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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD9F71 it is the complementary color #52608E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD9F71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD9F71 shade: #B29F6C, #C3B17F, #D4C392, #E5D5A5 and #F6E7B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD9F71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD9F71 shade: #AD9F71, #9C8D5E, #8B7B4B, #7A6938 and #695725

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD9F71 shade: #AD9F71, #AD8F71, #AD7E71 and #AD7171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD9F71 shade: #AD9F71, #ABAD71, #9BAD71, #8AAD71 and #7AAD71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD9F71 shade matches the following richer shades: #AD9F71, #BFA95E, #D1B24C, #E4BC3A and #F6C628

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD9F71 shade: #AD9F71, #9B9583, #898C95, #7782A7 and #6478B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD9F71 shade: #AD7F71, #AD8F71, #AD9F71, #ABAD71 and #9BAD71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD9F71 shade: #81744A, #9B8C59, #AD9F71, #BCB18B and #CBC2A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD9F71 shade: #AD9F71, #73AD71 and #8771AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD9F71 shade: #AD9F71, #71AD9F and #9F71AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD9F71 shade: #AD9F71, #73AD71, #717FAD and #AB71AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD9F71 shade: #AD9F71, #71AD81, #717FAD and #AD719D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 35 / 32

HEX #AD9F71

RGB 173 159 113

HSL 46, 0.27%, 0.56%

LAB 65.65, -1.9, 25.89

 

Complementary color

CMYK 42 / 32 / 0 / 44

HEX #52608E

RGB 82 96 142

HSL 226, 0.27%, 0.44%

LAB 41.39, 7.18, -27.11

 

CMYK 0 / 11 / 39 / 30

HEX #B29F6C

RGB 178 159 108

HSL 43.71, 0.31%, 0.56%

LAB 66.02, -0.45, 29.16

 

CMYK 0 / 9 / 35 / 24

HEX #C3B17F

RGB 195 177 127

HSL 44.12, 0.36%, 0.63%

LAB 72.61, -0.94, 27.96

 

CMYK 0 / 8 / 31 / 17

HEX #D4C392

RGB 212 195 146

HSL 44.55, 0.43%, 0.7%

LAB 79.1, -1.36, 26.84

 

CMYK 0 / 7 / 28 / 10

HEX #E5D5A5

RGB 229 213 165

HSL 45, 0.55%, 0.77%

LAB 85.49, -1.72, 25.77

 

CMYK 0 / 6 / 25 / 4

HEX #F6E7B8

RGB 246 231 184

HSL 45.48, 0.78%, 0.84%

LAB 91.78, -2.04, 24.76

 

CMYK 0 / 8 / 35 / 32

HEX #AD9F71

RGB 173 159 113

HSL 46, 0.27%, 0.56%

LAB 65.65, -1.9, 25.89

 

CMYK 0 / 10 / 40 / 39

HEX #9C8D5E

RGB 156 141 94

HSL 45.48, 0.25%, 0.49%

LAB 58.91, -1.42, 27.12

 

CMYK 0 / 12 / 46 / 45

HEX #8B7B4B

RGB 139 123 75

HSL 45, 0.3%, 0.42%

LAB 52.02, -0.84, 28.43

 

CMYK 0 / 14 / 54 / 52

HEX #7A6938

RGB 122 105 56

HSL 44.55, 0.37%, 0.35%

LAB 44.98, -0.1, 29.8

 

CMYK 0 / 17 / 65 / 59

HEX #695725

RGB 105 87 37

HSL 44.12, 0.48%, 0.28%

LAB 37.76, 0.88, 31.18

 

CMYK 0 / 8 / 35 / 32

HEX #AD9F71

RGB 173 159 113

HSL 46, 0.27%, 0.56%

LAB 65.65, -1.9, 25.89

 

CMYK 0 / 17 / 35 / 32

HEX #AD8F71

RGB 173 143 113

HSL 30, 0.27%, 0.56%

LAB 61.41, 6.89, 20.21

 

