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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADE080 it is the complementary color #521F7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADE080. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADE080 shade: #B2E07B, #C3F28E, #D4FFA1, #E5FFB4 and #F6FFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADE080. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADE080 shade: #ADE080, #9CCE6D, #8BBC5A, #7AAA47 and #699834

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADE080 shade: #ADE080, #C7E080, #E0DF80, #E0C580 and #E0AB80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADE080 shade: #ADE080, #93E080, #80E087, #80E0A1 and #80E0BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADE080 shade matches the following richer shades: #ADE080, #ACED73 and #ABFA66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADE080 shade: #ADE080, #AED38D, #AFC799, #AFBAA6 and #B0ADB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADE080 shade: #E0DF80, #C8E080, #AEE080, #95E080 and #80E085

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADE080 shade: #82D03D, #98D85F, #ADE080, #C2E8A1 and #D8F0C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADE080 shade: #ADE080, #80E0C5 and #E080D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADE080 shade: #ADE080, #80AEE0 and #E080AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADE080 shade: #ADE080, #80E0C5, #B280E0 and #E0809B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADE080 shade: #ADE080, #80DFE0, #B280E0 and #E08180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 43 / 12

HEX #ADE080

RGB 173 224 128

HSL 91.88, 0.61%, 0.69%

LAB 83.84, -32.76, 41.69

 

Complementary color

CMYK 35 / 76 / 0 / 50

HEX #521F7F

RGB 82 31 127

HSL 271.88, 0.61%, 0.31%

LAB 24.66, 42.03, -44.53

 

CMYK 21 / 0 / 45 / 12

HEX #B2E07B

RGB 178 224 123

HSL 87.33, 0.62%, 0.68%

LAB 84.07, -31.55, 44.5

 

CMYK 19 / 0 / 41 / 5

HEX #C3F28E

RGB 195 242 142

HSL 88.2, 0.79%, 0.75%

LAB 90.35, -31.54, 43.36

 

CMYK 17 / 0 / 37 / 0

HEX #D4FFA1

RGB 212 255 161

HSL 87.45, 1%, 0.82%

LAB 95.2, -29.19, 40.5

 

CMYK 10 / 0 / 29 / 0

HEX #E5FFB4

RGB 229 255 180

HSL 80.8, 1%, 0.85%

LAB 96.6, -20.65, 33.13

 

CMYK 4 / 0 / 22 / 0

HEX #F6FFC7

RGB 246 255 199

HSL 69.64, 1%, 0.89%

LAB 98.13, -11.96, 25.83

 

CMYK 23 / 0 / 43 / 12

HEX #ADE080

RGB 173 224 128

HSL 91.88, 0.61%, 0.69%

LAB 83.84, -32.76, 41.69

 

CMYK 24 / 0 / 47 / 19

HEX #9CCE6D

RGB 156 206 109

HSL 90.93, 0.5%, 0.62%

LAB 77.47, -32.8, 42.85

 

CMYK 26 / 0 / 52 / 26

HEX #8BBC5A

RGB 139 188 90

HSL 90, 0.42%, 0.55%

LAB 71, -32.79, 44.01

 

CMYK 28 / 0 / 58 / 33

HEX #7AAA47

RGB 122 170 71

HSL 89.09, 0.41%, 0.47%

LAB 64.44, -32.72, 45.1

 

CMYK 31 / 0 / 66 / 40

HEX #699834

RGB 105 152 52

HSL 88.2, 0.49%, 0.4%

LAB 57.76, -32.54, 46

 

CMYK 23 / 0 / 43 / 12

HEX #ADE080

RGB 173 224 128

HSL 91.88, 0.61%, 0.69%

LAB 83.84, -32.76, 41.69

 

CMYK 11 / 0 / 43 / 12

HEX #C7E080

RGB 199 224 128

HSL 75.63, 0.61%, 0.69%

LAB 85.51, -23.16, 44.15

 

