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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADB5E6 it is the complementary color #524A19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADB5E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADB5E6 shade: #B2B5E1, #C3C7F4, #D4D9FF, #E5EBFF and #F6FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADB5E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADB5E6 shade: #ADB5E6, #9CA3D3, #8B91C0, #7A7FAD and #696D9A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADB5E6 shade: #ADB5E6, #B4ADE6, #C4ADE6, #D3ADE6 and #E2ADE6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADB5E6 shade: #ADB5E6 and #ADADE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADB5E6 shade matches the following richer shades: #ADB5E6, #A4AFEE and #9CA9F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADB5E6 shade: #ADB5E6, #B6BBDD, #BEC1D5, #C7C8CC and #D0CEC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADB5E6 shade: #ADD4E6, #ADC5E6, #ADB6E6, #B4ADE6 and #C3ADE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADB5E6 shade: #6E7CD2, #8E99DC, #ADB5E6, #CDD2F0 and #ECEEF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADB5E6 shade: #ADB5E6, #E6ADE3 and #CCE6AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADB5E6 shade: #ADB5E6, #E6ADB6 and #B6E6AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADB5E6 shade: #ADB5E6, #E6ADE3, #E6DDAD and #ADE6B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADB5E6 shade: #ADB5E6, #E6ADD2, #E6DDAD and #ADE6C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 21 / 0 / 10

HEX #ADB5E6

RGB 173 181 230

HSL 231.58, 0.53%, 0.79%

LAB 74.6, 7.76, -25.4

 

Complementary color

CMYK 0 / 10 / 70 / 68

HEX #524A19

RGB 82 74 25

HSL 51.58, 0.53%, 0.21%

LAB 31.26, -3.47, 29.58

 

CMYK 21 / 20 / 0 / 12

HEX #B2B5E1

RGB 178 181 225

HSL 236.17, 0.44%, 0.79%

LAB 74.79, 8.13, -22.36

 

CMYK 20 / 18 / 0 / 4

HEX #C3C7F4

RGB 195 199 244

HSL 235.1, 0.69%, 0.86%

LAB 81.28, 7.83, -22.61

 

CMYK 17 / 15 / 0 / 0

HEX #D4D9FF

RGB 212 217 255

HSL 233.02, 1%, 0.92%

LAB 87.41, 5.84, -19.05

 

CMYK 10 / 8 / 0 / 0

HEX #E5EBFF

RGB 229 235 255

HSL 226.15, 1%, 0.95%

LAB 93.14, 1.78, -10.33

 

CMYK 4 / 1 / 0 / 0

HEX #F6FDFF

RGB 246 253 255

HSL 193.33, 1%, 0.98%

LAB 98.85, -1.93, -1.77

 

CMYK 25 / 21 / 0 / 10

HEX #ADB5E6

RGB 173 181 230

HSL 231.58, 0.53%, 0.79%

LAB 74.6, 7.76, -25.4

 

CMYK 26 / 23 / 0 / 17

HEX #9CA3D3

RGB 156 163 211

HSL 232.36, 0.38%, 0.72%

LAB 68, 8.11, -25.23

 

CMYK 28 / 24 / 0 / 25

HEX #8B91C0

RGB 139 145 192

HSL 233.21, 0.3%, 0.65%

LAB 61.26, 8.5, -25.08

 

CMYK 29 / 27 / 0 / 32

HEX #7A7FAD

RGB 122 127 173

HSL 234.12, 0.24%, 0.58%

LAB 54.38, 8.93, -24.96

 

CMYK 32 / 29 / 0 / 40

HEX #696D9A

RGB 105 109 154

HSL 235.1, 0.2%, 0.51%

LAB 47.33, 9.43, -24.89

 

CMYK 25 / 21 / 0 / 10

HEX #ADB5E6

RGB 173 181 230

HSL 231.58, 0.53%, 0.79%

LAB 74.6, 7.76, -25.4

 

