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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADC9C8CE it is the complementary color #523637CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADC9C8CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADC9C8CE shade: #B2C9C3CE, #C3DBD6CE, #D4EDE9CE, #E5FFFCCE and #F6FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADC9C8CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADC9C8CE shade: #ADC9C8CE, #9CB7B5CE, #8BA5A2CE, #7A938FCE and #69817CCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADC9C8CE shade: #ACC9C8, #ACC9C0, #ACC9B8, #ACC9B0 and #AFC9AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADC9C8CE shade: #ACC9C8, #ACC2C9, #ACBAC9, #ACB2C9 and #ACACC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADC9C8CE shade matches the following richer shades: #ACC9C8, #A1D4D2, #95DFDC, #8AEAE7 and #7FF5F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADC9C8CE shade: #ACC9C8, #B7BDBD, #C2B2B3, #CDA7A9 and #D89C9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADC9C8CE shade: #ACC9B8, #ACC9BF, #ACC9C7, #ACC2C9 and #ACBBC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADC9C8CE shade: #7AA8A6, #93B8B7, #ACC9C8, #C5D9D8 and #DEE9E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADC9C8CE shade: #ADC9C8, #B0ACC9 and #C9BCAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADC9C8CE shade: #ADC9C8, #C7ACC9 and #C9C7AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADC9C8CE shade: #ADC9C8, #B0ACC9, #C9ACAD and #C4C9AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADC9C8CE shade: #ADC9C8, #B9ACC9, #C9ACAD and #BCC9AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 0 / 17

HEX #ADC9C8CE

RGBA 173 201 200 0.81

HSLA 177.86, 0.21%, 0.73%, 0.81

LABA 78.94, -9.56, -2.67, 0.81

 

Complementary color

CMYK 0 / 28 / 27 / 55

HEX #523637CE

RGBA 82 54 55 0.81

HSLA 357.86, 0.21%, 0.27%, 0.81

LABA 25.89, 12.72, 4.46, 0.81

 

CMYK 9 / 0 / 2 / 17

HEX #B2C9C3CE

RGBA 178 201 195 0.81

HSLA 164.35, 0.18%, 0.74%, 0.81

LABA 79.14, -8.92, 0.35, 0.81

 

CMYK 9 / 0 / 2 / 11

HEX #C3DBD6CE

RGBA 195 219 214 0.81

HSLA 167.5, 0.25%, 0.81%, 0.81

LABA 85.56, -8.92, -0.26, 0.81

 

CMYK 9 / 0 / 1 / 6

HEX #D4EDE9CE

RGBA 212 237 233 0.81

HSLA 170.4, 0.41%, 0.88%, 0.81

LABA 91.89, -8.93, -0.86, 0.81

 

CMYK 8 / 0 / 1 / 0

HEX #E5FFFCCE

RGBA 229 255 252 0.81

HSLA 173.08, 1%, 0.95%, 0.81

LABA 98.12, -8.94, -1.44, 0.81

 

CMYK 3 / 0 / 0 / 0

HEX #F6FFFFCE

RGBA 246 255 255 0.81

HSLA 180, 1%, 0.98%, 0.81

LABA 99.35, -2.94, -1.04, 0.81

 

CMYK 11 / 0 / 0 / 17

HEX #ADC9C8CE

RGBA 173 201 200 0.81

HSLA 177.86, 0.21%, 0.73%, 0.81

LABA 78.94, -9.56, -2.67, 0.81

 

CMYK 12 / 0 / 1 / 23

HEX #9CB7B5CE

RGBA 156 183 181 0.81

HSLA 175.56, 0.16%, 0.66%, 0.81

LABA 72.41, -9.58, -2.08, 0.81

 

CMYK 13 / 0 / 1 / 29

HEX #8BA5A2CE

RGBA 139 165 162 0.81

HSLA 173.08, 0.13%, 0.6%, 0.81

LABA 65.75, -9.61, -1.47, 0.81

 

CMYK 14 / 0 / 2 / 34

HEX #7A938FCE

RGBA 122 147 143 0.81

HSLA 170.4, 0.1%, 0.53%, 0.81

LABA 58.96, -9.67, -0.84, 0.81

 

CMYK 15 / 0 / 3 / 40

HEX #69817CCE

RGBA 105 129 124 0.81

HSLA 167.5, 0.1%, 0.46%, 0.81

LABA 52.02, -9.74, -0.17, 0.81

 

