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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADDC5E it is the complementary color #5223A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADDC5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADDC5E shade: #B2DC59, #C3EE6C, #D4FF7F, #E5FF92 and #F6FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADDC5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADDC5E shade: #ADDC5E, #9CCA4B, #8BB838, #7AA625 and #699412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADDC5E shade: #ADDC60, #CFDC60, #DCC760, #DCA660 and #DC8460

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADDC5E shade: #ADDC60, #8CDC60, #6ADC60, #60DC76 and #60DC98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADDC5E shade matches the following richer shades: #ADDC60, #B1EB50 and #B5FB40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADDC5E shade: #ADDC60, #A9CC6F, #A5BC7F, #A1AD8F and #9D9D9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADDC5E shade: #DCC760, #CFDC60, #AEDC60, #8DDC60 and #6CDC60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADDC5E shade: #87BF2A, #9CD43E, #ADDC60, #BFE381 and #D0EAA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADDC5E shade: #ADDC5E, #60DCA6 and #D760DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADDC5E shade: #ADDC5E, #60AEDC and #DC60AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADDC5E shade: #ADDC5E, #60DCA6, #8D60DC and #DC6095

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADDC5E shade: #ADDC5E, #60DCCB, #8D60DC and #DC6070

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 57 / 14

HEX #ADDC5E

RGB 173 220 94

HSL 82.38, 0.64%, 0.62%

LAB 82.31, -34.51, 55.86

 

Complementary color

CMYK 49 / 78 / 0 / 37

HEX #5223A1

RGB 82 35 161

HSL 262.38, 0.64%, 0.38%

LAB 28.3, 49.08, -59.63

 

CMYK 19 / 0 / 60 / 14

HEX #B2DC59

RGB 178 220 89

HSL 79.24, 0.65%, 0.61%

LAB 82.58, -33.04, 58.43

 

CMYK 18 / 0 / 55 / 7

HEX #C3EE6C

RGB 195 238 108

HSL 79.85, 0.79%, 0.68%

LAB 88.84, -33.28, 57.49

 

CMYK 17 / 0 / 50 / 0

HEX #D4FF7F

RGB 212 255 127

HSL 80.16, 1%, 0.75%

LAB 94.76, -32.99, 56.13

 

CMYK 10 / 0 / 43 / 0

HEX #E5FF92

RGB 229 255 146

HSL 74.31, 1%, 0.79%

LAB 96.1, -24.76, 49.15

 

CMYK 4 / 0 / 35 / 0

HEX #F6FFA5

RGB 246 255 165

HSL 66, 1%, 0.82%

LAB 97.56, -16.32, 42.05

 

CMYK 21 / 0 / 57 / 14

HEX #ADDC5E

RGB 173 220 94

HSL 82.38, 0.64%, 0.62%

LAB 82.31, -34.51, 55.86

 

CMYK 23 / 0 / 63 / 21

HEX #9CCA4B

RGB 156 202 75

HSL 81.73, 0.55%, 0.54%

LAB 75.96, -34.26, 56.72

 

CMYK 24 / 0 / 70 / 28

HEX #8BB838

RGB 139 184 56

HSL 81.09, 0.53%, 0.47%

LAB 69.51, -33.91, 57.28

 

CMYK 27 / 0 / 78 / 35

HEX #7AA625

RGB 122 166 37

HSL 80.47, 0.64%, 0.4%

LAB 62.96, -33.38, 57.27

 

CMYK 29 / 0 / 88 / 42

HEX #699412

RGB 105 148 18

HSL 79.85, 0.78%, 0.33%

LAB 56.31, -32.64, 56.16

 

CMYK 21 / 0 / 56 / 14

HEX #ADDC60

RGB 173 220 96

HSL 82.74, 0.64%, 0.62%

LAB 82.33, -34.33, 54.99

 

CMYK 6 / 0 / 56 / 14

HEX #CFDC60

RGB 207 220 96

HSL 66.29, 0.64%, 0.62%

LAB 84.64, -21.11, 58.23

 

