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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADC252 it is the complementary color #523DAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADC252. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADC252 shade: #B2C24D, #C3D460, #D4E673, #E5F886 and #F6FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADC252. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADC252 shade: #ADC252, #9CB03F, #8B9E2C, #7A8C19 and #697A06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADC252 shade: #ADC251, #C2B951, #C29A51, #C27C51 and #C25E51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADC252 shade: #ADC251, #8FC251, #70C251, #52C251 and #51C26F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADC252 shade matches the following richer shades: #ADC251, #B9D53E, #C5E82B and #D0FB18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADC252 shade: #ADC251, #A1AF64, #959C77, #89898A and #7D769D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADC252 shade: #C29B51, #C2B951, #ADC251, #8FC251 and #71C251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADC252 shade: #7D8F32, #98AD3D, #ADC251, #BBCD70 and #CAD78E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADC252 shade: #ADC252, #51C27D and #AA51C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADC252 shade: #ADC252, #51ADC2 and #C251AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADC252 shade: #ADC252, #51C27D, #6651C2 and #C25197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADC252 shade: #ADC252, #51C29E, #6651C2 and #C25175

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 58 / 24

HEX #ADC252

RGB 173 194 82

HSL 71.25, 0.48%, 0.54%

LAB 74.87, -23.2, 52.8

 

Complementary color

CMYK 53 / 65 / 0 / 32

HEX #523DAD

RGB 82 61 173

HSL 251.25, 0.48%, 0.46%

LAB 34.29, 38.79, -57.05

 

CMYK 8 / 0 / 60 / 24

HEX #B2C24D

RGB 178 194 77

HSL 68.21, 0.49%, 0.53%

LAB 75.19, -21.55, 55.46

 

CMYK 8 / 0 / 55 / 17

HEX #C3D460

RGB 195 212 96

HSL 68.79, 0.57%, 0.6%

LAB 81.58, -22.01, 54.52

 

CMYK 8 / 0 / 50 / 10

HEX #D4E673

RGB 212 230 115

HSL 69.39, 0.7%, 0.68%

LAB 87.89, -22.37, 53.47

 

CMYK 8 / 0 / 46 / 3

HEX #E5F886

RGB 229 248 134

HSL 70, 0.89%, 0.75%

LAB 94.1, -22.66, 52.36

 

CMYK 4 / 0 / 40 / 0

HEX #F6FF99

RGB 246 255 153

HSL 65.29, 1%, 0.8%

LAB 97.39, -17.64, 47.67

 

CMYK 11 / 0 / 58 / 24

HEX #ADC252

RGB 173 194 82

HSL 71.25, 0.48%, 0.54%

LAB 74.87, -23.2, 52.8

 

CMYK 11 / 0 / 64 / 31

HEX #9CB03F

RGB 156 176 63

HSL 70.62, 0.47%, 0.47%

LAB 68.37, -22.73, 53.63

 

CMYK 12 / 0 / 72 / 38

HEX #8B9E2C

RGB 139 158 44

HSL 70, 0.56%, 0.4%

LAB 61.76, -22.12, 54.07

 

CMYK 13 / 0 / 82 / 45

HEX #7A8C19

RGB 122 140 25

HSL 69.39, 0.7%, 0.32%

LAB 55.04, -21.31, 53.71

 

CMYK 14 / 0 / 95 / 52

HEX #697A06

RGB 105 122 6

HSL 68.79, 0.91%, 0.25%

LAB 48.18, -20.22, 51.86

 

CMYK 11 / 0 / 58 / 24

HEX #ADC251

RGB 173 194 81

HSL 71.15, 0.48%, 0.54%

LAB 74.86, -23.28, 53.24

 

CMYK 0 / 5 / 58 / 24

HEX #C2B951

RGB 194 185 81

HSL 55.22, 0.48%, 0.54%

LAB 74.04, -10.05, 52.76

 

CMYK 0 / 21 / 58 / 24

HEX #C29A51

RGB 194 154 81

HSL 38.76, 0.48%, 0.54%

LAB 65.88, 6.42, 43.43

 

