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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADDC73 it is the complementary color #52238C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADDC73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADDC73 shade: #B2DC6E, #C3EE81, #D4FF94, #E5FFA7 and #F6FFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADDC73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADDC73 shade: #ADDC73, #9CCA60, #8BB84D, #7AA63A and #699427

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADDC73 shade: #AEDC74, #CADC74, #DCD374, #DCB774 and #DC9B74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADDC73 shade: #AEDC74, #92DC74, #76DC74, #74DC8F and #74DCAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADDC73 shade matches the following richer shades: #AEDC74, #AFEA66 and #B1F858

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADDC73 shade: #AEDC74, #ACCE82, #ABC090, #A9B29E and #A8A4AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADDC73 shade: #DCD274, #CBDC74, #AFDC74, #93DC74 and #78DC74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADDC73 shade: #87CB33, #9AD453, #AEDC74, #C1E595 and #D4EDB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADDC73 shade: #ADDC73, #74DCB6 and #DC74D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADDC73 shade: #ADDC73, #74AFDC and #DC74AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADDC73 shade: #ADDC73, #74DCB6, #A174DC and #DC749A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADDC73 shade: #ADDC73, #74DCD5, #A174DC and #DC747B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 48 / 14

HEX #ADDC73

RGB 173 220 115

HSL 86.86, 0.6%, 0.66%

LAB 82.54, -32.42, 46.41

 

Complementary color

CMYK 41 / 75 / 0 / 45

HEX #52238C

RGB 82 35 140

HSL 266.86, 0.6%, 0.34%

LAB 26.42, 43.49, -49.81

 

CMYK 19 / 0 / 50 / 14

HEX #B2DC6E

RGB 178 220 110

HSL 82.91, 0.61%, 0.65%

LAB 82.79, -31.1, 49.17

 

CMYK 18 / 0 / 46 / 7

HEX #C3EE81

RGB 195 238 129

HSL 83.67, 0.76%, 0.72%

LAB 89.08, -31.18, 48.05

 

CMYK 17 / 0 / 42 / 0

HEX #D4FF94

RGB 212 255 148

HSL 84.11, 1%, 0.79%

LAB 95.02, -30.76, 46.59

 

CMYK 10 / 0 / 35 / 0

HEX #E5FFA7

RGB 229 255 167

HSL 77.73, 1%, 0.83%

LAB 96.4, -22.33, 39.32

 

CMYK 4 / 0 / 27 / 0

HEX #F6FFBA

RGB 246 255 186

HSL 67.83, 1%, 0.86%

LAB 97.9, -13.73, 32.07

 

CMYK 21 / 0 / 48 / 14

HEX #ADDC73

RGB 173 220 115

HSL 86.86, 0.6%, 0.66%

LAB 82.54, -32.42, 46.41

 

CMYK 23 / 0 / 52 / 21

HEX #9CCA60

RGB 156 202 96

HSL 86.04, 0.5%, 0.58%

LAB 76.16, -32.36, 47.53

 

CMYK 24 / 0 / 58 / 28

HEX #8BB84D

RGB 139 184 77

HSL 85.23, 0.43%, 0.51%

LAB 69.69, -32.24, 48.59

 

CMYK 27 / 0 / 65 / 35

HEX #7AA63A

RGB 122 166 58

HSL 84.44, 0.48%, 0.44%

LAB 63.11, -32.01, 49.46

 

CMYK 29 / 0 / 74 / 42

HEX #699427

RGB 105 148 39

HSL 83.67, 0.58%, 0.37%

LAB 56.42, -31.64, 49.9

 

CMYK 21 / 0 / 47 / 14

HEX #AEDC74

RGB 174 220 116

HSL 86.54, 0.6%, 0.66%

LAB 82.62, -31.94, 46.03

 

CMYK 8 / 0 / 47 / 14

HEX #CADC74

RGB 202 220 116

HSL 70.38, 0.6%, 0.66%

LAB 84.49, -21.32, 48.74

 

