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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD9C2E it is the complementary color #5263D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD9C2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD9C2E shade: #B29C29, #C3AE3C, #D4C04F, #E5D262 and #F6E475

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD9C2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD9C2E shade: #AD9C2E, #9C8A1B, #8B7808, #7A6600 and #695400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD9C2E shade: #AD9C2E, #AD792E, #AD572E, #AD352E and #AD2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD9C2E shade: #AD9C2E, #9BAD2E, #79AD2E, #57AD2E and #35AD2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD9C2E shade matches the following richer shades: #AD9C2E, #BEA91C and #D0B60A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD9C2E shade: #AD9C2E, #9B8F3F, #898251, #787563 and #666875

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD9C2E shade: #AD562E, #AD782E, #AD9A2E, #9EAD2E and #7CAD2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD9C2E shade: #6C611C, #8C7E25, #AD9C2E, #CAB739 and #D3C35A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD9C2E shade: #AD9C2E, #2EAD34 and #672EAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD9C2E shade: #AD9C2E, #2EAD9A and #9A2EAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD9C2E shade: #AD9C2E, #2EAD34, #2E41AD and #AD2EA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD9C2E shade: #AD9C2E, #2EAD5A, #2E41AD and #AD2E80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 73 / 32

HEX #AD9C2E

RGB 173 156 46

HSL 51.97, 0.58%, 0.43%

LAB 64.05, -6.06, 56.52

 

Complementary color

CMYK 61 / 53 / 0 / 18

HEX #5263D1

RGB 82 99 209

HSL 231.97, 0.58%, 0.57%

LAB 46.07, 27.1, -58.98

 

CMYK 0 / 12 / 77 / 30

HEX #B29C29

RGB 178 156 41

HSL 50.36, 0.63%, 0.43%

LAB 64.49, -4.05, 58.92

 

CMYK 0 / 11 / 69 / 24

HEX #C3AE3C

RGB 195 174 60

HSL 50.67, 0.53%, 0.5%

LAB 71.01, -5.22, 58.61

 

CMYK 0 / 9 / 63 / 17

HEX #D4C04F

RGB 212 192 79

HSL 50.98, 0.61%, 0.57%

LAB 77.44, -6.2, 57.84

 

CMYK 0 / 8 / 57 / 10

HEX #E5D262

RGB 229 210 98

HSL 51.3, 0.72%, 0.64%

LAB 83.77, -7.03, 56.83

 

CMYK 0 / 7 / 52 / 4

HEX #F6E475

RGB 246 228 117

HSL 51.63, 0.88%, 0.71%

LAB 90.03, -7.73, 55.72

 

CMYK 0 / 10 / 73 / 32

HEX #AD9C2E

RGB 173 156 46

HSL 51.97, 0.58%, 0.43%

LAB 64.05, -6.06, 56.52

 

CMYK 0 / 12 / 83 / 39

HEX #9C8A1B

RGB 156 138 27

HSL 51.63, 0.7%, 0.36%

LAB 57.39, -4.77, 56.31

 

CMYK 0 / 14 / 94 / 45

HEX #8B7808

RGB 139 120 8

HSL 51.3, 0.89%, 0.29%

LAB 50.62, -3.19, 54.67

 

CMYK 0 / 16 / 100 / 52

HEX #7A6600

RGB 122 102 0

HSL 50.16, 1%, 0.24%

LAB 43.71, -1.25, 50.54

 

CMYK 0 / 20 / 100 / 59

HEX #695400

RGB 105 84 0

HSL 48, 1%, 0.21%

LAB 36.64, 0.97, 44.7

 

CMYK 0 / 10 / 73 / 32

HEX #AD9C2E

RGB 173 156 46

HSL 51.97, 0.58%, 0.43%

LAB 64.05, -6.06, 56.52

 

CMYK 0 / 30 / 73 / 32

HEX #AD792E

RGB 173 121 46

HSL 35.43, 0.58%, 0.43%

LAB 54.82, 13.23, 47.36

 

