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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADC7E4 it is the complementary color #52381B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADC7E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADC7E4 shade: #B2C7DF, #C3D9F2, #D4EBFF, #E5FDFF and #F6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADC7E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADC7E4 shade: #ADC7E4, #9CB5D1, #8BA3BE, #7A91AB and #697F98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADC7E4 shade: #AEC7E4, #AEB9E4, #B2AEE4, #C0AEE4 and #CFAEE4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADC7E4 shade: #AEC7E4, #AEB9E4 and #AEAEE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADC7E4 shade matches the following richer shades: #AEC7E4, #A6C7EC, #9DC7F5 and #94C6FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADC7E4 shade: #AEC7E4, #B7C8DB, #C0C8D2, #C8C9CA and #D1C9C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADC7E4 shade: #AEE4E3, #AED6E4, #AEC8E4, #AEBAE4 and #B1AEE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADC7E4 shade: #709DCF, #8FB2D9, #AEC7E4, #CDDDEE and #ECF2F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADC7E4 shade: #ADC7E4, #D5AEE4 and #DDE4AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADC7E4 shade: #ADC7E4, #E4AEC8 and #C8E4AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADC7E4 shade: #ADC7E4, #D5AEE4, #E4CAAE and #BDE4AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADC7E4 shade: #ADC7E4, #E4AEE3, #E4CAAE and #AEE4AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 13 / 0 / 11

HEX #ADC7E4

RGB 173 199 228

HSL 211.64, 0.5%, 0.79%

LAB 79.23, -2.44, -17.29

 

Complementary color

CMYK 0 / 32 / 67 / 68

HEX #52381B

RGB 82 56 27

HSL 31.64, 0.5%, 0.21%

LAB 25.87, 8.03, 22.43

 

CMYK 20 / 11 / 0 / 13

HEX #B2C7DF

RGB 178 199 223

HSL 212, 0.41%, 0.79%

LAB 79.41, -2.03, -14.31

 

CMYK 19 / 10 / 0 / 5

HEX #C3D9F2

RGB 195 217 242

HSL 211.91, 0.64%, 0.86%

LAB 85.83, -2.16, -14.69

 

CMYK 17 / 8 / 0 / 0

HEX #D4EBFF

RGB 212 235 255

HSL 207.91, 1%, 0.92%

LAB 91.97, -3.53, -12.21

 

CMYK 10 / 1 / 0 / 0

HEX #E5FDFF

RGB 229 253 255

HSL 184.62, 1%, 0.95%

LAB 97.68, -7.37, -3.62

 

CMYK 4 / 0 / 0 / 0

HEX #F6FFFF

RGB 246 255 255

HSL 180, 1%, 0.98%

LAB 99.35, -2.94, -1.04

 

CMYK 24 / 13 / 0 / 11

HEX #ADC7E4

RGB 173 199 228

HSL 211.64, 0.5%, 0.79%

LAB 79.23, -2.44, -17.29

 

CMYK 25 / 13 / 0 / 18

HEX #9CB5D1

RGB 156 181 209

HSL 211.7, 0.37%, 0.72%

LAB 72.71, -2.3, -16.96

 

CMYK 27 / 14 / 0 / 25

HEX #8BA3BE

RGB 139 163 190

HSL 211.76, 0.28%, 0.65%

LAB 66.06, -2.15, -16.64

 

CMYK 29 / 15 / 0 / 33

HEX #7A91AB

RGB 122 145 171

HSL 211.84, 0.23%, 0.57%

LAB 59.28, -1.98, -16.33

 

CMYK 31 / 16 / 0 / 40

HEX #697F98

RGB 105 127 152

HSL 211.91, 0.19%, 0.5%

LAB 52.34, -1.8, -16.03

 

CMYK 24 / 13 / 0 / 11

HEX #AEC7E4

RGB 174 199 228

HSL 212.22, 0.5%, 0.79%

LAB 79.3, -2.14, -17.19

 

