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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADBA1F it is the complementary color #5245E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADBA1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADBA1F shade: #B2BA1A, #C3CC2D, #D4DE40, #E5F053 and #F6FF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADBA1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADBA1F shade: #ADBA1F, #9CA80C, #8B9600, #7A8400 and #697200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADBA1F shade: #AEBC20, #BC9F20, #BC7520, #BC4B20 and #BC2120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADBA1F shade: #AEBC20, #84BC20, #5ABC20, #30BC20 and #20BC39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADBA1F shade matches the following richer shades: #AEBC20 and #BDCD0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADBA1F shade: #AEBC20, #A0AA32, #919843, #828655 and #737567

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADBA1F shade: #BC7520, #BC9F20, #AFBC20, #85BC20 and #5BBC20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADBA1F shade: #6D7514, #8E981A, #AEBC20, #CCDB2A and #D4E14D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADBA1F shade: #ADBA1F, #20BC4C and #8A20BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADBA1F shade: #ADBA1F, #20AFBC and #BC20AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADBA1F shade: #ADBA1F, #20BC4C, #2D20BC and #BC208F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADBA1F shade: #ADBA1F, #20BC7B, #2D20BC and #BC2061

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 83 / 27

HEX #ADBA1F

RGB 173 186 31

HSL 65.03, 0.71%, 0.43%

LAB 72.3, -22.07, 68.6

 

Complementary color

CMYK 63 / 69 / 0 / 12

HEX #5245E0

RGB 82 69 224

HSL 245.03, 0.71%, 0.57%

LAB 40.3, 50.01, -76.95

 

CMYK 4 / 0 / 86 / 27

HEX #B2BA1A

RGB 178 186 26

HSL 63, 0.75%, 0.42%

LAB 72.67, -20.06, 70.19

 

CMYK 4 / 0 / 78 / 20

HEX #C3CC2D

RGB 195 204 45

HSL 63.4, 0.64%, 0.49%

LAB 79.03, -21.15, 71.42

 

CMYK 5 / 0 / 71 / 13

HEX #D4DE40

RGB 212 222 64

HSL 63.8, 0.71%, 0.56%

LAB 85.31, -22.04, 71.72

 

CMYK 5 / 0 / 65 / 6

HEX #E5F053

RGB 229 240 83

HSL 64.2, 0.84%, 0.63%

LAB 91.51, -22.8, 71.44

 

CMYK 4 / 0 / 60 / 0

HEX #F6FF66

RGB 246 255 102

HSL 63.53, 1%, 0.7%

LAB 96.85, -22, 69.97

 

CMYK 7 / 0 / 83 / 27

HEX #ADBA1F

RGB 173 186 31

HSL 65.03, 0.71%, 0.43%

LAB 72.3, -22.07, 68.6

 

CMYK 7 / 0 / 93 / 34

HEX #9CA80C

RGB 156 168 12

HSL 64.62, 0.87%, 0.35%

LAB 65.83, -20.88, 66.44

 

CMYK 7 / 0 / 100 / 41

HEX #8B9600

RGB 139 150 0

HSL 64.4, 1%, 0.29%

LAB 59.25, -19.46, 62.53

 

CMYK 8 / 0 / 100 / 48

HEX #7A8400

RGB 122 132 0

HSL 64.55, 1%, 0.26%

LAB 52.55, -17.83, 56.95

 

CMYK 8 / 0 / 100 / 55

HEX #697200

RGB 105 114 0

HSL 64.74, 1%, 0.22%

LAB 45.69, -16.15, 51.24

 

CMYK 7 / 0 / 83 / 26

HEX #AEBC20

RGB 174 188 32

HSL 65.38, 0.71%, 0.43%

LAB 72.94, -22.6, 68.94

 

CMYK 0 / 15 / 83 / 26

HEX #BC9F20

RGB 188 159 32

HSL 48.85, 0.71%, 0.43%

LAB 66.21, -1.51, 63.67

 