CMYK 0 / 50 / 73 / 32

HEX #AD572E

RGB 173 87 46

HSL 19.37, 0.58%, 0.43%

LAB 46.84, 32.05, 39

 

CMYK 0 / 69 / 73 / 32

HEX #AD352E

RGB 173 53 46

HSL 3.31, 0.58%, 0.43%

LAB 40.62, 48.31, 32.1

 

CMYK 0 / 73 / 73 / 32

HEX #AD2E2E

RGB 173 46 46

HSL 0, 0.58%, 0.43%

LAB 39.64, 51, 30.98

 

CMYK 0 / 10 / 73 / 32

HEX #AD9C2E

RGB 173 156 46

HSL 51.97, 0.58%, 0.43%

LAB 64.05, -6.06, 56.52

 

CMYK 10 / 0 / 73 / 32

HEX #9BAD2E

RGB 155 173 46

HSL 68.5, 0.58%, 0.43%

LAB 67.32, -22.69, 59.15

 

CMYK 30 / 0 / 73 / 32

HEX #79AD2E

RGB 121 173 46

HSL 84.57, 0.58%, 0.43%

LAB 65.08, -36.46, 56.21

 

CMYK 50 / 0 / 73 / 32

HEX #57AD2E

RGB 87 173 46

HSL 100.63, 0.58%, 0.43%

LAB 63.43, -48.16, 54.03

 

CMYK 69 / 0 / 73 / 32

HEX #35AD2E

RGB 53 173 46

HSL 116.69, 0.58%, 0.43%

LAB 62.37, -56.63, 52.61

 

CMYK 0 / 10 / 73 / 32

HEX #AD9C2E

RGB 173 156 46

HSL 51.97, 0.58%, 0.43%

LAB 64.05, -6.06, 56.52

 

CMYK 0 / 11 / 85 / 25

HEX #BEA91C

RGB 190 169 28

HSL 52.22, 0.74%, 0.43%

LAB 69.05, -6.04, 67.18

 

CMYK 0 / 13 / 95 / 18

HEX #D0B60A

RGB 208 182 10

HSL 52.12, 0.91%, 0.43%

LAB 74.12, -5.21, 74.94

 

CMYK 0 / 10 / 73 / 32

HEX #AD9C2E

RGB 173 156 46

HSL 51.97, 0.58%, 0.43%

LAB 64.05, -6.06, 56.52

 

CMYK 0 / 8 / 59 / 39

HEX #9B8F3F

RGB 155 143 63

HSL 52.17, 0.42%, 0.43%

LAB 58.95, -5.99, 43.31

 

CMYK 0 / 5 / 41 / 46

HEX #898251

RGB 137 130 81

HSL 52.5, 0.26%, 0.43%

LAB 53.9, -4.96, 27.46

 

CMYK 0 / 3 / 18 / 53

HEX #787563

RGB 120 117 99

HSL 51.43, 0.1%, 0.43%

LAB 49.03, -2.16, 10.35

 

CMYK 13 / 11 / 0 / 54

HEX #666875

RGB 102 104 117

HSL 232, 0.07%, 0.43%

LAB 44.25, 2.09, -7.52

 

CMYK 0 / 50 / 73 / 32

HEX #AD562E

RGB 173 86 46

HSL 18.9, 0.58%, 0.43%

LAB 46.63, 32.59, 38.77

 

CMYK 0 / 31 / 73 / 32

HEX #AD782E

RGB 173 120 46

HSL 34.96, 0.58%, 0.43%

LAB 54.57, 13.79, 47.11

 

CMYK 0 / 11 / 73 / 32

HEX #AD9A2E

RGB 173 154 46

HSL 51.02, 0.58%, 0.43%

LAB 63.5, -4.98, 55.99

 

CMYK 9 / 0 / 73 / 32

HEX #9EAD2E

RGB 158 173 46

HSL 67.09, 0.58%, 0.43%

LAB 67.54, -21.42, 59.45

 

CMYK 28 / 0 / 73 / 32

HEX #7CAD2E

RGB 124 173 46

HSL 83.15, 0.58%, 0.43%

LAB 65.25, -35.31, 56.44

 

