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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADDDB64C it is the complementary color #5222494C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADDDB64C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADDDB64C shade: #B2DDB14C, #C3EFC44C, #D4FFD74C, #E5FFEA4C and #F6FFFD4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADDDB64C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADDDB64C shade: #ADDDB64C, #9CCBA34C, #8BB9904C, #7AA77D4C and #69956A4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADDDB64C shade: #ACDCB5, #B0DCAC, #BDDCAC, #CADCAC and #D7DCAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADDDB64C shade: #ACDCB5, #ACDCC2, #ACDCCF, #ACDCDC and #ACD0DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADDDB64C shade matches the following richer shades: #ACDCB5, #A3E6AF, #99EFA9 and #90F9A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADDDB64C shade: #ACDCB5, #B6D3BB, #BFC9C1, #C9C0C7 and #D2B6CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADDDB64C shade: #BDDCAC, #B0DCAC, #ACDCB5, #ACDCC2 and #ACDCCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADDDB64C shade: #72C481, #8FD09B, #ACDCB5, #C9E9CF and #E6F5E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADDDB64C shade: #ADDDB6, #ACCADC and #DCACB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADDDB64C shade: #ADDDB6, #B5ACDC and #DCB5AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADDDB64C shade: #ADDDB6, #ACCADC, #DCACD4 and #DCBFAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADDDB64C shade: #ADDDB6, #ACBCDC, #DCACD4 and #DCCDAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 5 / 4

HEX #ADDDB64C

RGBA 173 221 182 0.3

HSLA 131.25, 0.41%, 0.77%, 0.3

LABA 83.95, -23.12, 14.13, 0.3

 

Complementary color

CMYK 0 / 18 / 3 / 20

HEX #5222494C

RGBA 82 34 73 0.3

HSLA 311.25, 0.41%, 0.23%, 0.3

LABA 21.65, 28.19, -13.99, 0.3

 

CMYK 6 / 0 / 6 / 4

HEX #B2DDB14C

RGBA 178 221 177 0.3

HSLA 118.64, 0.39%, 0.78%, 0.3

LABA 84.15, -22.34, 17.08, 0.3

 

CMYK 6 / 0 / 5 / 2

HEX #C3EFC44C

RGBA 195 239 196 0.3

HSLA 121.36, 0.58%, 0.85%, 0.3

LABA 90.47, -22.19, 16.2, 0.3

 

CMYK 5 / 0 / 5 / 0

HEX #D4FFD74C

RGBA 212 255 215 0.3

HSLA 124.19, 1%, 0.92%, 0.3

LABA 96.17, -21.1, 14.61, 0.3

 

CMYK 3 / 0 / 2 / 0

HEX #E5FFEA4C

RGBA 229 255 234 0.3

HSLA 131.54, 1%, 0.95%, 0.3

LABA 97.68, -12.23, 7.17, 0.3

 

CMYK 1 / 0 / 0 / 0

HEX #F6FFFD4C

RGBA 246 255 253 0.3

HSLA 166.67, 1%, 0.98%, 0.3

LABA 99.3, -3.3, -0.08, 0.3

 

CMYK 7 / 0 / 5 / 4

HEX #ADDDB64C

RGBA 173 221 182 0.3

HSLA 131.25, 0.41%, 0.77%, 0.3

LABA 83.95, -23.12, 14.13, 0.3

 

CMYK 7 / 0 / 6 / 6

HEX #9CCBA34C

RGBA 156 203 163 0.3

HSLA 128.94, 0.31%, 0.7%, 0.3

LABA 77.53, -23.3, 15.02, 0.3

 

CMYK 7 / 0 / 7 / 8

HEX #8BB9904C

RGBA 139 185 144 0.3

HSLA 126.52, 0.25%, 0.64%, 0.3

LABA 71.01, -23.51, 15.96, 0.3

 

CMYK 8 / 0 / 8 / 10

HEX #7AA77D4C

RGBA 122 167 125 0.3

HSLA 124, 0.2%, 0.57%, 0.3

LABA 64.37, -23.73, 16.96, 0.3

 

CMYK 9 / 0 / 9 / 12

HEX #69956A4C

RGBA 105 149 106 0.3

HSLA 121.36, 0.17%, 0.5%, 0.3

LABA 57.6, -23.98, 18.04, 0.3

 