CMYK 22 / 25 / 0 / 10

HEX #B4ADE6

RGB 180 173 230

HSL 247.37, 0.53%, 0.79%

LAB 73.09, 14.29, -27.67

 

CMYK 15 / 25 / 0 / 10

HEX #C4ADE6

RGB 196 173 230

HSL 264.21, 0.53%, 0.79%

LAB 74.4, 19.24, -25.54

 

CMYK 8 / 25 / 0 / 10

HEX #D3ADE6

RGB 211 173 230

HSL 280, 0.53%, 0.79%

LAB 75.73, 24, -23.4

 

CMYK 2 / 25 / 0 / 10

HEX #E2ADE6

RGB 226 173 230

HSL 295.79, 0.53%, 0.79%

LAB 77.14, 28.84, -21.12

 

CMYK 25 / 21 / 0 / 10

HEX #ADB5E6

RGB 173 181 230

HSL 231.58, 0.53%, 0.79%

LAB 74.6, 7.76, -25.4

 

CMYK 25 / 25 / 0 / 10

HEX #ADADE6

RGB 173 173 230

HSL 240, 0.53%, 0.79%

LAB 72.55, 12.18, -28.55

 

CMYK 25 / 21 / 0 / 10

HEX #ADB5E6

RGB 173 181 230

HSL 231.58, 0.53%, 0.79%

LAB 74.6, 7.76, -25.4

 

CMYK 31 / 26 / 0 / 7

HEX #A4AFEE

RGB 164 175 238

HSL 231.08, 0.69%, 0.79%

LAB 72.71, 10.4, -32.7

 

CMYK 37 / 32 / 0 / 3

HEX #9CA9F7

RGB 156 169 247

HSL 231.43, 0.85%, 0.79%

LAB 70.98, 13.88, -40.32

 

CMYK 25 / 21 / 0 / 10

HEX #ADB5E6

RGB 173 181 230

HSL 231.58, 0.53%, 0.79%

LAB 74.6, 7.76, -25.4

 

CMYK 18 / 15 / 0 / 13

HEX #B6BBDD

RGB 182 187 221

HSL 232.31, 0.36%, 0.79%

LAB 76.5, 5.22, -17.58

 

CMYK 11 / 9 / 0 / 16

HEX #BEC1D5

RGB 190 193 213

HSL 232.17, 0.21%, 0.79%

LAB 78.4, 2.88, -10.35

 

CMYK 2 / 2 / 0 / 20

HEX #C7C8CC

RGB 199 200 204

HSL 228, 0.05%, 0.79%

LAB 80.63, 0.4, -2.12

 

CMYK 0 / 1 / 6 / 18

HEX #D0CEC3

RGB 208 206 195

HSL 50.77, 0.12%, 0.79%

LAB 82.64, -1.25, 5.7

 

CMYK 25 / 8 / 0 / 10

HEX #ADD4E6

RGB 173 212 230

HSL 198.95, 0.53%, 0.79%

LAB 82.75, -8.82, -13.08

 

CMYK 25 / 14 / 0 / 10

HEX #ADC5E6

RGB 173 197 230

HSL 214.74, 0.53%, 0.79%

LAB 78.77, -0.91, -19.06

 

CMYK 25 / 21 / 0 / 10

HEX #ADB6E6

RGB 173 182 230

HSL 230.53, 0.53%, 0.79%

LAB 74.86, 7.22, -25.01

 

CMYK 22 / 25 / 0 / 10

HEX #B4ADE6

RGB 180 173 230

HSL 247.37, 0.53%, 0.79%

LAB 73.09, 14.29, -27.67

 

CMYK 15 / 25 / 0 / 10

HEX #C3ADE6

RGB 195 173 230

HSL 263.16, 0.53%, 0.79%

LAB 74.32, 18.93, -25.68

 

