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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADC6E000 it is the complementary color #52391F00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADC6E000. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADC6E000 shade: #B2C6DB00, #C3D8EE00, #D4EAFF00, #E5FCFF00 and #F6FFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADC6E000. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADC6E000 shade: #ADC6E000, #9CB4CD00, #8BA2BA00, #7A90A700 and #697E9400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADC6E000 shade: #AEC6E0, #AEB9E0, #B0AEE0, #BEAEE0 and #CBAEE0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADC6E000 shade: #AEC6E0, #AEB9E0 and #AEAEE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADC6E000 shade matches the following richer shades: #AEC6E0, #A5C6E9, #9CC6F2 and #92C6FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADC6E000 shade: #AEC6E0, #B7C7D7, #C0C7CE, #C9C7C5 and #D2C7BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADC6E000 shade: #AEE0DE, #AED4E0, #AEC7E0, #AEB9E0 and #AFAEE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADC6E000 shade: #729DC9, #90B2D5, #AEC6E0, #CCDBEB and #E9F0F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADC6E000 shade: #ADC6E0, #D1AEE0 and #DBE0AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADC6E000 shade: #ADC6E0, #E0AEC7 and #C7E0AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADC6E000 shade: #ADC6E0, #D1AEE0, #E0C7AE and #BDE0AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADC6E000 shade: #ADC6E0, #E0AEE0, #E0C7AE and #AEE0AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #ADC6E000

RGBA 173 198 224 0

HSLA 210.59, 0.45%, 0.78%, 0

LABA 78.84, -2.81, -15.73, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #52391F00

RGBA 82 57 31 0

HSLA 30.59, 0.45%, 0.22%, 0

LABA 26.21, 7.74, 20.43, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B2C6DB00

RGBA 178 198 219 0

HSLA 210.73, 0.36%, 0.78%, 0

LABA 79.02, -2.38, -12.74, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C3D8EE00

RGBA 195 216 238 0

HSLA 210.7, 0.56%, 0.85%, 0

LABA 85.45, -2.49, -13.14, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D4EAFF00

RGBA 212 234 255 0

HSLA 209.3, 1%, 0.92%, 0

LABA 91.71, -3.02, -12.59, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E5FCFF00

RGBA 229 252 255 0

HSLA 186.92, 1%, 0.95%, 0

LABA 97.43, -6.87, -3.99, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F6FFFF00

RGBA 246 255 255 0

HSLA 180, 1%, 0.98%, 0

LABA 99.35, -2.94, -1.04, 0

 

CMYK 0 / 0 / 0 / 0

HEX #ADC6E000

RGBA 173 198 224 0

HSLA 210.59, 0.45%, 0.78%, 0

LABA 78.84, -2.81, -15.73, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9CB4CD00

RGBA 156 180 205 0

HSLA 210.61, 0.33%, 0.71%, 0

LABA 72.31, -2.69, -15.38, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8BA2BA00

RGBA 139 162 186 0

HSLA 210.64, 0.25%, 0.64%, 0

LABA 65.65, -2.56, -15.03, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7A90A700

RGBA 122 144 167 0

HSLA 210.67, 0.2%, 0.57%, 0

LABA 58.86, -2.41, -14.69, 0

 

CMYK 0 / 0 / 0 / 0

HEX #697E9400

RGBA 105 126 148 0

HSLA 210.7, 0.17%, 0.5%, 0

LABA 51.91, -2.26, -14.36, 0

 

CMYK 22 / 12 / 0 / 12

HEX #AEC6E0

RGB 174 198 224

HSL 211.2, 0.45%, 0.78%

LAB 78.91, -2.51, -15.62

 

CMYK 22 / 17 / 0 / 12

HEX #AEB9E0

RGB 174 185 224

HSL 226.8, 0.45%, 0.78%

LAB 75.5, 4.49, -20.77

 