CMYK 0 / 4 / 47 / 14

HEX #DCD374

RGB 220 211 116

HSL 54.81, 0.6%, 0.66%

LAB 83.48, -9.71, 47.84

 

CMYK 0 / 17 / 47 / 14

HEX #DCB774

RGB 220 183 116

HSL 38.65, 0.6%, 0.66%

LAB 76.28, 4.79, 38.92

 

CMYK 0 / 30 / 47 / 14

HEX #DC9B74

RGB 220 155 116

HSL 22.5, 0.6%, 0.66%

LAB 69.41, 19.77, 30.1

 

CMYK 21 / 0 / 47 / 14

HEX #AEDC74

RGB 174 220 116

HSL 86.54, 0.6%, 0.66%

LAB 82.62, -31.94, 46.03

 

CMYK 34 / 0 / 47 / 14

HEX #92DC74

RGB 146 220 116

HSL 102.69, 0.6%, 0.66%

LAB 81.05, -41.75, 43.75

 

CMYK 46 / 0 / 47 / 14

HEX #76DC74

RGB 118 220 116

HSL 118.85, 0.6%, 0.66%

LAB 79.78, -50.37, 41.9

 

CMYK 47 / 0 / 35 / 14

HEX #74DC8F

RGB 116 220 143

HSL 135.58, 0.6%, 0.66%

LAB 80.11, -46.74, 28.74

 

CMYK 47 / 0 / 22 / 14

HEX #74DCAB

RGB 116 220 171

HSL 151.73, 0.6%, 0.66%

LAB 80.65, -41.44, 14.87

 

CMYK 21 / 0 / 47 / 14

HEX #AEDC74

RGB 174 220 116

HSL 86.54, 0.6%, 0.66%

LAB 82.62, -31.94, 46.03

 

CMYK 25 / 0 / 56 / 8

HEX #AFEA66

RGB 175 234 102

HSL 86.82, 0.76%, 0.66%

LAB 86.46, -39.38, 57.1

 

CMYK 29 / 0 / 65 / 3

HEX #B1F858

RGB 177 248 88

HSL 86.63, 0.92%, 0.66%

LAB 90.41, -45.92, 67.34

 

CMYK 21 / 0 / 47 / 14

HEX #AEDC74

RGB 174 220 116

HSL 86.54, 0.6%, 0.66%

LAB 82.62, -31.94, 46.03

 

CMYK 17 / 0 / 37 / 19

HEX #ACCE82

RGB 172 206 130

HSL 86.84, 0.44%, 0.66%

LAB 78.77, -24.3, 34.17

 

CMYK 11 / 0 / 25 / 25

HEX #ABC090

RGB 171 192 144

HSL 86.25, 0.28%, 0.66%

LAB 75.06, -15.69, 21.87

 

CMYK 5 / 0 / 11 / 30

HEX #A9B29E

RGB 169 178 158

HSL 87, 0.11%, 0.66%

LAB 71.38, -6.84, 9.14

 

CMYK 2 / 5 / 0 / 33

HEX #A8A4AC

RGB 168 164 172

HSL 270, 0.05%, 0.66%

LAB 67.91, 2.96, -3.62

 

CMYK 0 / 5 / 47 / 14

HEX #DCD274

RGB 220 210 116

HSL 54.23, 0.6%, 0.66%

LAB 83.22, -9.2, 47.52

 

CMYK 8 / 0 / 47 / 14

HEX #CBDC74

RGB 203 220 116

HSL 69.81, 0.6%, 0.66%

LAB 84.56, -20.93, 48.85

 

CMYK 20 / 0 / 47 / 14

HEX #AFDC74

RGB 175 220 116

HSL 85.96, 0.6%, 0.66%

LAB 82.68, -31.57, 46.12

 

CMYK 33 / 0 / 47 / 14

HEX #93DC74

RGB 147 220 116

HSL 102.12, 0.6%, 0.66%

LAB 81.1, -41.42, 43.82

 

