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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADD2ED it is the complementary color #522D12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADD2ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADD2ED shade: #B2D2E8, #C3E4FB, #D4F6FF, #E5FFFF and #F6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADD2ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADD2ED shade: #ADD2ED, #9CC0DA, #8BAEC7, #7A9CB4 and #698AA1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADD2ED shade: #ABD1ED, #ABBFED, #ABAEED, #BAABED and #CCABED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADD2ED shade: #ABD1ED, #ABBFED, #ABAEED and #ABABED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADD2ED shade matches the following richer shades: #ABD1ED, #A3D2F5 and #9BD4FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADD2ED shade: #ABD1ED, #B4D0E4, #BCCFDC, #C4CDD4 and #CCCCCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADD2ED shade: #ABEDE5, #ABE3ED, #ABD1ED, #ABC0ED and #ABAFED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADD2ED shade: #68ACDE, #8ABFE5, #ABD1ED, #CDE4F4 and #EFF6FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADD2ED shade: #ADD2ED, #D4ABED and #ECEDAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADD2ED shade: #ADD2ED, #EDABD1 and #D1EDAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADD2ED shade: #ADD2ED, #D4ABED, #EDC7AB and #C4EDAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADD2ED shade: #ADD2ED, #E7ABED, #EDC7AB and #B1EDAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 11 / 0 / 7

HEX #ADD2ED

RGB 173 210 237

HSL 205.31, 0.64%, 0.8%

LAB 82.43, -6.18, -17.28

 

Complementary color

CMYK 0 / 45 / 78 / 68

HEX #522D12

RGB 82 45 18

HSL 25.31, 0.64%, 0.2%

LAB 22.7, 14.42, 24.15

 

CMYK 23 / 9 / 0 / 9

HEX #B2D2E8

RGB 178 210 232

HSL 204.44, 0.54%, 0.8%

LAB 82.58, -5.84, -14.36

 

CMYK 22 / 9 / 0 / 2

HEX #C3E4FB

RGB 195 228 251

HSL 204.64, 0.88%, 0.87%

LAB 88.95, -5.91, -14.75

 

CMYK 17 / 4 / 0 / 0

HEX #D4F6FF

RGB 212 246 255

HSL 192.56, 1%, 0.92%

LAB 94.79, -9.12, -8.01

 

CMYK 10 / 0 / 0 / 0

HEX #E5FFFF

RGB 229 255 255

HSL 180, 1%, 0.95%

LAB 98.19, -8.37, -2.87

 

CMYK 4 / 0 / 0 / 0

HEX #F6FFFF

RGB 246 255 255

HSL 180, 1%, 0.98%

LAB 99.35, -2.94, -1.04

 

CMYK 27 / 11 / 0 / 7

HEX #ADD2ED

RGB 173 210 237

HSL 205.31, 0.64%, 0.8%

LAB 82.43, -6.18, -17.28

 

CMYK 28 / 12 / 0 / 15

HEX #9CC0DA

RGB 156 192 218

HSL 205.16, 0.46%, 0.73%

LAB 75.96, -6.08, -16.94

 

CMYK 30 / 13 / 0 / 22

HEX #8BAEC7

RGB 139 174 199

HSL 205, 0.35%, 0.66%

LAB 69.39, -5.98, -16.59

 

CMYK 32 / 13 / 0 / 29

HEX #7A9CB4

RGB 122 156 180

HSL 204.83, 0.28%, 0.59%

LAB 62.68, -5.86, -16.26

 

CMYK 35 / 14 / 0 / 37

HEX #698AA1

RGB 105 138 161

HSL 204.64, 0.23%, 0.52%

LAB 55.84, -5.73, -15.93

 

CMYK 28 / 12 / 0 / 7

HEX #ABD1ED

RGB 171 209 237

HSL 205.45, 0.65%, 0.8%

LAB 82.04, -6.23, -17.88

 

CMYK 28 / 19 / 0 / 7

HEX #ABBFED

RGB 171 191 237

HSL 221.82, 0.65%, 0.8%

LAB 77.3, 3.37, -25.07

 

