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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADBC44 it is the complementary color #5243BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADBC44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADBC44 shade: #B2BC3F, #C3CE52, #D4E065, #E5F278 and #F6FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADBC44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADBC44 shade: #ADBC44, #9CAA31, #8B981E, #7A860B and #697400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADBC44 shade: #ACBB44, #BBAA44, #BB8A44, #BB6944 and #BB4944

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADBC44 shade: #ACBB44, #8CBB44, #6CBB44, #4BBB44 and #44BB5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADBC44 shade matches the following richer shades: #ACBB44, #BCD02F, #CBE51A and #DBF906

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADBC44 shade: #ACBB44, #9DA758, #8D926D, #7E7E81 and #6F6996

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADBC44 shade: #BB8944, #BBA944, #ADBB44, #8DBB44 and #6EBB44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADBC44 shade: #757F2E, #919D39, #ACBB44, #BAC662 and #C7D180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADBC44 shade: #ADBC44, #44BB6A and #9944BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADBC44 shade: #ADBC44, #44ADBB and #BB44AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADBC44 shade: #ADBC44, #44BB6A, #5244BB and #BB4495

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADBC44 shade: #ADBC44, #44BB8D, #5244BB and #BB4472

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 64 / 26

HEX #ADBC44

RGB 173 188 68

HSL 67.5, 0.47%, 0.5%

LAB 73.07, -21.28, 56.9

 

Complementary color

CMYK 56 / 64 / 0 / 27

HEX #5243BB

RGB 82 67 187

HSL 247.5, 0.47%, 0.5%

LAB 36.74, 39.59, -61.36

 

CMYK 5 / 0 / 66 / 26

HEX #B2BC3F

RGB 178 188 63

HSL 64.8, 0.5%, 0.49%

LAB 73.41, -19.51, 59.4

 

CMYK 5 / 0 / 60 / 19

HEX #C3CE52

RGB 195 206 82

HSL 65.32, 0.56%, 0.56%

LAB 79.81, -20.15, 58.72

 

CMYK 5 / 0 / 55 / 12

HEX #D4E065

RGB 212 224 101

HSL 65.85, 0.66%, 0.64%

LAB 86.13, -20.66, 57.8

 

CMYK 5 / 0 / 50 / 5

HEX #E5F278

RGB 229 242 120

HSL 66.39, 0.82%, 0.71%

LAB 92.36, -21.08, 56.76

 

CMYK 4 / 0 / 45 / 0

HEX #F6FF8B

RGB 246 255 139

HSL 64.66, 1%, 0.77%

LAB 97.22, -19.04, 54.1

 

CMYK 8 / 0 / 64 / 26

HEX #ADBC44

RGB 173 188 68

HSL 67.5, 0.47%, 0.5%

LAB 73.07, -21.28, 56.9

 

CMYK 8 / 0 / 71 / 33

HEX #9CAA31

RGB 156 170 49

HSL 66.94, 0.55%, 0.43%

LAB 66.55, -20.61, 57.35

 

CMYK 9 / 0 / 80 / 40

HEX #8B981E

RGB 139 152 30

HSL 66.39, 0.67%, 0.36%

LAB 59.92, -19.75, 57.08

 

CMYK 9 / 0 / 92 / 47

HEX #7A860B

RGB 122 134 11

HSL 65.85, 0.85%, 0.28%

LAB 53.18, -18.64, 55.47

 

CMYK 9 / 0 / 100 / 55

HEX #697400

RGB 105 116 0

HSL 65.69, 1%, 0.23%

LAB 46.3, -17.22, 51.7

 

CMYK 8 / 0 / 64 / 27

HEX #ACBB44

RGB 172 187 68

HSL 67.56, 0.47%, 0.5%

LAB 72.71, -21.2, 56.5

 

CMYK 0 / 9 / 64 / 27

HEX #BBAA44

RGB 187 170 68

HSL 51.43, 0.47%, 0.5%

LAB 69.28, -6.11, 53.2

 

