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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADE05A it is the complementary color #521FA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADE05A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADE05A shade: #B2E055, #C3F268, #D4FF7B, #E5FF8E and #F6FFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADE05A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADE05A shade: #ADE05A, #9CCE47, #8BBC34, #7AAA21 and #69980E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADE05A shade: #AEE05C, #D1E05C, #E0CB5C, #E0A85C and #E0845C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADE05A shade: #AEE05C, #8AE05C, #67E05C, #5CE075 and #5CE099

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADE05A shade matches the following richer shades: #AEE05C and #B2F04D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADE05A shade: #AEE05C, #AAD06C, #A6C17C, #A3B18B and #9FA19B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADE05A shade: #E0CA5C, #D3E05C, #B0E05C, #8DE05C and #69E05C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADE05A shade: #88C425, #9DD93A, #AEE05C, #BFE77F and #D0EDA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADE05A shade: #ADE05A, #5CE0A7 and #DC5CE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADE05A shade: #ADE05A, #5CB0E0 and #E05CB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADE05A shade: #ADE05A, #5CE0A7, #8D5CE0 and #E05C95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADE05A shade: #ADE05A, #5CE0CE, #8D5CE0 and #E05C6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 60 / 12

HEX #ADE05A

RGB 173 224 90

HSL 82.84, 0.68%, 0.62%

LAB 83.41, -36.67, 58.83

 

Complementary color

CMYK 50 / 81 / 0 / 35

HEX #521FA5

RGB 82 31 165

HSL 262.84, 0.68%, 0.38%

LAB 28.09, 51.85, -62.4

 

CMYK 21 / 0 / 62 / 12

HEX #B2E055

RGB 178 224 85

HSL 79.86, 0.69%, 0.61%

LAB 83.67, -35.19, 61.31

 

CMYK 19 / 0 / 57 / 5

HEX #C3F268

RGB 195 242 104

HSL 80.43, 0.84%, 0.68%

LAB 89.91, -35.46, 60.47

 

CMYK 17 / 0 / 52 / 0

HEX #D4FF7B

RGB 212 255 123

HSL 79.55, 1%, 0.74%

LAB 94.72, -33.37, 57.89

 

CMYK 10 / 0 / 44 / 0

HEX #E5FF8E

RGB 229 255 142

HSL 73.81, 1%, 0.78%

LAB 96.05, -25.18, 50.98

 

CMYK 4 / 0 / 37 / 0

HEX #F6FFA1

RGB 246 255 161

HSL 65.74, 1%, 0.82%

LAB 97.51, -16.77, 43.94

 

CMYK 23 / 0 / 60 / 12

HEX #ADE05A

RGB 173 224 90

HSL 82.84, 0.68%, 0.62%

LAB 83.41, -36.67, 58.83

 

CMYK 24 / 0 / 66 / 19

HEX #9CCE47

RGB 156 206 71

HSL 82.22, 0.58%, 0.54%

LAB 77.08, -36.39, 59.57

 

CMYK 26 / 0 / 72 / 26

HEX #8BBC34

RGB 139 188 52

HSL 81.62, 0.57%, 0.47%

LAB 70.67, -35.99, 59.93

 

CMYK 28 / 0 / 81 / 33

HEX #7AAA21

RGB 122 170 33

HSL 81.02, 0.67%, 0.4%

LAB 64.16, -35.41, 59.59

 

CMYK 31 / 0 / 91 / 40

HEX #69980E

RGB 105 152 14

HSL 80.43, 0.83%, 0.33%

LAB 57.55, -34.58, 58.01

 

CMYK 22 / 0 / 59 / 12

HEX #AEE05C

RGB 174 224 92

HSL 82.73, 0.68%, 0.62%

LAB 83.49, -36.13, 58.08

 

CMYK 7 / 0 / 59 / 12

HEX #D1E05C

RGB 209 224 92

HSL 66.82, 0.68%, 0.62%

LAB 85.83, -22.55, 61.33

 

