE927, #25E9C2, #6025E9 and #E9254C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 83 / 9

HEX #ADE927

RGB 173 233 39

HSL 78.56, 0.82%, 0.53%

LAB 85.66, -43.53, 78.21

 

Complementary color

CMYK 62 / 90 / 0 / 15

HEX #5216D8

RGB 82 22 216

HSL 258.56, 0.82%, 0.47%

LAB 32.54, 67.79, -85.17

 

CMYK 24 / 0 / 85 / 9

HEX #B2E922

RGB 178 233 34

HSL 76.58, 0.82%, 0.52%

LAB 85.94, -41.79, 79.62

 

CMYK 22 / 0 / 79 / 2

HEX #C3FB35

RGB 195 251 53

HSL 76.97, 0.96%, 0.6%

LAB 92.07, -42.57, 80.92

 

CMYK 17 / 0 / 72 / 0

HEX #D4FF48

RGB 212 255 72

HSL 74.1, 1%, 0.64%

LAB 94.31, -37.03, 77.74

 

CMYK 10 / 0 / 64 / 0

HEX #E5FF5B

RGB 229 255 91

HSL 69.51, 1%, 0.68%

LAB 95.55, -29.38, 72.58

 

CMYK 4 / 0 / 57 / 0

HEX #F6FF6E

RGB 246 255 110

HSL 63.72, 1%, 0.72%

LAB 96.92, -21.45, 66.72

 

CMYK 26 / 0 / 83 / 9

HEX #ADE927

RGB 173 233 39

HSL 78.56, 0.82%, 0.53%

LAB 85.66, -43.53, 78.21

 

CMYK 27 / 0 / 91 / 16

HEX #9CD714

RGB 156 215 20

HSL 78.15, 0.83%, 0.46%

LAB 79.45, -42.65, 76.16

 

CMYK 29 / 0 / 99 / 23

HEX #8BC501

RGB 139 197 1

HSL 77.76, 0.99%, 0.39%

LAB 73.17, -41.59, 72.93

 

CMYK 32 / 0 / 100 / 30

HEX #7AB300

RGB 122 179 0

HSL 79.11, 1%, 0.35%

LAB 66.81, -40.26, 67.74

 

CMYK 35 / 0 / 100 / 37

HEX #69A100

RGB 105 161 0

HSL 80.87, 1%, 0.32%

LAB 60.33, -38.88, 62.35

 

CMYK 26 / 0 / 84 / 9

HEX #ADE925

RGB 173 233 37

HSL 78.37, 0.82%, 0.53%

LAB 85.65, -43.6, 78.64

 

CMYK 3 / 0 / 84 / 9

HEX #E2E925

RGB 226 233 37

HSL 62.14, 0.82%, 0.53%

LAB 89.2, -22.53, 83.04

 

CMYK 0 / 19 / 84 / 9

HEX #E9BC25

RGB 233 188 37

HSL 46.22, 0.82%, 0.53%

LAB 78.12, 3.02, 74.12

 

CMYK 0 / 42 / 84 / 9

HEX #E98725

RGB 233 135 37

HSL 30, 0.82%, 0.53%

LAB 65.58, 31.01, 63.63

 

CMYK 0 / 65 / 84 / 9

HEX #E95225

RGB 233 82 37

HSL 13.78, 0.82%, 0.53%

LAB 55.58, 56.42, 55.1

 

CMYK 26 / 0 / 84 / 9

HEX #ADE925

RGB 173 233 37

HSL 78.37, 0.82%, 0.53%

LAB 85.65, -43.6, 78.64

 

CMYK 48 / 0 / 84 / 9

HEX #78E925

RGB 120 233 37

HSL 94.59, 0.82%, 0.53%

LAB 83.13, -61.48, 75.47

 

CMYK 71 / 0 / 84 / 9

HEX #43E925

RGB 67 233 37

HSL 110.82, 0.82%, 0.53%

LAB 81.62, -73.72, 73.56

 

CMYK 84 / 0 / 74 / 9

HEX #25E93C

RGB 37 233 60

HSL 127.04, 0.82%, 0.53%

LAB 81.29, -76.23, 66.69

 

CMYK 84 / 0 / 52 / 9

HEX #25E971

RGB 37 233 113

HSL 143.27, 0.82%, 0.53%

LAB 81.76, -70.39, 45.37

 

CMYK 26 / 0 / 84 / 9

HEX #ADE925

RGB 173 233 37

HSL 78.37, 0.82%, 0.53%

LAB 85.65, -43.6, 78.64

 

CMYK 29 / 0 / 93 / 1

HEX #B4FD11

RGB 180 253 17

HSL 78.56, 0.98%, 0.53%

LAB 91.68, -49.91, 86.87

 

CMYK 26 / 0 / 84 / 9

HEX #ADE925

RGB 173 233 37

HSL 78.37, 0.82%, 0.53%

LAB 85.65, -43.6, 78.64

 

CMYK 23 / 0 / 74 / 16

HEX #A5D638

RGB 165 214 56

HSL 78.61, 0.66%, 0.53%

LAB 79.83, -37.5, 68.02

 

CMYK 19 / 0 / 61 / 24

HEX #9EC34C

RGB 158 195 76

HSL 78.66, 0.5%, 0.53%

LAB 74.08, -30.15, 54.27

 