CMYK 0 / 36 / 58 / 24

HEX #C27C51

RGB 194 124 81

HSL 22.83, 0.48%, 0.54%

LAB 58.49, 22.88, 34.54

 

CMYK 0 / 52 / 58 / 24

HEX #C25E51

RGB 194 94 81

HSL 6.9, 0.48%, 0.54%

LAB 51.91, 38.91, 26.27

 

CMYK 11 / 0 / 58 / 24

HEX #ADC251

RGB 173 194 81

HSL 71.15, 0.48%, 0.54%

LAB 74.86, -23.28, 53.24

 

CMYK 26 / 0 / 58 / 24

HEX #8FC251

RGB 143 194 81

HSL 87.08, 0.48%, 0.54%

LAB 72.9, -34.99, 50.49

 

CMYK 42 / 0 / 58 / 24

HEX #70C251

RGB 112 194 81

HSL 103.54, 0.48%, 0.54%

LAB 71.3, -45.75, 48.23

 

CMYK 58 / 0 / 58 / 24

HEX #52C251

RGB 82 194 81

HSL 119.47, 0.48%, 0.54%

LAB 70.16, -54.21, 46.61

 

CMYK 58 / 0 / 43 / 24

HEX #51C26F

RGB 81 194 111

HSL 135.93, 0.48%, 0.54%

LAB 70.51, -50.18, 32.34

 

CMYK 11 / 0 / 58 / 24

HEX #ADC251

RGB 173 194 81

HSL 71.15, 0.48%, 0.54%

LAB 74.86, -23.28, 53.24

 

CMYK 13 / 0 / 71 / 16

HEX #B9D53E

RGB 185 213 62

HSL 71.13, 0.64%, 0.54%

LAB 80.88, -28.83, 67.43

 

CMYK 15 / 0 / 81 / 9

HEX #C5E82B

RGB 197 232 43

HSL 71.11, 0.8%, 0.54%

LAB 86.88, -33.67, 78.91

 

CMYK 17 / 0 / 90 / 2

HEX #D0FB18

RGB 208 251 24

HSL 71.37, 0.97%, 0.54%

LAB 92.78, -38.37, 87.62

 

CMYK 11 / 0 / 58 / 24

HEX #ADC251

RGB 173 194 81

HSL 71.15, 0.48%, 0.54%

LAB 74.86, -23.28, 53.24

 

CMYK 8 / 0 / 43 / 31

HEX #A1AF64

RGB 161 175 100

HSL 71.2, 0.32%, 0.54%

LAB 68.86, -16.78, 36.73

 

CMYK 4 / 0 / 24 / 39

HEX #959C77

RGB 149 156 119

HSL 71.35, 0.16%, 0.54%

LAB 62.93, -9.05, 18.58

 

CMYK 1 / 1 / 0 / 46

HEX #89898A

RGB 137 137 138

HSL 240, 0%, 0.54%

LAB 57.12, 0.2, -0.54

 

CMYK 20 / 25 / 0 / 38

HEX #7D769D

RGB 125 118 157

HSL 250.77, 0.17%, 0.54%

LAB 51.55, 11.19, -20.01

 

CMYK 0 / 20 / 58 / 24

HEX #C29B51

RGB 194 155 81

HSL 39.29, 0.48%, 0.54%

LAB 66.14, 5.87, 43.73

 

CMYK 0 / 5 / 58 / 24

HEX #C2B951

RGB 194 185 81

HSL 55.22, 0.48%, 0.54%

LAB 74.04, -10.05, 52.76

 

CMYK 11 / 0 / 58 / 24

HEX #ADC251

RGB 173 194 81

HSL 71.15, 0.48%, 0.54%

LAB 74.86, -23.28, 53.24

 

CMYK 26 / 0 / 58 / 24

HEX #8FC251

RGB 143 194 81

HSL 87.08, 0.48%, 0.54%

LAB 72.9, -34.99, 50.49

 