CMYK 0 / 9 / 59 / 12

HEX #E0CB5C

RGB 224 203 92

HSL 50.45, 0.68%, 0.62%

LAB 81.47, -5.96, 56.83

 

CMYK 0 / 25 / 59 / 12

HEX #E0A85C

RGB 224 168 92

HSL 34.55, 0.68%, 0.62%

LAB 72.64, 12.39, 46.69

 

CMYK 0 / 41 / 59 / 12

HEX #E0845C

RGB 224 132 92

HSL 18.18, 0.68%, 0.62%

LAB 64.26, 31.61, 36.57

 

CMYK 22 / 0 / 59 / 12

HEX #AEE05C

RGB 174 224 92

HSL 82.73, 0.68%, 0.62%

LAB 83.49, -36.13, 58.08

 

CMYK 38 / 0 / 59 / 12

HEX #8AE05C

RGB 138 224 92

HSL 99.09, 0.68%, 0.62%

LAB 81.56, -48.75, 55.38

 

CMYK 54 / 0 / 59 / 12

HEX #67E05C

RGB 103 224 92

HSL 115, 0.68%, 0.62%

LAB 80.16, -58.92, 53.41

 

CMYK 59 / 0 / 48 / 12

HEX #5CE075

RGB 92 224 117

HSL 131.36, 0.68%, 0.62%

LAB 80.11, -58.35, 41.62

 

CMYK 59 / 0 / 32 / 12

HEX #5CE099

RGB 92 224 153

HSL 147.73, 0.68%, 0.62%

LAB 80.68, -52.22, 24.2

 

CMYK 22 / 0 / 59 / 12

HEX #AEE05C

RGB 174 224 92

HSL 82.73, 0.68%, 0.62%

LAB 83.49, -36.13, 58.08

 

CMYK 26 / 0 / 68 / 6

HEX #B2F04D

RGB 178 240 77

HSL 82.82, 0.84%, 0.62%

LAB 88.12, -42.88, 69.15

 

CMYK 22 / 0 / 59 / 12

HEX #AEE05C

RGB 174 224 92

HSL 82.73, 0.68%, 0.62%

LAB 83.49, -36.13, 58.08

 

CMYK 18 / 0 / 48 / 18

HEX #AAD06C

RGB 170 208 108

HSL 82.8, 0.52%, 0.62%

LAB 78.89, -28.66, 45.28

 

CMYK 14 / 0 / 36 / 24

HEX #A6C17C

RGB 166 193 124

HSL 83.48, 0.36%, 0.62%

LAB 74.64, -20.94, 31.79

 

CMYK 8 / 0 / 21 / 31

HEX #A3B18B

RGB 163 177 139

HSL 82.11, 0.2%, 0.62%

LAB 70.24, -11.7, 17.85

 

CMYK 1 / 0 / 4 / 37

HEX #9FA19B

RGB 159 161 155

HSL 80, 0.03%, 0.62%

LAB 65.93, -1.85, 2.86

 

CMYK 0 / 10 / 59 / 12

HEX #E0CA5C

RGB 224 202 92

HSL 50, 0.68%, 0.62%

LAB 81.22, -5.45, 56.54

 

CMYK 6 / 0 / 59 / 12

HEX #D3E05C

RGB 211 224 92

HSL 65.91, 0.68%, 0.62%

LAB 85.97, -21.75, 61.53

 

CMYK 21 / 0 / 59 / 12

HEX #B0E05C

RGB 176 224 92

HSL 81.82, 0.68%, 0.62%

LAB 83.61, -35.38, 58.25

 

CMYK 37 / 0 / 59 / 12

HEX #8DE05C

RGB 141 224 92

HSL 97.73, 0.68%, 0.62%

LAB 81.7, -47.77, 55.58

 

CMYK 53 / 0 / 59 / 12

HEX #69E05C

RGB 105 224 92

HSL 114.09, 0.68%, 0.62%

LAB 80.23, -58.41, 53.51

 

