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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADE001 it is the complementary color #521FFE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADE001. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADE001 shade: #B2E000, #C3F20F, #D4FF22, #E5FF35 and #F6FF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADE001. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADE001 shade: #ADE001, #9CCE00, #8BBC00, #7AAA00 and #699800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADE001 shade: #ACDF01, #DFD601, #DF9A01, #DF5E01 and #DF2201

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADE001 shade: #ACDF01, #71DF01, #35DF01, #01DF09 and #01DF45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADE001 shade matches the following richer shades: #ACDF01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADE001 shade: #ACDF01, #A3CD13, #99BB25, #8FA938 and #85974A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADE001 shade: #DF9901, #DFD401, #AFDF01, #74DF01 and #39DF01

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADE001 shade: #6D8D01, #8DB601, #ACDF01, #C6FE0C and #D0FE35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADE001 shade: #ADE001, #01DF5E and #B701DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADE001 shade: #ADE001, #01AFDF and #DF01AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADE001 shade: #ADE001, #01DF5E, #3101DF and #DF0183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADE001 shade: #ADE001, #01DFA0, #3101DF and #DF0140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 100 / 12

HEX #ADE001

RGB 173 224 1

HSL 73.72, 0.99%, 0.44%

LAB 83.02, -40.32, 81.33

 

Complementary color

CMYK 68 / 88 / 0 / 0

HEX #521FFE

RGB 82 31 254

HSL 253.72, 0.99%, 0.56%

LAB 37.72, 74.8, -98.18

 

CMYK 21 / 0 / 100 / 12

HEX #B2E000

RGB 178 224 0

HSL 72.32, 1%, 0.44%

LAB 83.32, -38.38, 81.79

 

CMYK 19 / 0 / 94 / 5

HEX #C3F20F

RGB 195 242 15

HSL 72.42, 0.9%, 0.5%

LAB 89.46, -39.57, 85.69

 

CMYK 17 / 0 / 87 / 0

HEX #D4FF22

RGB 212 255 34

HSL 71.67, 1%, 0.57%

LAB 94.16, -38.39, 87.3

 

CMYK 10 / 0 / 79 / 0

HEX #E5FF35

RGB 229 255 53

HSL 67.72, 1%, 0.6%

LAB 95.34, -31.18, 84.67

 

CMYK 4 / 0 / 72 / 0

HEX #F6FF48

RGB 246 255 72

HSL 62.95, 1%, 0.64%

LAB 96.65, -23.65, 80.8

 

CMYK 23 / 0 / 100 / 12

HEX #ADE001

RGB 173 224 1

HSL 73.72, 0.99%, 0.44%

LAB 83.02, -40.32, 81.33

 

CMYK 24 / 0 / 100 / 19

HEX #9CCE00

RGB 156 206 0

HSL 74.56, 1%, 0.4%

LAB 76.81, -39, 76.25

 

CMYK 26 / 0 / 100 / 26

HEX #8BBC00

RGB 139 188 0

HSL 75.64, 1%, 0.37%

LAB 70.49, -37.65, 70.99

 

CMYK 28 / 0 / 100 / 33

HEX #7AAA00

RGB 122 170 0

HSL 76.94, 1%, 0.33%

LAB 64.07, -36.28, 65.64

 

CMYK 31 / 0 / 100 / 40

HEX #699800

RGB 105 152 0

HSL 78.55, 1%, 0.3%

LAB 57.52, -34.89, 60.19

 

CMYK 23 / 0 / 100 / 13

HEX #ACDF01

RGB 172 223 1

HSL 73.78, 0.99%, 0.44%

LAB 82.67, -40.27, 81.04

 

CMYK 0 / 4 / 100 / 13

HEX #DFD601

RGB 223 214 1

HSL 57.57, 0.99%, 0.44%

LAB 83.85, -15.05, 83.55

 

CMYK 0 / 31 / 100 / 13

HEX #DF9A01

RGB 223 154 1

HSL 41.35, 0.99%, 0.44%

LAB 68.61, 16.13, 72.83

 

CMYK 0 / 58 / 100 / 13

HEX #DF5E01

RGB 223 94 1

HSL 25.14, 0.99%, 0.44%

LAB 55.78, 47.06, 64.82

 

CMYK 0 / 85 / 100 / 13

HEX #DF2201

RGB 223 34 1

HSL 8.92, 0.99%, 0.44%

LAB 48.05, 68.13, 61

 

CMYK 23 / 0 / 100 / 13

HEX #ACDF01

RGB 172 223 1

HSL 73.78, 0.99%, 0.44%

LAB 82.67, -40.27, 81.04

 

CMYK 49 / 0 / 100 / 13

HEX #71DF01

RGB 113 223 1

HSL 89.73, 0.99%, 0.44%

LAB 79.78, -60.69, 77.55

 

CMYK 76 / 0 / 100 / 13

HEX #35DF01

RGB 53 223 1

HSL 105.95, 0.99%, 0.44%

LAB 78.19, -73.85, 75.62

 

CMYK 100 / 0 / 96 / 13

HEX #01DF09

RGB 1 223 9

HSL 122.16, 0.99%, 0.44%

LAB 77.76, -77.69, 74.35

 

CMYK 100 / 0 / 69 / 13

HEX #01DF45

RGB 1 223 69

HSL 138.38, 0.99%, 0.44%

LAB 78, -74.57, 60.05

 

CMYK 23 / 0 / 100 / 13

HEX #ACDF01

RGB 172 223 1

HSL 73.78, 0.99%, 0.44%

LAB 82.67, -40.27, 81.04

 

CMYK 23 / 0 / 100 / 13

HEX #ACDF01

RGB 172 223 1

HSL 73.78, 0.99%, 0.44%

LAB 82.67, -40.27, 81.04

 

