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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADBE3A it is the complementary color #5241C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADBE3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADBE3A shade: #B2BE35, #C3D048, #D4E25B, #E5F46E and #F6FF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADBE3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADBE3A shade: #ADBE3A, #9CAC27, #8B9A14, #7A8801 and #697600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADBE3A shade: #AEBF3A, #BFAC3A, #BF883A, #BF653A and #BF413A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADBE3A shade: #AEBF3A, #8ABF3A, #66BF3A, #42BF3A and #3ABF56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADBE3A shade matches the following richer shades: #AEBF3A, #BDD326 and #CCE712

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADBE3A shade: #AEBF3A, #9FAA4E, #909663, #818277 and #726E8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADBE3A shade: #BF873A, #BFAB3A, #AFBF3A, #8CBF3A and #69BF3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADBE3A shade: #748027, #919F31, #AEBF3A, #BCCB57 and #C9D577

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADBE3A shade: #ADBE3A, #3ABF64 and #993ABF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADBE3A shade: #ADBE3A, #3AAFBF and #BF3AAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADBE3A shade: #ADBE3A, #3ABF64, #4A3ABF and #BF3A95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADBE3A shade: #ADBE3A, #3ABF8C, #4A3ABF and #BF3A6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 69 / 25

HEX #ADBE3A

RGB 173 190 58

HSL 67.73, 0.53%, 0.49%

LAB 73.56, -22.88, 61.36

 

Complementary color

CMYK 58 / 67 / 0 / 23

HEX #5241C5

RGB 82 65 197

HSL 247.73, 0.53%, 0.51%

LAB 37.13, 43.88, -66.58

 

CMYK 6 / 0 / 72 / 25

HEX #B2BE35

RGB 178 190 53

HSL 65.26, 0.56%, 0.48%

LAB 73.9, -21.06, 63.63

 

CMYK 6 / 0 / 65 / 18

HEX #C3D048

RGB 195 208 72

HSL 65.74, 0.59%, 0.55%

LAB 80.28, -21.79, 63.33

 

CMYK 6 / 0 / 60 / 11

HEX #D4E25B

RGB 212 226 91

HSL 66.22, 0.7%, 0.62%

LAB 86.58, -22.38, 62.64

 

CMYK 6 / 0 / 55 / 4

HEX #E5F46E

RGB 229 244 110

HSL 66.72, 0.86%, 0.69%

LAB 92.79, -22.87, 61.74

 

CMYK 4 / 0 / 49 / 0

HEX #F6FF81

RGB 246 255 129

HSL 64.29, 1%, 0.75%

LAB 97.1, -19.95, 58.57

 

CMYK 9 / 0 / 69 / 25

HEX #ADBE3A

RGB 173 190 58

HSL 67.73, 0.53%, 0.49%

LAB 73.56, -22.88, 61.36

 

CMYK 9 / 0 / 77 / 33

HEX #9CAC27

RGB 156 172 39

HSL 67.22, 0.63%, 0.41%

LAB 67.07, -22.1, 61.28

 

CMYK 10 / 0 / 87 / 40

HEX #8B9A14

RGB 139 154 20

HSL 66.72, 0.77%, 0.34%

LAB 60.47, -21.1, 60.16

 

CMYK 10 / 0 / 99 / 47

HEX #7A8801

RGB 122 136 1

HSL 66.22, 0.99%, 0.27%

LAB 53.76, -19.88, 57.67

 

CMYK 11 / 0 / 100 / 54

HEX #697600

RGB 105 118 0

HSL 66.61, 1%, 0.23%

LAB 46.92, -18.28, 52.16

 

CMYK 9 / 0 / 70 / 25

HEX #AEBF3A

RGB 174 191 58

HSL 67.67, 0.53%, 0.49%

LAB 73.91, -22.96, 61.73

 

CMYK 0 / 10 / 70 / 25

HEX #BFAC3A

RGB 191 172 58

HSL 51.43, 0.53%, 0.49%

LAB 70.1, -6.02, 58.37

 