CMYK 31 / 0 / 81 / 23

HEX #88C425

RGB 136 196 37

HSL 82.64, 0.68%, 0.46%

LAB 72.79, -41.43, 66.57

 

CMYK 28 / 0 / 73 / 15

HEX #9DD93A

RGB 157 217 58

HSL 82.64, 0.68%, 0.54%

LAB 80.24, -41.74, 67.58

 

CMYK 22 / 0 / 59 / 12

HEX #AEE05C

RGB 174 224 92

HSL 82.73, 0.68%, 0.62%

LAB 83.49, -36.13, 58.08

 

CMYK 17 / 0 / 45 / 9

HEX #BFE77F

RGB 191 231 127

HSL 83.08, 0.68%, 0.7%

LAB 86.88, -29.6, 46.23

 

CMYK 12 / 0 / 32 / 7

HEX #D0EDA2

RGB 208 237 162

HSL 83.2, 0.68%, 0.78%

LAB 90.13, -21.93, 33.29

 

CMYK 23 / 0 / 60 / 12

HEX #ADE05A

RGB 173 224 90

HSL 82.84, 0.68%, 0.62%

LAB 83.41, -36.67, 58.83

 

CMYK 59 / 0 / 25 / 12

HEX #5CE0A7

RGB 92 224 167

HSL 154.09, 0.68%, 0.62%

LAB 80.95, -49.39, 17.27

 

CMYK 2 / 59 / 0 / 12

HEX #DC5CE0

RGB 220 92 224

HSL 298.18, 0.68%, 0.62%

LAB 60.12, 66.73, -44.22

 

CMYK 23 / 0 / 60 / 12

HEX #ADE05A

RGB 173 224 90

HSL 82.84, 0.68%, 0.62%

LAB 83.41, -36.67, 58.83

 

CMYK 59 / 21 / 0 / 12

HEX #5CB0E0

RGB 92 176 224

HSL 201.82, 0.68%, 0.62%

LAB 68.54, -11.58, -31.83

 

CMYK 0 / 59 / 21 / 12

HEX #E05CB0

RGB 224 92 176

HSL 321.82, 0.68%, 0.62%

LAB 58.64, 60.35, -19.16

 

CMYK 23 / 0 / 60 / 12

HEX #ADE05A

RGB 173 224 90

HSL 82.84, 0.68%, 0.62%

LAB 83.41, -36.67, 58.83

 

CMYK 59 / 0 / 25 / 12

HEX #5CE0A7

RGB 92 224 167

HSL 154.09, 0.68%, 0.62%

LAB 80.95, -49.39, 17.27

 

CMYK 37 / 59 / 0 / 12

HEX #8D5CE0

RGB 141 92 224

HSL 262.27, 0.68%, 0.62%

LAB 50.33, 47.83, -60.39

 

CMYK 0 / 59 / 33 / 12

HEX #E05C95

RGB 224 92 149

HSL 334.09, 0.68%, 0.62%

LAB 57.72, 56.9, -4.86

 

CMYK 23 / 0 / 60 / 12

HEX #ADE05A

RGB 173 224 90

HSL 82.84, 0.68%, 0.62%

LAB 83.41, -36.67, 58.83

 

CMYK 59 / 0 / 8 / 12

HEX #5CE0CE

RGB 92 224 206

HSL 171.82, 0.68%, 0.62%

LAB 81.86, -40.35, -2.02

 

CMYK 37 / 59 / 0 / 12

HEX #8D5CE0

RGB 141 92 224

HSL 262.27, 0.68%, 0.62%

LAB 50.33, 47.83, -60.39

 

CMYK 0 / 59 / 51 / 12

HEX #E05C6E

RGB 224 92 110

HSL 351.82, 0.68%, 0.62%

LAB 56.71, 52.93, 16.55

 

Description

Color code: HEX #ADE05A | qconv.com Color code: HEX #ADE05A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 224 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 224 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 60 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 60% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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