CMYK 14 / 0 / 0 / 21

HEX #ACC9C8

RGB 172 201 200

HSL 177.93, 0.21%, 0.73%

LAB 78.88, -9.88, -2.77

 

CMYK 14 / 0 / 4 / 21

HEX #ACC9C0

RGB 172 201 192

HSL 161.38, 0.21%, 0.73%

LAB 78.67, -11.49, 1.22

 

CMYK 14 / 0 / 8 / 21

HEX #ACC9B8

RGB 172 201 184

HSL 144.83, 0.21%, 0.73%

LAB 78.46, -13.05, 5.23

 

CMYK 14 / 0 / 12 / 21

HEX #ACC9B0

RGB 172 201 176

HSL 128.28, 0.21%, 0.73%

LAB 78.27, -14.54, 9.25

 

CMYK 13 / 0 / 14 / 21

HEX #AFC9AC

RGB 175 201 172

HSL 113.79, 0.21%, 0.73%

LAB 78.38, -14.23, 11.58

 

CMYK 14 / 0 / 0 / 21

HEX #ACC9C8

RGB 172 201 200

HSL 177.93, 0.21%, 0.73%

LAB 78.88, -9.88, -2.77

 

CMYK 14 / 3 / 0 / 21

HEX #ACC2C9

RGB 172 194 201

HSL 194.48, 0.21%, 0.73%

LAB 77.02, -6, -6.04

 

CMYK 14 / 7 / 0 / 21

HEX #ACBAC9

RGB 172 186 201

HSL 211.03, 0.21%, 0.73%

LAB 74.89, -1.74, -9.21

 

CMYK 14 / 11 / 0 / 21

HEX #ACB2C9

RGB 172 178 201

HSL 227.59, 0.21%, 0.73%

LAB 72.78, 2.58, -12.36

 

CMYK 14 / 14 / 0 / 21

HEX #ACACC9

RGB 172 172 201

HSL 240, 0.21%, 0.73%

LAB 71.21, 5.87, -14.72

 

CMYK 14 / 0 / 0 / 21

HEX #ACC9C8

RGB 172 201 200

HSL 177.93, 0.21%, 0.73%

LAB 78.88, -9.88, -2.77

 

CMYK 24 / 0 / 1 / 17

HEX #A1D4D2

RGB 161 212 210

HSL 177.65, 0.37%, 0.73%

LAB 81.47, -16.82, -4.4

 

CMYK 33 / 0 / 1 / 13

HEX #95DFDC

RGB 149 223 220

HSL 177.57, 0.54%, 0.73%

LAB 84.14, -23.48, -5.84

 

CMYK 41 / 0 / 1 / 8

HEX #8AEAE7

RGB 138 234 231

HSL 178.13, 0.7%, 0.73%

LAB 87.01, -29.04, -7.46

 

CMYK 48 / 0 / 2 / 4

HEX #7FF5F1

RGB 127 245 241

HSL 177.97, 0.86%, 0.73%

LAB 89.94, -34.28, -8.39

 

CMYK 14 / 0 / 0 / 21

HEX #ACC9C8

RGB 172 201 200

HSL 177.93, 0.21%, 0.73%

LAB 78.88, -9.88, -2.77

 

CMYK 3 / 0 / 0 / 26

HEX #B7BDBD

RGB 183 189 189

HSL 180, 0.04%, 0.73%

LAB 76.15, -2.07, -0.73

 

CMYK 0 / 8 / 8 / 24

HEX #C2B2B3

RGB 194 178 179

HSL 356.25, 0.12%, 0.73%

LAB 73.91, 5.88, 1.55

 

CMYK 0 / 19 / 18 / 20

HEX #CDA7A9

RGB 205 167 169

HSL 356.84, 0.28%, 0.73%

LAB 71.88, 14.21, 4.22

 

CMYK 0 / 28 / 27 / 15

HEX #D89C9E

RGB 216 156 158

HSL 358, 0.43%, 0.73%

LAB 70.07, 22.66, 7.84

 

CMYK 14 / 0 / 8 / 21

HEX #ACC9B8

RGB 172 201 184

HSL 144.83, 0.21%, 0.73%

LAB 78.46, -13.05, 5.23

 

CMYK 14 / 0 / 5 / 21

HEX #ACC9BF

RGB 172 201 191

HSL 159.31, 0.21%, 0.73%

LAB 78.64, -11.69, 1.72

 

