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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADBDF63F it is the complementary color #5242093F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADBDF63F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADBDF63F shade: #B2BDF13F, #C3CFFF3F, #D4E1FF3F, #E5F3FF3F and #F6FFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADBDF63F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADBDF63F shade: #ADBDF63F, #9CABE33F, #8B99D03F, #7A87BD3F and #6975AA3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADBDF63F shade: #ACBCF6, #B0ACF6, #C4ACF6, #D8ACF6 and #ECACF6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADBDF63F shade: #ACBCF6 and #ACACF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADBDF63F shade matches the following richer shades: #ACBCF6 and #A5B8FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADBDF63F shade: #ACBCF6, #B4C1EE, #BBC5E7, #C3C9E0 and #CACDD8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADBDF63F shade: #ACE5F6, #ACD1F6, #ACBEF6, #AFACF6 and #C2ACF6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADBDF63F shade: #6281EE, #879FF2, #ACBCF6, #D2DAFA and #F7F8FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADBDF63F shade: #ADBDF6, #F3ACF6 and #DBF6AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADBDF63F shade: #ADBDF6, #F6ACBE and #BEF6AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADBDF63F shade: #ADBDF6, #F3ACF6, #F6E5AC and #AFF6AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADBDF63F shade: #ADBDF6, #F6ACE2, #F6E5AC and #ACF6C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 6 / 0 / 1

HEX #ADBDF63F

RGBA 173 189 246 0.25

HSLA 226.85, 0.8%, 0.82%, 0.25

LABA 77.24, 7.21, -29.99, 0.25

 

Complementary color

CMYK 0 / 5 / 22 / 17

HEX #5242093F

RGBA 82 66 9 0.25

HSLA 46.85, 0.8%, 0.18%, 0.25

LABA 28.67, 0.59, 34.15, 0.25

 

CMYK 7 / 5 / 0 / 1

HEX #B2BDF13F

RGBA 178 189 241 0.25

HSLA 229.52, 0.69%, 0.82%, 0.25

LABA 77.41, 7.46, -27.02, 0.25

 

CMYK 6 / 5 / 0 / 0

HEX #C3CFFF3F

RGBA 195 207 255 0.25

HSLA 228, 1%, 0.88%, 0.25

LABA 83.68, 6, -24.82, 0.25

 

CMYK 4 / 3 / 0 / 0

HEX #D4E1FF3F

RGBA 212 225 255 0.25

HSLA 221.86, 1%, 0.92%, 0.25

LABA 89.42, 1.64, -16.01, 0.25

 

CMYK 3 / 1 / 0 / 0

HEX #E5F3FF3F

RGBA 229 243 255 0.25

HSLA 207.69, 1%, 0.95%, 0.25

LABA 95.15, -2.32, -7.35, 0.25

 

CMYK 1 / 0 / 0 / 0

HEX #F6FFFF3F

RGBA 246 255 255 0.25

HSLA 180, 1%, 0.98%, 0.25

LABA 99.35, -2.94, -1.04, 0.25

 

CMYK 7 / 6 / 0 / 1

HEX #ADBDF63F

RGBA 173 189 246 0.25

HSLA 226.85, 0.8%, 0.82%, 0.25

LABA 77.24, 7.21, -29.99, 0.25

 

CMYK 8 / 6 / 0 / 3

HEX #9CABE33F

RGBA 156 171 227 0.25

HSLA 227.32, 0.56%, 0.75%, 0.25

LABA 70.69, 7.59, -29.87, 0.25

 

CMYK 8 / 7 / 0 / 5

HEX #8B99D03F

RGBA 139 153 208 0.25

HSLA 227.83, 0.42%, 0.68%, 0.25

LABA 64.02, 8.01, -29.79, 0.25

 

CMYK 9 / 7 / 0 / 6

HEX #7A87BD3F

RGBA 122 135 189 0.25

HSLA 228.36, 0.34%, 0.61%, 0.25

LABA 57.21, 8.49, -29.74, 0.25

 