CMYK 0 / 26 / 64 / 27

HEX #BB8A44

RGB 187 138 68

HSL 35.29, 0.47%, 0.5%

LAB 60.92, 11.22, 43.97

 

CMYK 0 / 44 / 64 / 27

HEX #BB6944

RGB 187 105 68

HSL 18.66, 0.47%, 0.5%

LAB 53.04, 29.41, 34.8

 

CMYK 0 / 61 / 64 / 27

HEX #BB4944

RGB 187 73 68

HSL 2.52, 0.47%, 0.5%

LAB 46.64, 45.67, 26.95

 

CMYK 8 / 0 / 64 / 27

HEX #ACBB44

RGB 172 187 68

HSL 67.56, 0.47%, 0.5%

LAB 72.71, -21.2, 56.5

 

CMYK 25 / 0 / 64 / 27

HEX #8CBB44

RGB 140 187 68

HSL 83.7, 0.47%, 0.5%

LAB 70.55, -34.03, 53.53

 

CMYK 42 / 0 / 64 / 27

HEX #6CBB44

RGB 108 187 68

HSL 99.83, 0.47%, 0.5%

LAB 68.86, -45.41, 51.2

 

CMYK 60 / 0 / 64 / 27

HEX #4BBB44

RGB 75 187 68

HSL 116.47, 0.47%, 0.5%

LAB 67.62, -54.75, 49.48

 

CMYK 64 / 0 / 51 / 27

HEX #44BB5C

RGB 68 187 92

HSL 132.1, 0.47%, 0.5%

LAB 67.68, -53.3, 38.28

 

CMYK 8 / 0 / 64 / 27

HEX #ACBB44

RGB 172 187 68

HSL 67.56, 0.47%, 0.5%

LAB 72.71, -21.2, 56.5

 

CMYK 10 / 0 / 77 / 18

HEX #BCD02F

RGB 188 208 47

HSL 67.45, 0.63%, 0.5%

LAB 79.62, -25.92, 71.18

 

CMYK 11 / 0 / 89 / 10

HEX #CBE51A

RGB 203 229 26

HSL 67.68, 0.8%, 0.5%

LAB 86.41, -30.31, 82.1

 

CMYK 12 / 0 / 98 / 2

HEX #DBF906

RGB 219 249 6

HSL 67.41, 0.95%, 0.5%

LAB 92.94, -33.33, 89.77

 

CMYK 8 / 0 / 64 / 27

HEX #ACBB44

RGB 172 187 68

HSL 67.56, 0.47%, 0.5%

LAB 72.71, -21.2, 56.5

 

CMYK 6 / 0 / 47 / 35

HEX #9DA758

RGB 157 167 88

HSL 67.59, 0.31%, 0.5%

LAB 66.14, -15.6, 39.42

 

CMYK 3 / 0 / 25 / 43

HEX #8D926D

RGB 141 146 109

HSL 68.11, 0.15%, 0.5%

LAB 59.27, -8.32, 19.06

 

CMYK 2 / 2 / 0 / 49

HEX #7E7E81

RGB 126 126 129

HSL 240, 0.01%, 0.5%

LAB 52.89, 0.61, -1.63

 

CMYK 26 / 30 / 0 / 41

HEX #6F6996

RGB 111 105 150

HSL 248, 0.18%, 0.5%

LAB 46.56, 12.68, -23.68

 

CMYK 0 / 27 / 64 / 27

HEX #BB8944

RGB 187 137 68

HSL 34.79, 0.47%, 0.5%

LAB 60.67, 11.77, 43.69

 

CMYK 0 / 10 / 64 / 27

HEX #BBA944

RGB 187 169 68

HSL 50.92, 0.47%, 0.5%

LAB 69.01, -5.58, 52.91

 

CMYK 7 / 0 / 64 / 27

HEX #ADBB44

RGB 173 187 68

HSL 67.06, 0.47%, 0.5%

LAB 72.79, -20.78, 56.6

 

CMYK 25 / 0 / 64 / 27

HEX #8DBB44

RGB 141 187 68

HSL 83.19, 0.47%, 0.5%

LAB 70.61, -33.65, 53.62

 