CMYK 48 / 41 / 0 / 18

HEX #6E7CD2

RGB 110 124 210

HSL 231.6, 0.53%, 0.63%

LAB 54.43, 17.93, -46.07

 

CMYK 35 / 30 / 0 / 14

HEX #8E99DC

RGB 142 153 220

HSL 231.54, 0.53%, 0.71%

LAB 64.72, 12.01, -35.34

 

CMYK 25 / 21 / 0 / 10

HEX #ADB5E6

RGB 173 181 230

HSL 231.58, 0.53%, 0.79%

LAB 74.6, 7.76, -25.4

 

CMYK 15 / 13 / 0 / 6

HEX #CDD2F0

RGB 205 210 240

HSL 231.43, 0.54%, 0.87%

LAB 84.67, 4.21, -15.29

 

CMYK 5 / 4 / 0 / 2

HEX #ECEEF9

RGB 236 238 249

HSL 230.77, 0.52%, 0.95%

LAB 94.24, 1.35, -5.54

 

CMYK 25 / 21 / 0 / 10

HEX #ADB5E6

RGB 173 181 230

HSL 231.58, 0.53%, 0.79%

LAB 74.6, 7.76, -25.4

 

CMYK 0 / 25 / 1 / 10

HEX #E6ADE3

RGB 230 173 227

HSL 303.16, 0.53%, 0.79%

LAB 77.43, 29.59, -19.02

 

CMYK 11 / 0 / 25 / 10

HEX #CCE6AD

RGB 204 230 173

HSL 87.37, 0.53%, 0.79%

LAB 88.18, -18.39, 25

 

CMYK 25 / 21 / 0 / 10

HEX #ADB5E6

RGB 173 181 230

HSL 231.58, 0.53%, 0.79%

LAB 74.6, 7.76, -25.4

 

CMYK 0 / 25 / 21 / 10

HEX #E6ADB6

RGB 230 173 182

HSL 350.53, 0.53%, 0.79%

LAB 76.12, 22.14, 3.54

 

CMYK 21 / 0 / 25 / 10

HEX #B6E6AD

RGB 182 230 173

HSL 110.53, 0.53%, 0.79%

LAB 86.78, -26.02, 22.85

 

CMYK 25 / 21 / 0 / 10

HEX #ADB5E6

RGB 173 181 230

HSL 231.58, 0.53%, 0.79%

LAB 74.6, 7.76, -25.4

 

CMYK 0 / 25 / 1 / 10

HEX #E6ADE3

RGB 230 173 227

HSL 303.16, 0.53%, 0.79%

LAB 77.43, 29.59, -19.02

 

CMYK 0 / 4 / 25 / 10

HEX #E6DDAD

RGB 230 221 173

HSL 50.53, 0.53%, 0.79%

LAB 87.75, -4.38, 24.72

 

CMYK 25 / 0 / 23 / 10

HEX #ADE6B0

RGB 173 230 176

HSL 123.16, 0.53%, 0.79%

LAB 86.31, -28.51, 20.57

 

CMYK 25 / 21 / 0 / 10

HEX #ADB5E6

RGB 173 181 230

HSL 231.58, 0.53%, 0.79%

LAB 74.6, 7.76, -25.4

 

CMYK 0 / 25 / 9 / 10

HEX #E6ADD2

RGB 230 173 210

HSL 321.05, 0.53%, 0.79%

LAB 76.9, 26.6, -10.59

 

CMYK 0 / 4 / 25 / 10

HEX #E6DDAD

RGB 230 221 173

HSL 50.53, 0.53%, 0.79%

LAB 87.75, -4.38, 24.72

 

CMYK 25 / 0 / 16 / 10

HEX #ADE6C1

RGB 173 230 193

HSL 141.05, 0.53%, 0.79%

LAB 86.67, -25.48, 12.2

 

Description

Color code: HEX #ADB5E6 | qconv.com Color code: HEX #ADB5E6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 181 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 181 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 21 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 21% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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