CMYK 28 / 27 / 0 / 7

HEX #ABAEED

RGB 171 174 237

HSL 237.27, 0.65%, 0.8%

LAB 72.92, 12.71, -31.8

 

CMYK 22 / 28 / 0 / 7

HEX #BAABED

RGB 186 171 237

HSL 253.64, 0.65%, 0.8%

LAB 73.34, 18.82, -31.06

 

CMYK 14 / 28 / 0 / 7

HEX #CCABED

RGB 204 171 237

HSL 270, 0.65%, 0.8%

LAB 74.87, 24.33, -28.56

 

CMYK 28 / 12 / 0 / 7

HEX #ABD1ED

RGB 171 209 237

HSL 205.45, 0.65%, 0.8%

LAB 82.04, -6.23, -17.88

 

CMYK 28 / 19 / 0 / 7

HEX #ABBFED

RGB 171 191 237

HSL 221.82, 0.65%, 0.8%

LAB 77.3, 3.37, -25.07

 

CMYK 28 / 27 / 0 / 7

HEX #ABAEED

RGB 171 174 237

HSL 237.27, 0.65%, 0.8%

LAB 72.92, 12.71, -31.8

 

CMYK 28 / 28 / 0 / 7

HEX #ABABED

RGB 171 171 237

HSL 240, 0.65%, 0.8%

LAB 72.16, 14.38, -32.97

 

CMYK 28 / 12 / 0 / 7

HEX #ABD1ED

RGB 171 209 237

HSL 205.45, 0.65%, 0.8%

LAB 82.04, -6.23, -17.88

 

CMYK 33 / 14 / 0 / 4

HEX #A3D2F5

RGB 163 210 245

HSL 205.61, 0.8%, 0.8%

LAB 82.09, -7.09, -22.1

 

CMYK 39 / 16 / 0 / 1

HEX #9BD4FD

RGB 155 212 253

HSL 205.1, 0.96%, 0.8%

LAB 82.46, -8.26, -25.84

 

CMYK 28 / 12 / 0 / 7

HEX #ABD1ED

RGB 171 209 237

HSL 205.45, 0.65%, 0.8%

LAB 82.04, -6.23, -17.88

 

CMYK 21 / 9 / 0 / 11

HEX #B4D0E4

RGB 180 208 228

HSL 205, 0.47%, 0.8%

LAB 82.06, -5.07, -12.99

 

CMYK 15 / 6 / 0 / 14

HEX #BCCFDC

RGB 188 207 220

HSL 204.38, 0.31%, 0.8%

LAB 82.1, -3.76, -8.61

 

CMYK 8 / 3 / 0 / 17

HEX #C4CDD4

RGB 196 205 212

HSL 206.25, 0.16%, 0.8%

LAB 81.92, -1.71, -4.54

 

CMYK 0 / 0 / 0 / 20

HEX #CCCCCC

RGB 204 204 204

HSL 0, 0%, 0.8%

LAB 82.05, 0, -0.01

 

CMYK 28 / 0 / 3 / 7

HEX #ABEDE5

RGB 171 237 229

HSL 172.73, 0.65%, 0.8%

LAB 89.34, -22.24, -2.79

 

CMYK 28 / 4 / 0 / 7

HEX #ABE3ED

RGB 171 227 237

HSL 189.09, 0.65%, 0.8%

LAB 86.85, -15.5, -10.67

 

CMYK 28 / 12 / 0 / 7

HEX #ABD1ED

RGB 171 209 237

HSL 205.45, 0.65%, 0.8%

LAB 82.04, -6.23, -17.88

 

CMYK 28 / 19 / 0 / 7

HEX #ABC0ED

RGB 171 192 237

HSL 220.91, 0.65%, 0.8%

LAB 77.56, 2.83, -24.67

 

CMYK 28 / 26 / 0 / 7

HEX #ABAFED

RGB 171 175 237

HSL 236.36, 0.65%, 0.8%

LAB 73.18, 12.16, -31.4

 