CMYK 20 / 0 / 91 / 20

HEX #A3CD13

RGB 163 205 19

HSL 73.55, 0.83%, 0.44%

LAB 76.98, -35.51, 74.49

 

CMYK 18 / 0 / 80 / 27

HEX #99BB25

RGB 153 187 37

HSL 73.6, 0.67%, 0.44%

LAB 71.18, -30.7, 65.52

 

CMYK 15 / 0 / 67 / 34

HEX #8FA938

RGB 143 169 56

HSL 73.81, 0.5%, 0.44%

LAB 65.36, -25.16, 53.09

 

CMYK 12 / 0 / 51 / 41

HEX #85974A

RGB 133 151 74

HSL 74.03, 0.34%, 0.44%

LAB 59.54, -18.72, 38.09

 

CMYK 0 / 31 / 100 / 13

HEX #DF9901

RGB 223 153 1

HSL 41.08, 0.99%, 0.44%

LAB 68.37, 16.66, 72.67

 

CMYK 0 / 5 / 100 / 13

HEX #DFD401

RGB 223 212 1

HSL 57.03, 0.99%, 0.44%

LAB 83.32, -14.06, 83.17

 

CMYK 22 / 0 / 100 / 13

HEX #AFDF01

RGB 175 223 1

HSL 72.97, 0.99%, 0.44%

LAB 82.86, -39.1, 81.26

 

CMYK 48 / 0 / 100 / 13

HEX #74DF01

RGB 116 223 1

HSL 88.92, 0.99%, 0.44%

LAB 79.89, -59.81, 77.69

 

CMYK 74 / 0 / 100 / 13

HEX #39DF01

RGB 57 223 1

HSL 104.86, 0.99%, 0.44%

LAB 78.26, -73.26, 75.7

 

CMYK 23 / 0 / 99 / 45

HEX #6D8D01

RGB 109 141 1

HSL 73.71, 0.99%, 0.28%

LAB 54.35, -28.08, 57.7

 

CMYK 23 / 0 / 99 / 29

HEX #8DB601

RGB 141 182 1

HSL 73.59, 0.99%, 0.36%

LAB 68.84, -34.11, 69.67

 

CMYK 23 / 0 / 100 / 13

HEX #ACDF01

RGB 172 223 1

HSL 73.78, 0.99%, 0.44%

LAB 82.67, -40.27, 81.04

 

CMYK 22 / 0 / 95 / 0

HEX #C6FE0C

RGB 198 254 12

HSL 73.88, 0.99%, 0.52%

LAB 92.98, -43.7, 88.77

 

CMYK 18 / 0 / 79 / 0

HEX #D0FE35

RGB 208 254 53

HSL 73.73, 0.99%, 0.6%

LAB 93.69, -38.94, 82.67

 

CMYK 23 / 0 / 100 / 12

HEX #ADE001

RGB 173 224 1

HSL 73.72, 0.99%, 0.44%

LAB 83.02, -40.32, 81.33

 

CMYK 100 / 0 / 58 / 13

HEX #01DF5E

RGB 1 223 94

HSL 145.14, 0.99%, 0.44%

LAB 78.22, -71.78, 49.84

 

CMYK 18 / 100 / 0 / 13

HEX #B701DF

RGB 183 1 223

HSL 289.19, 0.99%, 0.44%

LAB 46.2, 82.82, -66.24

 

CMYK 23 / 0 / 100 / 12

HEX #ADE001

RGB 173 224 1

HSL 73.72, 0.99%, 0.44%

LAB 83.02, -40.32, 81.33

 

CMYK 100 / 22 / 0 / 13

HEX #01AFDF

RGB 1 175 223

HSL 192.97, 0.99%, 0.44%

LAB 66.52, -20.38, -34.56

 

CMYK 0 / 100 / 22 / 13

HEX #DF01AF

RGB 223 1 175

HSL 312.97, 0.99%, 0.44%

LAB 50.46, 82.47, -31.21

 

CMYK 23 / 0 / 100 / 12

HEX #ADE001

RGB 173 224 1

HSL 73.72, 0.99%, 0.44%

LAB 83.02, -40.32, 81.33

 

CMYK 100 / 0 / 58 / 13

HEX #01DF5E

RGB 1 223 94

HSL 145.14, 0.99%, 0.44%

LAB 78.22, -71.78, 49.84

 

CMYK 78 / 100 / 0 / 13

HEX #3101DF

RGB 49 1 223

HSL 252.97, 0.99%, 0.44%

LAB 29.42, 71.99, -94.47

 

CMYK 0 / 100 / 41 / 13

HEX #DF0183

RGB 223 1 131

HSL 324.86, 0.99%, 0.44%

LAB 48.7, 77.94, -7.57

 

CMYK 23 / 0 / 100 / 12

HEX #ADE001

RGB 173 224 1

HSL 73.72, 0.99%, 0.44%

LAB 83.02, -40.32, 81.33

 

CMYK 100 / 0 / 28 / 13

HEX #01DFA0

RGB 1 223 160

HSL 162.97, 0.99%, 0.44%

LAB 79.23, -59.94, 18.35

 

CMYK 78 / 100 / 0 / 13

HEX #3101DF

RGB 49 1 223

HSL 252.97, 0.99%, 0.44%

LAB 29.42, 71.99, -94.47

 

CMYK 0 / 100 / 71 / 13

HEX #DF0140

RGB 223 1 64

HSL 342.97, 0.99%, 0.44%

LAB 47.08, 73.64, 31.4

 

Description

Color code: HEX #ADE001 | qconv.com Color code: HEX #ADE001 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 224 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 224 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 100 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 100% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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