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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADC9F94C it is the complementary color #5236064C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADC9F94C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADC9F94C shade: #B2C9F44C, #C3DBFF4C, #D4EDFF4C, #E5FFFF4C and #F6FFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADC9F94C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADC9F94C shade: #ADC9F94C, #9CB7E64C, #8BA5D34C, #7A93C04C and #6981AD4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADC9F94C shade: #AECAF9, #AEB6F9, #BBAEF9, #CFAEF9 and #E3AEF9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADC9F94C shade: #AECAF9, #AEB6F9 and #AEAEF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADC9F94C shade matches the following richer shades: #AECAF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADC9F94C shade: #AECAF9, #B5CCF2, #BCCEEB, #C3CFE4 and #CAD1DD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADC9F94C shade: #AEF3F9, #AEDFF9, #AECBF9, #AEB7F9 and #BAAEF9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADC9F94C shade: #6297F3, #88B1F6, #AECAF9, #D5E3FC and #FBFCFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADC9F94C shade: #ADC9F9, #EBAEF9 and #E9F9AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADC9F94C shade: #ADC9F9, #F9AECB and #CBF9AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADC9F94C shade: #ADC9F9, #EBAEF9, #F9DCAE and #BCF9AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADC9F94C shade: #ADC9F9, #F9AEF0, #F9DCAE and #AEF9B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 6 / 0 / 1

HEX #ADC9F94C

RGBA 173 201 249 0.3

HSLA 217.89, 0.86%, 0.83%, 0.3

LABA 80.46, 1.44, -26.67, 0.3

 

Complementary color

CMYK 0 / 10 / 28 / 20

HEX #5236064C

RGBA 82 54 6 0.3

HSLA 37.89, 0.86%, 0.17%, 0.3

LABA 25.09, 8.1, 32.17, 0.3

 

CMYK 8 / 5 / 0 / 1

HEX #B2C9F44C

RGBA 178 201 244 0.3

HSLA 219.09, 0.75%, 0.83%, 0.3

LABA 80.61, 1.68, -23.74, 0.3

 

CMYK 7 / 4 / 0 / 0

HEX #C3DBFF4C

RGBA 195 219 255 0.3

HSLA 216, 1%, 0.88%, 0.3

LABA 86.74, -0.35, -20.16, 0.3

 

CMYK 5 / 2 / 0 / 0

HEX #D4EDFF4C

RGBA 212 237 255 0.3

HSLA 205.12, 1%, 0.92%, 0.3

LABA 92.48, -4.55, -11.44, 0.3

 

CMYK 3 / 0 / 0 / 0

HEX #E5FFFF4C

RGBA 229 255 255 0.3

HSLA 180, 1%, 0.95%, 0.3

LABA 98.19, -8.37, -2.87, 0.3

 

CMYK 1 / 0 / 0 / 0

HEX #F6FFFF4C

RGBA 246 255 255 0.3

HSLA 180, 1%, 0.98%, 0.3

LABA 99.35, -2.94, -1.04, 0.3

 

CMYK 9 / 6 / 0 / 1

HEX #ADC9F94C

RGBA 173 201 249 0.3

HSLA 217.89, 0.86%, 0.83%, 0.3

LABA 80.46, 1.44, -26.67, 0.3

 

CMYK 10 / 6 / 0 / 3

HEX #9CB7E64C

RGBA 156 183 230 0.3

HSLA 218.11, 0.6%, 0.76%, 0.3

LABA 73.96, 1.71, -26.48, 0.3

 

CMYK 10 / 7 / 0 / 5

HEX #8BA5D34C

RGBA 139 165 211 0.3

HSLA 218.33, 0.45%, 0.69%, 0.3

LABA 67.35, 2.01, -26.31, 0.3

 

CMYK 11 / 7 / 0 / 7

HEX #7A93C04C

RGBA 122 147 192 0.3

HSLA 218.57, 0.36%, 0.62%, 0.3

LABA 60.61, 2.36, -26.17, 0.3

 

