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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADD804 it is the complementary color #5227FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADD804. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADD804 shade: #B2D800, #C3EA12, #D4FC25, #E5FF38 and #F6FF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADD804. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADD804 shade: #ADD804, #9CC600, #8BB400, #7AA200 and #699000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADD804 shade: #ACD704, #D7C904, #D79004, #D75704 and #D71F04

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADD804 shade: #ACD704, #73D704, #3BD704, #04D707 and #04D740

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADD804 shade matches the following richer shades: #ACD704

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADD804 shade: #ACD704, #A2C516, #97B328, #8DA23A and #82904B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADD804 shade: #D79104, #D7C904, #ADD704, #75D704 and #3DD704

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADD804 shade: #6B8603, #8CAE04, #ACD704, #C9FA0B and #D2FB33

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADD804 shade: #ADD804, #04D759 and #AD04D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADD804 shade: #ADD804, #04ADD7 and #D704AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADD804 shade: #ADD804, #04D759, #2E04D7 and #D70483

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADD804 shade: #ADD804, #04D798, #2E04D7 and #D70444

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 98 / 15

HEX #ADD804

RGB 173 216 4

HSL 72.17, 0.96%, 0.43%

LAB 80.74, -36.72, 79.33

 

Complementary color

CMYK 67 / 84 / 0 / 2

HEX #5227FB

RGB 82 39 251

HSL 252.17, 0.96%, 0.57%

LAB 38.22, 71.51, -95.67

 

CMYK 18 / 0 / 100 / 15

HEX #B2D800

RGB 178 216 0

HSL 70.56, 1%, 0.42%

LAB 81.06, -34.77, 80.08

 

CMYK 17 / 0 / 92 / 8

HEX #C3EA12

RGB 195 234 18

HSL 70.83, 0.86%, 0.49%

LAB 87.24, -35.95, 83.63

 

CMYK 16 / 0 / 85 / 1

HEX #D4FC25

RGB 212 252 37

HSL 71.16, 0.97%, 0.57%

LAB 93.34, -36.98, 86.08

 

CMYK 10 / 0 / 78 / 0

HEX #E5FF38

RGB 229 255 56

HSL 67.84, 1%, 0.61%

LAB 95.36, -31.07, 83.9

 

CMYK 4 / 0 / 71 / 0

HEX #F6FF4B

RGB 246 255 75

HSL 63, 1%, 0.65%

LAB 96.67, -23.51, 79.83

 

CMYK 20 / 0 / 98 / 15

HEX #ADD804

RGB 173 216 4

HSL 72.17, 0.96%, 0.43%

LAB 80.74, -36.72, 79.33

 

CMYK 21 / 0 / 100 / 22

HEX #9CC600

RGB 156 198 0

HSL 72.73, 1%, 0.39%

LAB 74.48, -35.4, 74.48

 

CMYK 23 / 0 / 100 / 29

HEX #8BB400

RGB 139 180 0

HSL 73.67, 1%, 0.35%

LAB 68.12, -34.02, 69.18

 

CMYK 25 / 0 / 100 / 36

HEX #7AA200

RGB 122 162 0

HSL 74.81, 1%, 0.32%

LAB 61.64, -32.62, 63.78

 

CMYK 27 / 0 / 100 / 44

HEX #699000

RGB 105 144 0

HSL 76.25, 1%, 0.28%

LAB 55.02, -31.21, 58.28

 

CMYK 20 / 0 / 98 / 16

HEX #ACD704

RGB 172 215 4

HSL 72.23, 0.96%, 0.43%

LAB 80.39, -36.67, 79.04

 

CMYK 0 / 7 / 98 / 16

HEX #D7C904

RGB 215 201 4

HSL 56.02, 0.96%, 0.43%

LAB 79.74, -11.95, 79.97

 

CMYK 0 / 33 / 98 / 16

HEX #D79004

RGB 215 144 4

HSL 39.81, 0.96%, 0.43%

LAB 65.28, 18.06, 69.73

 

CMYK 0 / 60 / 98 / 16

HEX #D75704

RGB 215 87 4

HSL 23.6, 0.96%, 0.43%

LAB 53.25, 47.37, 62.07

 

CMYK 0 / 86 / 98 / 16

HEX #D71F04

RGB 215 31 4

HSL 7.68, 0.96%, 0.43%

LAB 46.23, 66.59, 58.4

 

CMYK 20 / 0 / 98 / 16

HEX #ACD704

RGB 172 215 4

HSL 72.23, 0.96%, 0.43%

LAB 80.39, -36.67, 79.04

 

CMYK 47 / 0 / 98 / 16

HEX #73D704

RGB 115 215 4

HSL 88.44, 0.96%, 0.43%

LAB 77.43, -57.11, 75.46

 

CMYK 73 / 0 / 98 / 16

HEX #3BD704

RGB 59 215 4

HSL 104.36, 0.96%, 0.43%

LAB 75.79, -70.53, 73.45

 

CMYK 98 / 0 / 97 / 16

HEX #04D707

RGB 4 215 7

HSL 120.85, 0.96%, 0.43%

LAB 75.23, -75.5, 72.47

 

CMYK 98 / 0 / 70 / 16

HEX #04D740

RGB 4 215 64

HSL 137.06, 0.96%, 0.43%

LAB 75.45, -72.64, 59.25

 

CMYK 20 / 0 / 98 / 16

HEX #ACD704

RGB 172 215 4

HSL 72.23, 0.96%, 0.43%

LAB 80.39, -36.67, 79.04

 

CMYK 20 / 0 / 98 / 16

HEX #ACD704

RGB 172 215 4

HSL 72.23, 0.96%, 0.43%

LAB 80.39, -36.67, 79.04

 

