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Color name
HEX #ADE728

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADE728 it is the complementary color #5218D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADE728. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADE728 shade: #B2E723, #C3F936, #D4FF49, #E5FF5C and #F6FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADE728. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADE728 shade: #ADE728, #9CD515, #8BC302, #7AB100 and #699F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADE728 shade: #ADE727, #E1E727, #E7BA27, #E78627 and #E75227

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADE728 shade: #ADE727, #79E727, #45E727, #27E73D and #27E771

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADE728 shade matches the following richer shades: #ADE727 and #B4FA14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADE728 shade: #ADE727, #A5D43B, #9EC04E, #96AD61 and #8E9975

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADE728 shade: #E7BA27, #E1E727, #AEE727, #7AE727 and #47E727

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADE728 shade: #7BA913, #96CE17, #ADE727, #BBEB4C and #C9EF72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADE728 shade: #ADE728, #27E787 and #D427E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADE728 shade: #ADE728, #27AEE7 and #E727AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADE728 shade: #ADE728, #27E787, #6127E7 and #E72787

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADE728 shade: #ADE728, #27E7C1, #6127E7 and #E7274E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 83 / 9

HEX #ADE728

RGB 173 231 40

HSL 78.22, 0.8%, 0.53%

LAB 85.09, -42.63, 77.49

 

Complementary color

CMYK 62 / 89 / 0 / 16

HEX #5218D7

RGB 82 24 215

HSL 258.22, 0.8%, 0.47%

LAB 32.6, 67.02, -84.49

 

CMYK 23 / 0 / 85 / 9

HEX #B2E723

RGB 178 231 35

HSL 76.22, 0.8%, 0.52%

LAB 85.37, -40.89, 78.94

 

CMYK 22 / 0 / 78 / 2

HEX #C3F936

RGB 195 249 54

HSL 76.62, 0.94%, 0.59%

LAB 91.51, -41.66, 80.16

 

CMYK 17 / 0 / 71 / 0

HEX #D4FF49

RGB 212 255 73

HSL 74.18, 1%, 0.64%

LAB 94.31, -36.98, 77.41

 

CMYK 10 / 0 / 64 / 0

HEX #E5FF5C

RGB 229 255 92

HSL 69.57, 1%, 0.68%

LAB 95.56, -29.32, 72.2

 

CMYK 4 / 0 / 56 / 0

HEX #F6FF6F

RGB 246 255 111

HSL 63.75, 1%, 0.72%

LAB 96.93, -21.38, 66.31

 

CMYK 25 / 0 / 83 / 9

HEX #ADE728

RGB 173 231 40

HSL 78.22, 0.8%, 0.53%

LAB 85.09, -42.63, 77.49

 

CMYK 27 / 0 / 90 / 16

HEX #9CD515

RGB 156 213 21

HSL 77.81, 0.82%, 0.46%

LAB 78.87, -41.77, 75.54

 

CMYK 29 / 0 / 99 / 24

HEX #8BC302

RGB 139 195 2

HSL 77.41, 0.98%, 0.39%

LAB 72.58, -40.71, 72.37

 

CMYK 31 / 0 / 100 / 31

HEX #7AB100

RGB 122 177 0

HSL 78.64, 1%, 0.35%

LAB 66.2, -39.39, 67.27

 

CMYK 34 / 0 / 100 / 38

HEX #699F00

RGB 105 159 0

HSL 80.38, 1%, 0.31%

LAB 59.71, -38.01, 61.87

 

CMYK 25 / 0 / 83 / 9

HEX #ADE727

RGB 173 231 39

HSL 78.13, 0.8%, 0.53%

LAB 85.09, -42.67, 77.71

 

CMYK 3 / 0 / 83 / 9

HEX #E1E727

RGB 225 231 39

HSL 61.88, 0.8%, 0.53%

LAB 88.59, -21.93, 82.09

 

