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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADE455 it is the complementary color #521BAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADE455. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADE455 shade: #B2E450, #C3F663, #D4FF76, #E5FF89 and #F6FF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADE455. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADE455 shade: #ADE455, #9CD242, #8BC02F, #7AAE1C and #699C09

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADE455 shade: #ACE453, #D3E453, #E4CE53, #E4A753 and #E47F53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADE455 shade: #ACE453, #85E453, #5EE453, #53E46F and #53E496

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADE455 shade matches the following richer shades: #ACE453 and #B0F443

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADE455 shade: #ACE453, #A9D463, #A5C473, #A1B483 and #9DA493

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADE455 shade: #E4CE53, #D3E453, #ACE453, #86E453 and #5FE453

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADE455 shade: #86C61F, #9BDF2F, #ACE453, #BDEA77 and #CFEF9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADE455 shade: #ADE455, #53E4A8 and #E253E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADE455 shade: #ADE455, #53ACE4 and #E453AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADE455 shade: #ADE455, #53E4A8, #8B53E4 and #E4538F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADE455 shade: #ADE455, #53E4D3, #8B53E4 and #E45364

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 63 / 11

HEX #ADE455

RGB 173 228 85

HSL 83.08, 0.73%, 0.61%

LAB 84.5, -38.87, 62.12

 

Complementary color

CMYK 52 / 84 / 0 / 33

HEX #521BAA

RGB 82 27 170

HSL 263.08, 0.73%, 0.39%

LAB 28.06, 54.68, -65.46

 

CMYK 22 / 0 / 65 / 11

HEX #B2E450

RGB 178 228 80

HSL 80.27, 0.73%, 0.6%

LAB 84.76, -37.37, 64.5

 

CMYK 21 / 0 / 60 / 4

HEX #C3F663

RGB 195 246 99

HSL 80.82, 0.89%, 0.68%

LAB 90.97, -37.67, 63.79

 

CMYK 17 / 0 / 54 / 0

HEX #D4FF76

RGB 212 255 118

HSL 78.83, 1%, 0.73%

LAB 94.66, -33.83, 60.07

 

CMYK 10 / 0 / 46 / 0

HEX #E5FF89

RGB 229 255 137

HSL 73.22, 1%, 0.77%

LAB 95.99, -25.68, 53.26

 

CMYK 4 / 0 / 39 / 0

HEX #F6FF9C

RGB 246 255 156

HSL 65.45, 1%, 0.81%

LAB 97.44, -17.32, 46.27

 

CMYK 24 / 0 / 63 / 11

HEX #ADE455

RGB 173 228 85

HSL 83.08, 0.73%, 0.61%

LAB 84.5, -38.87, 62.12

 

CMYK 26 / 0 / 69 / 18

HEX #9CD242

RGB 156 210 66

HSL 82.5, 0.62%, 0.54%

LAB 78.2, -38.54, 62.68

 

CMYK 28 / 0 / 76 / 25

HEX #8BC02F

RGB 139 192 47

HSL 81.93, 0.61%, 0.47%

LAB 71.82, -38.07, 62.76

 

CMYK 30 / 0 / 84 / 32

HEX #7AAE1C

RGB 122 174 28

HSL 81.37, 0.72%, 0.4%

LAB 65.35, -37.41, 62

 

CMYK 33 / 0 / 94 / 39

HEX #699C09

RGB 105 156 9

HSL 80.82, 0.89%, 0.32%

LAB 58.79, -36.5, 59.82

 

CMYK 25 / 0 / 64 / 11

HEX #ACE453

RGB 172 228 83

HSL 83.17, 0.73%, 0.61%

LAB 84.42, -39.39, 62.84

 

CMYK 7 / 0 / 64 / 11

HEX #D3E453

RGB 211 228 83

HSL 67.03, 0.73%, 0.61%

LAB 86.98, -24.28, 66.32

 