CMYK 18 / 0 / 89 / 23

HEX #A2C516

RGB 162 197 22

HSL 72, 0.8%, 0.43%

LAB 74.62, -32.17, 72.07

 

CMYK 16 / 0 / 78 / 30

HEX #97B328

RGB 151 179 40

HSL 72.09, 0.63%, 0.43%

LAB 68.73, -27.59, 62.37

 

CMYK 13 / 0 / 64 / 36

HEX #8DA23A

RGB 141 162 58

HSL 72.12, 0.47%, 0.43%

LAB 63.18, -22.38, 49.91

 

CMYK 10 / 0 / 48 / 44

HEX #82904B

RGB 130 144 75

HSL 72.17, 0.32%, 0.43%

LAB 57.27, -16.21, 34.78

 

CMYK 0 / 33 / 98 / 16

HEX #D79104

RGB 215 145 4

HSL 40.09, 0.96%, 0.43%

LAB 65.52, 17.52, 69.89

 

CMYK 0 / 7 / 98 / 16

HEX #D7C904

RGB 215 201 4

HSL 56.02, 0.96%, 0.43%

LAB 79.74, -11.95, 79.97

 

CMYK 20 / 0 / 98 / 16

HEX #ADD704

RGB 173 215 4

HSL 71.94, 0.96%, 0.43%

LAB 80.46, -36.27, 79.11

 

CMYK 46 / 0 / 98 / 16

HEX #75D704

RGB 117 215 4

HSL 87.87, 0.96%, 0.43%

LAB 77.51, -56.49, 75.56

 

CMYK 72 / 0 / 98 / 16

HEX #3DD704

RGB 61 215 4

HSL 103.79, 0.96%, 0.43%

LAB 75.82, -70.2, 73.5

 

CMYK 20 / 0 / 98 / 47

HEX #6B8603

RGB 107 134 3

HSL 72.37, 0.96%, 0.27%

LAB 52.04, -25.48, 55.52

 

CMYK 20 / 0 / 98 / 32

HEX #8CAE04

RGB 140 174 4

HSL 72, 0.96%, 0.35%

LAB 66.41, -30.75, 67.41

 

CMYK 20 / 0 / 98 / 16

HEX #ACD704

RGB 172 215 4

HSL 72.23, 0.96%, 0.43%

LAB 80.39, -36.67, 79.04

 

CMYK 20 / 0 / 96 / 2

HEX #C9FA0B

RGB 201 250 11

HSL 72.3, 0.96%, 0.51%

LAB 92.05, -40.82, 88.21

 

CMYK 16 / 0 / 80 / 2

HEX #D2FB33

RGB 210 251 51

HSL 72.3, 0.96%, 0.59%

LAB 92.99, -36.9, 82.61

 

CMYK 20 / 0 / 98 / 15

HEX #ADD804

RGB 173 216 4

HSL 72.17, 0.96%, 0.43%

LAB 80.74, -36.72, 79.33

 

CMYK 98 / 0 / 59 / 16

HEX #04D759

RGB 4 215 89

HSL 144.17, 0.96%, 0.43%

LAB 75.67, -69.9, 49.1

 

CMYK 20 / 98 / 0 / 16

HEX #AD04D7

RGB 173 4 215

HSL 288.06, 0.96%, 0.43%

LAB 44.06, 79.83, -65.21

 

CMYK 20 / 0 / 98 / 15

HEX #ADD804

RGB 173 216 4

HSL 72.17, 0.96%, 0.43%

LAB 80.74, -36.72, 79.33

 

CMYK 98 / 20 / 0 / 16

HEX #04ADD7

RGB 4 173 215

HSL 191.94, 0.96%, 0.43%

LAB 65.61, -22.02, -31.56

 

CMYK 0 / 98 / 20 / 16

HEX #D704AD

RGB 215 4 173

HSL 311.94, 0.96%, 0.43%

LAB 48.95, 80.51, -32.5

 

CMYK 20 / 0 / 98 / 15

HEX #ADD804

RGB 173 216 4

HSL 72.17, 0.96%, 0.43%

LAB 80.74, -36.72, 79.33

 

CMYK 98 / 0 / 59 / 16

HEX #04D759

RGB 4 215 89

HSL 144.17, 0.96%, 0.43%

LAB 75.67, -69.9, 49.1

 

CMYK 79 / 98 / 0 / 16

HEX #2E04D7

RGB 46 4 215

HSL 251.94, 0.96%, 0.43%

LAB 28.31, 69.47, -91.71

 

CMYK 0 / 98 / 39 / 16

HEX #D70483

RGB 215 4 131

HSL 323.89, 0.96%, 0.43%

LAB 47.2, 76.02, -9.97

 

CMYK 20 / 0 / 98 / 15

HEX #ADD804

RGB 173 216 4

HSL 72.17, 0.96%, 0.43%

LAB 80.74, -36.72, 79.33

 

CMYK 98 / 0 / 29 / 16

HEX #04D798

RGB 4 215 152

HSL 162.09, 0.96%, 0.43%

LAB 76.61, -58.7, 18.93

 

CMYK 79 / 98 / 0 / 16

HEX #2E04D7

RGB 46 4 215

HSL 251.94, 0.96%, 0.43%

LAB 28.31, 69.47, -91.71

 

CMYK 0 / 98 / 68 / 16

HEX #D70444

RGB 215 4 68

HSL 341.8, 0.96%, 0.43%

LAB 45.57, 71.66, 26.72

 

Description

Color code: HEX #ADD804 | qconv.com Color code: HEX #ADD804 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 216 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 216 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 98 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 98% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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