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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADC6CDCE it is the complementary color #523932CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADC6CDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADC6CDCE shade: #B2C6C8CE, #C3D8DBCE, #D4EAEECE, #E5FCFFCE and #F6FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADC6CDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADC6CDCE shade: #ADC6CDCE, #9CB4BACE, #8BA2A7CE, #7A9094CE and #697E81CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADC6CDCE shade: #ADC6CD, #ADBDCD, #ADB4CD, #AEADCD and #B6ADCD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADC6CDCE shade: #ADC6CD, #ADBDCD, #ADB4CD and #ADADCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADC6CDCE shade matches the following richer shades: #ADC6CD, #A2CCD7, #97D2E2, #8DD8ED and #82DEF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADC6CDCE shade: #ADC6CD, #B8C0C2, #C2BAB7, #CDB4AC and #D8AEA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADC6CDCE shade: #ADCDC3, #ADCDCB, #ADC6CD, #ADBDCD and #ADB5CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADC6CDCE shade: #7AA2AD, #93B4BD, #ADC6CD, #C6D7DC and #E0E9EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADC6CDCE shade: #ADC6CD, #BAADCD and #CDC7AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADC6CDCE shade: #ADC6CD, #CDADC6 and #C6CDAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADC6CDCE shade: #ADC6CD, #BAADCD, #CDB4AD and #BFCDAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADC6CDCE shade: #ADC6CD, #C4ADCD, #CDB4AD and #B6CDAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 3 / 0 / 16

HEX #ADC6CDCE

RGBA 173 198 205 0.81

HSLA 193.13, 0.24%, 0.74%, 0.81

LABA 78.27, -6.95, -6.35, 0.81

 

Complementary color

CMYK 0 / 25 / 32 / 55

HEX #523932CE

RGBA 82 57 50 0.81

HSLA 13.13, 0.24%, 0.26%, 0.81

LABA 26.59, 10.02, 8.76, 0.81

 

CMYK 9 / 1 / 0 / 17

HEX #B2C6C8CE

RGBA 178 198 200 0.81

HSLA 185.45, 0.17%, 0.74%, 0.81

LABA 78.48, -6.36, -3.32, 0.81

 

CMYK 9 / 1 / 0 / 11

HEX #C3D8DBCE

RGBA 195 216 219 0.81

HSLA 187.5, 0.25%, 0.81%, 0.81

LABA 84.91, -6.4, -3.87, 0.81

 

CMYK 9 / 1 / 0 / 5

HEX #D4EAEECE

RGBA 212 234 238 0.81

HSLA 189.23, 0.43%, 0.88%, 0.81

LABA 91.24, -6.44, -4.41, 0.81

 

CMYK 8 / 1 / 0 / 0

HEX #E5FCFFCE

RGBA 229 252 255 0.81

HSLA 186.92, 1%, 0.95%, 0.81

LABA 97.43, -6.87, -3.99, 0.81

 

CMYK 3 / 0 / 0 / 0

HEX #F6FFFFCE

RGBA 246 255 255 0.81

HSLA 180, 1%, 0.98%, 0.81

LABA 99.35, -2.94, -1.04, 0.81

 

CMYK 13 / 3 / 0 / 16

HEX #ADC6CDCE

RGBA 173 198 205 0.81

HSLA 193.13, 0.24%, 0.74%, 0.81

LABA 78.27, -6.95, -6.35, 0.81

 

CMYK 13 / 3 / 0 / 22

HEX #9CB4BACE

RGBA 156 180 186 0.81

HSLA 192, 0.18%, 0.67%, 0.81

LABA 71.73, -6.93, -5.83, 0.81

 

CMYK 14 / 2 / 0 / 28

HEX #8BA2A7CE

RGBA 139 162 167 0.81

HSLA 190.71, 0.14%, 0.6%, 0.81

LABA 65.06, -6.91, -5.3, 0.81

 

CMYK 14 / 2 / 0 / 34

HEX #7A9094CE

RGBA 122 144 148 0.81

HSLA 189.23, 0.11%, 0.53%, 0.81

LABA 58.25, -6.91, -4.75, 0.81

 

CMYK 15 / 2 / 0 / 40

HEX #697E81CE

RGBA 105 126 129 0.81

HSLA 187.5, 0.1%, 0.46%, 0.81

LABA 51.28, -6.91, -4.18, 0.81

 

