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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD9968 it is the complementary color #526697. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD9968. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD9968 shade: #B29963, #C3AB76, #D4BD89, #E5CF9C and #F6E1AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD9968. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD9968 shade: #AD9968, #9C8755, #8B7542, #7A632F and #69511C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD9968 shade: #AD9867, #AD8667, #AD7367 and #AD6767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD9968 shade: #AD9867, #ADAB67, #9BAD67, #88AD67 and #75AD67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD9968 shade matches the following richer shades: #AD9867, #C0A054, #D3A841, #E6B02E and #F9B81B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD9968 shade: #AD9867, #9A9179, #87898C, #74819F and #6179B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD9968 shade: #AD7267, #AD8567, #AD9867, #ADAB67 and #9CAD67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD9968 shade: #7D6D44, #988452, #AD9867, #BBAB81 and #CABD9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD9968 shade: #AD9968, #6EAD67 and #7C67AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD9968 shade: #AD9968, #67AD98 and #9867AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD9968 shade: #AD9968, #6EAD67, #677CAD and #A667AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD9968 shade: #AD9968, #67AD75, #677CAD and #AD679F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 40 / 32

HEX #AD9968

RGB 173 153 104

HSL 42.61, 0.3%, 0.54%

LAB 63.89, 0.28, 28.46

 

Complementary color

CMYK 46 / 32 / 0 / 41

HEX #526697

RGB 82 102 151

HSL 222.61, 0.3%, 0.46%

LAB 43.55, 6.21, -29.12

 

CMYK 0 / 14 / 44 / 30

HEX #B29963

RGB 178 153 99

HSL 41.01, 0.34%, 0.54%

LAB 64.28, 1.81, 31.75

 

CMYK 0 / 12 / 39 / 24

HEX #C3AB76

RGB 195 171 118

HSL 41.3, 0.39%, 0.61%

LAB 70.9, 1.2, 30.49

 

CMYK 0 / 11 / 35 / 17

HEX #D4BD89

RGB 212 189 137

HSL 41.6, 0.47%, 0.68%

LAB 77.4, 0.68, 29.3

 

CMYK 0 / 10 / 32 / 10

HEX #E5CF9C

RGB 229 207 156

HSL 41.92, 0.58%, 0.75%

LAB 83.8, 0.23, 28.18

 

CMYK 0 / 9 / 29 / 4

HEX #F6E1AF

RGB 246 225 175

HSL 42.25, 0.8%, 0.83%

LAB 90.11, -0.16, 27.12

 

CMYK 0 / 12 / 40 / 32

HEX #AD9968

RGB 173 153 104

HSL 42.61, 0.3%, 0.54%

LAB 63.89, 0.28, 28.46

 

CMYK 0 / 13 / 46 / 39

HEX #9C8755

RGB 156 135 85

HSL 42.25, 0.29%, 0.47%

LAB 57.13, 0.89, 29.75

 

CMYK 0 / 16 / 53 / 45

HEX #8B7542

RGB 139 117 66

HSL 41.92, 0.36%, 0.4%

LAB 50.22, 1.65, 31.12

 

CMYK 0 / 19 / 61 / 52

HEX #7A632F

RGB 122 99 47

HSL 41.6, 0.44%, 0.33%

LAB 43.16, 2.61, 32.53

 

CMYK 0 / 23 / 73 / 59

HEX #69511C

RGB 105 81 28

HSL 41.3, 0.58%, 0.26%

LAB 35.93, 3.87, 33.79

 

CMYK 0 / 12 / 40 / 32

HEX #AD9867

RGB 173 152 103

HSL 42, 0.3%, 0.54%

LAB 63.61, 0.71, 28.63

 

CMYK 0 / 23 / 40 / 32

HEX #AD8667

RGB 173 134 103

HSL 26.57, 0.3%, 0.54%

LAB 58.89, 10.69, 22.41

 

CMYK 0 / 34 / 40 / 32

HEX #AD7367

RGB 173 115 103

HSL 10.29, 0.3%, 0.54%

LAB 54.16, 21.38, 15.99

 

