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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADDCD5CE it is the complementary color #52232ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADDCD5CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADDCD5CE shade: #B2DCD0CE, #C3EEE3CE, #D4FFF6CE, #E5FFFFCE and #F6FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADDCD5CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADDCD5CE shade: #ADDCD5CE, #9CCAC2CE, #8BB8AFCE, #7AA69CCE and #699489CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADDCD5CE shade: #ADDCD5, #ADDCC8, #ADDCBC, #ADDCAF and #B8DCAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADDCD5CE shade: #ADDCD5, #ADD6DC, #ADC9DC, #ADBDDC and #ADB0DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADDCD5CE shade matches the following richer shades: #ADDCD5, #A3E5DB, #9AEFE2 and #90F8E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADDCD5CE shade: #ADDCD5, #B6D2CE, #C0C9C7, #C9BFC1 and #D3B6BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADDCD5CE shade: #ADDCBC, #ADDCC8, #ADDCD5, #ADD6DC and #ADCADC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADDCD5CE shade: #73C3B7, #90CFC6, #ADDCD5, #CAE8E4 and #E7F5F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADDCD5CE shade: #ADDCD5, #AFADDC and #DCC2AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADDCD5CE shade: #ADDCD5, #D5ADDC and #DCD5AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADDCD5CE shade: #ADDCD5, #AFADDC, #DCADB4 and #D9DCAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADDCD5CE shade: #ADDCD5, #BDADDC, #DCADB4 and #CBDCAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 3 / 11

HEX #ADDCD5CE

RGBA 173 220 213 0.81

HSLA 171.06, 0.4%, 0.77%, 0.81

LABA 84.42, -16.6, -1.57, 0.81

 

Complementary color

CMYK 0 / 46 / 40 / 55

HEX #52232ACE

RGBA 82 35 42 0.81

HSLA 351.06, 0.4%, 0.23%, 0.81

LABA 20.69, 22.74, 5.93, 0.81

 

CMYK 15 / 0 / 4 / 11

HEX #B2DCD0CE

RGBA 178 220 208 0.81

HSLA 162.86, 0.38%, 0.78%, 0.81

LABA 84.59, -16.07, 1.36, 0.81

 

CMYK 15 / 0 / 4 / 5

HEX #C3EEE3CE

RGBA 195 238 227 0.81

HSLA 164.65, 0.56%, 0.85%, 0.81

LABA 90.92, -15.97, 0.72, 0.81

 

CMYK 14 / 0 / 3 / 0

HEX #D4FFF6CE

RGBA 212 255 246 0.81

HSLA 167.44, 1%, 0.92%, 0.81

LABA 96.89, -15.4, -0.28, 0.81

 

CMYK 8 / 0 / 0 / 0

HEX #E5FFFFCE

RGBA 229 255 255 0.81

HSLA 180, 1%, 0.95%, 0.81

LABA 98.19, -8.37, -2.87, 0.81

 

CMYK 3 / 0 / 0 / 0

HEX #F6FFFFCE

RGBA 246 255 255 0.81

HSLA 180, 1%, 0.98%, 0.81

LABA 99.35, -2.94, -1.04, 0.81

 

CMYK 17 / 0 / 3 / 11

HEX #ADDCD5CE

RGBA 173 220 213 0.81

HSLA 171.06, 0.4%, 0.77%, 0.81

LABA 84.42, -16.6, -1.57, 0.81

 

CMYK 18 / 0 / 3 / 17

HEX #9CCAC2CE

RGBA 156 202 194 0.81

HSLA 169.57, 0.3%, 0.7%, 0.81

LABA 78, -16.7, -0.95, 0.81

 

CMYK 20 / 0 / 4 / 23

HEX #8BB8AFCE

RGBA 139 184 175 0.81

HSLA 168, 0.24%, 0.63%, 0.81

LABA 71.46, -16.83, -0.31, 0.81

 

CMYK 21 / 0 / 5 / 28

HEX #7AA69CCE

RGBA 122 166 156 0.81

HSLA 166.36, 0.2%, 0.56%, 0.81

LABA 64.81, -16.97, 0.37, 0.81

 

CMYK 24 / 0 / 6 / 34

HEX #699489CE

RGBA 105 148 137 0.81

HSLA 164.65, 0.17%, 0.5%, 0.81

LABA 58.03, -17.14, 1.09, 0.81

 