CMYK 16 / 3 / 0 / 20

HEX #ADC6CD

RGB 173 198 205

HSL 193.13, 0.24%, 0.74%

LAB 78.27, -6.95, -6.35

 

CMYK 16 / 8 / 0 / 20

HEX #ADBDCD

RGB 173 189 205

HSL 210, 0.24%, 0.74%

LAB 75.88, -2.18, -9.91

 

CMYK 16 / 12 / 0 / 20

HEX #ADB4CD

RGB 173 180 205

HSL 226.88, 0.24%, 0.74%

LAB 73.5, 2.68, -13.46

 

CMYK 15 / 16 / 0 / 20

HEX #AEADCD

RGB 174 173 205

HSL 241.88, 0.24%, 0.74%

LAB 71.75, 6.83, -16.08

 

CMYK 11 / 16 / 0 / 20

HEX #B6ADCD

RGB 182 173 205

HSL 256.88, 0.24%, 0.74%

LAB 72.39, 9.45, -15.06

 

CMYK 16 / 3 / 0 / 20

HEX #ADC6CD

RGB 173 198 205

HSL 193.13, 0.24%, 0.74%

LAB 78.27, -6.95, -6.35

 

CMYK 16 / 8 / 0 / 20

HEX #ADBDCD

RGB 173 189 205

HSL 210, 0.24%, 0.74%

LAB 75.88, -2.18, -9.91

 

CMYK 16 / 12 / 0 / 20

HEX #ADB4CD

RGB 173 180 205

HSL 226.88, 0.24%, 0.74%

LAB 73.5, 2.68, -13.46

 

CMYK 16 / 16 / 0 / 20

HEX #ADADCD

RGB 173 173 205

HSL 240, 0.24%, 0.74%

LAB 71.68, 6.51, -16.21

 

CMYK 16 / 3 / 0 / 20

HEX #ADC6CD

RGB 173 198 205

HSL 193.13, 0.24%, 0.74%

LAB 78.27, -6.95, -6.35

 

CMYK 25 / 5 / 0 / 16

HEX #A2CCD7

RGB 162 204 215

HSL 192.45, 0.4%, 0.74%

LAB 79.48, -11.31, -10

 

CMYK 33 / 7 / 0 / 11

HEX #97D2E2

RGB 151 210 226

HSL 192.8, 0.56%, 0.74%

LAB 80.83, -14.99, -13.95

 

CMYK 41 / 9 / 0 / 7

HEX #8DD8ED

RGB 141 216 237

HSL 193.13, 0.73%, 0.74%

LAB 82.32, -17.95, -17.62

 

CMYK 48 / 10 / 0 / 3

HEX #82DEF8

RGB 130 222 248

HSL 193.22, 0.89%, 0.74%

LAB 83.84, -20.71, -21.19

 

CMYK 16 / 3 / 0 / 20

HEX #ADC6CD

RGB 173 198 205

HSL 193.13, 0.24%, 0.74%

LAB 78.27, -6.95, -6.35

 

CMYK 5 / 1 / 0 / 24

HEX #B8C0C2

RGB 184 192 194

HSL 192, 0.08%, 0.74%

LAB 77.15, -2.37, -1.97

 

CMYK 0 / 4 / 6 / 24

HEX #C2BAB7

RGB 194 186 183

HSL 16.36, 0.08%, 0.74%

LAB 76.07, 2.28, 2.51

 

CMYK 0 / 12 / 16 / 20

HEX #CDB4AC

RGB 205 180 172

HSL 14.55, 0.25%, 0.74%

LAB 75.2, 7.66, 7.36

 

CMYK 0 / 19 / 25 / 15

HEX #D8AEA2

RGB 216 174 162

HSL 13.33, 0.41%, 0.74%

LAB 74.5, 13.5, 11.94

 

CMYK 16 / 0 / 5 / 20

HEX #ADCDC3

RGB 173 205 195

HSL 161.25, 0.24%, 0.74%

LAB 79.89, -12.63, 1.4

 

CMYK 16 / 0 / 1 / 20

HEX #ADCDCB

RGB 173 205 203

HSL 176.25, 0.24%, 0.74%

LAB 80.1, -11.02, -2.58

 

CMYK 16 / 3 / 0 / 20

HEX #ADC6CD

RGB 173 198 205

HSL 193.13, 0.24%, 0.74%

LAB 78.27, -6.95, -6.35

 

