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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADD41D it is the complementary color #522BE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADD41D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADD41D shade: #B2D418, #C3E62B, #D4F83E, #E5FF51 and #F6FF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADD41D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADD41D shade: #ADD41D, #9CC20A, #8BB000, #7A9E00 and #698C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADD41D shade: #ACD31D, #D3C91D, #D3981D, #D3661D and #D3351D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADD41D shade: #ACD31D, #7BD31D, #4AD31D, #1DD321 and #1DD352

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADD41D shade matches the following richer shades: #ACD31D and #B7E609

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADD41D shade: #ACD31D, #A1C030, #96AC44, #8B9957 and #80856A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADD41D shade: #D3961D, #D3C71D, #AFD31D, #7ED31D and #4DD31D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADD41D shade: #718A13, #8EAF18, #ACD31D, #BEE435 and #CAE85A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADD41D shade: #ADD41D, #1DD366 and #AF1DD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADD41D shade: #ADD41D, #1DAFD3 and #D31DAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADD41D shade: #ADD41D, #1DD366, #411DD3 and #D31D8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADD41D shade: #ADD41D, #1DD39C, #411DD3 and #D31D53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 86 / 17

HEX #ADD41D

RGB 173 212 29

HSL 72.79, 0.76%, 0.47%

LAB 79.65, -34.49, 75.21

 

Complementary color

CMYK 64 / 81 / 0 / 11

HEX #522BE2

RGB 82 43 226

HSL 252.79, 0.76%, 0.53%

LAB 36.01, 63.33, -85.17

 

CMYK 16 / 0 / 89 / 17

HEX #B2D418

RGB 178 212 24

HSL 70.85, 0.8%, 0.46%

LAB 79.96, -32.59, 76.52

 

CMYK 15 / 0 / 81 / 10

HEX #C3E62B

RGB 195 230 43

HSL 71.23, 0.79%, 0.54%

LAB 86.19, -33.55, 78.26

 

CMYK 15 / 0 / 75 / 3

HEX #D4F83E

RGB 212 248 62

HSL 71.61, 0.93%, 0.61%

LAB 92.34, -34.33, 79.03

 

CMYK 10 / 0 / 68 / 0

HEX #E5FF51

RGB 229 255 81

HSL 68.97, 1%, 0.66%

LAB 95.49, -29.96, 76.2

 

CMYK 4 / 0 / 61 / 0

HEX #F6FF64

RGB 246 255 100

HSL 63.48, 1%, 0.7%

LAB 96.83, -22.14, 70.76

 

CMYK 18 / 0 / 86 / 17

HEX #ADD41D

RGB 173 212 29

HSL 72.79, 0.76%, 0.47%

LAB 79.65, -34.49, 75.21

 

CMYK 20 / 0 / 95 / 24

HEX #9CC20A

RGB 156 194 10

HSL 72.39, 0.9%, 0.4%

LAB 73.33, -33.43, 72.55

 

CMYK 21 / 0 / 100 / 31

HEX #8BB000

RGB 139 176 0

HSL 72.61, 1%, 0.35%

LAB 66.93, -32.17, 68.28

 

CMYK 23 / 0 / 100 / 38

HEX #7A9E00

RGB 122 158 0

HSL 73.67, 1%, 0.31%

LAB 60.42, -30.75, 62.86

 

CMYK 25 / 0 / 100 / 45

HEX #698C00

RGB 105 140 0

HSL 75, 1%, 0.27%

LAB 53.77, -29.32, 57.32

 

CMYK 18 / 0 / 86 / 17

HEX #ACD31D

RGB 172 211 29

HSL 72.86, 0.76%, 0.47%

LAB 79.3, -34.43, 74.9

 

CMYK 0 / 5 / 86 / 17

HEX #D3C91D

RGB 211 201 29

HSL 56.7, 0.76%, 0.47%

LAB 79.45, -13.32, 76.21

 