CMYK 21 / 22 / 0 / 12

HEX #B0AEE0

RGB 176 174 224

HSL 242.4, 0.45%, 0.78%

LAB 72.82, 11.14, -24.85

 

CMYK 15 / 22 / 0 / 12

HEX #BEAEE0

RGB 190 174 224

HSL 259.2, 0.45%, 0.78%

LAB 73.93, 15.51, -23.04

 

CMYK 9 / 22 / 0 / 12

HEX #CBAEE0

RGB 203 174 224

HSL 274.8, 0.45%, 0.78%

LAB 75.05, 19.67, -21.25

 

CMYK 22 / 12 / 0 / 12

HEX #AEC6E0

RGB 174 198 224

HSL 211.2, 0.45%, 0.78%

LAB 78.91, -2.51, -15.62

 

CMYK 22 / 17 / 0 / 12

HEX #AEB9E0

RGB 174 185 224

HSL 226.8, 0.45%, 0.78%

LAB 75.5, 4.49, -20.77

 

CMYK 22 / 22 / 0 / 12

HEX #AEAEE0

RGB 174 174 224

HSL 240, 0.45%, 0.78%

LAB 72.66, 10.53, -25.1

 

CMYK 22 / 12 / 0 / 12

HEX #AEC6E0

RGB 174 198 224

HSL 211.2, 0.45%, 0.78%

LAB 78.91, -2.51, -15.62

 

CMYK 29 / 15 / 0 / 9

HEX #A5C6E9

RGB 165 198 233

HSL 210.88, 0.61%, 0.78%

LAB 78.62, -3.09, -20.95

 

CMYK 36 / 18 / 0 / 5

HEX #9CC6F2

RGB 156 198 242

HSL 210.7, 0.77%, 0.78%

LAB 78.38, -3.39, -26.19

 

CMYK 42 / 21 / 0 / 2

HEX #92C6FB

RGB 146 198 251

HSL 210.29, 0.93%, 0.78%

LAB 78.15, -3.64, -31.42

 

CMYK 22 / 12 / 0 / 12

HEX #AEC6E0

RGB 174 198 224

HSL 211.2, 0.45%, 0.78%

LAB 78.91, -2.51, -15.62

 

CMYK 15 / 7 / 0 / 16

HEX #B7C7D7

RGB 183 199 215

HSL 210, 0.29%, 0.78%

LAB 79.51, -2.18, -9.82

 

CMYK 7 / 3 / 0 / 19

HEX #C0C7CE

RGB 192 199 206

HSL 210, 0.13%, 0.78%

LAB 79.9, -1.05, -4.33

 

CMYK 0 / 1 / 2 / 21

HEX #C9C7C5

RGB 201 199 197

HSL 30, 0.04%, 0.78%

LAB 80.35, 0.33, 1.23

 

CMYK 0 / 5 / 10 / 18

HEX #D2C7BC

RGB 210 199 188

HSL 30, 0.2%, 0.78%

LAB 80.84, 1.96, 6.86

 

CMYK 22 / 0 / 1 / 12

HEX #AEE0DE

RGB 174 224 222

HSL 177.6, 0.45%, 0.78%

LAB 85.8, -16.41, -4.3

 

CMYK 22 / 5 / 0 / 12

HEX #AED4E0

RGB 174 212 224

HSL 194.4, 0.45%, 0.78%

LAB 82.63, -9.85, -10.05

 

CMYK 22 / 11 / 0 / 12

HEX #AEC7E0

RGB 174 199 224

HSL 210, 0.45%, 0.78%

LAB 79.17, -3.04, -15.23

 

CMYK 22 / 17 / 0 / 12

HEX #AEB9E0

RGB 174 185 224

HSL 226.8, 0.45%, 0.78%

LAB 75.5, 4.49, -20.77

 

CMYK 22 / 22 / 0 / 12

HEX #AFAEE0

RGB 175 174 224

HSL 241.2, 0.45%, 0.78%

LAB 72.74, 10.83, -24.97

 

