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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADE15D it is the complementary color #521EA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADE15D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADE15D shade: #B2E158, #C3F36B, #D4FF7E, #E5FF91 and #F6FFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADE15D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADE15D shade: #ADE15D, #9CCF4A, #8BBD37, #7AAB24 and #699911

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADE15D shade: #ACE15B, #D0E15B, #E1CE5B, #E1A95B and #E1855B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADE15D shade: #ACE15B, #88E15B, #64E15B, #5BE176 and #5BE19A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADE15D shade matches the following richer shades: #ACE15B and #B0F14C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADE15D shade: #ACE15B, #A9D16B, #A6C27B, #A2B28A and #9FA29A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADE15D shade: #E1CD5B, #D1E15B, #AEE15B, #8AE15B and #66E15B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADE15D shade: #86C524, #9BDB38, #ACE15B, #BEE77E and #CFEEA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADE15D shade: #ADE15D, #5BE1A9 and #DF5BE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADE15D shade: #ADE15D, #5BAEE1 and #E15BAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADE15D shade: #ADE15D, #5BE1A9, #8E5BE1 and #E15B93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADE15D shade: #ADE15D, #5BE1D1, #8E5BE1 and #E15B6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 59 / 12

HEX #ADE15D

RGB 173 225 93

HSL 83.64, 0.69%, 0.62%

LAB 83.72, -36.87, 57.89

 

Complementary color

CMYK 49 / 81 / 0 / 36

HEX #521EA2

RGB 82 30 162

HSL 263.64, 0.69%, 0.38%

LAB 27.66, 51.47, -61.29

 

CMYK 21 / 0 / 61 / 12

HEX #B2E158

RGB 178 225 88

HSL 80.58, 0.7%, 0.61%

LAB 83.98, -35.41, 60.4

 

CMYK 20 / 0 / 56 / 5

HEX #C3F36B

RGB 195 243 107

HSL 81.18, 0.85%, 0.69%

LAB 90.21, -35.65, 59.51

 

CMYK 17 / 0 / 51 / 0

HEX #D4FF7E

RGB 212 255 126

HSL 80, 1%, 0.75%

LAB 94.75, -33.09, 56.57

 

CMYK 10 / 0 / 43 / 0

HEX #E5FF91

RGB 229 255 145

HSL 74.18, 1%, 0.78%

LAB 96.09, -24.86, 49.61

 

CMYK 4 / 0 / 36 / 0

HEX #F6FFA4

RGB 246 255 164

HSL 65.93, 1%, 0.82%

LAB 97.55, -16.43, 42.52

 

CMYK 23 / 0 / 59 / 12

HEX #ADE15D

RGB 173 225 93

HSL 83.64, 0.69%, 0.62%

LAB 83.72, -36.87, 57.89

 

CMYK 25 / 0 / 64 / 19

HEX #9CCF4A

RGB 156 207 74

HSL 83.01, 0.58%, 0.55%

LAB 77.39, -36.62, 58.68

 

CMYK 26 / 0 / 71 / 26

HEX #8BBD37

RGB 139 189 55

HSL 82.39, 0.55%, 0.48%

LAB 70.98, -36.26, 59.15

 

CMYK 29 / 0 / 79 / 33

HEX #7AAB24

RGB 122 171 36

HSL 81.78, 0.65%, 0.41%

LAB 64.48, -35.72, 58.99

 

CMYK 31 / 0 / 89 / 40

HEX #699911

RGB 105 153 17

HSL 81.18, 0.8%, 0.33%

LAB 57.87, -34.95, 57.7

 

CMYK 24 / 0 / 60 / 12

HEX #ACE15B

RGB 172 225 91

HSL 83.73, 0.69%, 0.62%

LAB 83.64, -37.41, 58.65

 

CMYK 8 / 0 / 60 / 12

HEX #D0E15B

RGB 208 225 91

HSL 67.61, 0.69%, 0.62%

LAB 86.01, -23.5, 61.94

 

