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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD9D06 it is the complementary color #5262F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD9D06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD9D06 shade: #B29D01, #C3AF14, #D4C127, #E5D33A and #F6E54D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD9D06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD9D06 shade: #AD9D06, #9C8B00, #8B7900, #7A6700 and #695500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD9D06 shade: #AC9C06, #AC7006, #AC4306, #AC1606 and #AC0606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD9D06 shade: #AC9C06, #8FAC06, #63AC06, #36AC06 and #09AC06

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD9D06 shade matches the following richer shades: #AC9C06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD9D06 shade: #AC9C06, #9E9115, #8F8523, #817932 and #726E40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD9D06 shade: #AC4306, #AC6F06, #AC9C06, #91AC06 and #64AC06

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD9D06 shade: #5D5403, #847805, #AC9C06, #D4C008 and #F6E00F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD9D06 shade: #AD9D06, #06AC17 and #5906AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD9D06 shade: #AD9D06, #06AC9C and #9C06AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD9D06 shade: #AD9D06, #06AC17, #0617AC and #AC069C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD9D06 shade: #AD9D06, #06AC49, #0617AC and #AC066A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 97 / 32

HEX #AD9D06

RGB 173 157 6

HSL 54.25, 0.93%, 0.35%

LAB 64.17, -7.71, 66.61

 

Complementary color

CMYK 67 / 61 / 0 / 2

HEX #5262F9

RGB 82 98 249

HSL 234.25, 0.93%, 0.65%

LAB 48.72, 41.16, -77.26

 

CMYK 0 / 12 / 99 / 30

HEX #B29D01

RGB 178 157 1

HSL 52.88, 0.99%, 0.35%

LAB 64.63, -5.51, 67.84

 

CMYK 0 / 10 / 90 / 24

HEX #C3AF14

RGB 195 175 20

HSL 53.14, 0.81%, 0.42%

LAB 71.09, -7.15, 70.69

 

CMYK 0 / 9 / 82 / 17

HEX #D4C127

RGB 212 193 39

HSL 53.41, 0.69%, 0.49%

LAB 77.45, -8.57, 72.24

 

CMYK 0 / 8 / 75 / 10

HEX #E5D33A

RGB 229 211 58

HSL 53.68, 0.77%, 0.56%

LAB 83.73, -9.79, 72.72

 

CMYK 0 / 7 / 69 / 4

HEX #F6E54D

RGB 246 229 77

HSL 53.96, 0.9%, 0.63%

LAB 89.94, -10.83, 72.53

 

CMYK 0 / 9 / 97 / 32

HEX #AD9D06

RGB 173 157 6

HSL 54.25, 0.93%, 0.35%

LAB 64.17, -7.71, 66.61

 

CMYK 0 / 11 / 100 / 39

HEX #9C8B00

RGB 156 139 0

HSL 53.46, 1%, 0.31%

LAB 57.59, -5.88, 61.99

 

CMYK 0 / 13 / 100 / 45

HEX #8B7900

RGB 139 121 0

HSL 52.23, 1%, 0.27%

LAB 50.88, -3.9, 56.43

 

CMYK 0 / 16 / 100 / 52

HEX #7A6700

RGB 122 103 0

HSL 50.66, 1%, 0.24%

LAB 44, -1.82, 50.75

 

CMYK 0 / 19 / 100 / 59

HEX #695500

RGB 105 85 0

HSL 48.57, 1%, 0.21%

LAB 36.93, 0.37, 44.91

 

CMYK 0 / 9 / 97 / 33

HEX #AC9C06

RGB 172 156 6

HSL 54.22, 0.93%, 0.35%

LAB 63.8, -7.63, 66.3

 

CMYK 0 / 35 / 97 / 33

HEX #AC7006

RGB 172 112 6

HSL 38.31, 0.93%, 0.35%

LAB 52.26, 16.65, 57.95

 

CMYK 0 / 61 / 97 / 33

HEX #AC4306

RGB 172 67 6

HSL 22.05, 0.93%, 0.35%

LAB 42.46, 40.65, 51.41

 

CMYK 0 / 87 / 97 / 33

HEX #AC1606

RGB 172 22 6

HSL 5.78, 0.93%, 0.35%

LAB 36.66, 56.54, 48.03

 

CMYK 0 / 97 / 97 / 33

HEX #AC0606

RGB 172 6 6

HSL 0, 0.93%, 0.35%

LAB 35.82, 58.97, 47.58

 

CMYK 0 / 9 / 97 / 33

HEX #AC9C06

RGB 172 156 6

HSL 54.22, 0.93%, 0.35%

LAB 63.8, -7.63, 66.3

 

CMYK 17 / 0 / 97 / 33

HEX #8FAC06

RGB 143 172 6

HSL 70.48, 0.93%, 0.35%

LAB 66.03, -28.52, 66.96

 

CMYK 42 / 0 / 97 / 33

HEX #63AC06

RGB 99 172 6

HSL 86.39, 0.93%, 0.35%

LAB 63.48, -45.55, 63.87

 

CMYK 69 / 0 / 97 / 33

HEX #36AC06

RGB 54 172 6

HSL 102.65, 0.93%, 0.35%

LAB 61.91, -58.01, 61.95

 

CMYK 95 / 0 / 97 / 33

HEX #09AC06

RGB 9 172 6

HSL 118.92, 0.93%, 0.35%

LAB 61.29, -63.55, 61.18

 

CMYK 0 / 9 / 97 / 33

HEX #AC9C06

RGB 172 156 6

HSL 54.22, 0.93%, 0.35%

LAB 63.8, -7.63, 66.3

 

CMYK 0 / 9 / 97 / 33

HEX #AC9C06

RGB 172 156 6

HSL 54.22, 0.93%, 0.35%

LAB 63.8, -7.63, 66.3

 

