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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADA2C1CE it is the complementary color #525D3ECE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADA2C1CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADA2C1CE shade: #B2A2BCCE, #C3B4CFCE, #D4C6E2CE, #E5D8F5CE and #F6EAFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADA2C1CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADA2C1CE shade: #ADA2C1CE, #9C90AECE, #8B7E9BCE, #7A6C88CE and #695A75CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADA2C1CE shade: #AEA3C2, #B6A3C2, #BFA3C2, #C2A3BD and #C2A3B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADA2C1CE shade: #AEA3C2, #A6A3C2 and #A3A3C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADA2C1CE shade matches the following richer shades: #AEA3C2, #AA97CE, #A78ADB, #A37EE7 and #A072F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADA2C1CE shade: #AEA3C2, #B2B0B5, #B5BCA9, #B9C89D and #BCD590

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADA2C1CE shade: #A3A9C2, #A6A3C2, #AEA3C2, #B6A3C2 and #BEA3C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADA2C1CE shade: #8272A1, #988AB1, #AEA3C2, #C4BCD2 and #DAD5E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADA2C1CE shade: #ADA2C1, #C2A3B1 and #A5C2A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADA2C1CE shade: #ADA2C1, #C2AEA3 and #A3C2AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADA2C1CE shade: #ADA2C1, #C2A3B1, #B7C2A3 and #A3C2B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADA2C1CE shade: #ADA2C1, #C2A3A8, #B7C2A3 and #A3C2BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 13 / 0 / 20

HEX #ADA2C1CE

RGBA 173 162 193 0.81

HSLA 261.29, 0.2%, 0.7%, 0.81

LABA 68.44, 10.03, -14.46, 0.81

 

Complementary color

CMYK 10 / 0 / 27 / 51

HEX #525D3ECE

RGBA 82 93 62 0.81

HSLA 81.29, 0.2%, 0.3%, 0.81

LABA 37.79, -10.35, 16.44, 0.81

 

CMYK 4 / 11 / 0 / 21

HEX #B2A2BCCE

RGBA 178 162 188 0.81

HSLA 276.92, 0.16%, 0.69%, 0.81

LABA 68.71, 10.7, -11.25, 0.81

 

CMYK 5 / 11 / 0 / 15

HEX #C3B4CFCE

RGBA 195 180 207 0.81

HSLA 273.33, 0.22%, 0.76%, 0.81

LABA 75.3, 10.35, -11.69, 0.81

 

CMYK 5 / 10 / 0 / 9

HEX #D4C6E2CE

RGBA 212 198 226 0.81

HSLA 270, 0.33%, 0.83%, 0.81

LABA 81.77, 10.03, -12.12, 0.81

 

CMYK 5 / 10 / 0 / 3

HEX #E5D8F5CE

RGBA 229 216 245 0.81

HSLA 266.9, 0.59%, 0.9%, 0.81

LABA 88.14, 9.73, -12.55, 0.81

 

CMYK 3 / 7 / 0 / 0

HEX #F6EAFFCE

RGBA 246 234 255 0.81

HSLA 274.29, 1%, 0.96%, 0.81

LABA 94.17, 7.77, -8.67, 0.81

 

CMYK 8 / 13 / 0 / 20

HEX #ADA2C1CE

RGBA 173 162 193 0.81

HSLA 261.29, 0.2%, 0.7%, 0.81

LABA 68.44, 10.03, -14.46, 0.81

 

CMYK 8 / 14 / 0 / 26

HEX #9C90AECE

RGBA 156 144 174 0.81

HSLA 264, 0.16%, 0.62%, 0.81

LABA 61.71, 10.39, -14.09, 0.81

 

CMYK 8 / 15 / 0 / 32

HEX #8B7E9BCE

RGBA 139 126 155 0.81

HSLA 266.9, 0.13%, 0.55%, 0.81

LABA 54.84, 10.78, -13.73, 0.81

 

CMYK 8 / 17 / 0 / 38

HEX #7A6C88CE

RGBA 122 108 136 0.81

HSLA 270, 0.11%, 0.48%, 0.81

LABA 47.8, 11.22, -13.38, 0.81

 

CMYK 8 / 19 / 0 / 44

HEX #695A75CE

RGBA 105 90 117 0.81

HSLA 273.33, 0.13%, 0.41%, 0.81

LABA 40.57, 11.72, -13.03, 0.81

 