CMYK 14 / 0 / 1 / 21

HEX #ACC9C7

RGB 172 201 199

HSL 175.86, 0.21%, 0.73%

LAB 78.85, -10.08, -2.28

 

CMYK 14 / 3 / 0 / 21

HEX #ACC2C9

RGB 172 194 201

HSL 194.48, 0.21%, 0.73%

LAB 77.02, -6, -6.04

 

CMYK 14 / 7 / 0 / 21

HEX #ACBBC9

RGB 172 187 201

HSL 208.97, 0.21%, 0.73%

LAB 75.16, -2.28, -8.81

 

CMYK 27 / 0 / 1 / 34

HEX #7AA8A6

RGB 122 168 166

HSL 177.39, 0.21%, 0.57%

LAB 65.67, -15.75, -3.95

 

CMYK 20 / 0 / 1 / 28

HEX #93B8B7

RGB 147 184 183

HSL 178.38, 0.21%, 0.65%

LAB 72.16, -12.58, -3.61

 

CMYK 14 / 0 / 0 / 21

HEX #ACC9C8

RGB 172 201 200

HSL 177.93, 0.21%, 0.73%

LAB 78.88, -9.88, -2.77

 

CMYK 9 / 0 / 0 / 15

HEX #C5D9D8

RGB 197 217 216

HSL 177, 0.21%, 0.81%

LAB 85.23, -6.85, -1.8

 

CMYK 5 / 0 / 0 / 9

HEX #DEE9E9

RGB 222 233 233

HSL 180, 0.2%, 0.89%

LAB 91.55, -3.64, -1.28

 

CMYK 14 / 0 / 0 / 21

HEX #ADC9C8

RGB 173 201 200

HSL 177.86, 0.21%, 0.73%

LAB 78.94, -9.56, -2.67

 

CMYK 12 / 14 / 0 / 21

HEX #B0ACC9

RGB 176 172 201

HSL 248.28, 0.21%, 0.73%

LAB 71.52, 7.18, -14.22

 

CMYK 0 / 6 / 14 / 21

HEX #C9BCAC

RGB 201 188 172

HSL 33.1, 0.21%, 0.73%

LAB 76.9, 1.9, 9.74

 

CMYK 14 / 0 / 0 / 21

HEX #ADC9C8

RGB 173 201 200

HSL 177.86, 0.21%, 0.73%

LAB 78.94, -9.56, -2.67

 

CMYK 1 / 14 / 0 / 21

HEX #C7ACC9

RGB 199 172 201

HSL 295.86, 0.21%, 0.73%

LAB 73.46, 14.91, -11.12

 

CMYK 0 / 1 / 14 / 21

HEX #C9C7AC

RGB 201 199 172

HSL 55.86, 0.21%, 0.73%

LAB 79.75, -3.9, 13.78

 

CMYK 14 / 0 / 0 / 21

HEX #ADC9C8

RGB 173 201 200

HSL 177.86, 0.21%, 0.73%

LAB 78.94, -9.56, -2.67

 

CMYK 12 / 14 / 0 / 21

HEX #B0ACC9

RGB 176 172 201

HSL 248.28, 0.21%, 0.73%

LAB 71.52, 7.18, -14.22

 

CMYK 0 / 14 / 14 / 21

HEX #C9ACAD

RGB 201 172 173

HSL 357.93, 0.21%, 0.73%

LAB 72.85, 10.67, 3.38

 

CMYK 2 / 0 / 14 / 21

HEX #C4C9AC

RGB 196 201 172

HSL 70.34, 0.21%, 0.73%

LAB 79.89, -6.76, 13.92

 

CMYK 14 / 0 / 0 / 21

HEX #ADC9C8

RGB 173 201 200

HSL 177.86, 0.21%, 0.73%

LAB 78.94, -9.56, -2.67

 

CMYK 8 / 14 / 0 / 21

HEX #B9ACC9

RGB 185 172 201

HSL 266.9, 0.21%, 0.73%

LAB 72.25, 10.17, -13.05

 

CMYK 0 / 14 / 14 / 21

HEX #C9ACAD

RGB 201 172 173

HSL 357.93, 0.21%, 0.73%

LAB 72.85, 10.67, 3.38

 

CMYK 6 / 0 / 14 / 21

HEX #BCC9AC

RGB 188 201 172

HSL 86.9, 0.21%, 0.73%

LAB 79.3, -9.64, 13

 

Description

Color code: HEX #ADC9C8CE | qconv.com Color code: HEX #ADC9C8CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 201 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 201 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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