CMYK 45 / 0 / 47 / 14

HEX #78DC74

RGB 120 220 116

HSL 117.69, 0.6%, 0.66%

LAB 79.86, -49.8, 42.01

 

CMYK 33 / 0 / 75 / 20

HEX #87CB33

RGB 135 203 51

HSL 86.84, 0.6%, 0.5%

LAB 74.89, -44.13, 64.32

 

CMYK 27 / 0 / 61 / 17

HEX #9AD453

RGB 154 212 83

HSL 86.98, 0.6%, 0.58%

LAB 78.8, -38.89, 56.4

 

CMYK 21 / 0 / 47 / 14

HEX #AEDC74

RGB 174 220 116

HSL 86.54, 0.6%, 0.66%

LAB 82.62, -31.94, 46.03

 

CMYK 16 / 0 / 35 / 10

HEX #C1E595

RGB 193 229 149

HSL 87, 0.61%, 0.74%

LAB 86.77, -25.23, 35.24

 

CMYK 11 / 0 / 23 / 7

HEX #D4EDB6

RGB 212 237 182

HSL 87.27, 0.6%, 0.82%

LAB 90.75, -17.65, 23.98

 

CMYK 21 / 0 / 48 / 14

HEX #ADDC73

RGB 173 220 115

HSL 86.86, 0.6%, 0.66%

LAB 82.54, -32.42, 46.41

 

CMYK 47 / 0 / 17 / 14

HEX #74DCB6

RGB 116 220 182

HSL 158.08, 0.6%, 0.66%

LAB 80.89, -39.12, 9.4

 

CMYK 0 / 47 / 1 / 14

HEX #DC74D9

RGB 220 116 217

HSL 301.73, 0.6%, 0.66%

LAB 63.93, 54.43, -34.32

 

CMYK 21 / 0 / 48 / 14

HEX #ADDC73

RGB 173 220 115

HSL 86.86, 0.6%, 0.66%

LAB 82.54, -32.42, 46.41

 

CMYK 47 / 20 / 0 / 14

HEX #74AFDC

RGB 116 175 220

HSL 205.96, 0.6%, 0.66%

LAB 69.14, -7.07, -28.63

 

CMYK 0 / 47 / 20 / 14

HEX #DC74AF

RGB 220 116 175

HSL 325.96, 0.6%, 0.66%

LAB 62.34, 47.64, -13.03

 

CMYK 21 / 0 / 48 / 14

HEX #ADDC73

RGB 173 220 115

HSL 86.86, 0.6%, 0.66%

LAB 82.54, -32.42, 46.41

 

CMYK 47 / 0 / 17 / 14

HEX #74DCB6

RGB 116 220 182

HSL 158.08, 0.6%, 0.66%

LAB 80.89, -39.12, 9.4

 

CMYK 27 / 47 / 0 / 14

HEX #A174DC

RGB 161 116 220

HSL 265.96, 0.6%, 0.66%

LAB 57.3, 38.49, -46.88

 

CMYK 0 / 47 / 30 / 14

HEX #DC749A

RGB 220 116 154

HSL 338.08, 0.6%, 0.66%

LAB 61.69, 44.74, -1.98

 

CMYK 21 / 0 / 48 / 14

HEX #ADDC73

RGB 173 220 115

HSL 86.86, 0.6%, 0.66%

LAB 82.54, -32.42, 46.41

 

CMYK 47 / 0 / 3 / 14

HEX #74DCD5

RGB 116 220 213

HSL 175.96, 0.6%, 0.66%

LAB 81.68, -31.88, -5.93

 

CMYK 27 / 47 / 0 / 14

HEX #A174DC

RGB 161 116 220

HSL 265.96, 0.6%, 0.66%

LAB 57.3, 38.49, -46.88

 

CMYK 0 / 47 / 44 / 14

HEX #DC747B

RGB 220 116 123

HSL 355.96, 0.6%, 0.66%

LAB 60.9, 41.14, 14.72

 

Description

Color code: HEX #ADDC73 | qconv.com Color code: HEX #ADDC73 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 220 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 220 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 48 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 48% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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