CMYK 0 / 27 / 35 / 32

HEX #AD7E71

RGB 173 126 113

HSL 13, 0.27%, 0.56%

LAB 57.07, 16.43, 14.25

 

CMYK 0 / 35 / 35 / 32

HEX #AD7171

RGB 173 113 113

HSL 0, 0.27%, 0.56%

LAB 53.91, 23.75, 9.81

 

CMYK 0 / 8 / 35 / 32

HEX #AD9F71

RGB 173 159 113

HSL 46, 0.27%, 0.56%

LAB 65.65, -1.9, 25.89

 

CMYK 1 / 0 / 35 / 32

HEX #ABAD71

RGB 171 173 113

HSL 62, 0.27%, 0.56%

LAB 69.28, -10.18, 30.64

 

CMYK 10 / 0 / 35 / 32

HEX #9BAD71

RGB 155 173 113

HSL 78, 0.27%, 0.56%

LAB 68.06, -16.51, 28.81

 

CMYK 20 / 0 / 35 / 32

HEX #8AAD71

RGB 138 173 113

HSL 95, 0.27%, 0.56%

LAB 66.89, -22.98, 27.05

 

CMYK 29 / 0 / 35 / 32

HEX #7AAD71

RGB 122 173 113

HSL 111, 0.27%, 0.56%

LAB 65.92, -28.72, 25.59

 

CMYK 0 / 8 / 35 / 32

HEX #AD9F71

RGB 173 159 113

HSL 46, 0.27%, 0.56%

LAB 65.65, -1.9, 25.89

 

CMYK 0 / 12 / 51 / 25

HEX #BFA95E

RGB 191 169 94

HSL 46.39, 0.43%, 0.56%

LAB 69.65, -1.85, 41.32

 

CMYK 0 / 15 / 64 / 18

HEX #D1B24C

RGB 209 178 76

HSL 46.02, 0.59%, 0.56%

LAB 73.49, -0.37, 54.8

 

CMYK 0 / 18 / 75 / 11

HEX #E4BC3A

RGB 228 188 58

HSL 45.88, 0.76%, 0.56%

LAB 77.74, 1.58, 67.04

 

CMYK 0 / 20 / 84 / 4

HEX #F6C628

RGB 246 198 40

HSL 46.02, 0.92%, 0.56%

LAB 81.91, 3.48, 77.02

 

CMYK 0 / 8 / 35 / 32

HEX #AD9F71

RGB 173 159 113

HSL 46, 0.27%, 0.56%

LAB 65.65, -1.9, 25.89

 

CMYK 0 / 4 / 15 / 39

HEX #9B9583

RGB 155 149 131

HSL 45, 0.11%, 0.56%

LAB 61.74, -0.98, 10.3

 

CMYK 8 / 6 / 0 / 42

HEX #898C95

RGB 137 140 149

HSL 225, 0.05%, 0.56%

LAB 58.27, 0.75, -5.17

 

CMYK 29 / 22 / 0 / 35

HEX #7782A7

RGB 119 130 167

HSL 226.25, 0.21%, 0.56%

LAB 54.74, 4.7, -20.97

 

CMYK 46 / 35 / 0 / 27

HEX #6478B9

RGB 100 120 185

HSL 225.88, 0.38%, 0.56%

LAB 51.43, 10.3, -36.58

 

CMYK 0 / 27 / 35 / 32

HEX #AD7F71

RGB 173 127 113

HSL 14, 0.27%, 0.56%

LAB 57.32, 15.86, 14.59

 

CMYK 0 / 17 / 35 / 32

HEX #AD8F71

RGB 173 143 113

HSL 30, 0.27%, 0.56%

LAB 61.41, 6.89, 20.21

 

CMYK 0 / 8 / 35 / 32

HEX #AD9F71

RGB 173 159 113

HSL 46, 0.27%, 0.56%

LAB 65.65, -1.9, 25.89

 

CMYK 1 / 0 / 35 / 32

HEX #ABAD71

RGB 171 173 113

HSL 62, 0.27%, 0.56%

LAB 69.28, -10.18, 30.64

 