CMYK 0 / 40 / 40 / 32

HEX #AD6767

RGB 173 103 103

HSL 0, 0.3%, 0.54%

LAB 51.34, 28.09, 12.09

 

CMYK 0 / 12 / 40 / 32

HEX #AD9867

RGB 173 152 103

HSL 42, 0.3%, 0.54%

LAB 63.61, 0.71, 28.63

 

CMYK 0 / 1 / 40 / 32

HEX #ADAB67

RGB 173 171 103

HSL 58.29, 0.3%, 0.54%

LAB 68.74, -9.49, 35.23

 

CMYK 10 / 0 / 40 / 32

HEX #9BAD67

RGB 155 173 103

HSL 75.43, 0.3%, 0.54%

LAB 67.9, -17.79, 33.87

 

CMYK 21 / 0 / 40 / 32

HEX #88AD67

RGB 136 173 103

HSL 91.71, 0.3%, 0.54%

LAB 66.6, -25.14, 31.94

 

CMYK 32 / 0 / 40 / 32

HEX #75AD67

RGB 117 173 103

HSL 108, 0.3%, 0.54%

LAB 65.47, -31.99, 30.27

 

CMYK 0 / 12 / 40 / 32

HEX #AD9867

RGB 173 152 103

HSL 42, 0.3%, 0.54%

LAB 63.61, 0.71, 28.63

 

CMYK 0 / 17 / 56 / 25

HEX #C0A054

RGB 192 160 84

HSL 42.22, 0.46%, 0.54%

LAB 67.27, 2.54, 43.51

 

CMYK 0 / 20 / 69 / 17

HEX #D3A841

RGB 211 168 65

HSL 42.33, 0.62%, 0.54%

LAB 71.03, 5.15, 57.05

 

CMYK 0 / 23 / 80 / 10

HEX #E6B02E

RGB 230 176 46

HSL 42.39, 0.79%, 0.54%

LAB 74.87, 8.29, 68.6

 

CMYK 0 / 26 / 89 / 2

HEX #F9B81B

RGB 249 184 27

HSL 42.43, 0.95%, 0.54%

LAB 78.75, 11.76, 77.61

 

CMYK 0 / 12 / 40 / 32

HEX #AD9867

RGB 173 152 103

HSL 42, 0.3%, 0.54%

LAB 63.61, 0.71, 28.63

 

CMYK 0 / 6 / 21 / 40

HEX #9A9179

RGB 154 145 121

HSL 43.64, 0.14%, 0.54%

LAB 60.34, -0.76, 13.95

 

CMYK 4 / 2 / 0 / 45

HEX #87898C

RGB 135 137 140

HSL 216, 0.02%, 0.54%

LAB 57.01, -0.13, -1.87

 

CMYK 27 / 19 / 0 / 38

HEX #74819F

RGB 116 129 159

HSL 221.86, 0.18%, 0.54%

LAB 53.94, 2.3, -17.59

 

CMYK 46 / 32 / 0 / 30

HEX #6179B2

RGB 97 121 178

HSL 222.22, 0.34%, 0.54%

LAB 51.19, 6.82, -32.94

 

CMYK 0 / 34 / 40 / 32

HEX #AD7267

RGB 173 114 103

HSL 9.43, 0.3%, 0.54%

LAB 53.92, 21.94, 15.66

 

CMYK 0 / 23 / 40 / 32

HEX #AD8567

RGB 173 133 103

HSL 25.71, 0.3%, 0.54%

LAB 58.64, 11.25, 22.07

 

CMYK 0 / 12 / 40 / 32

HEX #AD9867

RGB 173 152 103

HSL 42, 0.3%, 0.54%

LAB 63.61, 0.71, 28.63

 

CMYK 0 / 1 / 40 / 32

HEX #ADAB67

RGB 173 171 103

HSL 58.29, 0.3%, 0.54%

LAB 68.74, -9.49, 35.23

 

CMYK 10 / 0 / 40 / 32

HEX #9CAD67

RGB 156 173 103

HSL 74.57, 0.3%, 0.54%

LAB 67.97, -17.4, 33.98

 