CMYK 10 / 16 / 0 / 24

HEX #AEA3C2

RGB 174 163 194

HSL 261.29, 0.2%, 0.7%

LAB 68.82, 10.02, -14.45

 

CMYK 6 / 16 / 0 / 24

HEX #B6A3C2

RGB 182 163 194

HSL 276.77, 0.2%, 0.7%

LAB 69.49, 12.71, -13.36

 

CMYK 2 / 16 / 0 / 24

HEX #BFA3C2

RGB 191 163 194

HSL 294.19, 0.2%, 0.7%

LAB 70.29, 15.78, -12.08

 

CMYK 0 / 16 / 3 / 24

HEX #C2A3BD

RGB 194 163 189

HSL 309.68, 0.2%, 0.7%

LAB 70.41, 15.87, -9.1

 

CMYK 0 / 16 / 7 / 24

HEX #C2A3B5

RGB 194 163 181

HSL 325.16, 0.2%, 0.7%

LAB 70.18, 14.42, -5.03

 

CMYK 10 / 16 / 0 / 24

HEX #AEA3C2

RGB 174 163 194

HSL 261.29, 0.2%, 0.7%

LAB 68.82, 10.02, -14.45

 

CMYK 14 / 16 / 0 / 24

HEX #A6A3C2

RGB 166 163 194

HSL 245.81, 0.2%, 0.7%

LAB 68.17, 7.36, -15.49

 

CMYK 16 / 16 / 0 / 24

HEX #A3A3C2

RGB 163 163 194

HSL 240, 0.2%, 0.7%

LAB 67.93, 6.38, -15.87

 

CMYK 10 / 16 / 0 / 24

HEX #AEA3C2

RGB 174 163 194

HSL 261.29, 0.2%, 0.7%

LAB 68.82, 10.02, -14.45

 

CMYK 17 / 27 / 0 / 19

HEX #AA97CE

RGB 170 151 206

HSL 260.73, 0.36%, 0.7%

LAB 65.85, 18.04, -25.64

 

CMYK 24 / 37 / 0 / 14

HEX #A78ADB

RGB 167 138 219

HSL 261.48, 0.53%, 0.7%

LAB 62.93, 27.5, -37.43

 

CMYK 29 / 45 / 0 / 9

HEX #A37EE7

RGB 163 126 231

HSL 261.14, 0.69%, 0.7%

LAB 60.32, 36.09, -48.25

 

CMYK 34 / 53 / 0 / 5

HEX #A072F3

RGB 160 114 243

HSL 261.4, 0.84%, 0.7%

LAB 58.02, 45.03, -58.59

 

CMYK 10 / 16 / 0 / 24

HEX #AEA3C2

RGB 174 163 194

HSL 261.29, 0.2%, 0.7%

LAB 68.82, 10.02, -14.45

 

CMYK 2 / 3 / 0 / 29

HEX #B2B0B5

RGB 178 176 181

HSL 264, 0.03%, 0.7%

LAB 72.13, 1.65, -2.31

 

CMYK 4 / 0 / 10 / 26

HEX #B5BCA9

RGB 181 188 169

HSL 82.11, 0.12%, 0.7%

LAB 75.24, -5.88, 8.77

 

CMYK 8 / 0 / 22 / 22

HEX #B9C89D

RGB 185 200 157

HSL 80.93, 0.28%, 0.7%

LAB 78.5, -12.63, 19.84

 

CMYK 12 / 0 / 32 / 16

HEX #BCD590

RGB 188 213 144

HSL 81.74, 0.45%, 0.7%

LAB 82, -19.94, 31.42

 

CMYK 16 / 13 / 0 / 24

HEX #A3A9C2

RGB 163 169 194

HSL 228.39, 0.2%, 0.7%

LAB 69.51, 3.06, -13.49

 

CMYK 14 / 16 / 0 / 24

HEX #A6A3C2

RGB 166 163 194

HSL 245.81, 0.2%, 0.7%

LAB 68.17, 7.36, -15.49

 

CMYK 10 / 16 / 0 / 24

HEX #AEA3C2

RGB 174 163 194

HSL 261.29, 0.2%, 0.7%

LAB 68.82, 10.02, -14.45

 