CMYK 0 / 28 / 86 / 17

HEX #D3981D

RGB 211 152 29

HSL 40.55, 0.76%, 0.47%

LAB 66.82, 12.37, 65.98

 

CMYK 0 / 52 / 86 / 17

HEX #D3661D

RGB 211 102 29

HSL 24.07, 0.76%, 0.47%

LAB 55.52, 38.96, 56.78

 

CMYK 0 / 75 / 86 / 17

HEX #D3351D

RGB 211 53 29

HSL 7.91, 0.76%, 0.47%

LAB 47.6, 59.96, 50.28

 

CMYK 18 / 0 / 86 / 17

HEX #ACD31D

RGB 172 211 29

HSL 72.86, 0.76%, 0.47%

LAB 79.3, -34.43, 74.9

 

CMYK 42 / 0 / 86 / 17

HEX #7BD31D

RGB 123 211 29

HSL 89.01, 0.76%, 0.47%

LAB 76.61, -52.5, 71.55

 

CMYK 65 / 0 / 86 / 17

HEX #4AD31D

RGB 74 211 29

HSL 105.16, 0.76%, 0.47%

LAB 74.91, -65.86, 69.41

 

CMYK 86 / 0 / 84 / 17

HEX #1DD321

RGB 29 211 33

HSL 121.32, 0.76%, 0.47%

LAB 74.16, -72.28, 67.58

 

CMYK 86 / 0 / 61 / 17

HEX #1DD352

RGB 29 211 82

HSL 137.47, 0.76%, 0.47%

LAB 74.48, -68.27, 50.89

 

CMYK 18 / 0 / 86 / 17

HEX #ACD31D

RGB 172 211 29

HSL 72.86, 0.76%, 0.47%

LAB 79.3, -34.43, 74.9

 

CMYK 20 / 0 / 96 / 10

HEX #B7E609

RGB 183 230 9

HSL 72.76, 0.92%, 0.47%

LAB 85.34, -39, 82.71

 

CMYK 18 / 0 / 86 / 17

HEX #ACD31D

RGB 172 211 29

HSL 72.86, 0.76%, 0.47%

LAB 79.3, -34.43, 74.9

 

CMYK 16 / 0 / 75 / 25

HEX #A1C030

RGB 161 192 48

HSL 72.92, 0.6%, 0.47%

LAB 73.21, -29.32, 64.25

 

CMYK 13 / 0 / 60 / 33

HEX #96AC44

RGB 150 172 68

HSL 72.69, 0.43%, 0.47%

LAB 66.83, -22.86, 49.66

 

CMYK 9 / 0 / 43 / 40

HEX #8B9957

RGB 139 153 87

HSL 72.73, 0.28%, 0.47%

LAB 60.75, -15.83, 32.95

 

CMYK 4 / 0 / 20 / 48

HEX #80856A

RGB 128 133 106

HSL 71.11, 0.11%, 0.47%

LAB 54.45, -6.83, 13.96

 

CMYK 0 / 29 / 86 / 17

HEX #D3961D

RGB 211 150 29

HSL 39.89, 0.76%, 0.47%

LAB 66.33, 13.45, 65.58

 

CMYK 0 / 6 / 86 / 17

HEX #D3C71D

RGB 211 199 29

HSL 56.04, 0.76%, 0.47%

LAB 78.92, -12.31, 75.78

 

CMYK 17 / 0 / 86 / 17

HEX #AFD31D

RGB 175 211 29

HSL 71.87, 0.76%, 0.47%

LAB 79.49, -33.23, 75.14

 

CMYK 40 / 0 / 86 / 17

HEX #7ED31D

RGB 126 211 29

HSL 88.02, 0.76%, 0.47%

LAB 76.75, -51.5, 71.72

 

CMYK 64 / 0 / 86 / 17

HEX #4DD31D

RGB 77 211 29

HSL 104.18, 0.76%, 0.47%

LAB 74.99, -65.22, 69.51

 