CMYK 0 / 13 / 46 / 51

HEX #7D6D44

RGB 125 109 68

HSL 43.16, 0.3%, 0.38%

LAB 46.6, 0.2, 25.17

 

CMYK 0 / 13 / 46 / 40

HEX #988452

RGB 152 132 82

HSL 42.86, 0.3%, 0.46%

LAB 55.87, 0.52, 29.72

 

CMYK 0 / 12 / 40 / 32

HEX #AD9867

RGB 173 152 103

HSL 42, 0.3%, 0.54%

LAB 63.61, 0.71, 28.63

 

CMYK 0 / 9 / 31 / 27

HEX #BBAB81

RGB 187 171 129

HSL 43.45, 0.3%, 0.62%

LAB 70.37, -0.67, 23.76

 

CMYK 0 / 6 / 23 / 21

HEX #CABD9C

RGB 202 189 156

HSL 43.04, 0.3%, 0.7%

LAB 76.89, -0.69, 18.36

 

CMYK 0 / 12 / 40 / 32

HEX #AD9968

RGB 173 153 104

HSL 42.61, 0.3%, 0.54%

LAB 63.89, 0.28, 28.46

 

CMYK 36 / 0 / 40 / 32

HEX #6EAD67

RGB 110 173 103

HSL 114, 0.3%, 0.54%

LAB 65.11, -34.35, 29.72

 

CMYK 28 / 40 / 0 / 32

HEX #7C67AD

RGB 124 103 173

HSL 258, 0.3%, 0.54%

LAB 48.26, 23.85, -34.47

 

CMYK 0 / 12 / 40 / 32

HEX #AD9968

RGB 173 153 104

HSL 42.61, 0.3%, 0.54%

LAB 63.89, 0.28, 28.46

 

CMYK 40 / 0 / 12 / 32

HEX #67AD98

RGB 103 173 152

HSL 162, 0.3%, 0.54%

LAB 65.78, -27.07, 3.88

 

CMYK 12 / 40 / 0 / 32

HEX #9867AD

RGB 152 103 173

HSL 282, 0.3%, 0.54%

LAB 51.14, 32.4, -29.76

 

CMYK 0 / 12 / 40 / 32

HEX #AD9968

RGB 173 153 104

HSL 42.61, 0.3%, 0.54%

LAB 63.89, 0.28, 28.46

 

CMYK 36 / 0 / 40 / 32

HEX #6EAD67

RGB 110 173 103

HSL 114, 0.3%, 0.54%

LAB 65.11, -34.35, 29.72

 

CMYK 40 / 28 / 0 / 32

HEX #677CAD

RGB 103 124 173

HSL 222, 0.3%, 0.54%

LAB 52.19, 5.16, -28.46

 

CMYK 4 / 40 / 0 / 32

HEX #A667AD

RGB 166 103 173

HSL 294, 0.3%, 0.54%

LAB 52.76, 36.8, -27.13

 

CMYK 0 / 12 / 40 / 32

HEX #AD9968

RGB 173 153 104

HSL 42.61, 0.3%, 0.54%

LAB 63.89, 0.28, 28.46

 

CMYK 40 / 0 / 32 / 32

HEX #67AD75

RGB 103 173 117

HSL 132, 0.3%, 0.54%

LAB 65.01, -34.25, 22.04

 

CMYK 40 / 28 / 0 / 32

HEX #677CAD

RGB 103 124 173

HSL 222, 0.3%, 0.54%

LAB 52.19, 5.16, -28.46

 

CMYK 0 / 40 / 8 / 32

HEX #AD679F

RGB 173 103 159

HSL 312, 0.3%, 0.54%

LAB 53.05, 36.43, -18.45

 

Description

Color code: HEX #AD9968 | qconv.com Color code: HEX #AD9968 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 153 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 153 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 40 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 40% 32% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

49% - 社員紹介 | 採用情報 | 丸全昭和運輸...
Link: http://www.maruzenshowa.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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