CMYK 16 / 8 / 0 / 20

HEX #ADBDCD

RGB 173 189 205

HSL 210, 0.24%, 0.74%

LAB 75.88, -2.18, -9.91

 

CMYK 16 / 12 / 0 / 20

HEX #ADB5CD

RGB 173 181 205

HSL 225, 0.24%, 0.74%

LAB 73.77, 2.13, -13.06

 

CMYK 29 / 6 / 0 / 32

HEX #7AA2AD

RGB 122 162 173

HSL 192.94, 0.24%, 0.58%

LAB 64.16, -10.89, -10.11

 

CMYK 22 / 5 / 0 / 26

HEX #93B4BD

RGB 147 180 189

HSL 192.86, 0.24%, 0.66%

LAB 71.23, -9.13, -8.28

 

CMYK 16 / 3 / 0 / 20

HEX #ADC6CD

RGB 173 198 205

HSL 193.13, 0.24%, 0.74%

LAB 78.27, -6.95, -6.35

 

CMYK 10 / 2 / 0 / 14

HEX #C6D7DC

RGB 198 215 220

HSL 193.64, 0.24%, 0.82%

LAB 84.88, -4.71, -4.42

 

CMYK 5 / 1 / 0 / 7

HEX #E0E9EC

RGB 224 233 236

HSL 195, 0.24%, 0.9%

LAB 91.77, -2.43, -2.5

 

CMYK 16 / 3 / 0 / 20

HEX #ADC6CD

RGB 173 198 205

HSL 193.13, 0.24%, 0.74%

LAB 78.27, -6.95, -6.35

 

CMYK 9 / 16 / 0 / 20

HEX #BAADCD

RGB 186 173 205

HSL 264.38, 0.24%, 0.74%

LAB 72.72, 10.77, -14.54

 

CMYK 0 / 3 / 16 / 20

HEX #CDC7AD

RGB 205 199 173

HSL 48.75, 0.24%, 0.74%

LAB 80.09, -2.27, 13.77

 

CMYK 16 / 3 / 0 / 20

HEX #ADC6CD

RGB 173 198 205

HSL 193.13, 0.24%, 0.74%

LAB 78.27, -6.95, -6.35

 

CMYK 0 / 16 / 3 / 20

HEX #CDADC6

RGB 205 173 198

HSL 313.13, 0.24%, 0.74%

LAB 74.15, 15.88, -8.38

 

CMYK 3 / 0 / 16 / 20

HEX #C6CDAD

RGB 198 205 173

HSL 73.13, 0.24%, 0.74%

LAB 81.12, -7.94, 15.14

 

CMYK 16 / 3 / 0 / 20

HEX #ADC6CD

RGB 173 198 205

HSL 193.13, 0.24%, 0.74%

LAB 78.27, -6.95, -6.35

 

CMYK 9 / 16 / 0 / 20

HEX #BAADCD

RGB 186 173 205

HSL 264.38, 0.24%, 0.74%

LAB 72.72, 10.77, -14.54

 

CMYK 0 / 12 / 16 / 20

HEX #CDB4AD

RGB 205 180 173

HSL 13.13, 0.24%, 0.74%

LAB 75.23, 7.81, 6.85

 

CMYK 7 / 0 / 16 / 20

HEX #BFCDAD

RGB 191 205 173

HSL 86.25, 0.24%, 0.74%

LAB 80.6, -10.46, 14.34

 

CMYK 16 / 3 / 0 / 20

HEX #ADC6CD

RGB 173 198 205

HSL 193.13, 0.24%, 0.74%

LAB 78.27, -6.95, -6.35

 

CMYK 4 / 16 / 0 / 20

HEX #C4ADCD

RGB 196 173 205

HSL 283.13, 0.24%, 0.74%

LAB 73.57, 14.12, -13.18

 

CMYK 0 / 12 / 16 / 20

HEX #CDB4AD

RGB 205 180 173

HSL 13.13, 0.24%, 0.74%

LAB 75.23, 7.81, 6.85

 

CMYK 11 / 0 / 16 / 20

HEX #B6CDAD

RGB 182 205 173

HSL 103.13, 0.24%, 0.74%

LAB 79.97, -13.65, 13.35

 

Description

Color code: HEX #ADC6CDCE | qconv.com Color code: HEX #ADC6CDCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 198 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 198 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 3 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 3% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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