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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADE735 it is the complementary color #5218CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADE735. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADE735 shade: #B2E730, #C3F943, #D4FF56, #E5FF69 and #F6FF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADE735. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADE735 shade: #ADE735, #9CD522, #8BC30F, #7AB100 and #699F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADE735 shade: #AEE736, #DDE736, #E7C236, #E79236 and #E76236

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADE735 shade: #AEE736, #7EE736, #4EE736, #36E74E and #36E77E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADE735 shade matches the following richer shades: #AEE736 and #B4FA24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADE735 shade: #AEE736, #A7D548, #A1C35A, #9BB16D and #949F7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADE735 shade: #E7C136, #DFE736, #AFE736, #80E736 and #51E736

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADE735 shade: #81B615, #9CDB1A, #AEE736, #BDEC5B and #CCF080

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADE735 shade: #ADE735, #36E792 and #D936E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADE735 shade: #ADE735, #36AFE7 and #E736AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADE735 shade: #ADE735, #36E792, #6E36E7 and #E7368C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADE735 shade: #ADE735, #36E7C7, #6E36E7 and #E73657

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 77 / 9

HEX #ADE735

RGB 173 231 53

HSL 79.55, 0.79%, 0.56%

LAB 85.15, -42.13, 74.13

 

Complementary color

CMYK 59 / 88 / 0 / 21

HEX #5218CA

RGB 82 24 202

HSL 259.55, 0.79%, 0.44%

LAB 31.14, 63.77, -79.35

 

CMYK 23 / 0 / 79 / 9

HEX #B2E730

RGB 178 231 48

HSL 77.38, 0.79%, 0.55%

LAB 85.42, -40.45, 75.89

 

CMYK 22 / 0 / 73 / 2

HEX #C3F943

RGB 195 249 67

HSL 77.8, 0.94%, 0.62%

LAB 91.58, -41.07, 76.36

 

CMYK 17 / 0 / 66 / 0

HEX #D4FF56

RGB 212 255 86

HSL 75.27, 1%, 0.67%

LAB 94.39, -36.24, 72.91

 

CMYK 10 / 0 / 59 / 0

HEX #E5FF69

RGB 229 255 105

HSL 70.4, 1%, 0.71%

LAB 95.66, -28.44, 67.09

 

CMYK 4 / 0 / 51 / 0

HEX #F6FF7C

RGB 246 255 124

HSL 64.12, 1%, 0.74%

LAB 97.05, -20.37, 60.77

 

CMYK 25 / 0 / 77 / 9

HEX #ADE735

RGB 173 231 53

HSL 79.55, 0.79%, 0.56%

LAB 85.15, -42.13, 74.13

 

CMYK 27 / 0 / 84 / 16

HEX #9CD522

RGB 156 213 34

HSL 79.11, 0.72%, 0.48%

LAB 78.91, -41.42, 73.12

 

CMYK 29 / 0 / 92 / 24

HEX #8BC30F

RGB 139 195 15

HSL 78.67, 0.86%, 0.41%

LAB 72.6, -40.51, 70.92

 

CMYK 31 / 0 / 100 / 31

HEX #7AB100

RGB 122 177 0

HSL 78.64, 1%, 0.35%

LAB 66.2, -39.39, 67.27

 

CMYK 34 / 0 / 100 / 38

HEX #699F00

RGB 105 159 0

HSL 80.38, 1%, 0.31%

LAB 59.71, -38.01, 61.87

 

CMYK 25 / 0 / 77 / 9

HEX #AEE736

RGB 174 231 54

HSL 79.32, 0.79%, 0.56%

LAB 85.21, -41.71, 73.92

 

CMYK 4 / 0 / 77 / 9

HEX #DDE736

RGB 221 231 54

HSL 63.39, 0.79%, 0.56%

LAB 88.35, -23.11, 77.95

 

