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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD9C85 it is the complementary color #52637A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD9C85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AD9C85: #B29C80, #C3AE93, #D4C0A6, #E5D2B9 and #F6E4CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD9C85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AD9C85: #AD9C85, #9C8A72, #8B785F, #7A664C and #695439

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 23 / 32

HEX #AD9C85

RGB 173 156 133

HSL 34.5, 0.2%, 0.6%

LAB 65.24, 2.49, 14.33

Complementary color

CMYK 33 / 19 / 0 / 52

HEX #52637A

RGB 82 99 122

HSL 214.5, 0.2%, 0.4%

LAB 41.41, -0.49, -14.99

 

CMYK 0 / 12 / 28 / 30

HEX #B29C80

RGB 178 156 128

HSL 33.6, 0.25%, 0.6%

LAB 65.59, 3.75, 17.66

 

CMYK 0 / 11 / 25 / 24

HEX #C3AE93

RGB 195 174 147

HSL 33.75, 0.29%, 0.67%

LAB 72.22, 3.32, 16.63

 

CMYK 0 / 9 / 22 / 17

HEX #D4C0A6

RGB 212 192 166

HSL 33.91, 0.35%, 0.74%

LAB 78.72, 2.95, 15.68

 

CMYK 0 / 8 / 19 / 10

HEX #E5D2B9

RGB 229 210 185

HSL 34.09, 0.46%, 0.81%

LAB 85.13, 2.62, 14.78

 

CMYK 0 / 7 / 17 / 4

HEX #F6E4CC

RGB 246 228 204

HSL 34.29, 0.7%, 0.88%

LAB 91.43, 2.33, 13.92

 

CMYK 0 / 10 / 23 / 32

HEX #AD9C85

RGB 173 156 133

HSL 34.5, 0.2%, 0.6%

LAB 65.24, 2.49, 14.33

SW® 7549

CMYK 0 / 12 / 27 / 39

HEX #9C8A72

RGB 156 138 114

HSL 34.29, 0.18%, 0.53%

LAB 58.47, 2.9, 15.35

 

CMYK 0 / 14 / 32 / 45

HEX #8B785F

RGB 139 120 95

HSL 34.09, 0.19%, 0.46%

LAB 51.55, 3.37, 16.46

 

CMYK 0 / 16 / 38 / 52

HEX #7A664C

RGB 122 102 76

HSL 33.91, 0.23%, 0.39%

LAB 44.46, 3.95, 17.68

 

CMYK 0 / 20 / 46 / 59

HEX #695439

RGB 105 84 57

HSL 33.75, 0.3%, 0.32%

LAB 37.19, 4.68, 19.05

 

CMYK 0 / 10 / 23 / 32

HEX #AD9C85

RGB 173 156 133

HSL 34.5, 0.2%, 0.6%

LAB 65.24, 2.49, 14.33

SW® 7549

CMYK 0 / 6 / 24 / 32

HEX #ADA284

RGB 173 162 132

HSL 43.9, 0.2%, 0.6%

LAB 66.82, -0.93, 17.07

 

CMYK 0 / 2 / 24 / 32

HEX #ADA984

RGB 173 169 132

HSL 54.15, 0.2%, 0.6%

LAB 68.7, -4.7, 19.66

 

CMYK 2 / 0 / 24 / 32

HEX #AAAD84

RGB 170 173 132

HSL 64.39, 0.2%, 0.6%

LAB 69.54, -8, 20.77

 

CMYK 6 / 0 / 24 / 32

HEX #A3AD84

RGB 163 173 132

HSL 74.63, 0.2%, 0.6%

LAB 69, -10.69, 19.94

 

CMYK 0 / 10 / 23 / 32

HEX #AD9C85

RGB 173 156 133

HSL 34.5, 0.2%, 0.6%

LAB 65.24, 2.49, 14.33

SW® 7549

CMYK 0 / 10 / 23 / 12

HEX #E0CAAC

RGB 224 202 172

HSL 34.62, 0.46%, 0.78%

LAB 82.41, 3.06, 17.79

 

CMYK 0 / 10 / 25 / 92

HEX #14120F

RGB 20 18 15

HSL 36, 0.14%, 0.07%

LAB 5.56, 0.23, 1.87

 

CMYK 0 / 10 / 23 / 72

HEX #474037

RGB 71 64 55

HSL 33.75, 0.13%, 0.25%

LAB 27.52, 1.25, 6.6

 

CMYK 0 / 10 / 23 / 52

HEX #7A6E5E

RGB 122 110 94

HSL 34.29, 0.13%, 0.42%

LAB 47.1, 1.9, 10.64

 

CMYK 0 / 10 / 23 / 32

HEX #AD9C85

RGB 173 156 133

HSL 34.5, 0.2%, 0.6%

LAB 65.24, 2.49, 14.33

SW® 7549

CMYK 18 / 0 / 24 / 32

HEX #8EAD84

RGB 142 173 132

HSL 105.37, 0.2%, 0.6%

LAB 67.5, -18.51, 17.65

 

CMYK 20 / 24 / 0 / 32

HEX #8B84AD

RGB 139 132 173

HSL 250.24, 0.2%, 0.6%

LAB 57.08, 11.39, -20.69

 

CMYK 0 / 10 / 23 / 32

HEX #AD9C85

RGB 173 156 133

HSL 34.5, 0.2%, 0.6%

LAB 65.24, 2.49, 14.33

SW® 7549

CMYK 24 / 0 / 10 / 32

HEX #84AD9B

RGB 132 173 155

HSL 153.66, 0.2%, 0.6%

LAB 67.4, -17.62, 4.75

 

CMYK 10 / 24 / 0 / 32

HEX #9B84AD

RGB 155 132 173

HSL 273.66, 0.2%, 0.6%

LAB 58.5, 16.7, -18.41

 

CMYK 0 / 10 / 23 / 32

HEX #AD9C85

RGB 173 156 133

HSL 34.5, 0.2%, 0.6%

LAB 65.24, 2.49, 14.33

SW® 7549

CMYK 18 / 0 / 24 / 32

HEX #8EAD84

RGB 142 173 132

HSL 105.37, 0.2%, 0.6%

LAB 67.5, -18.51, 17.65

 

CMYK 24 / 13 / 0 / 32

HEX #8496AD

RGB 132 150 173

HSL 213.66, 0.2%, 0.6%

LAB 61.43, -1.18, -14.15

 

CMYK 6 / 24 / 0 / 32

HEX #A384AD

RGB 163 132 173

HSL 285.37, 0.2%, 0.6%

LAB 59.26, 19.41, -17.18

 

CMYK 0 / 10 / 23 / 32

HEX #AD9C85

RGB 173 156 133

HSL 34.5, 0.2%, 0.6%

LAB 65.24, 2.49, 14.33

SW® 7549

CMYK 24 / 0 / 22 / 32

HEX #84AD87

RGB 132 173 135

HSL 124.39, 0.2%, 0.6%

LAB 66.93, -21.51, 15.12

 

CMYK 24 / 13 / 0 / 32

HEX #8496AD

RGB 132 150 173

HSL 213.66, 0.2%, 0.6%

LAB 61.43, -1.18, -14.15

 

CMYK 0 / 24 / 2 / 32

HEX #AD84AA

RGB 173 132 170

HSL 304.39, 0.2%, 0.6%

LAB 60.15, 22.27, -14.02

 

Description

Color code: HEX #AD9C85 | qconv.com Color code: HEX #AD9C85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 156 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 156 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 23 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 23% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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