CMYK 0 / 8 / 60 / 12

HEX #E1CE5B

RGB 225 206 91

HSL 51.49, 0.69%, 0.62%

LAB 82.33, -7.14, 58.25

 

CMYK 0 / 25 / 60 / 12

HEX #E1A95B

RGB 225 169 91

HSL 34.93, 0.69%, 0.62%

LAB 72.98, 12.2, 47.6

 

CMYK 0 / 41 / 60 / 12

HEX #E1855B

RGB 225 133 91

HSL 18.81, 0.69%, 0.62%

LAB 64.59, 31.4, 37.55

 

CMYK 24 / 0 / 60 / 12

HEX #ACE15B

RGB 172 225 91

HSL 83.73, 0.69%, 0.62%

LAB 83.64, -37.41, 58.65

 

CMYK 40 / 0 / 60 / 12

HEX #88E15B

RGB 136 225 91

HSL 99.85, 0.69%, 0.62%

LAB 81.75, -49.9, 56.01

 

CMYK 56 / 0 / 60 / 12

HEX #64E15B

RGB 100 225 91

HSL 115.97, 0.69%, 0.62%

LAB 80.36, -60.15, 54.05

 

CMYK 60 / 0 / 48 / 12

HEX #5BE176

RGB 91 225 118

HSL 132.09, 0.69%, 0.62%

LAB 80.39, -58.79, 41.49

 

CMYK 60 / 0 / 32 / 12

HEX #5BE19A

RGB 91 225 154

HSL 148.21, 0.69%, 0.62%

LAB 80.96, -52.63, 24.07

 

CMYK 24 / 0 / 60 / 12

HEX #ACE15B

RGB 172 225 91

HSL 83.73, 0.69%, 0.62%

LAB 83.64, -37.41, 58.65

 

CMYK 27 / 0 / 68 / 5

HEX #B0F14C

RGB 176 241 76

HSL 83.64, 0.85%, 0.62%

LAB 88.29, -44.1, 69.65

 

CMYK 24 / 0 / 60 / 12

HEX #ACE15B

RGB 172 225 91

HSL 83.73, 0.69%, 0.62%

LAB 83.64, -37.41, 58.65

 

CMYK 19 / 0 / 49 / 18

HEX #A9D16B

RGB 169 209 107

HSL 83.53, 0.53%, 0.62%

LAB 79.1, -29.62, 46

 

CMYK 14 / 0 / 37 / 24

HEX #A6C27B

RGB 166 194 123

HSL 83.66, 0.37%, 0.62%

LAB 74.9, -21.57, 32.66

 

CMYK 9 / 0 / 22 / 30

HEX #A2B28A

RGB 162 178 138

HSL 84, 0.21%, 0.62%

LAB 70.43, -12.75, 18.63

 

CMYK 2 / 0 / 5 / 36

HEX #9FA29A

RGB 159 162 154

HSL 82.5, 0.04%, 0.62%

LAB 66.17, -2.58, 3.77

 

CMYK 0 / 9 / 60 / 12

HEX #E1CD5B

RGB 225 205 91

HSL 51.04, 0.69%, 0.62%

LAB 82.07, -6.63, 57.97

 

CMYK 7 / 0 / 60 / 12

HEX #D1E15B

RGB 209 225 91

HSL 67.16, 0.69%, 0.62%

LAB 86.09, -23.1, 62.04

 

CMYK 23 / 0 / 60 / 12

HEX #AEE15B

RGB 174 225 91

HSL 82.84, 0.69%, 0.62%

LAB 83.76, -36.67, 58.81

 

CMYK 39 / 0 / 60 / 12

HEX #8AE15B

RGB 138 225 91

HSL 98.96, 0.69%, 0.62%

LAB 81.84, -49.26, 56.14

 

CMYK 55 / 0 / 60 / 12

HEX #66E15B

RGB 102 225 91

HSL 115.07, 0.69%, 0.62%

LAB 80.42, -59.66, 54.14

 