CMYK 10 / 0 / 35 / 32

HEX #9BAD71

RGB 155 173 113

HSL 78, 0.27%, 0.56%

LAB 68.06, -16.51, 28.81

 

CMYK 0 / 10 / 43 / 49

HEX #81744A

RGB 129 116 74

HSL 45.82, 0.27%, 0.4%

LAB 49.07, -1.36, 25.03

 

CMYK 0 / 10 / 43 / 39

HEX #9B8C59

RGB 155 140 89

HSL 46.36, 0.27%, 0.48%

LAB 58.46, -1.87, 29.26

 

CMYK 0 / 8 / 35 / 32

HEX #AD9F71

RGB 173 159 113

HSL 46, 0.27%, 0.56%

LAB 65.65, -1.9, 25.89

 

CMYK 0 / 6 / 26 / 26

HEX #BCB18B

RGB 188 177 139

HSL 46.53, 0.27%, 0.64%

LAB 72.23, -2.13, 20.9

 

CMYK 0 / 4 / 19 / 20

HEX #CBC2A5

RGB 203 194 165

HSL 45.79, 0.27%, 0.72%

LAB 78.46, -1.62, 15.73

 

CMYK 0 / 8 / 35 / 32

HEX #AD9F71

RGB 173 159 113

HSL 46, 0.27%, 0.56%

LAB 65.65, -1.9, 25.89

 

CMYK 34 / 0 / 35 / 32

HEX #73AD71

RGB 115 173 113

HSL 118, 0.27%, 0.56%

LAB 65.53, -31.1, 25.01

 

CMYK 22 / 35 / 0 / 32

HEX #8771AD

RGB 135 113 173

HSL 262, 0.27%, 0.56%

LAB 51.81, 21.25, -28.85

 

CMYK 0 / 8 / 35 / 32

HEX #AD9F71

RGB 173 159 113

HSL 46, 0.27%, 0.56%

LAB 65.65, -1.9, 25.89

 

CMYK 35 / 0 / 8 / 32

HEX #71AD9F

RGB 113 173 159

HSL 166, 0.27%, 0.56%

LAB 66.44, -22.62, 1.02

 

CMYK 8 / 35 / 0 / 32

HEX #9F71AD

RGB 159 113 173

HSL 286, 0.27%, 0.56%

LAB 54.24, 28.94, -24.9

 

CMYK 0 / 8 / 35 / 32

HEX #AD9F71

RGB 173 159 113

HSL 46, 0.27%, 0.56%

LAB 65.65, -1.9, 25.89

 

CMYK 34 / 0 / 35 / 32

HEX #73AD71

RGB 115 173 113

HSL 118, 0.27%, 0.56%

LAB 65.53, -31.1, 25.01

 

CMYK 35 / 27 / 0 / 32

HEX #717FAD

RGB 113 127 173

HSL 226, 0.27%, 0.56%

LAB 53.71, 6.23, -26.05

 

CMYK 1 / 35 / 0 / 32

HEX #AB71AD

RGB 171 113 173

HSL 298, 0.27%, 0.56%

LAB 55.57, 32.86, -22.74

 

CMYK 0 / 8 / 35 / 32

HEX #AD9F71

RGB 173 159 113

HSL 46, 0.27%, 0.56%

LAB 65.65, -1.9, 25.89

 

CMYK 35 / 0 / 25 / 32

HEX #71AD81

RGB 113 173 129

HSL 136, 0.27%, 0.56%

LAB 65.74, -28.92, 16.58

 

CMYK 35 / 27 / 0 / 32

HEX #717FAD

RGB 113 127 173

HSL 226, 0.27%, 0.56%

LAB 53.71, 6.23, -26.05

 

CMYK 0 / 35 / 9 / 32

HEX #AD719D

RGB 173 113 157

HSL 316, 0.27%, 0.56%

LAB 55.2, 30.56, -14

 

Description

Color code: HEX #AD9F71 | qconv.com Color code: HEX #AD9F71 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 159 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 159 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 35 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 35% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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