CMYK 12 / 8 / 0 / 10

HEX #6981AD4C

RGBA 105 129 173 0.3

HSLA 218.82, 0.29%, 0.55%, 0.3

LABA 53.73, 2.76, -26.07, 0.3

 

CMYK 30 / 19 / 0 / 2

HEX #AECAF9

RGB 174 202 249

HSL 217.6, 0.86%, 0.83%

LAB 80.78, 1.19, -26.17

 

CMYK 30 / 27 / 0 / 2

HEX #AEB6F9

RGB 174 182 249

HSL 233.6, 0.86%, 0.83%

LAB 75.63, 12.08, -34.08

 

CMYK 25 / 30 / 0 / 2

HEX #BBAEF9

RGB 187 174 249

HSL 250.4, 0.86%, 0.83%

LAB 74.62, 20.23, -35.57

 

CMYK 17 / 30 / 0 / 2

HEX #CFAEF9

RGB 207 174 249

HSL 266.4, 0.86%, 0.83%

LAB 76.3, 26.17, -32.83

 

CMYK 9 / 30 / 0 / 2

HEX #E3AEF9

RGB 227 174 249

HSL 282.4, 0.86%, 0.83%

LAB 78.14, 32.29, -29.85

 

CMYK 30 / 19 / 0 / 2

HEX #AECAF9

RGB 174 202 249

HSL 217.6, 0.86%, 0.83%

LAB 80.78, 1.19, -26.17

 

CMYK 30 / 27 / 0 / 2

HEX #AEB6F9

RGB 174 182 249

HSL 233.6, 0.86%, 0.83%

LAB 75.63, 12.08, -34.08

 

CMYK 30 / 30 / 0 / 2

HEX #AEAEF9

RGB 174 174 249

HSL 240, 0.86%, 0.83%

LAB 73.62, 16.51, -37.2

 

CMYK 30 / 19 / 0 / 2

HEX #AECAF9

RGB 174 202 249

HSL 217.6, 0.86%, 0.83%

LAB 80.78, 1.19, -26.17

 

CMYK 30 / 19 / 0 / 2

HEX #AECAF9

RGB 174 202 249

HSL 217.6, 0.86%, 0.83%

LAB 80.78, 1.19, -26.17

 

CMYK 25 / 16 / 0 / 5

HEX #B5CCF2

RGB 181 204 242

HSL 217.38, 0.7%, 0.83%

LAB 81.52, 0.49, -21.27

 

CMYK 20 / 12 / 0 / 8

HEX #BCCEEB

RGB 188 206 235

HSL 217.02, 0.54%, 0.83%

LAB 82.29, -0.03, -16.33

 

CMYK 14 / 9 / 0 / 11

HEX #C3CFE4

RGB 195 207 228

HSL 218.18, 0.38%, 0.83%

LAB 82.82, 0.13, -11.75

 

CMYK 9 / 5 / 0 / 13

HEX #CAD1DD

RGB 202 209 221

HSL 217.89, 0.22%, 0.83%

LAB 83.64, -0.07, -6.75

 

CMYK 30 / 2 / 0 / 2

HEX #AEF3F9

RGB 174 243 249

HSL 184.8, 0.86%, 0.83%

LAB 91.66, -19.93, -9.78

 

CMYK 30 / 10 / 0 / 2

HEX #AEDFF9

RGB 174 223 249

HSL 200.8, 0.86%, 0.83%

LAB 86.31, -9.85, -17.78

 

CMYK 30 / 18 / 0 / 2

HEX #AECBF9

RGB 174 203 249

HSL 216.8, 0.86%, 0.83%

LAB 81.04, 0.65, -25.77

 

CMYK 30 / 27 / 0 / 2

HEX #AEB7F9

RGB 174 183 249

HSL 232.8, 0.86%, 0.83%

LAB 75.89, 11.52, -33.69

 

CMYK 25 / 30 / 0 / 2

HEX #BAAEF9

RGB 186 174 249

HSL 249.6, 0.86%, 0.83%

LAB 74.54, 19.94, -35.7

 