CMYK 32 / 0 / 82 / 23

HEX #86C524

RGB 134 197 36

HSL 83.48, 0.69%, 0.46%

LAB 72.98, -42.65, 66.96

 

CMYK 29 / 0 / 74 / 14

HEX #9BDB38

RGB 155 219 56

HSL 83.56, 0.69%, 0.54%

LAB 80.69, -43.45, 68.65

 

CMYK 24 / 0 / 60 / 12

HEX #ACE15B

RGB 172 225 91

HSL 83.73, 0.69%, 0.62%

LAB 83.64, -37.41, 58.65

 

CMYK 18 / 0 / 45 / 9

HEX #BEE77E

RGB 190 231 126

HSL 83.43, 0.69%, 0.7%

LAB 86.8, -30.08, 46.6

 

CMYK 13 / 0 / 32 / 7

HEX #CFEEA1

RGB 207 238 161

HSL 84.16, 0.69%, 0.78%

LAB 90.32, -22.91, 34.03

 

CMYK 23 / 0 / 59 / 12

HEX #ADE15D

RGB 173 225 93

HSL 83.64, 0.69%, 0.62%

LAB 83.72, -36.87, 57.89

 

CMYK 60 / 0 / 25 / 12

HEX #5BE1A9

RGB 91 225 169

HSL 154.93, 0.69%, 0.62%

LAB 81.26, -49.58, 16.66

 

CMYK 1 / 60 / 0 / 12

HEX #DF5BE1

RGB 223 91 225

HSL 299.1, 0.69%, 0.62%

LAB 60.43, 68.06, -44.25

 

CMYK 23 / 0 / 59 / 12

HEX #ADE15D

RGB 173 225 93

HSL 83.64, 0.69%, 0.62%

LAB 83.72, -36.87, 57.89

 

CMYK 60 / 23 / 0 / 12

HEX #5BAEE1

RGB 91 174 225

HSL 202.84, 0.69%, 0.62%

LAB 67.97, -10.38, -33.27

 

CMYK 0 / 60 / 23 / 12

HEX #E15BAE

RGB 225 91 174

HSL 322.84, 0.69%, 0.62%

LAB 58.55, 60.8, -18.12

 

CMYK 23 / 0 / 59 / 12

HEX #ADE15D

RGB 173 225 93

HSL 83.64, 0.69%, 0.62%

LAB 83.72, -36.87, 57.89

 

CMYK 60 / 0 / 25 / 12

HEX #5BE1A9

RGB 91 225 169

HSL 154.93, 0.69%, 0.62%

LAB 81.26, -49.58, 16.66

 

CMYK 37 / 60 / 0 / 12

HEX #8E5BE1

RGB 142 91 225

HSL 262.84, 0.69%, 0.62%

LAB 50.3, 48.84, -61.01

 

CMYK 0 / 60 / 35 / 12

HEX #E15B93

RGB 225 91 147

HSL 334.93, 0.69%, 0.62%

LAB 57.65, 57.41, -3.78

 

CMYK 23 / 0 / 59 / 12

HEX #ADE15D

RGB 173 225 93

HSL 83.64, 0.69%, 0.62%

LAB 83.72, -36.87, 57.89

 

CMYK 60 / 0 / 7 / 12

HEX #5BE1D1

RGB 91 225 209

HSL 172.84, 0.69%, 0.62%

LAB 82.21, -40.21, -3.11

 

CMYK 37 / 60 / 0 / 12

HEX #8E5BE1

RGB 142 91 225

HSL 262.84, 0.69%, 0.62%

LAB 50.3, 48.84, -61.01

 

CMYK 0 / 60 / 52 / 12

HEX #E15B6B

RGB 225 91 107

HSL 352.84, 0.69%, 0.62%

LAB 56.64, 53.46, 18.23

 

Description

Color code: HEX #ADE15D | qconv.com Color code: HEX #ADE15D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 225 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 225 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 59 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 59% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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