CMYK 0 / 16 / 77 / 9

HEX #E7C236

RGB 231 194 54

HSL 47.46, 0.79%, 0.56%

LAB 79.52, -0.42, 70.21

 

CMYK 0 / 37 / 77 / 9

HEX #E79236

RGB 231 146 54

HSL 31.19, 0.79%, 0.56%

LAB 67.88, 24.93, 59.23

 

CMYK 0 / 58 / 77 / 9

HEX #E76236

RGB 231 98 54

HSL 14.92, 0.79%, 0.56%

LAB 58.03, 49.22, 49.45

 

CMYK 25 / 0 / 77 / 9

HEX #AEE736

RGB 174 231 54

HSL 79.32, 0.79%, 0.56%

LAB 85.21, -41.71, 73.92

 

CMYK 45 / 0 / 77 / 9

HEX #7EE736

RGB 126 231 54

HSL 95.59, 0.79%, 0.56%

LAB 82.84, -58.17, 70.84

 

CMYK 66 / 0 / 77 / 9

HEX #4EE736

RGB 78 231 54

HSL 111.86, 0.79%, 0.56%

LAB 81.31, -70.23, 68.85

 

CMYK 77 / 0 / 66 / 9

HEX #36E74E

RGB 54 231 78

HSL 128.14, 0.79%, 0.56%

LAB 81.01, -72.23, 59.9

 

CMYK 77 / 0 / 45 / 9

HEX #36E77E

RGB 54 231 126

HSL 144.41, 0.79%, 0.56%

LAB 81.53, -65.95, 38.85

 

CMYK 25 / 0 / 77 / 9

HEX #AEE736

RGB 174 231 54

HSL 79.32, 0.79%, 0.56%

LAB 85.21, -41.71, 73.92

 

CMYK 28 / 0 / 86 / 2

HEX #B4FA24

RGB 180 250 36

HSL 79.63, 0.96%, 0.56%

LAB 90.87, -48.27, 83.43

 

CMYK 25 / 0 / 77 / 9

HEX #AEE736

RGB 174 231 54

HSL 79.32, 0.79%, 0.56%

LAB 85.21, -41.71, 73.92

 

CMYK 22 / 0 / 66 / 16

HEX #A7D548

RGB 167 213 72

HSL 79.57, 0.63%, 0.56%

LAB 79.77, -35.31, 62.2

 

CMYK 17 / 0 / 54 / 24

HEX #A1C35A

RGB 161 195 90

HSL 79.43, 0.47%, 0.56%

LAB 74.41, -27.74, 48.37

 

CMYK 12 / 0 / 38 / 31

HEX #9BB16D

RGB 155 177 109

HSL 79.41, 0.3%, 0.56%

LAB 69.12, -19.08, 32.31

 

CMYK 7 / 0 / 20 / 38

HEX #949F7F

RGB 148 159 127

HSL 80.63, 0.14%, 0.56%

LAB 63.86, -9.77, 15.42

 

CMYK 0 / 16 / 77 / 9

HEX #E7C136

RGB 231 193 54

HSL 47.12, 0.79%, 0.56%

LAB 79.27, 0.1, 69.98

 

CMYK 3 / 0 / 77 / 9

HEX #DFE736

RGB 223 231 54

HSL 62.71, 0.79%, 0.56%

LAB 88.5, -22.29, 78.14

 

CMYK 24 / 0 / 77 / 9

HEX #AFE736

RGB 175 231 54

HSL 78.98, 0.79%, 0.56%

LAB 85.27, -41.33, 73.99

 

CMYK 45 / 0 / 77 / 9

HEX #80E736

RGB 128 231 54

HSL 94.92, 0.79%, 0.56%

LAB 82.92, -57.56, 70.95

 

CMYK 65 / 0 / 77 / 9

HEX #51E736

RGB 81 231 54

HSL 110.85, 0.79%, 0.56%

LAB 81.38, -69.64, 68.94

 