CMYK 43 / 22 / 0 / 21

HEX #729DC9

RGB 114 157 201

HSL 210.34, 0.45%, 0.62%

LAB 63.27, -2.99, -27.17

 

CMYK 32 / 16 / 0 / 16

HEX #90B2D5

RGB 144 178 213

HSL 210.43, 0.45%, 0.7%

LAB 71.26, -3.23, -21.41

 

CMYK 22 / 12 / 0 / 12

HEX #AEC6E0

RGB 174 198 224

HSL 211.2, 0.45%, 0.78%

LAB 78.91, -2.51, -15.62

 

CMYK 13 / 7 / 0 / 8

HEX #CCDBEB

RGB 204 219 235

HSL 210.97, 0.44%, 0.86%

LAB 86.75, -1.86, -9.54

 

CMYK 6 / 3 / 0 / 3

HEX #E9F0F7

RGB 233 240 247

HSL 210, 0.47%, 0.94%

LAB 94.47, -1.03, -4.19

 

CMYK 23 / 12 / 0 / 12

HEX #ADC6E0

RGB 173 198 224

HSL 210.59, 0.45%, 0.78%

LAB 78.84, -2.81, -15.73

 

CMYK 7 / 22 / 0 / 12

HEX #D1AEE0

RGB 209 174 224

HSL 282, 0.45%, 0.78%

LAB 75.58, 21.62, -20.38

 

CMYK 2 / 0 / 22 / 12

HEX #DBE0AE

RGB 219 224 174

HSL 66, 0.45%, 0.78%

LAB 87.69, -9.83, 23.98

 

CMYK 23 / 12 / 0 / 12

HEX #ADC6E0

RGB 173 198 224

HSL 210.59, 0.45%, 0.78%

LAB 78.84, -2.81, -15.73

 

CMYK 0 / 22 / 11 / 12

HEX #E0AEC7

RGB 224 174 199

HSL 330, 0.45%, 0.78%

LAB 76.22, 22.14, -5.67

 

CMYK 11 / 0 / 22 / 12

HEX #C7E0AE

RGB 199 224 174

HSL 90, 0.45%, 0.78%

LAB 86.26, -17.05, 21.79

 

CMYK 23 / 12 / 0 / 12

HEX #ADC6E0

RGB 173 198 224

HSL 210.59, 0.45%, 0.78%

LAB 78.84, -2.81, -15.73

 

CMYK 7 / 22 / 0 / 12

HEX #D1AEE0

RGB 209 174 224

HSL 282, 0.45%, 0.78%

LAB 75.58, 21.62, -20.38

 

CMYK 0 / 11 / 22 / 12

HEX #E0C7AE

RGB 224 199 174

HSL 30, 0.45%, 0.78%

LAB 81.7, 4.92, 15.73

 

CMYK 16 / 0 / 22 / 12

HEX #BDE0AE

RGB 189 224 174

HSL 102, 0.45%, 0.78%

LAB 85.6, -20.55, 20.77

 

CMYK 23 / 12 / 0 / 12

HEX #ADC6E0

RGB 173 198 224

HSL 210.59, 0.45%, 0.78%

LAB 78.84, -2.81, -15.73

 

CMYK 0 / 22 / 0 / 12

HEX #E0AEE0

RGB 224 174 224

HSL 300, 0.45%, 0.78%

LAB 76.98, 26.54, -18.13

 

CMYK 0 / 11 / 22 / 12

HEX #E0C7AE

RGB 224 199 174

HSL 30, 0.45%, 0.78%

LAB 81.7, 4.92, 15.73

 

CMYK 22 / 0 / 22 / 12

HEX #AEE0AE

RGB 174 224 174

HSL 120, 0.45%, 0.78%

LAB 84.67, -25.65, 19.34

 

Description

Color code: HEX #ADC6E000 | qconv.com Color code: HEX #ADC6E000 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 198 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 198 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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