CMYK 10 / 8 / 0 / 8

HEX #6975AA3F

RGBA 105 117 170 0.25

HSLA 228.92, 0.28%, 0.54%, 0.25

LABA 50.25, 9.05, -29.73, 0.25

 

CMYK 30 / 24 / 0 / 4

HEX #ACBCF6

RGB 172 188 246

HSL 227.03, 0.8%, 0.82%

LAB 76.92, 7.47, -30.5

 

CMYK 28 / 30 / 0 / 4

HEX #B0ACF6

RGB 176 172 246

HSL 243.24, 0.8%, 0.82%

LAB 73.15, 17.46, -36.3

 

CMYK 20 / 30 / 0 / 4

HEX #C4ACF6

RGB 196 172 246

HSL 259.46, 0.8%, 0.82%

LAB 74.76, 23.3, -33.67

 

CMYK 12 / 30 / 0 / 4

HEX #D8ACF6

RGB 216 172 246

HSL 275.68, 0.8%, 0.82%

LAB 76.53, 29.37, -30.79

 

CMYK 4 / 30 / 0 / 4

HEX #ECACF6

RGB 236 172 246

HSL 291.89, 0.8%, 0.82%

LAB 78.46, 35.58, -27.67

 

CMYK 30 / 24 / 0 / 4

HEX #ACBCF6

RGB 172 188 246

HSL 227.03, 0.8%, 0.82%

LAB 76.92, 7.47, -30.5

 

CMYK 30 / 30 / 0 / 4

HEX #ACACF6

RGB 172 172 246

HSL 240, 0.8%, 0.82%

LAB 72.85, 16.32, -36.79

 

CMYK 30 / 24 / 0 / 4

HEX #ACBCF6

RGB 172 188 246

HSL 227.03, 0.8%, 0.82%

LAB 76.92, 7.47, -30.5

 

CMYK 35 / 27 / 0 / 1

HEX #A5B8FD

RGB 165 184 253

HSL 227.05, 0.96%, 0.82%

LAB 75.68, 9.48, -36.21

 

CMYK 30 / 24 / 0 / 4

HEX #ACBCF6

RGB 172 188 246

HSL 227.03, 0.8%, 0.82%

LAB 76.92, 7.47, -30.5

 

CMYK 24 / 19 / 0 / 7

HEX #B4C1EE

RGB 180 193 238

HSL 226.55, 0.63%, 0.82%

LAB 78.47, 5.18, -23.77

 

CMYK 19 / 15 / 0 / 9

HEX #BBC5E7

RGB 187 197 231

HSL 226.36, 0.48%, 0.82%

LAB 79.77, 3.58, -18

 

CMYK 13 / 10 / 0 / 12

HEX #C3C9E0

RGB 195 201 224

HSL 227.59, 0.32%, 0.82%

LAB 81.16, 2.48, -12.1

 

CMYK 6 / 5 / 0 / 15

HEX #CACDD8

RGB 202 205 216

HSL 227.14, 0.15%, 0.82%

LAB 82.47, 1.06, -5.81

 

CMYK 30 / 7 / 0 / 4

HEX #ACE5F6

RGB 172 229 246

HSL 193.78, 0.8%, 0.82%

LAB 87.71, -14.17, -14.12

 

CMYK 30 / 15 / 0 / 4

HEX #ACD1F6

RGB 172 209 246

HSL 210, 0.8%, 0.82%

LAB 82.39, -3.82, -22.13

 

CMYK 30 / 23 / 0 / 4

HEX #ACBEF6

RGB 172 190 246

HSL 225.41, 0.8%, 0.82%

LAB 77.43, 6.38, -29.71

 

CMYK 29 / 30 / 0 / 4

HEX #AFACF6

RGB 175 172 246

HSL 242.43, 0.8%, 0.82%

LAB 73.07, 17.17, -36.42

 

CMYK 21 / 30 / 0 / 4

HEX #C2ACF6

RGB 194 172 246

HSL 257.84, 0.8%, 0.82%

LAB 74.59, 22.71, -33.95

 