CMYK 0 / 29 / 70 / 25

HEX #BF883A

RGB 191 136 58

HSL 35.19, 0.53%, 0.49%

LAB 60.77, 13.45, 48.73

 

CMYK 0 / 47 / 70 / 25

HEX #BF653A

RGB 191 101 58

HSL 19.4, 0.53%, 0.49%

LAB 52.61, 32.57, 39.81

 

CMYK 0 / 66 / 70 / 25

HEX #BF413A

RGB 191 65 58

HSL 3.16, 0.53%, 0.49%

LAB 45.86, 50.02, 32.02

 

CMYK 9 / 0 / 70 / 25

HEX #AEBF3A

RGB 174 191 58

HSL 67.67, 0.53%, 0.49%

LAB 73.91, -22.96, 61.73

 

CMYK 28 / 0 / 70 / 25

HEX #8ABF3A

RGB 138 191 58

HSL 83.91, 0.53%, 0.49%

LAB 71.53, -37.34, 58.56

 

CMYK 47 / 0 / 70 / 25

HEX #66BF3A

RGB 102 191 58

HSL 100.15, 0.53%, 0.49%

LAB 69.75, -49.78, 56.16

 

CMYK 65 / 0 / 70 / 25

HEX #42BF3A

RGB 66 191 58

HSL 116.39, 0.53%, 0.49%

LAB 68.55, -59.13, 54.54

 

CMYK 70 / 0 / 55 / 25

HEX #3ABF56

RGB 58 191 86

HSL 132.63, 0.53%, 0.49%

LAB 68.63, -57.53, 42.31

 

CMYK 9 / 0 / 70 / 25

HEX #AEBF3A

RGB 174 191 58

HSL 67.67, 0.53%, 0.49%

LAB 73.91, -22.96, 61.73

 

CMYK 10 / 0 / 82 / 17

HEX #BDD326

RGB 189 211 38

HSL 67.63, 0.69%, 0.49%

LAB 80.49, -27.26, 74.38

 

CMYK 12 / 0 / 92 / 9

HEX #CCE712

RGB 204 231 18

HSL 67.61, 0.86%, 0.49%

LAB 87.01, -30.96, 83.72

 

CMYK 9 / 0 / 70 / 25

HEX #AEBF3A

RGB 174 191 58

HSL 67.67, 0.53%, 0.49%

LAB 73.91, -22.96, 61.73

 

CMYK 6 / 0 / 54 / 33

HEX #9FAA4E

RGB 159 170 78

HSL 67.17, 0.37%, 0.49%

LAB 67.03, -17.27, 45.43

 

CMYK 4 / 0 / 34 / 41

HEX #909663

RGB 144 150 99

HSL 67.06, 0.2%, 0.49%

LAB 60.47, -10.69, 26.22

 

CMYK 1 / 0 / 8 / 49

HEX #818277

RGB 129 130 119

HSL 65.45, 0.04%, 0.49%

LAB 53.99, -2.48, 5.82

 

CMYK 18 / 21 / 0 / 45

HEX #726E8B

RGB 114 110 139

HSL 248.28, 0.12%, 0.49%

LAB 47.74, 7.92, -15.32

 

CMYK 0 / 29 / 70 / 25

HEX #BF873A

RGB 191 135 58

HSL 34.74, 0.53%, 0.49%

LAB 60.52, 14.01, 48.47

 

CMYK 0 / 10 / 70 / 25

HEX #BFAB3A

RGB 191 171 58

HSL 50.98, 0.53%, 0.49%

LAB 69.83, -5.49, 58.1

 

CMYK 8 / 0 / 70 / 25

HEX #AFBF3A

RGB 175 191 58

HSL 67.22, 0.53%, 0.49%

LAB 73.99, -22.54, 61.83

 

CMYK 27 / 0 / 70 / 25

HEX #8CBF3A

RGB 140 191 58

HSL 83.01, 0.53%, 0.49%

LAB 71.65, -36.58, 58.72

 