CMYK 0 / 38 / 83 / 26

HEX #BC7520

RGB 188 117 32

HSL 32.69, 0.71%, 0.43%

LAB 55.6, 21.51, 54.49

 

CMYK 0 / 60 / 83 / 26

HEX #BC4B20

RGB 188 75 32

HSL 16.54, 0.71%, 0.43%

LAB 46.75, 43.43, 46.58

 

CMYK 0 / 82 / 83 / 26

HEX #BC2120

RGB 188 33 32

HSL 0.38, 0.71%, 0.43%

LAB 41.03, 59.04, 41.3

 

CMYK 7 / 0 / 83 / 26

HEX #AEBC20

RGB 174 188 32

HSL 65.38, 0.71%, 0.43%

LAB 72.94, -22.6, 68.94

 

CMYK 30 / 0 / 83 / 26

HEX #84BC20

RGB 132 188 32

HSL 81.54, 0.71%, 0.43%

LAB 70.16, -39.64, 65.44

 

CMYK 52 / 0 / 83 / 26

HEX #5ABC20

RGB 90 188 32

HSL 97.69, 0.71%, 0.43%

LAB 68.2, -53.81, 62.95

 

CMYK 74 / 0 / 83 / 26

HEX #30BC20

RGB 48 188 32

HSL 113.85, 0.71%, 0.43%

LAB 67.05, -63.27, 61.48

 

CMYK 83 / 0 / 70 / 26

HEX #20BC39

RGB 32 188 57

HSL 129.62, 0.71%, 0.43%

LAB 66.95, -63.58, 53.05

 

CMYK 7 / 0 / 83 / 26

HEX #AEBC20

RGB 174 188 32

HSL 65.38, 0.71%, 0.43%

LAB 72.94, -22.6, 68.94

 

CMYK 8 / 0 / 93 / 20

HEX #BDCD0E

RGB 189 205 14

HSL 65.03, 0.87%, 0.43%

LAB 78.76, -24.92, 77.31

 

CMYK 7 / 0 / 83 / 26

HEX #AEBC20

RGB 174 188 32

HSL 65.38, 0.71%, 0.43%

LAB 72.94, -22.6, 68.94

 

CMYK 6 / 0 / 71 / 33

HEX #A0AA32

RGB 160 170 50

HSL 65, 0.55%, 0.43%

LAB 66.86, -18.85, 57.39

 

CMYK 5 / 0 / 56 / 40

HEX #919843

RGB 145 152 67

HSL 64.94, 0.39%, 0.43%

LAB 60.68, -14.83, 43.11

 

CMYK 3 / 0 / 37 / 47

HEX #828655

RGB 130 134 85

HSL 64.9, 0.22%, 0.43%

LAB 54.5, -9.65, 25.92

 

CMYK 2 / 0 / 12 / 54

HEX #737567

RGB 115 117 103

HSL 68.57, 0.06%, 0.43%

LAB 48.69, -3.47, 7.47

 

CMYK 0 / 38 / 83 / 26

HEX #BC7520

RGB 188 117 32

HSL 32.69, 0.71%, 0.43%

LAB 55.6, 21.51, 54.49

 

CMYK 0 / 15 / 83 / 26

HEX #BC9F20

RGB 188 159 32

HSL 48.85, 0.71%, 0.43%

LAB 66.21, -1.51, 63.67

 

CMYK 7 / 0 / 83 / 26

HEX #AFBC20

RGB 175 188 32

HSL 65, 0.71%, 0.43%

LAB 73.01, -22.17, 69.03

 

CMYK 29 / 0 / 83 / 26

HEX #85BC20

RGB 133 188 32

HSL 81.15, 0.71%, 0.43%

LAB 70.22, -39.26, 65.51

 

CMYK 52 / 0 / 83 / 26

HEX #5BBC20

RGB 91 188 32

HSL 97.31, 0.71%, 0.43%

LAB 68.24, -53.52, 63

 