CMYK 21 / 0 / 3 / 14

HEX #ADDCD5

RGB 173 220 213

HSL 171.06, 0.4%, 0.77%

LAB 84.42, -16.6, -1.57

 

CMYK 21 / 0 / 9 / 14

HEX #ADDCC8

RGB 173 220 200

HSL 154.47, 0.4%, 0.77%

LAB 84.09, -19.23, 4.83

 

CMYK 21 / 0 / 15 / 14

HEX #ADDCBC

RGB 173 220 188

HSL 139.15, 0.4%, 0.77%

LAB 83.81, -21.53, 10.77

 

CMYK 21 / 0 / 20 / 14

HEX #ADDCAF

RGB 173 220 175

HSL 122.55, 0.4%, 0.77%

LAB 83.53, -23.87, 17.22

 

CMYK 16 / 0 / 21 / 14

HEX #B8DCAD

RGB 184 220 173

HSL 105.96, 0.4%, 0.77%

LAB 84.17, -20.48, 19.26

 

CMYK 21 / 0 / 3 / 14

HEX #ADDCD5

RGB 173 220 213

HSL 171.06, 0.4%, 0.77%

LAB 84.42, -16.6, -1.57

 

CMYK 21 / 3 / 0 / 14

HEX #ADD6DC

RGB 173 214 220

HSL 187.66, 0.4%, 0.77%

LAB 82.99, -12.06, -7.4

 

CMYK 21 / 9 / 0 / 14

HEX #ADC9DC

RGB 173 201 220

HSL 204.26, 0.4%, 0.77%

LAB 79.51, -5.3, -12.57

 

CMYK 21 / 14 / 0 / 14

HEX #ADBDDC

RGB 173 189 220

HSL 219.57, 0.4%, 0.77%

LAB 76.34, 1.11, -17.34

 

CMYK 21 / 20 / 0 / 14

HEX #ADB0DC

RGB 173 176 220

HSL 236.17, 0.4%, 0.77%

LAB 72.96, 8.2, -22.47

 

CMYK 21 / 0 / 3 / 14

HEX #ADDCD5

RGB 173 220 213

HSL 171.06, 0.4%, 0.77%

LAB 84.42, -16.6, -1.57

 

CMYK 29 / 0 / 4 / 10

HEX #A3E5DB

RGB 163 229 219

HSL 170.91, 0.56%, 0.77%

LAB 86.47, -22.76, -1.8

 

CMYK 36 / 0 / 5 / 6

HEX #9AEFE2

RGB 154 239 226

HSL 170.82, 0.73%, 0.77%

LAB 88.97, -28.54, -1.87

 

CMYK 42 / 0 / 6 / 3

HEX #90F8E9

RGB 144 248 233

HSL 171.35, 0.88%, 0.77%

LAB 91.21, -33.73, -2.28

 

CMYK 21 / 0 / 3 / 14

HEX #ADDCD5

RGB 173 220 213

HSL 171.06, 0.4%, 0.77%

LAB 84.42, -16.6, -1.57

 

CMYK 13 / 0 / 2 / 18

HEX #B6D2CE

RGB 182 210 206

HSL 171.43, 0.24%, 0.77%

LAB 82.11, -10.09, -1.18

 

CMYK 4 / 0 / 1 / 21

HEX #C0C9C7

RGB 192 201 199

HSL 166.67, 0.08%, 0.77%

LAB 80.24, -3.45, -0.08

 

CMYK 0 / 5 / 4 / 21

HEX #C9BFC1

RGB 201 191 193

HSL 348, 0.08%, 0.77%

LAB 78.19, 3.86, 0.24

 

CMYK 0 / 14 / 12 / 17

HEX #D3B6BA

RGB 211 182 186

HSL 351.72, 0.25%, 0.77%

LAB 76.59, 11.04, 1.81

 

CMYK 21 / 0 / 15 / 14

HEX #ADDCBC

RGB 173 220 188

HSL 139.15, 0.4%, 0.77%

LAB 83.81, -21.53, 10.77

 

CMYK 21 / 0 / 9 / 14

HEX #ADDCC8

RGB 173 220 200

HSL 154.47, 0.4%, 0.77%

LAB 84.09, -19.23, 4.83

 

CMYK 21 / 0 / 3 / 14

HEX #ADDCD5

RGB 173 220 213

HSL 171.06, 0.4%, 0.77%

LAB 84.42, -16.6, -1.57

 