CMYK 24 / 19 / 0 / 11

HEX #AEB9E4

RGB 174 185 228

HSL 227.78, 0.5%, 0.79%

LAB 75.64, 5.41, -22.73

 

CMYK 22 / 24 / 0 / 11

HEX #B2AEE4

RGB 178 174 228

HSL 244.44, 0.5%, 0.79%

LAB 73.11, 12.67, -26.56

 

CMYK 16 / 24 / 0 / 11

HEX #C0AEE4

RGB 192 174 228

HSL 260, 0.5%, 0.79%

LAB 74.24, 17.01, -24.74

 

CMYK 9 / 24 / 0 / 11

HEX #CFAEE4

RGB 207 174 228

HSL 276.67, 0.5%, 0.79%

LAB 75.54, 21.77, -22.64

 

CMYK 24 / 13 / 0 / 11

HEX #AEC7E4

RGB 174 199 228

HSL 212.22, 0.5%, 0.79%

LAB 79.3, -2.14, -17.19

 

CMYK 24 / 19 / 0 / 11

HEX #AEB9E4

RGB 174 185 228

HSL 227.78, 0.5%, 0.79%

LAB 75.64, 5.41, -22.73

 

CMYK 24 / 24 / 0 / 11

HEX #AEAEE4

RGB 174 174 228

HSL 240, 0.5%, 0.79%

LAB 72.81, 11.46, -27.06

 

CMYK 24 / 13 / 0 / 11

HEX #AEC7E4

RGB 174 199 228

HSL 212.22, 0.5%, 0.79%

LAB 79.3, -2.14, -17.19

 

CMYK 30 / 16 / 0 / 7

HEX #A6C7EC

RGB 166 199 236

HSL 211.71, 0.65%, 0.79%

LAB 79.05, -2.62, -21.91

 

CMYK 36 / 19 / 0 / 4

HEX #9DC7F5

RGB 157 199 245

HSL 211.36, 0.81%, 0.79%

LAB 78.81, -2.89, -27.13

 

CMYK 42 / 22 / 0 / 0

HEX #94C6FE

RGB 148 198 254

HSL 211.7, 0.98%, 0.79%

LAB 78.37, -2.34, -32.67

 

CMYK 24 / 13 / 0 / 11

HEX #AEC7E4

RGB 174 199 228

HSL 212.22, 0.5%, 0.79%

LAB 79.3, -2.14, -17.19

 

CMYK 16 / 9 / 0 / 14

HEX #B7C8DB

RGB 183 200 219

HSL 211.67, 0.33%, 0.79%

LAB 79.89, -1.86, -11.4

 

CMYK 9 / 5 / 0 / 18

HEX #C0C8D2

RGB 192 200 210

HSL 213.33, 0.17%, 0.79%

LAB 80.27, -0.79, -5.93

 

CMYK 1 / 0 / 0 / 21

HEX #C8C9CA

RGB 200 201 202

HSL 210, 0.02%, 0.79%

LAB 80.91, -0.16, -0.63

 

CMYK 0 / 4 / 8 / 18

HEX #D1C9C1

RGB 209 201 193

HSL 30, 0.15%, 0.79%

LAB 81.39, 1.39, 4.97

 

CMYK 24 / 0 / 0 / 11

HEX #AEE4E3

RGB 174 228 227

HSL 178.89, 0.5%, 0.79%

LAB 87.01, -17.34, -5.15

 

CMYK 24 / 6 / 0 / 11

HEX #AED6E4

RGB 174 214 228

HSL 195.56, 0.5%, 0.79%

LAB 83.28, -10, -11.21

 

CMYK 24 / 12 / 0 / 11

HEX #AEC8E4

RGB 174 200 228

HSL 211.11, 0.5%, 0.79%

LAB 79.56, -2.67, -16.79

 

CMYK 24 / 18 / 0 / 11

HEX #AEBAE4

RGB 174 186 228

HSL 226.67, 0.5%, 0.79%

LAB 75.9, 4.86, -22.34

 

CMYK 22 / 24 / 0 / 11

HEX #B1AEE4

RGB 177 174 228

HSL 243.33, 0.5%, 0.79%

LAB 73.04, 12.37, -26.68

 