CMYK 60 / 38 / 0 / 5

HEX #6297F3

RGB 98 151 243

HSL 218.07, 0.86%, 0.67%

LAB 62.68, 9.73, -51.43

 

CMYK 45 / 28 / 0 / 4

HEX #88B1F6

RGB 136 177 246

HSL 217.64, 0.86%, 0.75%

LAB 71.78, 4.01, -38.63

 

CMYK 30 / 19 / 0 / 2

HEX #AECAF9

RGB 174 202 249

HSL 217.6, 0.86%, 0.83%

LAB 80.78, 1.19, -26.17

 

CMYK 15 / 10 / 0 / 1

HEX #D5E3FC

RGB 213 227 252

HSL 218.46, 0.87%, 0.91%

LAB 89.91, 0.29, -13.7

 

CMYK 2 / 1 / 0 / 0

HEX #FBFCFF

RGB 251 252 255

HSL 225, 1%, 0.99%

LAB 98.97, 0.21, -1.56

 

CMYK 31 / 19 / 0 / 2

HEX #ADC9F9

RGB 173 201 249

HSL 217.89, 0.86%, 0.83%

LAB 80.46, 1.44, -26.67

 

CMYK 6 / 30 / 0 / 2

HEX #EBAEF9

RGB 235 174 249

HSL 288.8, 0.86%, 0.83%

LAB 78.91, 34.77, -28.6

 

CMYK 6 / 0 / 30 / 2

HEX #E9F9AE

RGB 233 249 174

HSL 72.8, 0.86%, 0.83%

LAB 95.22, -17.1, 34.33

 

CMYK 31 / 19 / 0 / 2

HEX #ADC9F9

RGB 173 201 249

HSL 217.89, 0.86%, 0.83%

LAB 80.46, 1.44, -26.67

 

CMYK 0 / 30 / 18 / 2

HEX #F9AECB

RGB 249 174 203

HSL 336.8, 0.86%, 0.83%

LAB 78.88, 31.5, -3.63

 

CMYK 18 / 0 / 30 / 2

HEX #CBF9AE

RGB 203 249 174

HSL 96.8, 0.86%, 0.83%

LAB 93.23, -27.75, 31.33

 

CMYK 31 / 19 / 0 / 2

HEX #ADC9F9

RGB 173 201 249

HSL 217.89, 0.86%, 0.83%

LAB 80.46, 1.44, -26.67

 

CMYK 6 / 30 / 0 / 2

HEX #EBAEF9

RGB 235 174 249

HSL 288.8, 0.86%, 0.83%

LAB 78.91, 34.77, -28.6

 

CMYK 0 / 12 / 30 / 2

HEX #F9DCAE

RGB 249 220 174

HSL 36.8, 0.86%, 0.83%

LAB 89.1, 3.4, 26.31

 

CMYK 24 / 0 / 30 / 2

HEX #BCF9AE

RGB 188 249 174

HSL 108.8, 0.86%, 0.83%

LAB 92.35, -32.81, 29.99

 

CMYK 31 / 19 / 0 / 2

HEX #ADC9F9

RGB 173 201 249

HSL 217.89, 0.86%, 0.83%

LAB 80.46, 1.44, -26.67

 

CMYK 0 / 30 / 4 / 2

HEX #F9AEF0

RGB 249 174 240

HSL 307.2, 0.86%, 0.83%

LAB 80.01, 37.54, -21.95

 

CMYK 0 / 12 / 30 / 2

HEX #F9DCAE

RGB 249 220 174

HSL 36.8, 0.86%, 0.83%

LAB 89.1, 3.4, 26.31

 

CMYK 30 / 0 / 27 / 2

HEX #AEF9B7

RGB 174 249 183

HSL 127.2, 0.86%, 0.83%

LAB 91.76, -35.86, 24.49

 

Description

Color code: HEX #ADC9F94C | qconv.com Color code: HEX #ADC9F94C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 201 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 201 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 6 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 6% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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