CMYK 0 / 10 / 74 / 58

HEX #6C611C

RGB 108 97 28

HSL 51.75, 0.59%, 0.27%

LAB 40.93, -4.2, 39

 

CMYK 0 / 10 / 74 / 45

HEX #8C7E25

RGB 140 126 37

HSL 51.84, 0.58%, 0.35%

LAB 52.54, -5.1, 47.76

 

CMYK 0 / 10 / 73 / 32

HEX #AD9C2E

RGB 173 156 46

HSL 51.97, 0.58%, 0.43%

LAB 64.05, -6.06, 56.52

 

CMYK 0 / 9 / 72 / 21

HEX #CAB739

RGB 202 183 57

HSL 52.14, 0.58%, 0.51%

LAB 74.01, -7.05, 62.97

 

CMYK 0 / 8 / 57 / 17

HEX #D3C35A

RGB 211 195 90

HSL 52.07, 0.58%, 0.59%

LAB 78.24, -7.41, 53.78

 

CMYK 0 / 10 / 73 / 32

HEX #AD9C2E

RGB 173 156 46

HSL 51.97, 0.58%, 0.43%

LAB 64.05, -6.06, 56.52

 

CMYK 73 / 0 / 70 / 32

HEX #2EAD34

RGB 46 173 52

HSL 122.83, 0.58%, 0.43%

LAB 62.27, -57.37, 50.15

 

CMYK 40 / 73 / 0 / 32

HEX #672EAD

RGB 103 46 173

HSL 266.93, 0.58%, 0.43%

LAB 33.68, 50.64, -57.95

 

CMYK 0 / 10 / 73 / 32

HEX #AD9C2E

RGB 173 156 46

HSL 51.97, 0.58%, 0.43%

LAB 64.05, -6.06, 56.52

 

CMYK 73 / 0 / 11 / 32

HEX #2EAD9A

RGB 46 173 154

HSL 171.02, 0.58%, 0.43%

LAB 64, -38.28, -0.04

 

CMYK 11 / 73 / 0 / 32

HEX #9A2EAD

RGB 154 46 173

HSL 291.02, 0.58%, 0.43%

LAB 40.96, 60.75, -45.82

 

CMYK 0 / 10 / 73 / 32

HEX #AD9C2E

RGB 173 156 46

HSL 51.97, 0.58%, 0.43%

LAB 64.05, -6.06, 56.52

 

CMYK 73 / 0 / 70 / 32

HEX #2EAD34

RGB 46 173 52

HSL 122.83, 0.58%, 0.43%

LAB 62.27, -57.37, 50.15

 

CMYK 73 / 62 / 0 / 32

HEX #2E41AD

RGB 46 65 173

HSL 231.02, 0.58%, 0.43%

LAB 32.65, 30.65, -59.83

 

CMYK 0 / 73 / 4 / 32

HEX #AD2EA6

RGB 173 46 166

HSL 303.31, 0.58%, 0.43%

LAB 43.64, 63.68, -37.21

 

CMYK 0 / 10 / 73 / 32

HEX #AD9C2E

RGB 173 156 46

HSL 51.97, 0.58%, 0.43%

LAB 64.05, -6.06, 56.52

 

CMYK 73 / 0 / 48 / 32

HEX #2EAD5A

RGB 46 173 90

HSL 140.79, 0.58%, 0.43%

LAB 62.68, -52.46, 32.94

 

CMYK 73 / 62 / 0 / 32

HEX #2E41AD

RGB 46 65 173

HSL 231.02, 0.58%, 0.43%

LAB 32.65, 30.65, -59.83

 

CMYK 0 / 73 / 26 / 32

HEX #AD2E80

RGB 173 46 128

HSL 321.26, 0.58%, 0.43%

LAB 41.84, 58.18, -17.01

 

Description

Color code: HEX #AD9C2E | qconv.com Color code: HEX #AD9C2E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 156 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 156 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 73 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 73% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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