CMYK 53 / 23 / 0 / 13

HEX #68ACDE

RGB 104 172 222

HSL 205.42, 0.64%, 0.64%

LAB 67.82, -7.57, -31.82

 

CMYK 40 / 17 / 0 / 10

HEX #8ABFE5

RGB 138 191 229

HSL 205.05, 0.64%, 0.72%

LAB 75.03, -7.77, -24.41

 

CMYK 28 / 12 / 0 / 7

HEX #ABD1ED

RGB 171 209 237

HSL 205.45, 0.65%, 0.8%

LAB 82.04, -6.23, -17.88

 

CMYK 16 / 7 / 0 / 4

HEX #CDE4F4

RGB 205 228 244

HSL 204.62, 0.64%, 0.88%

LAB 89.39, -4.36, -10.34

 

CMYK 5 / 2 / 0 / 2

HEX #EFF6FB

RGB 239 246 251

HSL 205, 0.6%, 0.96%

LAB 96.5, -1.39, -3.21

 

CMYK 27 / 11 / 0 / 7

HEX #ADD2ED

RGB 173 210 237

HSL 205.31, 0.64%, 0.8%

LAB 82.43, -6.18, -17.28

 

CMYK 11 / 28 / 0 / 7

HEX #D4ABED

RGB 212 171 237

HSL 277.27, 0.65%, 0.8%

LAB 75.6, 26.83, -27.39

 

CMYK 0 / 0 / 28 / 7

HEX #ECEDAB

RGB 236 237 171

HSL 60.91, 0.65%, 0.8%

LAB 92.28, -10.47, 31.96

 

CMYK 27 / 11 / 0 / 7

HEX #ADD2ED

RGB 173 210 237

HSL 205.31, 0.64%, 0.8%

LAB 82.43, -6.18, -17.28

 

CMYK 0 / 28 / 12 / 7

HEX #EDABD1

RGB 237 171 209

HSL 325.45, 0.65%, 0.8%

LAB 77.12, 29.89, -9.64

 

CMYK 12 / 0 / 28 / 7

HEX #D1EDAB

RGB 209 237 171

HSL 85.45, 0.65%, 0.8%

LAB 90.35, -20.33, 29.03

 

CMYK 27 / 11 / 0 / 7

HEX #ADD2ED

RGB 173 210 237

HSL 205.31, 0.64%, 0.8%

LAB 82.43, -6.18, -17.28

 

CMYK 11 / 28 / 0 / 7

HEX #D4ABED

RGB 212 171 237

HSL 277.27, 0.65%, 0.8%

LAB 75.6, 26.83, -27.39

 

CMYK 0 / 16 / 28 / 7

HEX #EDC7AB

RGB 237 199 171

HSL 25.45, 0.65%, 0.8%

LAB 82.8, 9.38, 19.04

 

CMYK 17 / 0 / 28 / 7

HEX #C4EDAB

RGB 196 237 171

HSL 97.27, 0.65%, 0.8%

LAB 89.51, -24.9, 27.74

 

CMYK 27 / 11 / 0 / 7

HEX #ADD2ED

RGB 173 210 237

HSL 205.31, 0.64%, 0.8%

LAB 82.43, -6.18, -17.28

 

CMYK 3 / 28 / 0 / 7

HEX #E7ABED

RGB 231 171 237

HSL 294.55, 0.65%, 0.8%

LAB 77.42, 32.84, -24.45

 

CMYK 0 / 16 / 28 / 7

HEX #EDC7AB

RGB 237 199 171

HSL 25.45, 0.65%, 0.8%

LAB 82.8, 9.38, 19.04

 

CMYK 25 / 0 / 28 / 7

HEX #B1EDAB

RGB 177 237 171

HSL 114.55, 0.65%, 0.8%

LAB 88.38, -31.33, 26.02

 

Description

Color code: HEX #ADD2ED | qconv.com Color code: HEX #ADD2ED | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 210 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 210 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 11 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 11% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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