CMYK 7 / 0 / 83 / 54

HEX #6D7514

RGB 109 117 20

HSL 64.95, 0.71%, 0.27%

LAB 47.01, -15.33, 47.69

 

CMYK 7 / 0 / 83 / 40

HEX #8E981A

RGB 142 152 26

HSL 64.76, 0.71%, 0.35%

LAB 60.14, -18.58, 58.5

 

CMYK 7 / 0 / 83 / 26

HEX #AEBC20

RGB 174 188 32

HSL 65.38, 0.71%, 0.43%

LAB 72.94, -22.6, 68.94

 

CMYK 7 / 0 / 81 / 14

HEX #CCDB2A

RGB 204 219 42

HSL 65.08, 0.71%, 0.51%

LAB 83.79, -24.77, 76.68

 

CMYK 6 / 0 / 66 / 12

HEX #D4E14D

RGB 212 225 77

HSL 65.27, 0.71%, 0.59%

LAB 86.2, -22.8, 67.88

 

CMYK 7 / 0 / 83 / 27

HEX #ADBA1F

RGB 173 186 31

HSL 65.03, 0.71%, 0.43%

LAB 72.3, -22.07, 68.6

 

CMYK 83 / 0 / 60 / 26

HEX #20BC4C

RGB 32 188 76

HSL 136.92, 0.71%, 0.43%

LAB 67.12, -61.47, 45.11

 

CMYK 27 / 83 / 0 / 26

HEX #8A20BC

RGB 138 32 188

HSL 280.77, 0.71%, 0.43%

LAB 37.96, 65.17, -59.66

 

CMYK 7 / 0 / 83 / 27

HEX #ADBA1F

RGB 173 186 31

HSL 65.03, 0.71%, 0.43%

LAB 72.3, -22.07, 68.6

 

CMYK 83 / 7 / 0 / 26

HEX #20AFBC

RGB 32 175 188

HSL 185, 0.71%, 0.43%

LAB 65.43, -30.64, -16.86

 

CMYK 0 / 83 / 7 / 26

HEX #BC20AF

RGB 188 32 175

HSL 305, 0.71%, 0.43%

LAB 45.39, 71.99, -39.62

 

CMYK 7 / 0 / 83 / 27

HEX #ADBA1F

RGB 173 186 31

HSL 65.03, 0.71%, 0.43%

LAB 72.3, -22.07, 68.6

 

CMYK 83 / 0 / 60 / 26

HEX #20BC4C

RGB 32 188 76

HSL 136.92, 0.71%, 0.43%

LAB 67.12, -61.47, 45.11

 

CMYK 76 / 83 / 0 / 26

HEX #2D20BC

RGB 45 32 188

HSL 245, 0.71%, 0.43%

LAB 27.36, 54.36, -77.48

 

CMYK 0 / 83 / 24 / 26

HEX #BC208F

RGB 188 32 143

HSL 317.31, 0.71%, 0.43%

LAB 43.81, 67.66, -22.92

 

CMYK 7 / 0 / 83 / 27

HEX #ADBA1F

RGB 173 186 31

HSL 65.03, 0.71%, 0.43%

LAB 72.3, -22.07, 68.6

 

CMYK 83 / 0 / 35 / 26

HEX #20BC7B

RGB 32 188 123

HSL 155, 0.71%, 0.43%

LAB 67.8, -53.5, 22.26

 

CMYK 76 / 83 / 0 / 26

HEX #2D20BC

RGB 45 32 188

HSL 245, 0.71%, 0.43%

LAB 27.36, 54.36, -77.48

 

CMYK 0 / 83 / 48 / 26

HEX #BC2061

RGB 188 32 97

HSL 335, 0.71%, 0.43%

LAB 42.13, 62.85, 3.02

 

Description

Color code: HEX #ADBA1F | qconv.com Color code: HEX #ADBA1F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 186 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 186 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 83 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 83% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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