CMYK 22 / 0 / 18 / 14

HEX #ACDCB5

RGB 172 220 181

HSL 131.25, 0.41%, 0.77%

LAB 83.6, -23.14, 14.15

 

CMYK 20 / 0 / 22 / 14

HEX #B0DCAC

RGB 176 220 172

HSL 115, 0.41%, 0.77%

LAB 83.65, -23.37, 18.98

 

CMYK 14 / 0 / 22 / 14

HEX #BDDCAC

RGB 189 220 172

HSL 98.75, 0.41%, 0.77%

LAB 84.48, -18.9, 20.26

 

CMYK 8 / 0 / 22 / 14

HEX #CADCAC

RGB 202 220 172

HSL 82.5, 0.41%, 0.77%

LAB 85.36, -14.29, 21.62

 

CMYK 2 / 0 / 22 / 14

HEX #D7DCAC

RGB 215 220 172

HSL 66.25, 0.41%, 0.77%

LAB 86.31, -9.56, 23.08

 

CMYK 22 / 0 / 18 / 14

HEX #ACDCB5

RGB 172 220 181

HSL 131.25, 0.41%, 0.77%

LAB 83.6, -23.14, 14.15

 

CMYK 22 / 0 / 12 / 14

HEX #ACDCC2

RGB 172 220 194

HSL 147.5, 0.41%, 0.77%

LAB 83.89, -20.72, 7.7

 

CMYK 22 / 0 / 6 / 14

HEX #ACDCCF

RGB 172 220 207

HSL 163.75, 0.41%, 0.77%

LAB 84.21, -18.14, 1.28

 

CMYK 22 / 0 / 0 / 14

HEX #ACDCDC

RGB 172 220 220

HSL 180, 0.41%, 0.77%

LAB 84.55, -15.42, -5.1

 

CMYK 22 / 5 / 0 / 14

HEX #ACD0DC

RGB 172 208 220

HSL 195, 0.41%, 0.77%

LAB 81.32, -9.27, -9.89

 

CMYK 22 / 0 / 18 / 14

HEX #ACDCB5

RGB 172 220 181

HSL 131.25, 0.41%, 0.77%

LAB 83.6, -23.14, 14.15

 

CMYK 29 / 0 / 24 / 10

HEX #A3E6AF

RGB 163 230 175

HSL 130.75, 0.57%, 0.77%

LAB 85.74, -31.88, 20.21

 

CMYK 36 / 0 / 29 / 6

HEX #99EFA9

RGB 153 239 169

HSL 131.16, 0.73%, 0.77%

LAB 87.66, -40.09, 25.87

 

CMYK 42 / 0 / 34 / 2

HEX #90F9A4

RGB 144 249 164

HSL 131.43, 0.9%, 0.77%

LAB 90.03, -47.87, 31.53

 

CMYK 22 / 0 / 18 / 14

HEX #ACDCB5

RGB 172 220 181

HSL 131.25, 0.41%, 0.77%

LAB 83.6, -23.14, 14.15

 

CMYK 14 / 0 / 11 / 17

HEX #B6D3BB

RGB 182 211 187

HSL 130.34, 0.25%, 0.77%

LAB 81.9, -14.23, 8.65

 

CMYK 5 / 0 / 4 / 21

HEX #BFC9C1

RGB 191 201 193

HSL 132, 0.08%, 0.77%

LAB 80.01, -4.9, 2.8

 

CMYK 0 / 4 / 1 / 21

HEX #C9C0C7

RGB 201 192 199

HSL 313.33, 0.08%, 0.77%

LAB 78.6, 4.41, -2.39

 

CMYK 0 / 13 / 2 / 18

HEX #D2B6CD

RGB 210 182 205

HSL 310.71, 0.24%, 0.77%

LAB 77.02, 14, -7.89

 

CMYK 14 / 0 / 22 / 14

HEX #BDDCAC

RGB 189 220 172

HSL 98.75, 0.41%, 0.77%

LAB 84.48, -18.9, 20.26

 

CMYK 20 / 0 / 22 / 14

HEX #B0DCAC

RGB 176 220 172

HSL 115, 0.41%, 0.77%

LAB 83.65, -23.37, 18.98

 

CMYK 22 / 0 / 18 / 14

HEX #ACDCB5

RGB 172 220 181

HSL 131.25, 0.41%, 0.77%

LAB 83.6, -23.14, 14.15

 