CMYK 0 / 10 / 56 / 14

HEX #DCC760

RGB 220 199 96

HSL 49.84, 0.64%, 0.62%

LAB 80.13, -5.27, 53.38

 

CMYK 0 / 25 / 56 / 14

HEX #DCA660

RGB 220 166 96

HSL 33.87, 0.64%, 0.62%

LAB 71.78, 12.09, 43.56

 

CMYK 0 / 40 / 56 / 14

HEX #DC8460

RGB 220 132 96

HSL 17.42, 0.64%, 0.62%

LAB 63.81, 30.32, 33.73

 

CMYK 21 / 0 / 56 / 14

HEX #ADDC60

RGB 173 220 96

HSL 82.74, 0.64%, 0.62%

LAB 82.33, -34.33, 54.99

 

CMYK 36 / 0 / 56 / 14

HEX #8CDC60

RGB 140 220 96

HSL 98.71, 0.64%, 0.62%

LAB 80.52, -46.02, 52.43

 

CMYK 52 / 0 / 56 / 14

HEX #6ADC60

RGB 106 220 96

HSL 115.16, 0.64%, 0.62%

LAB 79.1, -56.19, 50.41

 

CMYK 56 / 0 / 46 / 14

HEX #60DC76

RGB 96 220 118

HSL 130.65, 0.64%, 0.62%

LAB 79.03, -55.77, 39.8

 

CMYK 56 / 0 / 31 / 14

HEX #60DC98

RGB 96 220 152

HSL 147.1, 0.64%, 0.62%

LAB 79.58, -49.94, 23.24

 

CMYK 21 / 0 / 56 / 14

HEX #ADDC60

RGB 173 220 96

HSL 82.74, 0.64%, 0.62%

LAB 82.33, -34.33, 54.99

 

CMYK 25 / 0 / 66 / 8

HEX #B1EB50

RGB 177 235 80

HSL 82.45, 0.79%, 0.62%

LAB 86.67, -40.86, 66.5

 

CMYK 28 / 0 / 75 / 2

HEX #B5FB40

RGB 181 251 64

HSL 82.46, 0.96%, 0.62%

LAB 91.32, -47.25, 76.78

 

CMYK 21 / 0 / 56 / 14

HEX #ADDC60

RGB 173 220 96

HSL 82.74, 0.64%, 0.62%

LAB 82.33, -34.33, 54.99

 

CMYK 17 / 0 / 46 / 20

HEX #A9CC6F

RGB 169 204 111

HSL 82.58, 0.48%, 0.62%

LAB 77.74, -26.79, 42.38

 

CMYK 12 / 0 / 32 / 26

HEX #A5BC7F

RGB 165 188 127

HSL 82.62, 0.31%, 0.62%

LAB 73.22, -18.4, 28.34

 

CMYK 7 / 0 / 17 / 32

HEX #A1AD8F

RGB 161 173 143

HSL 84, 0.15%, 0.62%

LAB 69.07, -9.69, 14.02

 

CMYK 1 / 1 / 0 / 38

HEX #9D9D9E

RGB 157 157 158

HSL 240, 0.01%, 0.62%

LAB 64.76, 0.2, -0.53

 

CMYK 0 / 10 / 56 / 14

HEX #DCC760

RGB 220 199 96

HSL 49.84, 0.64%, 0.62%

LAB 80.13, -5.27, 53.38

 

CMYK 6 / 0 / 56 / 14

HEX #CFDC60

RGB 207 220 96

HSL 66.29, 0.64%, 0.62%

LAB 84.64, -21.11, 58.23

 

CMYK 21 / 0 / 56 / 14

HEX #AEDC60

RGB 174 220 96

HSL 82.26, 0.64%, 0.62%

LAB 82.39, -33.96, 55.08

 

CMYK 36 / 0 / 56 / 14

HEX #8DDC60

RGB 141 220 96

HSL 98.23, 0.64%, 0.62%

LAB 80.57, -45.69, 52.5

 