CMYK 41 / 0 / 64 / 27

HEX #6EBB44

RGB 110 187 68

HSL 98.82, 0.47%, 0.5%

LAB 68.95, -44.76, 51.33

 

CMYK 8 / 0 / 64 / 50

HEX #757F2E

RGB 117 127 46

HSL 67.41, 0.47%, 0.34%

LAB 50.87, -15.55, 41.5

 

CMYK 8 / 0 / 64 / 38

HEX #919D39

RGB 145 157 57

HSL 67.2, 0.47%, 0.42%

LAB 62.02, -18.21, 49.2

 

CMYK 8 / 0 / 64 / 27

HEX #ACBB44

RGB 172 187 68

HSL 67.56, 0.47%, 0.5%

LAB 72.71, -21.2, 56.5

 

CMYK 6 / 0 / 51 / 22

HEX #BAC662

RGB 186 198 98

HSL 67.2, 0.47%, 0.58%

LAB 77.11, -18.53, 48.2

 

CMYK 5 / 0 / 39 / 18

HEX #C7D180

RGB 199 209 128

HSL 67.41, 0.47%, 0.66%

LAB 81.46, -15.77, 39.03

 

CMYK 8 / 0 / 64 / 26

HEX #ADBC44

RGB 173 188 68

HSL 67.5, 0.47%, 0.5%

LAB 73.07, -21.28, 56.9

 

CMYK 64 / 0 / 43 / 27

HEX #44BB6A

RGB 68 187 106

HSL 139.16, 0.47%, 0.5%

LAB 67.88, -51.08, 31.44

 

CMYK 18 / 64 / 0 / 27

HEX #9944BB

RGB 153 68 187

HSL 282.86, 0.47%, 0.5%

LAB 44.93, 54.14, -47.72

 

CMYK 8 / 0 / 64 / 26

HEX #ADBC44

RGB 173 188 68

HSL 67.5, 0.47%, 0.5%

LAB 73.07, -21.28, 56.9

 

CMYK 64 / 7 / 0 / 27

HEX #44ADBB

RGB 68 173 187

HSL 187.06, 0.47%, 0.5%

LAB 65.52, -25.56, -16.11

 

CMYK 0 / 64 / 7 / 27

HEX #BB44AD

RGB 187 68 173

HSL 307.06, 0.47%, 0.5%

LAB 49.15, 60, -32.53

 

CMYK 8 / 0 / 64 / 26

HEX #ADBC44

RGB 173 188 68

HSL 67.5, 0.47%, 0.5%

LAB 73.07, -21.28, 56.9

 

CMYK 64 / 0 / 43 / 27

HEX #44BB6A

RGB 68 187 106

HSL 139.16, 0.47%, 0.5%

LAB 67.88, -51.08, 31.44

 

CMYK 56 / 64 / 0 / 27

HEX #5244BB

RGB 82 68 187

HSL 247.06, 0.47%, 0.5%

LAB 36.96, 38.99, -61

 

CMYK 0 / 64 / 20 / 27

HEX #BB4495

RGB 187 68 149

HSL 319.16, 0.47%, 0.5%

LAB 48.09, 56.37, -19.94

 

CMYK 8 / 0 / 64 / 26

HEX #ADBC44

RGB 173 188 68

HSL 67.5, 0.47%, 0.5%

LAB 73.07, -21.28, 56.9

 

CMYK 64 / 0 / 25 / 27

HEX #44BB8D

RGB 68 187 141

HSL 156.81, 0.47%, 0.5%

LAB 68.53, -44.15, 13.67

 

CMYK 56 / 64 / 0 / 27

HEX #5244BB

RGB 82 68 187

HSL 247.06, 0.47%, 0.5%

LAB 36.96, 38.99, -61

 

CMYK 0 / 64 / 39 / 27

HEX #BB4472

RGB 187 68 114

HSL 336.81, 0.47%, 0.5%

LAB 46.86, 51.94, -0.65

 

Description

Color code: HEX #ADBC44 | qconv.com Color code: HEX #ADBC44 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 188 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 188 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 64 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 64% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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