CMYK 21 / 3 / 0 / 14

HEX #ADD6DC

RGB 173 214 220

HSL 187.66, 0.4%, 0.77%

LAB 82.99, -12.06, -7.4

 

CMYK 21 / 8 / 0 / 14

HEX #ADCADC

RGB 173 202 220

HSL 202.98, 0.4%, 0.77%

LAB 79.78, -5.82, -12.17

 

CMYK 41 / 0 / 6 / 24

HEX #73C3B7

RGB 115 195 183

HSL 171, 0.4%, 0.61%

LAB 73.61, -27.4, -1.68

 

CMYK 30 / 0 / 4 / 19

HEX #90CFC6

RGB 144 207 198

HSL 171.43, 0.4%, 0.69%

LAB 78.83, -21.93, -1.96

 

CMYK 21 / 0 / 3 / 14

HEX #ADDCD5

RGB 173 220 213

HSL 171.06, 0.4%, 0.77%

LAB 84.42, -16.6, -1.57

 

CMYK 13 / 0 / 2 / 9

HEX #CAE8E4

RGB 202 232 228

HSL 172, 0.39%, 0.85%

LAB 89.8, -10.56, -1.38

 

CMYK 6 / 0 / 1 / 4

HEX #E7F5F2

RGB 231 245 242

HSL 167.14, 0.41%, 0.93%

LAB 95.46, -5.14, -0.16

 

CMYK 21 / 0 / 3 / 14

HEX #ADDCD5

RGB 173 220 213

HSL 171.06, 0.4%, 0.77%

LAB 84.42, -16.6, -1.57

 

CMYK 20 / 21 / 0 / 14

HEX #AFADDC

RGB 175 173 220

HSL 242.55, 0.4%, 0.77%

LAB 72.34, 10.47, -23.4

 

CMYK 0 / 12 / 21 / 14

HEX #DCC2AD

RGB 220 194 173

HSL 26.81, 0.4%, 0.77%

LAB 80.08, 5.92, 13.93

 

CMYK 21 / 0 / 3 / 14

HEX #ADDCD5

RGB 173 220 213

HSL 171.06, 0.4%, 0.77%

LAB 84.42, -16.6, -1.57

 

CMYK 3 / 21 / 0 / 14

HEX #D5ADDC

RGB 213 173 220

HSL 291.06, 0.4%, 0.77%

LAB 75.58, 22.69, -18.18

 

CMYK 0 / 3 / 21 / 14

HEX #DCD5AD

RGB 220 213 173

HSL 51.06, 0.4%, 0.77%

LAB 84.91, -4, 20.68

 

CMYK 21 / 0 / 3 / 14

HEX #ADDCD5

RGB 173 220 213

HSL 171.06, 0.4%, 0.77%

LAB 84.42, -16.6, -1.57

 

CMYK 20 / 21 / 0 / 14

HEX #AFADDC

RGB 175 173 220

HSL 242.55, 0.4%, 0.77%

LAB 72.34, 10.47, -23.4

 

CMYK 0 / 21 / 18 / 14

HEX #DCADB4

RGB 220 173 180

HSL 351.06, 0.4%, 0.77%

LAB 75.08, 18.19, 2.99

 

CMYK 1 / 0 / 21 / 14

HEX #D9DCAD

RGB 217 220 173

HSL 63.83, 0.4%, 0.77%

LAB 86.48, -8.68, 22.82

 

CMYK 21 / 0 / 3 / 14

HEX #ADDCD5

RGB 173 220 213

HSL 171.06, 0.4%, 0.77%

LAB 84.42, -16.6, -1.57

 

CMYK 14 / 21 / 0 / 14

HEX #BDADDC

RGB 189 173 220

HSL 260.43, 0.4%, 0.77%

LAB 73.46, 14.89, -21.59

 

CMYK 0 / 21 / 18 / 14

HEX #DCADB4

RGB 220 173 180

HSL 351.06, 0.4%, 0.77%

LAB 75.08, 18.19, 2.99

 

CMYK 8 / 0 / 21 / 14

HEX #CBDCAD

RGB 203 220 173

HSL 81.7, 0.4%, 0.77%

LAB 85.45, -13.78, 21.24

 

Description

Color code: HEX #ADDCD5CE | qconv.com Color code: HEX #ADDCD5CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 220 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 220 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 3 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 3% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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