CMYK 59 / 46 / 0 / 7

HEX #6281EE

RGB 98 129 238

HSL 226.71, 0.8%, 0.66%

LAB 56.56, 21.22, -58.42

 

CMYK 44 / 34 / 0 / 5

HEX #879FF2

RGB 135 159 242

HSL 226.54, 0.8%, 0.74%

LAB 66.79, 12.82, -44.25

 

CMYK 30 / 24 / 0 / 4

HEX #ACBCF6

RGB 172 188 246

HSL 227.03, 0.8%, 0.82%

LAB 76.92, 7.47, -30.5

 

CMYK 16 / 13 / 0 / 2

HEX #D2DAFA

RGB 210 218 250

HSL 228, 0.8%, 0.9%

LAB 87.36, 3.64, -16.5

 

CMYK 3 / 2 / 0 / 0

HEX #F7F8FE

RGB 247 248 254

HSL 231.43, 0.78%, 0.98%

LAB 97.66, 0.75, -2.99

 

CMYK 30 / 23 / 0 / 4

HEX #ADBDF6

RGB 173 189 246

HSL 226.85, 0.8%, 0.82%

LAB 77.24, 7.21, -29.99

 

CMYK 1 / 30 / 0 / 4

HEX #F3ACF6

RGB 243 172 246

HSL 297.57, 0.8%, 0.82%

LAB 79.16, 37.77, -26.53

 

CMYK 11 / 0 / 30 / 4

HEX #DBF6AC

RGB 219 246 172

HSL 81.89, 0.8%, 0.82%

LAB 93.43, -20.97, 32.78

 

CMYK 30 / 23 / 0 / 4

HEX #ADBDF6

RGB 173 189 246

HSL 226.85, 0.8%, 0.82%

LAB 77.24, 7.21, -29.99

 

CMYK 0 / 30 / 23 / 4

HEX #F6ACBE

RGB 246 172 190

HSL 345.41, 0.8%, 0.82%

LAB 77.77, 29.59, 1.77

 

CMYK 23 / 0 / 30 / 4

HEX #BEF6AC

RGB 190 246 172

HSL 105.41, 0.8%, 0.82%

LAB 91.61, -31.06, 30.02

 

CMYK 30 / 23 / 0 / 4

HEX #ADBDF6

RGB 173 189 246

HSL 226.85, 0.8%, 0.82%

LAB 77.24, 7.21, -29.99

 

CMYK 1 / 30 / 0 / 4

HEX #F3ACF6

RGB 243 172 246

HSL 297.57, 0.8%, 0.82%

LAB 79.16, 37.77, -26.53

 

CMYK 0 / 7 / 30 / 4

HEX #F6E5AC

RGB 246 229 172

HSL 46.22, 0.8%, 0.82%

LAB 91.06, -2.58, 29.94

 

CMYK 29 / 0 / 30 / 4

HEX #AFF6AC

RGB 175 246 172

HSL 117.57, 0.8%, 0.82%

LAB 90.78, -35.97, 28.76

 

CMYK 30 / 23 / 0 / 4

HEX #ADBDF6

RGB 173 189 246

HSL 226.85, 0.8%, 0.82%

LAB 77.24, 7.21, -29.99

 

CMYK 0 / 30 / 8 / 4

HEX #F6ACE2

RGB 246 172 226

HSL 316.22, 0.8%, 0.82%

LAB 78.8, 35.21, -16.25

 

CMYK 0 / 7 / 30 / 4

HEX #F6E5AC

RGB 246 229 172

HSL 46.22, 0.8%, 0.82%

LAB 91.06, -2.58, 29.94

 

CMYK 30 / 0 / 22 / 4

HEX #ACF6C0

RGB 172 246 192

HSL 136.22, 0.8%, 0.82%

LAB 91, -33.53, 18.82

 

Description

Color code: HEX #ADBDF63F | qconv.com Color code: HEX #ADBDF63F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 189 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 189 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 6 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 6% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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