CMYK 42 / 0 / 58 / 24

HEX #71C251

RGB 113 194 81

HSL 103.01, 0.48%, 0.54%

LAB 71.34, -45.43, 48.29

 

CMYK 13 / 0 / 65 / 44

HEX #7D8F32

RGB 125 143 50

HSL 71.61, 0.48%, 0.38%

LAB 56.32, -20.12, 45.73

 

CMYK 12 / 0 / 65 / 32

HEX #98AD3D

RGB 152 173 61

HSL 71.25, 0.48%, 0.46%

LAB 67.2, -23.05, 53.15

 

CMYK 11 / 0 / 58 / 24

HEX #ADC251

RGB 173 194 81

HSL 71.15, 0.48%, 0.54%

LAB 74.86, -23.28, 53.24

 

CMYK 9 / 0 / 45 / 20

HEX #BBCD70

RGB 187 205 112

HSL 71.61, 0.48%, 0.62%

LAB 79.27, -20.23, 44.06

 

CMYK 6 / 0 / 34 / 16

HEX #CAD78E

RGB 202 215 142

HSL 70.68, 0.48%, 0.7%

LAB 83.5, -15.94, 34.61

 

CMYK 11 / 0 / 58 / 24

HEX #ADC252

RGB 173 194 82

HSL 71.25, 0.48%, 0.54%

LAB 74.87, -23.2, 52.8

 

CMYK 58 / 0 / 36 / 24

HEX #51C27D

RGB 81 194 125

HSL 143.36, 0.48%, 0.54%

LAB 70.74, -47.71, 25.35

 

CMYK 12 / 58 / 0 / 24

HEX #AA51C2

RGB 170 81 194

HSL 287.26, 0.48%, 0.54%

LAB 49.89, 53.6, -43.76

 

CMYK 11 / 0 / 58 / 24

HEX #ADC252

RGB 173 194 82

HSL 71.25, 0.48%, 0.54%

LAB 74.87, -23.2, 52.8

 

CMYK 58 / 11 / 0 / 24

HEX #51ADC2

RGB 81 173 194

HSL 191.15, 0.48%, 0.54%

LAB 66.16, -21.15, -18.98

 

CMYK 0 / 58 / 11 / 24

HEX #C251AD

RGB 194 81 173

HSL 311.15, 0.48%, 0.54%

LAB 52.25, 56.27, -27.61

 

CMYK 11 / 0 / 58 / 24

HEX #ADC252

RGB 173 194 82

HSL 71.25, 0.48%, 0.54%

LAB 74.87, -23.2, 52.8

 

CMYK 58 / 0 / 36 / 24

HEX #51C27D

RGB 81 194 125

HSL 143.36, 0.48%, 0.54%

LAB 70.74, -47.71, 25.35

 

CMYK 47 / 58 / 0 / 24

HEX #6651C2

RGB 102 81 194

HSL 251.15, 0.48%, 0.54%

LAB 42.16, 37.28, -56.57

 

CMYK 0 / 58 / 22 / 24

HEX #C25197

RGB 194 81 151

HSL 322.83, 0.48%, 0.54%

LAB 51.37, 52.96, -16.03

 

CMYK 11 / 0 / 58 / 24

HEX #ADC252

RGB 173 194 82

HSL 71.25, 0.48%, 0.54%

LAB 74.87, -23.2, 52.8

 

CMYK 58 / 0 / 19 / 24

HEX #51C29E

RGB 81 194 158

HSL 160.88, 0.48%, 0.54%

LAB 71.42, -40.76, 8.58

 

CMYK 47 / 58 / 0 / 24

HEX #6651C2

RGB 102 81 194

HSL 251.15, 0.48%, 0.54%

LAB 42.16, 37.28, -56.57

 

CMYK 0 / 58 / 40 / 24

HEX #C25175

RGB 194 81 117

HSL 340.88, 0.48%, 0.54%

LAB 50.26, 48.66, 2.62

 

Description

Color code: HEX #ADC252 | qconv.com Color code: HEX #ADC252 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 194 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 194 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 58 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 58% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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