CMYK 0 / 0 / 43 / 12

HEX #E0DF80

RGB 224 223 128

HSL 59.38, 0.61%, 0.69%

LAB 87.09, -12.99, 46.51

 

CMYK 0 / 12 / 43 / 12

HEX #E0C580

RGB 224 197 128

HSL 43.13, 0.61%, 0.69%

LAB 80.37, 0.27, 38.05

 

CMYK 0 / 24 / 43 / 12

HEX #E0AB80

RGB 224 171 128

HSL 26.88, 0.61%, 0.69%

LAB 73.89, 14.01, 29.63

 

CMYK 23 / 0 / 43 / 12

HEX #ADE080

RGB 173 224 128

HSL 91.88, 0.61%, 0.69%

LAB 83.84, -32.76, 41.69

 

CMYK 34 / 0 / 43 / 12

HEX #93E080

RGB 147 224 128

HSL 108.13, 0.61%, 0.69%

LAB 82.42, -41.62, 39.59

 

CMYK 43 / 0 / 40 / 12

HEX #80E087

RGB 128 224 135

HSL 124.38, 0.61%, 0.69%

LAB 81.65, -46.42, 34.93

 

CMYK 43 / 0 / 28 / 12

HEX #80E0A1

RGB 128 224 161

HSL 140.63, 0.61%, 0.69%

LAB 82.09, -42.01, 22.19

 

CMYK 43 / 0 / 17 / 12

HEX #80E0BB

RGB 128 224 187

HSL 156.88, 0.61%, 0.69%

LAB 82.64, -36.85, 9.32

 

CMYK 23 / 0 / 43 / 12

HEX #ADE080

RGB 173 224 128

HSL 91.88, 0.61%, 0.69%

LAB 83.84, -32.76, 41.69

 

CMYK 27 / 0 / 51 / 7

HEX #ACED73

RGB 172 237 115

HSL 91.97, 0.77%, 0.69%

LAB 87.28, -40.49, 52.13

 

CMYK 32 / 0 / 59 / 2

HEX #ABFA66

RGB 171 250 102

HSL 92.03, 0.94%, 0.69%

LAB 90.77, -47.71, 61.94

 

CMYK 23 / 0 / 43 / 12

HEX #ADE080

RGB 173 224 128

HSL 91.88, 0.61%, 0.69%

LAB 83.84, -32.76, 41.69

 

CMYK 18 / 0 / 33 / 17

HEX #AED38D

RGB 174 211 141

HSL 91.71, 0.44%, 0.69%

LAB 80.47, -24.5, 30.77

 

CMYK 12 / 0 / 23 / 22

HEX #AFC799

RGB 175 199 153

HSL 91.3, 0.29%, 0.69%

LAB 77.44, -16.39, 20.39

 

CMYK 6 / 0 / 11 / 27

HEX #AFBAA6

RGB 175 186 166

HSL 93, 0.13%, 0.69%

LAB 74.18, -7.5, 8.83

 

CMYK 2 / 3 / 0 / 30

HEX #B0ADB3

RGB 176 173 179

HSL 270, 0.04%, 0.69%

LAB 71.13, 2.2, -2.7

 

CMYK 0 / 0 / 43 / 12

HEX #E0DF80

RGB 224 223 128

HSL 59.38, 0.61%, 0.69%

LAB 87.09, -12.99, 46.51

 

CMYK 11 / 0 / 43 / 12

HEX #C8E080

RGB 200 224 128

HSL 75, 0.61%, 0.69%

LAB 85.58, -22.78, 44.25

 

CMYK 22 / 0 / 43 / 12

HEX #AEE080

RGB 174 224 128

HSL 91.25, 0.61%, 0.69%

LAB 83.9, -32.4, 41.78

 

CMYK 33 / 0 / 43 / 12

HEX #95E080

RGB 149 224 128

HSL 106.88, 0.61%, 0.69%

LAB 82.52, -40.97, 39.74

 