CMYK 0 / 8 / 87 / 38

HEX #9E9115

RGB 158 145 21

HSL 54.31, 0.77%, 0.35%

LAB 59.5, -7.83, 59.78

 

CMYK 0 / 7 / 76 / 44

HEX #8F8523

RGB 143 133 35

HSL 54.44, 0.61%, 0.35%

LAB 54.8, -7.68, 50.82

 

CMYK 0 / 6 / 61 / 49

HEX #817932

RGB 129 121 50

HSL 53.92, 0.44%, 0.35%

LAB 50.18, -6.54, 39.14

 

CMYK 0 / 4 / 44 / 55

HEX #726E40

RGB 114 110 64

HSL 55.2, 0.28%, 0.35%

LAB 45.77, -5.76, 26.16

 

CMYK 0 / 61 / 97 / 33

HEX #AC4306

RGB 172 67 6

HSL 22.05, 0.93%, 0.35%

LAB 42.46, 40.65, 51.41

 

CMYK 0 / 35 / 97 / 33

HEX #AC6F06

RGB 172 111 6

HSL 37.95, 0.93%, 0.35%

LAB 52.01, 17.21, 57.78

 

CMYK 0 / 9 / 97 / 33

HEX #AC9C06

RGB 172 156 6

HSL 54.22, 0.93%, 0.35%

LAB 63.8, -7.63, 66.3

 

CMYK 16 / 0 / 97 / 33

HEX #91AC06

RGB 145 172 6

HSL 69.76, 0.93%, 0.35%

LAB 66.17, -27.67, 67.12

 

CMYK 42 / 0 / 97 / 33

HEX #64AC06

RGB 100 172 6

HSL 86.02, 0.93%, 0.35%

LAB 63.53, -45.21, 63.93

 

CMYK 0 / 10 / 97 / 64

HEX #5D5403

RGB 93 84 3

HSL 54, 0.94%, 0.19%

LAB 35.35, -4.98, 42.19

 

CMYK 0 / 9 / 96 / 48

HEX #847805

RGB 132 120 5

HSL 54.33, 0.93%, 0.27%

LAB 49.92, -6.56, 54.42

 

CMYK 0 / 9 / 97 / 33

HEX #AC9C06

RGB 172 156 6

HSL 54.22, 0.93%, 0.35%

LAB 63.8, -7.63, 66.3

 

CMYK 0 / 9 / 96 / 17

HEX #D4C008

RGB 212 192 8

HSL 54.12, 0.93%, 0.43%

LAB 77.11, -8.64, 77.52

 

CMYK 0 / 9 / 94 / 4

HEX #F6E00F

RGB 246 224 15

HSL 54.29, 0.93%, 0.51%

LAB 88.42, -10.13, 86.55

 

CMYK 0 / 9 / 97 / 32

HEX #AD9D06

RGB 173 157 6

HSL 54.25, 0.93%, 0.35%

LAB 64.17, -7.71, 66.61

 

CMYK 97 / 0 / 87 / 33

HEX #06AC17

RGB 6 172 23

HSL 126.14, 0.93%, 0.35%

LAB 61.31, -63.15, 58.33

 

CMYK 48 / 97 / 0 / 33

HEX #5906AC

RGB 89 6 172

HSL 270, 0.93%, 0.35%

LAB 27.39, 61.22, -67.75

 

CMYK 0 / 9 / 97 / 32

HEX #AD9D06

RGB 173 157 6

HSL 54.25, 0.93%, 0.35%

LAB 64.17, -7.71, 66.61

 

CMYK 97 / 0 / 9 / 33

HEX #06AC9C

RGB 6 172 156

HSL 174.22, 0.93%, 0.35%

LAB 63.3, -40.35, -2.24

 

CMYK 9 / 97 / 0 / 33

HEX #9C06AC

RGB 156 6 172

HSL 294.22, 0.93%, 0.35%

LAB 38.16, 69.89, -49.72

 

CMYK 0 / 9 / 97 / 32

HEX #AD9D06

RGB 173 157 6

HSL 54.25, 0.93%, 0.35%

LAB 64.17, -7.71, 66.61

 

CMYK 97 / 0 / 87 / 33

HEX #06AC17

RGB 6 172 23

HSL 126.14, 0.93%, 0.35%

LAB 61.31, -63.15, 58.33

 

CMYK 97 / 87 / 0 / 33

HEX #0617AC

RGB 6 23 172

HSL 233.86, 0.93%, 0.35%

LAB 22.41, 51.99, -76.2

 

CMYK 0 / 97 / 9 / 33

HEX #AC069C

RGB 172 6 156

HSL 305.78, 0.93%, 0.35%

LAB 40.08, 70.2, -36.85

 

CMYK 0 / 9 / 97 / 32

HEX #AD9D06

RGB 173 157 6

HSL 54.25, 0.93%, 0.35%

LAB 64.17, -7.71, 66.61

 

CMYK 97 / 0 / 58 / 33

HEX #06AC49

RGB 6 172 73

HSL 144.22, 0.93%, 0.35%

LAB 61.68, -58.56, 40.06

 

CMYK 97 / 87 / 0 / 33

HEX #0617AC

RGB 6 23 172

HSL 233.86, 0.93%, 0.35%

LAB 22.41, 51.99, -76.2

 

CMYK 0 / 97 / 38 / 33

HEX #AC066A

RGB 172 6 106

HSL 323.86, 0.93%, 0.35%

LAB 37.74, 64.17, -9.52

 

Description

Color code: HEX #AD9D06 | qconv.com Color code: HEX #AD9D06 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 157 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 157 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 97 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 97% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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