CMYK 0 / 10 / 64 / 11

HEX #E4CE53

RGB 228 206 83

HSL 50.9, 0.73%, 0.61%

LAB 82.52, -6.42, 62

 

CMYK 0 / 27 / 64 / 11

HEX #E4A753

RGB 228 167 83

HSL 34.76, 0.73%, 0.61%

LAB 72.73, 13.98, 51.26

 

CMYK 0 / 44 / 64 / 11

HEX #E47F53

RGB 228 127 83

HSL 18.21, 0.73%, 0.61%

LAB 63.59, 35.19, 40.67

 

CMYK 25 / 0 / 64 / 11

HEX #ACE453

RGB 172 228 83

HSL 83.17, 0.73%, 0.61%

LAB 84.42, -39.39, 62.84

 

CMYK 42 / 0 / 64 / 11

HEX #85E453

RGB 133 228 83

HSL 99.31, 0.73%, 0.61%

LAB 82.43, -52.8, 60.1

 

CMYK 59 / 0 / 64 / 11

HEX #5EE453

RGB 94 228 83

HSL 115.45, 0.73%, 0.61%

LAB 81.01, -63.49, 58.14

 

CMYK 64 / 0 / 51 / 11

HEX #53E46F

RGB 83 228 111

HSL 131.59, 0.73%, 0.61%

LAB 81, -62.55, 45.56

 

CMYK 64 / 0 / 34 / 11

HEX #53E496

RGB 83 228 150

HSL 147.72, 0.73%, 0.61%

LAB 81.58, -56.13, 26.93

 

CMYK 25 / 0 / 64 / 11

HEX #ACE453

RGB 172 228 83

HSL 83.17, 0.73%, 0.61%

LAB 84.42, -39.39, 62.84

 

CMYK 28 / 0 / 73 / 4

HEX #B0F443

RGB 176 244 67

HSL 83.05, 0.89%, 0.61%

LAB 89.08, -45.93, 73.57

 

CMYK 25 / 0 / 64 / 11

HEX #ACE453

RGB 172 228 83

HSL 83.17, 0.73%, 0.61%

LAB 84.42, -39.39, 62.84

 

CMYK 20 / 0 / 53 / 17

HEX #A9D463

RGB 169 212 99

HSL 82.83, 0.57%, 0.61%

LAB 79.85, -31.85, 50.69

 

CMYK 16 / 0 / 41 / 23

HEX #A5C473

RGB 165 196 115

HSL 82.96, 0.41%, 0.61%

LAB 75.27, -23.95, 37.23

 

CMYK 11 / 0 / 27 / 29

HEX #A1B483

RGB 161 180 131

HSL 83.27, 0.25%, 0.61%

LAB 70.77, -15.24, 22.88

 

CMYK 4 / 0 / 10 / 36

HEX #9DA493

RGB 157 164 147

HSL 84.71, 0.09%, 0.61%

LAB 66.39, -5.67, 7.96

 

CMYK 0 / 10 / 64 / 11

HEX #E4CE53

RGB 228 206 83

HSL 50.9, 0.73%, 0.61%

LAB 82.52, -6.42, 62

 

CMYK 7 / 0 / 64 / 11

HEX #D3E453

RGB 211 228 83

HSL 67.03, 0.73%, 0.61%

LAB 86.98, -24.28, 66.32

 

CMYK 25 / 0 / 64 / 11

HEX #ACE453

RGB 172 228 83

HSL 83.17, 0.73%, 0.61%

LAB 84.42, -39.39, 62.84

 

CMYK 41 / 0 / 64 / 11

HEX #86E453

RGB 134 228 83

HSL 98.9, 0.73%, 0.61%

LAB 82.48, -52.48, 60.16

 

CMYK 58 / 0 / 64 / 11

HEX #5FE453

RGB 95 228 83

HSL 115.03, 0.73%, 0.61%

LAB 81.04, -63.26, 58.18

 