CMYK 45 / 0 / 70 / 25

HEX #69BF3A

RGB 105 191 58

HSL 98.8, 0.53%, 0.49%

LAB 69.87, -48.85, 56.33

 

CMYK 9 / 0 / 70 / 50

HEX #748027

RGB 116 128 39

HSL 68.09, 0.53%, 0.33%

LAB 51.03, -17.02, 44.74

 

CMYK 9 / 0 / 69 / 38

HEX #919F31

RGB 145 159 49

HSL 67.64, 0.53%, 0.41%

LAB 62.54, -19.76, 53.07

 

CMYK 9 / 0 / 70 / 25

HEX #AEBF3A

RGB 174 191 58

HSL 67.67, 0.53%, 0.49%

LAB 73.91, -22.96, 61.73

 

CMYK 7 / 0 / 57 / 20

HEX #BCCB57

RGB 188 203 87

HSL 67.76, 0.53%, 0.57%

LAB 78.51, -21.14, 54.95

 

CMYK 6 / 0 / 44 / 16

HEX #C9D577

RGB 201 213 119

HSL 67.66, 0.53%, 0.65%

LAB 82.56, -17.97, 44.92

 

CMYK 9 / 0 / 69 / 25

HEX #ADBE3A

RGB 173 190 58

HSL 67.73, 0.53%, 0.49%

LAB 73.56, -22.88, 61.36

 

CMYK 70 / 0 / 48 / 25

HEX #3ABF64

RGB 58 191 100

HSL 138.95, 0.53%, 0.49%

LAB 68.81, -55.45, 35.64

 

CMYK 20 / 70 / 0 / 25

HEX #993ABF

RGB 153 58 191

HSL 282.86, 0.53%, 0.49%

LAB 43.6, 59.39, -52.21

 

CMYK 9 / 0 / 69 / 25

HEX #ADBE3A

RGB 173 190 58

HSL 67.73, 0.53%, 0.49%

LAB 73.56, -22.88, 61.36

 

CMYK 70 / 8 / 0 / 25

HEX #3AAFBF

RGB 58 175 191

HSL 187.22, 0.53%, 0.49%

LAB 66, -26.88, -17.63

 

CMYK 0 / 70 / 8 / 25

HEX #BF3AAF

RGB 191 58 175

HSL 307.22, 0.53%, 0.49%

LAB 48.51, 65.14, -34.66

 

CMYK 9 / 0 / 69 / 25

HEX #ADBE3A

RGB 173 190 58

HSL 67.73, 0.53%, 0.49%

LAB 73.56, -22.88, 61.36

 

CMYK 70 / 0 / 48 / 25

HEX #3ABF64

RGB 58 191 100

HSL 138.95, 0.53%, 0.49%

LAB 68.81, -55.45, 35.64

 

CMYK 61 / 70 / 0 / 25

HEX #4A3ABF

RGB 74 58 191

HSL 247.22, 0.53%, 0.49%

LAB 34.49, 44.81, -67.42

 

CMYK 0 / 70 / 22 / 25

HEX #BF3A95

RGB 191 58 149

HSL 318.95, 0.53%, 0.49%

LAB 47.33, 61.39, -21.06

 

CMYK 9 / 0 / 69 / 25

HEX #ADBE3A

RGB 173 190 58

HSL 67.73, 0.53%, 0.49%

LAB 73.56, -22.88, 61.36

 

CMYK 70 / 0 / 27 / 25

HEX #3ABF8C

RGB 58 191 140

HSL 156.99, 0.53%, 0.49%

LAB 69.51, -47.75, 15.55

 

CMYK 61 / 70 / 0 / 25

HEX #4A3ABF

RGB 74 58 191

HSL 247.22, 0.53%, 0.49%

LAB 34.49, 44.81, -67.42

 

CMYK 0 / 70 / 43 / 25

HEX #BF3A6D

RGB 191 58 109

HSL 336.99, 0.53%, 0.49%

LAB 45.92, 56.69, 1.11

 

Description

Color code: HEX #ADBE3A | qconv.com Color code: HEX #ADBE3A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 190 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 190 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 69 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 69% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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