CMYK 0 / 19 / 83 / 9

HEX #E7BA27

RGB 231 186 39

HSL 45.94, 0.8%, 0.53%

LAB 77.43, 3.26, 72.94

 

CMYK 0 / 42 / 83 / 9

HEX #E78627

RGB 231 134 39

HSL 29.69, 0.8%, 0.53%

LAB 65.11, 30.76, 62.44

 

CMYK 0 / 65 / 83 / 9

HEX #E75227

RGB 231 82 39

HSL 13.44, 0.8%, 0.53%

LAB 55.25, 55.79, 53.81

 

CMYK 25 / 0 / 83 / 9

HEX #ADE727

RGB 173 231 39

HSL 78.13, 0.8%, 0.53%

LAB 85.09, -42.67, 77.71

 

CMYK 48 / 0 / 83 / 9

HEX #79E727

RGB 121 231 39

HSL 94.38, 0.8%, 0.53%

LAB 82.57, -60.37, 74.54

 

CMYK 70 / 0 / 83 / 9

HEX #45E727

RGB 69 231 39

HSL 110.63, 0.8%, 0.53%

LAB 81.05, -72.69, 72.6

 

CMYK 83 / 0 / 74 / 9

HEX #27E73D

RGB 39 231 61

HSL 126.88, 0.8%, 0.53%

LAB 80.69, -75.39, 65.77

 

CMYK 83 / 0 / 51 / 9

HEX #27E771

RGB 39 231 113

HSL 143.13, 0.8%, 0.53%

LAB 81.17, -69.57, 44.64

 

CMYK 25 / 0 / 83 / 9

HEX #ADE727

RGB 173 231 39

HSL 78.13, 0.8%, 0.53%

LAB 85.09, -42.67, 77.71

 

CMYK 28 / 0 / 92 / 2

HEX #B4FA14

RGB 180 250 20

HSL 78.26, 0.96%, 0.53%

LAB 90.84, -48.61, 85.87

 

CMYK 25 / 0 / 83 / 9

HEX #ADE727

RGB 173 231 39

HSL 78.13, 0.8%, 0.53%

LAB 85.09, -42.67, 77.71

 

CMYK 22 / 0 / 72 / 17

HEX #A5D43B

RGB 165 212 59

HSL 78.43, 0.64%, 0.53%

LAB 79.27, -36.43, 66.46

 

CMYK 18 / 0 / 59 / 25

HEX #9EC04E

RGB 158 192 78

HSL 77.89, 0.48%, 0.53%

LAB 73.23, -28.56, 52.46

 

CMYK 13 / 0 / 44 / 32

HEX #96AD61

RGB 150 173 97

HSL 78.16, 0.32%, 0.53%

LAB 67.45, -20.5, 36.33

 

CMYK 7 / 0 / 24 / 40

HEX #8E9975

RGB 142 153 117

HSL 78.33, 0.15%, 0.53%

LAB 61.5, -10.47, 17.65

 

CMYK 0 / 19 / 83 / 9

HEX #E7BA27

RGB 231 186 39

HSL 45.94, 0.8%, 0.53%

LAB 77.43, 3.26, 72.94

 

CMYK 3 / 0 / 83 / 9

HEX #E1E727

RGB 225 231 39

HSL 61.88, 0.8%, 0.53%

LAB 88.59, -21.93, 82.09

 

CMYK 25 / 0 / 83 / 9

HEX #AEE727

RGB 174 231 39

HSL 77.81, 0.8%, 0.53%

LAB 85.15, -42.29, 77.79

 

CMYK 47 / 0 / 83 / 9

HEX #7AE727

RGB 122 231 39

HSL 94.06, 0.8%, 0.53%

LAB 82.61, -60.08, 74.59

 

CMYK 69 / 0 / 83 / 9

HEX #47E727

RGB 71 231 39

HSL 110, 0.8%, 0.53%

LAB 81.09, -72.34, 72.66

 