CMYK 46 / 24 / 0 / 19

HEX #709DCF

RGB 112 157 207

HSL 211.58, 0.5%, 0.63%

LAB 63.4, -1.78, -30.33

 

CMYK 34 / 18 / 0 / 15

HEX #8FB2D9

RGB 143 178 217

HSL 211.62, 0.49%, 0.71%

LAB 71.34, -2.5, -23.48

 

CMYK 24 / 13 / 0 / 11

HEX #AEC7E4

RGB 174 199 228

HSL 212.22, 0.5%, 0.79%

LAB 79.3, -2.14, -17.19

 

CMYK 14 / 7 / 0 / 7

HEX #CDDDEE

RGB 205 221 238

HSL 210.91, 0.49%, 0.87%

LAB 87.42, -1.97, -10.12

 

CMYK 5 / 2 / 0 / 3

HEX #ECF2F8

RGB 236 242 248

HSL 210, 0.46%, 0.95%

LAB 95.21, -0.88, -3.59

 

CMYK 24 / 13 / 0 / 11

HEX #ADC7E4

RGB 173 199 228

HSL 211.64, 0.5%, 0.79%

LAB 79.23, -2.44, -17.29

 

CMYK 7 / 24 / 0 / 11

HEX #D5AEE4

RGB 213 174 228

HSL 283.33, 0.5%, 0.79%

LAB 76.08, 23.71, -21.76

 

CMYK 3 / 0 / 24 / 11

HEX #DDE4AE

RGB 221 228 174

HSL 67.78, 0.5%, 0.79%

LAB 88.88, -11.11, 25.64

HEX #DDE4AE

CMYK 24 / 13 / 0 / 11

HEX #ADC7E4

RGB 173 199 228

HSL 211.64, 0.5%, 0.79%

LAB 79.23, -2.44, -17.29

 

CMYK 0 / 24 / 12 / 11

HEX #E4AEC8

RGB 228 174 200

HSL 331.11, 0.5%, 0.79%

LAB 76.64, 23.7, -5.55

 

CMYK 12 / 0 / 24 / 11

HEX #C8E4AE

RGB 200 228 174

HSL 91.11, 0.5%, 0.79%

LAB 87.4, -18.67, 23.36

 

CMYK 24 / 13 / 0 / 11

HEX #ADC7E4

RGB 173 199 228

HSL 211.64, 0.5%, 0.79%

LAB 79.23, -2.44, -17.29

 

CMYK 7 / 24 / 0 / 11

HEX #D5AEE4

RGB 213 174 228

HSL 283.33, 0.5%, 0.79%

LAB 76.08, 23.71, -21.76

 

CMYK 0 / 11 / 24 / 11

HEX #E4CAAE

RGB 228 202 174

HSL 31.11, 0.5%, 0.79%

LAB 82.8, 4.84, 17.33

 

CMYK 17 / 0 / 24 / 11

HEX #BDE4AE

RGB 189 228 174

HSL 103.33, 0.5%, 0.79%

LAB 86.68, -22.51, 22.27

 

CMYK 24 / 13 / 0 / 11

HEX #ADC7E4

RGB 173 199 228

HSL 211.64, 0.5%, 0.79%

LAB 79.23, -2.44, -17.29

 

CMYK 0 / 24 / 0 / 11

HEX #E4AEE3

RGB 228 174 227

HSL 301.11, 0.5%, 0.79%

LAB 77.47, 28.4, -18.99

 

CMYK 0 / 11 / 24 / 11

HEX #E4CAAE

RGB 228 202 174

HSL 31.11, 0.5%, 0.79%

LAB 82.8, 4.84, 17.33

 

CMYK 24 / 0 / 23 / 11

HEX #AEE4AF

RGB 174 228 175

HSL 121.11, 0.5%, 0.79%

LAB 85.8, -27.4, 20.38

 

Description

Color code: HEX #ADC7E4 | qconv.com Color code: HEX #ADC7E4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 199 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 199 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 13 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 13% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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