CMYK 43 / 0 / 41 / 12

HEX #80E085

RGB 128 224 133

HSL 123.13, 0.61%, 0.69%

LAB 81.62, -46.72, 35.9

 

CMYK 38 / 0 / 71 / 18

HEX #82D03D

RGB 130 208 61

HSL 91.84, 0.61%, 0.53%

LAB 76.19, -47.35, 62.04

 

CMYK 30 / 0 / 56 / 15

HEX #98D85F

RGB 152 216 95

HSL 91.74, 0.61%, 0.61%

LAB 79.96, -40.28, 52.39

 

CMYK 23 / 0 / 43 / 12

HEX #ADE080

RGB 173 224 128

HSL 91.88, 0.61%, 0.69%

LAB 83.84, -32.76, 41.69

 

CMYK 16 / 0 / 31 / 9

HEX #C2E8A1

RGB 194 232 161

HSL 92.11, 0.61%, 0.77%

LAB 87.85, -24.66, 30.59

 

CMYK 10 / 0 / 19 / 6

HEX #D8F0C2

RGB 216 240 194

HSL 91.3, 0.61%, 0.85%

LAB 92.05, -15.89, 19.64

 

CMYK 23 / 0 / 43 / 12

HEX #ADE080

RGB 173 224 128

HSL 91.88, 0.61%, 0.69%

LAB 83.84, -32.76, 41.69

 

CMYK 43 / 0 / 12 / 12

HEX #80E0C5

RGB 128 224 197

HSL 163.13, 0.61%, 0.69%

LAB 82.88, -34.67, 4.38

 

CMYK 0 / 43 / 5 / 12

HEX #E080D5

RGB 224 128 213

HSL 306.88, 0.61%, 0.69%

LAB 66.59, 48.9, -27.94

 

CMYK 23 / 0 / 43 / 12

HEX #ADE080

RGB 173 224 128

HSL 91.88, 0.61%, 0.69%

LAB 83.84, -32.76, 41.69

 

CMYK 43 / 22 / 0 / 12

HEX #80AEE0

RGB 128 174 224

HSL 211.25, 0.61%, 0.69%

LAB 69.64, -2.45, -29.99

 

CMYK 0 / 43 / 22 / 12

HEX #E080AE

RGB 224 128 174

HSL 331.25, 0.61%, 0.69%

LAB 65.23, 42.71, -8.08

 

CMYK 23 / 0 / 43 / 12

HEX #ADE080

RGB 173 224 128

HSL 91.88, 0.61%, 0.69%

LAB 83.84, -32.76, 41.69

 

CMYK 43 / 0 / 12 / 12

HEX #80E0C5

RGB 128 224 197

HSL 163.13, 0.61%, 0.69%

LAB 82.88, -34.67, 4.38

 

CMYK 21 / 43 / 0 / 12

HEX #B280E0

RGB 178 128 224

HSL 271.25, 0.61%, 0.69%

LAB 61.9, 37.46, -41.76

 

CMYK 0 / 43 / 31 / 12

HEX #E0809B

RGB 224 128 155

HSL 343.13, 0.61%, 0.69%

LAB 64.69, 40.11, 1.89

 

CMYK 23 / 0 / 43 / 12

HEX #ADE080

RGB 173 224 128

HSL 91.88, 0.61%, 0.69%

LAB 83.84, -32.76, 41.69

 

CMYK 43 / 0 / 0 / 12

HEX #80DFE0

RGB 128 223 224

HSL 180.63, 0.61%, 0.69%

LAB 83.31, -27.84, -9.3

 

CMYK 21 / 43 / 0 / 12

HEX #B280E0

RGB 178 128 224

HSL 271.25, 0.61%, 0.69%

LAB 61.9, 37.46, -41.76

 

CMYK 0 / 42 / 43 / 12

HEX #E08180

RGB 224 129 128

HSL 0.62, 0.61%, 0.69%

LAB 64.25, 36.41, 16.59

 

Description

Color code: HEX #ADE080 | qconv.com Color code: HEX #ADE080 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 224 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 224 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 43 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 43% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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