CMYK 18 / 0 / 86 / 46

HEX #718A13

RGB 113 138 19

HSL 72.61, 0.76%, 0.31%

LAB 53.74, -24.45, 53.95

 

CMYK 19 / 0 / 86 / 31

HEX #8EAF18

RGB 142 175 24

HSL 73.11, 0.76%, 0.39%

LAB 66.88, -29.99, 64.73

 

CMYK 18 / 0 / 86 / 17

HEX #ACD31D

RGB 172 211 29

HSL 72.86, 0.76%, 0.47%

LAB 79.3, -34.43, 74.9

 

CMYK 17 / 0 / 77 / 11

HEX #BEE435

RGB 190 228 53

HSL 73.03, 0.76%, 0.55%

LAB 85.35, -34.24, 74.7

 

CMYK 13 / 0 / 61 / 9

HEX #CAE85A

RGB 202 232 90

HSL 72.68, 0.76%, 0.63%

LAB 87.49, -29.27, 63.84

 

CMYK 18 / 0 / 86 / 17

HEX #ADD41D

RGB 173 212 29

HSL 72.79, 0.76%, 0.47%

LAB 79.65, -34.49, 75.21

 

CMYK 86 / 0 / 52 / 17

HEX #1DD366

RGB 29 211 102

HSL 144.07, 0.76%, 0.47%

LAB 74.7, -65.57, 41.91

 

CMYK 17 / 86 / 0 / 17

HEX #AF1DD3

RGB 175 29 211

HSL 288.13, 0.76%, 0.47%

LAB 45.21, 76.11, -61.02

 

CMYK 18 / 0 / 86 / 17

HEX #ADD41D

RGB 173 212 29

HSL 72.79, 0.76%, 0.47%

LAB 79.65, -34.49, 75.21

 

CMYK 86 / 17 / 0 / 17

HEX #1DAFD3

RGB 29 175 211

HSL 191.87, 0.76%, 0.47%

LAB 66.23, -23.37, -28.38

 

CMYK 0 / 86 / 17 / 17

HEX #D31DAF

RGB 211 29 175

HSL 311.87, 0.76%, 0.47%

LAB 49.28, 77.14, -33.21

 

CMYK 18 / 0 / 86 / 17

HEX #ADD41D

RGB 173 212 29

HSL 72.79, 0.76%, 0.47%

LAB 79.65, -34.49, 75.21

 

CMYK 86 / 0 / 52 / 17

HEX #1DD366

RGB 29 211 102

HSL 144.07, 0.76%, 0.47%

LAB 74.7, -65.57, 41.91

 

CMYK 69 / 86 / 0 / 17

HEX #411DD3

RGB 65 29 211

HSL 251.87, 0.76%, 0.47%

LAB 31.13, 63.27, -84.66

 

CMYK 0 / 86 / 35 / 17

HEX #D31D8A

RGB 211 29 138

HSL 324.07, 0.76%, 0.47%

LAB 47.7, 72.85, -13.54

 

CMYK 18 / 0 / 86 / 17

HEX #ADD41D

RGB 173 212 29

HSL 72.79, 0.76%, 0.47%

LAB 79.65, -34.49, 75.21

 

CMYK 86 / 0 / 26 / 17

HEX #1DD39C

RGB 29 211 156

HSL 161.87, 0.76%, 0.47%

LAB 75.61, -55.18, 15.44

 

CMYK 69 / 86 / 0 / 17

HEX #411DD3

RGB 65 29 211

HSL 251.87, 0.76%, 0.47%

LAB 31.13, 63.27, -84.66

 

CMYK 0 / 86 / 61 / 17

HEX #D31D53

RGB 211 29 83

HSL 342.2, 0.76%, 0.47%

LAB 46.11, 68.36, 18

 

Description

Color code: HEX #ADD41D | qconv.com Color code: HEX #ADD41D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 212 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 212 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 86 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 86% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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