CMYK 51 / 0 / 56 / 14

HEX #6CDC60

RGB 108 220 96

HSL 114.19, 0.64%, 0.62%

LAB 79.17, -55.65, 50.51

 

CMYK 29 / 0 / 78 / 25

HEX #87BF2A

RGB 135 191 42

HSL 82.55, 0.64%, 0.46%

LAB 71.27, -39.4, 63.74

 

CMYK 26 / 0 / 71 / 17

HEX #9CD43E

RGB 156 212 62

HSL 82.4, 0.64%, 0.54%

LAB 78.75, -39.68, 64.71

 

CMYK 21 / 0 / 56 / 14

HEX #ADDC60

RGB 173 220 96

HSL 82.74, 0.64%, 0.62%

LAB 82.33, -34.33, 54.99

 

CMYK 16 / 0 / 43 / 11

HEX #BFE381

RGB 191 227 129

HSL 82.04, 0.64%, 0.7%

LAB 85.81, -27.49, 43.92

 

CMYK 11 / 0 / 30 / 8

HEX #D0EAA3

RGB 208 234 163

HSL 81.97, 0.63%, 0.78%

LAB 89.35, -20.34, 31.74

 

CMYK 21 / 0 / 57 / 14

HEX #ADDC5E

RGB 173 220 94

HSL 82.38, 0.64%, 0.62%

LAB 82.31, -34.51, 55.86

 

CMYK 56 / 0 / 25 / 14

HEX #60DCA6

RGB 96 220 166

HSL 153.87, 0.64%, 0.62%

LAB 79.86, -47.11, 16.29

 

CMYK 2 / 56 / 0 / 14

HEX #D760DC

RGB 215 96 220

HSL 297.58, 0.64%, 0.62%

LAB 59.87, 63.03, -42.4

 

CMYK 21 / 0 / 57 / 14

HEX #ADDC5E

RGB 173 220 94

HSL 82.38, 0.64%, 0.62%

LAB 82.31, -34.51, 55.86

 

CMYK 56 / 21 / 0 / 14

HEX #60AEDC

RGB 96 174 220

HSL 202.26, 0.64%, 0.62%

LAB 67.97, -10.93, -30.51

 

CMYK 0 / 56 / 21 / 14

HEX #DC60AE

RGB 220 96 174

HSL 322.26, 0.64%, 0.62%

LAB 58.64, 57.11, -18.06

 

CMYK 21 / 0 / 57 / 14

HEX #ADDC5E

RGB 173 220 94

HSL 82.38, 0.64%, 0.62%

LAB 82.31, -34.51, 55.86

 

CMYK 56 / 0 / 25 / 14

HEX #60DCA6

RGB 96 220 166

HSL 153.87, 0.64%, 0.62%

LAB 79.86, -47.11, 16.29

 

CMYK 36 / 56 / 0 / 14

HEX #8D60DC

RGB 141 96 220

HSL 261.77, 0.64%, 0.62%

LAB 50.92, 44.6, -57.19

 

CMYK 0 / 56 / 32 / 14

HEX #DC6095

RGB 220 96 149

HSL 334.35, 0.64%, 0.62%

LAB 57.8, 53.83, -4.81

 

CMYK 21 / 0 / 57 / 14

HEX #ADDC5E

RGB 173 220 94

HSL 82.38, 0.64%, 0.62%

LAB 82.31, -34.51, 55.86

 

CMYK 56 / 0 / 8 / 14

HEX #60DCCB

RGB 96 220 203

HSL 171.77, 0.64%, 0.62%

LAB 80.73, -38.55, -2.07

 

CMYK 36 / 56 / 0 / 14

HEX #8D60DC

RGB 141 96 220

HSL 261.77, 0.64%, 0.62%

LAB 50.92, 44.6, -57.19

 

CMYK 0 / 56 / 49 / 14

HEX #DC6070

RGB 220 96 112

HSL 352.26, 0.64%, 0.62%

LAB 56.83, 49.91, 15.45

 

Description

Color code: HEX #ADDC5E | qconv.com Color code: HEX #ADDC5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 220 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 220 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 57 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 57% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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