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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADD96B it is the complementary color #522694. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADD96B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #ADD96B: #B2D966, #C3EB79, #D4FD8C, #E5FF9F and #F6FFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADD96B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #ADD96B: #ADD96B, #9CC758, #8BB545, #7AA332 and #69911F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 51 / 15

HEX #ADD96B

RGB 173 217 107

HSL 84, 0.59%, 0.64%

LAB 81.6, -31.88, 49.08

 

Complementary color

CMYK 45 / 74 / 0 / 42

HEX #522694

RGB 82 38 148

HSL 264, 0.59%, 0.36%

LAB 27.62, 44.16, -52.79

 

CMYK 18 / 0 / 53 / 15

HEX #B2D966

RGB 178 217 102

HSL 80.35, 0.6%, 0.63%

LAB 81.87, -30.49, 51.8

 

CMYK 17 / 0 / 49 / 8

HEX #C3EB79

RGB 195 235 121

HSL 81.05, 0.74%, 0.7%

LAB 88.16, -30.64, 50.72

 

CMYK 16 / 0 / 45 / 1

HEX #D4FD8C

RGB 212 253 140

HSL 81.77, 0.97%, 0.77%

LAB 94.37, -30.73, 49.6

 

CMYK 10 / 0 / 38 / 0

HEX #E5FF9F

RGB 229 255 159

HSL 76.25, 1%, 0.81%

LAB 96.28, -23.3, 43.09

 

CMYK 4 / 0 / 30 / 0

HEX #F6FFB2

RGB 246 255 178

HSL 67.01, 1%, 0.85%

LAB 97.76, -14.76, 35.89

 

CMYK 20 / 0 / 51 / 15

HEX #ADD96B

RGB 173 217 107

HSL 84, 0.59%, 0.64%

LAB 81.6, -31.88, 49.08

 

CMYK 22 / 0 / 56 / 22

HEX #9CC758

RGB 156 199 88

HSL 83.24, 0.5%, 0.56%

LAB 75.21, -31.75, 50.15

 

CMYK 23 / 0 / 62 / 29

HEX #8BB545

RGB 139 181 69

HSL 82.5, 0.45%, 0.49%

LAB 68.73, -31.54, 51.1

 

CMYK 25 / 0 / 69 / 36

HEX #7AA332

RGB 122 163 50

HSL 81.77, 0.53%, 0.42%

LAB 62.14, -31.21, 51.75

 

CMYK 28 / 0 / 79 / 43

HEX #69911F

RGB 105 145 31

HSL 81.05, 0.65%, 0.35%

LAB 55.43, -30.69, 51.78

 

CMYK 20 / 0 / 51 / 15

HEX #ADD96B

RGB 173 217 107

HSL 84, 0.59%, 0.64%

LAB 81.6, -31.88, 49.08

 

CMYK 29 / 0 / 50 / 15

HEX #9BD96D

RGB 155 217 109

HSL 94.44, 0.59%, 0.64%

LAB 80.57, -38.18, 46.64

 

CMYK 37 / 0 / 50 / 15

HEX #89D96D

RGB 137 217 109

HSL 104.44, 0.59%, 0.64%

LAB 79.64, -44.26, 45.29

 

CMYK 45 / 0 / 50 / 15

HEX #77D96D

RGB 119 217 109

HSL 114.44, 0.59%, 0.64%

LAB 78.84, -49.8, 44.13

 

CMYK 50 / 0 / 47 / 15

HEX #6DD974

RGB 109 217 116

HSL 123.89, 0.59%, 0.64%

LAB 78.54, -51.63, 40.26

 

CMYK 20 / 0 / 51 / 15

HEX #ADD96B

RGB 173 217 107

HSL 84, 0.59%, 0.64%

LAB 81.6, -31.88, 49.08

 

CMYK 23 / 0 / 54 / 95

HEX #0A0D06

RGB 10 13 6

HSL 85.71, 0.37%, 0.04%

LAB 3.3, -1.86, 2.45

 

CMYK 20 / 0 / 50 / 75

HEX #334020

RGB 51 64 32

HSL 84.38, 0.33%, 0.19%

LAB 25.18, -11.81, 17.82

 

CMYK 20 / 0 / 50 / 55

HEX #5C7339

RGB 92 115 57

HSL 83.79, 0.34%, 0.34%

LAB 45.4, -18.94, 29.18

 

CMYK 20 / 0 / 51 / 35

HEX #84A652

RGB 132 166 82

HSL 84.29, 0.34%, 0.49%

LAB 63.99, -25.81, 39.4

 

CMYK 20 / 0 / 51 / 15

HEX #ADD96B

RGB 173 217 107

HSL 84, 0.59%, 0.64%

LAB 81.6, -31.88, 49.08

 

CMYK 50 / 0 / 20 / 15

HEX #6DD9AE

RGB 109 217 174

HSL 156.11, 0.59%, 0.64%

LAB 79.58, -41.18, 11.73

 

CMYK 0 / 50 / 0 / 15

HEX #D96DD9

RGB 217 109 217

HSL 300, 0.59%, 0.64%

LAB 62.25, 56.99, -36.96

 

CMYK 20 / 0 / 51 / 15

HEX #ADD96B

RGB 173 217 107

HSL 84, 0.59%, 0.64%

LAB 81.6, -31.88, 49.08

 

CMYK 50 / 20 / 0 / 15

HEX #6DAED9

RGB 109 174 217

HSL 203.89, 0.59%, 0.64%

LAB 68.41, -9.02, -28.13

 

CMYK 0 / 50 / 20 / 15

HEX #D96DAE

RGB 217 109 174

HSL 323.89, 0.59%, 0.64%

LAB 60.56, 50.02, -15.19

 

CMYK 20 / 0 / 51 / 15

HEX #ADD96B

RGB 173 217 107

HSL 84, 0.59%, 0.64%

LAB 81.6, -31.88, 49.08

 

CMYK 50 / 0 / 20 / 15

HEX #6DD9AE

RGB 109 217 174

HSL 156.11, 0.59%, 0.64%

LAB 79.58, -41.18, 11.73

 

CMYK 30 / 50 / 0 / 15

HEX #986DD9

RGB 152 109 217

HSL 263.89, 0.59%, 0.64%

LAB 54.68, 39.3, -49.41

 

CMYK 0 / 50 / 30 / 15

HEX #D96D98

RGB 217 109 152

HSL 336.11, 0.59%, 0.64%

LAB 59.85, 46.98, -3.58

 

CMYK 20 / 0 / 51 / 15

HEX #ADD96B

RGB 173 217 107

HSL 84, 0.59%, 0.64%

LAB 81.6, -31.88, 49.08

 

CMYK 50 / 0 / 5 / 15

HEX #6DD9CE

RGB 109 217 206

HSL 173.89, 0.59%, 0.64%

LAB 80.37, -33.75, -4.16

 

CMYK 30 / 50 / 0 / 15

HEX #986DD9

RGB 152 109 217

HSL 263.89, 0.59%, 0.64%

LAB 54.68, 39.3, -49.41

 

CMYK 0 / 50 / 45 / 15

HEX #D96D77

RGB 217 109 119

HSL 354.44, 0.59%, 0.64%

LAB 58.99, 43.19, 14.31

 

Description

Color code: HEX #ADD96B | qconv.com Color code: HEX #ADD96B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 217 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 217 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 51 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 51% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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