CMYK 27 / 0 / 89 / 34

HEX #7BA913

RGB 123 169 19

HSL 78.4, 0.8%, 0.37%

LAB 63.86, -35.05, 62.74

 

CMYK 27 / 0 / 89 / 19

HEX #96CE17

RGB 150 206 23

HSL 78.36, 0.8%, 0.45%

LAB 76.49, -40.95, 73.13

 

CMYK 25 / 0 / 83 / 9

HEX #ADE727

RGB 173 231 39

HSL 78.13, 0.8%, 0.53%

LAB 85.09, -42.67, 77.71

 

CMYK 20 / 0 / 68 / 8

HEX #BBEB4C

RGB 187 235 76

HSL 78.11, 0.8%, 0.61%

LAB 87.24, -37.37, 68.79

 

CMYK 16 / 0 / 52 / 6

HEX #C9EF72

RGB 201 239 114

HSL 78.24, 0.8%, 0.69%

LAB 89.56, -30.94, 55.72

 

CMYK 25 / 0 / 83 / 9

HEX #ADE728

RGB 173 231 40

HSL 78.22, 0.8%, 0.53%

LAB 85.09, -42.63, 77.49

 

CMYK 83 / 0 / 42 / 9

HEX #27E787

RGB 39 231 135

HSL 150, 0.8%, 0.53%

LAB 81.47, -65.96, 34.27

 

CMYK 8 / 83 / 0 / 9

HEX #D427E7

RGB 212 39 231

HSL 294.06, 0.8%, 0.53%

LAB 53.19, 83.53, -59.26

 

CMYK 25 / 0 / 83 / 9

HEX #ADE728

RGB 173 231 40

HSL 78.22, 0.8%, 0.53%

LAB 85.09, -42.63, 77.49

 

CMYK 83 / 25 / 0 / 9

HEX #27AEE7

RGB 39 174 231

HSL 197.81, 0.8%, 0.53%

LAB 66.88, -15.31, -38.35

 

CMYK 0 / 83 / 25 / 9

HEX #E727AE

RGB 231 39 174

HSL 317.81, 0.8%, 0.53%

LAB 53.49, 79.26, -25.8

 

CMYK 25 / 0 / 83 / 9

HEX #ADE728

RGB 173 231 40

HSL 78.22, 0.8%, 0.53%

LAB 85.09, -42.63, 77.49

 

CMYK 83 / 0 / 42 / 9

HEX #27E787

RGB 39 231 135

HSL 150, 0.8%, 0.53%

LAB 81.47, -65.96, 34.27

 

CMYK 58 / 83 / 0 / 9

HEX #6127E7

RGB 97 39 231

HSL 258.13, 0.8%, 0.53%

LAB 37.41, 67.56, -85.65

 

CMYK 0 / 83 / 42 / 9

HEX #E72787

RGB 231 39 135

HSL 330, 0.8%, 0.53%

LAB 52.05, 75.19, -4.83

 

CMYK 25 / 0 / 83 / 9

HEX #ADE728

RGB 173 231 40

HSL 78.22, 0.8%, 0.53%

LAB 85.09, -42.63, 77.49

 

CMYK 83 / 0 / 16 / 9

HEX #27E7C1

RGB 39 231 193

HSL 168.13, 0.8%, 0.53%

LAB 82.61, -53.38, 5.82

 

CMYK 58 / 83 / 0 / 9

HEX #6127E7

RGB 97 39 231

HSL 258.13, 0.8%, 0.53%

LAB 37.41, 67.56, -85.65

 

CMYK 0 / 83 / 66 / 9

HEX #E7274E

RGB 231 39 78

HSL 347.81, 0.8%, 0.53%

LAB 50.68, 71.18, 27.75

 

Description

Color code: HEX #ADE728 | qconv.com Color code: HEX #ADE728 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 231 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 231 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 83 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 83% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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