CMYK 29 / 0 / 88 / 29

HEX #81B615

RGB 129 182 21

HSL 79.75, 0.79%, 0.4%

LAB 68.15, -38.49, 66.08

 

CMYK 29 / 0 / 88 / 14

HEX #9CDB1A

RGB 156 219 26

HSL 79.59, 0.79%, 0.48%

LAB 80.63, -44.24, 76.17

 

CMYK 25 / 0 / 77 / 9

HEX #AEE736

RGB 174 231 54

HSL 79.32, 0.79%, 0.56%

LAB 85.21, -41.71, 73.92

 

CMYK 20 / 0 / 61 / 7

HEX #BDEC5B

RGB 189 236 91

HSL 79.45, 0.79%, 0.64%

LAB 87.76, -36.03, 63.48

 

CMYK 15 / 0 / 47 / 6

HEX #CCF080

RGB 204 240 128

HSL 79.29, 0.79%, 0.72%

LAB 90.19, -28.9, 50.02

 

CMYK 25 / 0 / 77 / 9

HEX #ADE735

RGB 173 231 53

HSL 79.55, 0.79%, 0.56%

LAB 85.15, -42.13, 74.13

 

CMYK 77 / 0 / 37 / 9

HEX #36E792

RGB 54 231 146

HSL 151.19, 0.79%, 0.56%

LAB 81.84, -62.39, 29.24

 

CMYK 6 / 77 / 0 / 9

HEX #D936E7

RGB 217 54 231

HSL 295.25, 0.79%, 0.56%

LAB 55.24, 80.78, -55.93

 

CMYK 25 / 0 / 77 / 9

HEX #ADE735

RGB 173 231 53

HSL 79.55, 0.79%, 0.56%

LAB 85.15, -42.13, 74.13

 

CMYK 77 / 24 / 0 / 9

HEX #36AFE7

RGB 54 175 231

HSL 198.98, 0.79%, 0.56%

LAB 67.44, -14.45, -37.46

 

CMYK 0 / 77 / 24 / 9

HEX #E736AF

RGB 231 54 175

HSL 318.98, 0.79%, 0.56%

LAB 54.79, 75.77, -24.38

 

CMYK 25 / 0 / 77 / 9

HEX #ADE735

RGB 173 231 53

HSL 79.55, 0.79%, 0.56%

LAB 85.15, -42.13, 74.13

 

CMYK 77 / 0 / 37 / 9

HEX #36E792

RGB 54 231 146

HSL 151.19, 0.79%, 0.56%

LAB 81.84, -62.39, 29.24

 

CMYK 52 / 77 / 0 / 9

HEX #6E36E7

RGB 110 54 231

HSL 258.98, 0.79%, 0.56%

LAB 40.77, 63.09, -80.07

 

CMYK 0 / 77 / 39 / 9

HEX #E7368C

RGB 231 54 140

HSL 330.85, 0.79%, 0.56%

LAB 53.51, 71.94, -5.66

 

CMYK 25 / 0 / 77 / 9

HEX #ADE735

RGB 173 231 53

HSL 79.55, 0.79%, 0.56%

LAB 85.15, -42.13, 74.13

 

CMYK 77 / 0 / 14 / 9

HEX #36E7C7

RGB 54 231 199

HSL 169.15, 0.79%, 0.56%

LAB 82.95, -50.53, 3.16

 

CMYK 52 / 77 / 0 / 9

HEX #6E36E7

RGB 110 54 231

HSL 258.98, 0.79%, 0.56%

LAB 40.77, 63.09, -80.07

 

CMYK 0 / 77 / 62 / 9

HEX #E73657

RGB 231 54 87

HSL 348.81, 0.79%, 0.56%

LAB 52.19, 67.81, 24.31

 

Description

Color code: HEX #ADE735 | qconv.com Color code: HEX #ADE735 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 231 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 231 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 77 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 77% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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