CMYK 22 / 0 / 12 / 14

HEX #ACDCC2

RGB 172 220 194

HSL 147.5, 0.41%, 0.77%

LAB 83.89, -20.72, 7.7

 

CMYK 22 / 0 / 6 / 14

HEX #ACDCCF

RGB 172 220 207

HSL 163.75, 0.41%, 0.77%

LAB 84.21, -18.14, 1.28

 

CMYK 42 / 0 / 34 / 23

HEX #72C481

RGB 114 196 129

HSL 130.98, 0.41%, 0.61%

LAB 72.66, -39.29, 26.02

 

CMYK 31 / 0 / 25 / 18

HEX #8FD09B

RGB 143 208 155

HSL 131.08, 0.41%, 0.69%

LAB 78.06, -31.37, 19.89

 

CMYK 22 / 0 / 18 / 14

HEX #ACDCB5

RGB 172 220 181

HSL 131.25, 0.41%, 0.77%

LAB 83.6, -23.14, 14.15

 

CMYK 14 / 0 / 11 / 9

HEX #C9E9CF

RGB 201 233 207

HSL 131.25, 0.42%, 0.85%

LAB 89.49, -15.33, 9.14

 

CMYK 6 / 0 / 5 / 4

HEX #E6F5E9

RGB 230 245 233

HSL 132, 0.43%, 0.93%

LAB 95.17, -7.09, 4.06

 

CMYK 22 / 0 / 18 / 13

HEX #ADDDB6

RGB 173 221 182

HSL 131.25, 0.41%, 0.77%

LAB 83.95, -23.12, 14.13

 

CMYK 22 / 8 / 0 / 14

HEX #ACCADC

RGB 172 202 220

HSL 202.5, 0.41%, 0.77%

LAB 79.72, -6.13, -12.28

 

CMYK 0 / 22 / 17 / 14

HEX #DCACB7

RGB 220 172 183

HSL 346.25, 0.41%, 0.77%

LAB 74.91, 19.2, 1.11

 

CMYK 22 / 0 / 18 / 13

HEX #ADDDB6

RGB 173 221 182

HSL 131.25, 0.41%, 0.77%

LAB 83.95, -23.12, 14.13

 

CMYK 18 / 22 / 0 / 14

HEX #B5ACDC

RGB 181 172 220

HSL 251.25, 0.41%, 0.77%

LAB 72.56, 12.9, -23.02

 

CMYK 0 / 18 / 22 / 14

HEX #DCB5AC

RGB 220 181 172

HSL 11.25, 0.41%, 0.77%

LAB 76.83, 12.69, 9.86

 

CMYK 22 / 0 / 18 / 13

HEX #ADDDB6

RGB 173 221 182

HSL 131.25, 0.41%, 0.77%

LAB 83.95, -23.12, 14.13

 

CMYK 22 / 8 / 0 / 14

HEX #ACCADC

RGB 172 202 220

HSL 202.5, 0.41%, 0.77%

LAB 79.72, -6.13, -12.28

 

CMYK 0 / 22 / 4 / 14

HEX #DCACD4

RGB 220 172 212

HSL 310, 0.41%, 0.77%

LAB 75.75, 24.09, -13.5

 

CMYK 0 / 13 / 22 / 14

HEX #DCBFAC

RGB 220 191 172

HSL 23.75, 0.41%, 0.77%

LAB 79.3, 7.36, 13.38

 

CMYK 22 / 0 / 18 / 13

HEX #ADDDB6

RGB 173 221 182

HSL 131.25, 0.41%, 0.77%

LAB 83.95, -23.12, 14.13

 

CMYK 22 / 15 / 0 / 14

HEX #ACBCDC

RGB 172 188 220

HSL 220, 0.41%, 0.77%

LAB 76.01, 1.34, -17.85

 

CMYK 0 / 22 / 4 / 14

HEX #DCACD4

RGB 220 172 212

HSL 310, 0.41%, 0.77%

LAB 75.75, 24.09, -13.5

 

CMYK 0 / 7 / 22 / 14

HEX #DCCDAC

RGB 220 205 172

HSL 41.25, 0.41%, 0.77%

LAB 82.84, -0, 18.33

 

Description

Color code: HEX #ADDDB64C | qconv.com Color code: HEX #ADDDB64C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 221 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 221 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 5 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 5% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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