CMYK 6 / 16 / 0 / 24

HEX #B6A3C2

RGB 182 163 194

HSL 276.77, 0.2%, 0.7%

LAB 69.49, 12.71, -13.36

 

CMYK 2 / 16 / 0 / 24

HEX #BEA3C2

RGB 190 163 194

HSL 292.26, 0.2%, 0.7%

LAB 70.2, 15.44, -12.22

 

CMYK 19 / 29 / 0 / 37

HEX #8272A1

RGB 130 114 161

HSL 260.43, 0.2%, 0.54%

LAB 51.1, 16.17, -23.01

 

CMYK 14 / 22 / 0 / 31

HEX #988AB1

RGB 152 138 177

HSL 261.54, 0.2%, 0.62%

LAB 59.91, 13.12, -18.56

 

CMYK 10 / 16 / 0 / 24

HEX #AEA3C2

RGB 174 163 194

HSL 261.29, 0.2%, 0.7%

LAB 68.82, 10.02, -14.45

 

CMYK 7 / 10 / 0 / 18

HEX #C4BCD2

RGB 196 188 210

HSL 261.82, 0.2%, 0.78%

LAB 77.49, 6.95, -10.03

 

CMYK 4 / 6 / 0 / 11

HEX #DAD5E3

RGB 218 213 227

HSL 261.43, 0.2%, 0.86%

LAB 86.03, 4.27, -6.27

 

CMYK 10 / 16 / 0 / 24

HEX #ADA2C1

RGB 173 162 193

HSL 261.29, 0.2%, 0.7%

LAB 68.44, 10.03, -14.46

 

CMYK 0 / 16 / 9 / 24

HEX #C2A3B1

RGB 194 163 177

HSL 332.9, 0.2%, 0.7%

LAB 70.06, 13.71, -2.98

 

CMYK 15 / 0 / 16 / 24

HEX #A5C2A3

RGB 165 194 163

HSL 116.13, 0.2%, 0.7%

LAB 75.59, -15.72, 12.37

 

CMYK 10 / 16 / 0 / 24

HEX #ADA2C1

RGB 173 162 193

HSL 261.29, 0.2%, 0.7%

LAB 68.44, 10.03, -14.46

 

CMYK 0 / 10 / 16 / 24

HEX #C2AEA3

RGB 194 174 163

HSL 21.29, 0.2%, 0.7%

LAB 72.49, 5.37, 8.26

 

CMYK 16 / 0 / 10 / 24

HEX #A3C2AE

RGB 163 194 174

HSL 141.29, 0.2%, 0.7%

LAB 75.72, -14.38, 6.59

 

CMYK 10 / 16 / 0 / 24

HEX #ADA2C1

RGB 173 162 193

HSL 261.29, 0.2%, 0.7%

LAB 68.44, 10.03, -14.46

 

CMYK 0 / 16 / 9 / 24

HEX #C2A3B1

RGB 194 163 177

HSL 332.9, 0.2%, 0.7%

LAB 70.06, 13.71, -2.98

 

CMYK 6 / 0 / 16 / 24

HEX #B7C2A3

RGB 183 194 163

HSL 81.29, 0.2%, 0.7%

LAB 76.86, -9.31, 14.33

 

CMYK 16 / 0 / 7 / 24

HEX #A3C2B4

RGB 163 194 180

HSL 152.9, 0.2%, 0.7%

LAB 75.86, -13.22, 3.55

 

CMYK 10 / 16 / 0 / 24

HEX #ADA2C1

RGB 173 162 193

HSL 261.29, 0.2%, 0.7%

LAB 68.44, 10.03, -14.46

 

CMYK 0 / 16 / 13 / 24

HEX #C2A3A8

RGB 194 163 168

HSL 350.32, 0.2%, 0.7%

LAB 69.82, 12.18, 1.65

 

CMYK 6 / 0 / 16 / 24

HEX #B7C2A3

RGB 183 194 163

HSL 81.29, 0.2%, 0.7%

LAB 76.86, -9.31, 14.33

 

CMYK 16 / 0 / 3 / 24

HEX #A3C2BD

RGB 163 194 189

HSL 170.32, 0.2%, 0.7%

LAB 76.1, -11.41, -0.98

 

Description

Color code: HEX #ADA2C1CE | qconv.com Color code: HEX #ADA2C1CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 162 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 162 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 13 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 13% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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