CMYK 32 / 0 / 84 / 22

HEX #86C61F

RGB 134 198 31

HSL 82.99, 0.73%, 0.45%

LAB 73.26, -43.26, 68.43

 

CMYK 30 / 0 / 79 / 13

HEX #9BDF2F

RGB 155 223 47

HSL 83.18, 0.73%, 0.53%

LAB 81.81, -45.6, 72.4

 

CMYK 25 / 0 / 64 / 11

HEX #ACE453

RGB 172 228 83

HSL 83.17, 0.73%, 0.61%

LAB 84.42, -39.39, 62.84

 

CMYK 19 / 0 / 49 / 8

HEX #BDEA77

RGB 189 234 119

HSL 83.48, 0.73%, 0.69%

LAB 87.48, -32.6, 50.75

 

CMYK 13 / 0 / 36 / 6

HEX #CFEF9A

RGB 207 239 154

HSL 82.59, 0.73%, 0.77%

LAB 90.47, -24.3, 37.75

 

CMYK 24 / 0 / 63 / 11

HEX #ADE455

RGB 173 228 85

HSL 83.08, 0.73%, 0.61%

LAB 84.5, -38.87, 62.12

 

CMYK 64 / 0 / 26 / 11

HEX #53E4A8

RGB 83 228 168

HSL 155.17, 0.73%, 0.61%

LAB 81.92, -52.51, 18.07

 

CMYK 1 / 64 / 0 / 11

HEX #E253E4

RGB 226 83 228

HSL 299.17, 0.73%, 0.61%

LAB 59.85, 72.5, -46.82

 

CMYK 24 / 0 / 63 / 11

HEX #ADE455

RGB 173 228 85

HSL 83.08, 0.73%, 0.61%

LAB 84.5, -38.87, 62.12

 

CMYK 64 / 25 / 0 / 11

HEX #53ACE4

RGB 83 172 228

HSL 203.17, 0.73%, 0.61%

LAB 67.24, -9.77, -36.07

 

CMYK 0 / 64 / 25 / 11

HEX #E453AC

RGB 228 83 172

HSL 323.17, 0.73%, 0.61%

LAB 57.71, 64.72, -18.2

 

CMYK 24 / 0 / 63 / 11

HEX #ADE455

RGB 173 228 85

HSL 83.08, 0.73%, 0.61%

LAB 84.5, -38.87, 62.12

 

CMYK 64 / 0 / 26 / 11

HEX #53E4A8

RGB 83 228 168

HSL 155.17, 0.73%, 0.61%

LAB 81.92, -52.51, 18.07

 

CMYK 39 / 64 / 0 / 11

HEX #8B53E4

RGB 139 83 228

HSL 263.17, 0.73%, 0.61%

LAB 48.61, 53.2, -65.45

 

CMYK 0 / 64 / 37 / 11

HEX #E4538F

RGB 228 83 143

HSL 335.17, 0.73%, 0.61%

LAB 56.75, 61.28, -2.72

 

CMYK 24 / 0 / 63 / 11

HEX #ADE455

RGB 173 228 85

HSL 83.08, 0.73%, 0.61%

LAB 84.5, -38.87, 62.12

 

CMYK 64 / 0 / 7 / 11

HEX #53E4D3

RGB 83 228 211

HSL 172.97, 0.73%, 0.61%

LAB 82.93, -42.38, -3.13

 

CMYK 39 / 64 / 0 / 11

HEX #8B53E4

RGB 139 83 228

HSL 263.17, 0.73%, 0.61%

LAB 48.61, 53.2, -65.45

 

CMYK 0 / 64 / 56 / 11

HEX #E45364

RGB 228 83 100

HSL 352.97, 0.73%, 0.61%

LAB 55.69, 57.37, 21.13

 

Description

Color code: HEX #ADE455 | qconv.com Color code: HEX #ADE455 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 228 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 228 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 63 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 63% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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