CMYK 14 / 0 / 46 / 31

HEX #96AF5F

RGB 150 175 95

HSL 78.75, 0.33%, 0.53%

LAB 68, -21.73, 38.03

 

CMYK 8 / 0 / 27 / 39

HEX #8F9C72

RGB 143 156 114

HSL 78.57, 0.18%, 0.53%

LAB 62.37, -12.15, 20.51

 

CMYK 0 / 19 / 84 / 9

HEX #E9BC25

RGB 233 188 37

HSL 46.22, 0.82%, 0.53%

LAB 78.12, 3.02, 74.12

 

CMYK 3 / 0 / 84 / 9

HEX #E3E925

RGB 227 233 37

HSL 61.84, 0.82%, 0.53%

LAB 89.27, -22.11, 83.14

 

CMYK 25 / 0 / 84 / 9

HEX #AEE925

RGB 174 233 37

HSL 78.06, 0.82%, 0.53%

LAB 85.71, -43.22, 78.71

 

CMYK 48 / 0 / 84 / 9

HEX #7AE925

RGB 122 233 37

HSL 93.98, 0.82%, 0.53%

LAB 83.2, -60.89, 75.56

 

CMYK 70 / 0 / 84 / 9

HEX #46E925

RGB 70 233 37

HSL 109.9, 0.82%, 0.53%

LAB 81.68, -73.21, 73.63

 

CMYK 28 / 0 / 90 / 33

HEX #7BAB11

RGB 123 171 17

HSL 78.7, 0.82%, 0.37%

LAB 64.47, -36.01, 63.61

 

CMYK 28 / 0 / 90 / 18

HEX #96D015

RGB 150 208 21

HSL 78.61, 0.82%, 0.45%

LAB 77.07, -41.87, 73.93

 

CMYK 26 / 0 / 84 / 9

HEX #ADE925

RGB 173 233 37

HSL 78.37, 0.82%, 0.53%

LAB 85.65, -43.6, 78.64

 

CMYK 21 / 0 / 69 / 7

HEX #BBED4A

RGB 187 237 74

HSL 78.4, 0.82%, 0.61%

LAB 87.79, -38.39, 70.08

 

CMYK 17 / 0 / 54 / 5

HEX #C9F170

RGB 201 241 112

HSL 78.6, 0.82%, 0.69%

LAB 90.09, -32.05, 57.24

 

CMYK 26 / 0 / 83 / 9

HEX #ADE927

RGB 173 233 39

HSL 78.56, 0.82%, 0.53%

LAB 85.66, -43.53, 78.21

 

CMYK 84 / 0 / 42 / 9

HEX #25E987

RGB 37 233 135

HSL 150, 0.82%, 0.53%

LAB 82.07, -66.81, 35.04

 

CMYK 8 / 84 / 0 / 9

HEX #D625E9

RGB 214 37 233

HSL 294.18, 0.82%, 0.53%

LAB 53.5, 84.59, -59.87

 

CMYK 26 / 0 / 83 / 9

HEX #ADE927

RGB 173 233 39

HSL 78.56, 0.82%, 0.53%

LAB 85.66, -43.53, 78.21

 

CMYK 84 / 25 / 0 / 9

HEX #25AEE9

RGB 37 174 233

HSL 198.06, 0.82%, 0.53%

LAB 66.94, -14.77, -39.36

 

CMYK 0 / 84 / 25 / 9

HEX #E925AE

RGB 233 37 174

HSL 318.06, 0.82%, 0.53%

LAB 53.71, 80.08, -25.43

 

CMYK 26 / 0 / 83 / 9

HEX #ADE927

RGB 173 233 39

HSL 78.56, 0.82%, 0.53%

LAB 85.66, -43.53, 78.21

 

CMYK 84 / 0 / 42 / 9

HEX #25E987

RGB 37 233 135

HSL 150, 0.82%, 0.53%

LAB 82.07, -66.81, 35.04

 

CMYK 59 / 84 / 0 / 9

HEX #6025E9

RGB 96 37 233

HSL 258.06, 0.82%, 0.53%

LAB 37.29, 68.67, -87

 

CMYK 0 / 84 / 42 / 9

HEX #E92587

RGB 233 37 135

HSL 330, 0.82%, 0.53%

LAB 52.28, 76.08, -4.45

 

CMYK 26 / 0 / 83 / 9

HEX #ADE927

RGB 173 233 39

HSL 78.56, 0.82%, 0.53%

LAB 85.66, -43.53, 78.21

 

CMYK 84 / 0 / 17 / 9

HEX #25E9C2

RGB 37 233 194

HSL 168.06, 0.82%, 0.53%

LAB 83.21, -54.08, 6.16

 

CMYK 59 / 84 / 0 / 9

HEX #6025E9

RGB 96 37 233

HSL 258.06, 0.82%, 0.53%

LAB 37.29, 68.67, -87

 

CMYK 0 / 84 / 67 / 9

HEX #E9254C

RGB 233 37 76

HSL 348.06, 0.82%, 0.53%

LAB 50.88, 72.03, 29.3

 

Description

Color code: HEX #ADE927 | qconv.com Color code: HEX #ADE927 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 233 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 233 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 83 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 83% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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