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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD9258 it is the complementary color #526DA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD9258. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD9258 shade: #B29253, #C3A466, #D4B679, #E5C88C and #F6DA9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD9258. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD9258 shade: #AD9258, #9C8045, #8B6E32, #7A5C1F and #694A0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD9258 shade: #AD9258, #AD7B58, #AD6458 and #AD5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD9258 shade: #AD9258, #ADA858, #9AAD58, #83AD58 and #6CAD58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD9258 shade matches the following richer shades: #AD9258, #C19943, #D5A02F, #E9A81B and #FDAF07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD9258 shade: #AD9258, #988A6C, #848380, #707B94 and #5C74A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD9258 shade: #AD6358, #AD7A58, #AD9058, #ADA758 and #9CAD58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD9258 shade: #77643B, #937B48, #AD9258, #BAA473 and #C8B68F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD9258 shade: #AD9258, #63AD58 and #6E58AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD9258 shade: #AD9258, #58AD90 and #9058AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD9258 shade: #AD9258, #63AD58, #5874AD and #A158AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD9258 shade: #AD9258, #58AD66, #5874AD and #AD589E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 49 / 32

HEX #AD9258

RGB 173 146 88

HSL 40.94, 0.34%, 0.51%

LAB 61.78, 2.4, 34.35

 

Complementary color

CMYK 51 / 35 / 0 / 35

HEX #526DA7

RGB 82 109 167

HSL 220.94, 0.34%, 0.49%

LAB 46.34, 6.93, -34.21

 

CMYK 0 / 18 / 53 / 30

HEX #B29253

RGB 178 146 83

HSL 39.79, 0.38%, 0.51%

LAB 62.21, 4.08, 37.62

 

CMYK 0 / 16 / 48 / 24

HEX #C3A466

RGB 195 164 102

HSL 40, 0.44%, 0.58%

LAB 68.83, 3.26, 36.28

 

CMYK 0 / 14 / 43 / 17

HEX #D4B679

RGB 212 182 121

HSL 40.22, 0.51%, 0.65%

LAB 75.35, 2.57, 34.99

 

CMYK 0 / 13 / 39 / 10

HEX #E5C88C

RGB 229 200 140

HSL 40.45, 0.63%, 0.72%

LAB 81.76, 1.98, 33.77

 

CMYK 0 / 11 / 35 / 4

HEX #F6DA9F

RGB 246 218 159

HSL 40.69, 0.83%, 0.79%

LAB 88.08, 1.46, 32.62

 

CMYK 0 / 16 / 49 / 32

HEX #AD9258

RGB 173 146 88

HSL 40.94, 0.34%, 0.51%

LAB 61.78, 2.4, 34.35

 

CMYK 0 / 18 / 56 / 39

HEX #9C8045

RGB 156 128 69

HSL 40.69, 0.39%, 0.44%

LAB 55.01, 3.26, 35.72

 

CMYK 0 / 21 / 64 / 45

HEX #8B6E32

RGB 139 110 50

HSL 40.45, 0.47%, 0.37%

LAB 48.1, 4.32, 37.08

 

CMYK 0 / 25 / 75 / 52

HEX #7A5C1F

RGB 122 92 31

HSL 40.22, 0.59%, 0.3%

LAB 41.04, 5.66, 38.25

 

CMYK 0 / 30 / 89 / 59

HEX #694A0C

RGB 105 74 12

HSL 40, 0.79%, 0.23%

LAB 33.83, 7.4, 38.64

 

CMYK 0 / 16 / 49 / 32

HEX #AD9258

RGB 173 146 88

HSL 40.94, 0.34%, 0.51%

LAB 61.78, 2.4, 34.35

 

CMYK 0 / 29 / 49 / 32

HEX #AD7B58

RGB 173 123 88

HSL 24.71, 0.34%, 0.51%

LAB 55.84, 15.24, 26.81

 

CMYK 0 / 42 / 49 / 32

HEX #AD6458

RGB 173 100 88

HSL 8.47, 0.34%, 0.51%

LAB 50.34, 28.11, 19.56

 

CMYK 0 / 49 / 49 / 32

HEX #AD5858

RGB 173 88 88

HSL 0, 0.34%, 0.51%

LAB 47.71, 34.62, 16.01

 

CMYK 0 / 16 / 49 / 32

HEX #AD9258

RGB 173 146 88

HSL 40.94, 0.34%, 0.51%

LAB 61.78, 2.4, 34.35

 

CMYK 0 / 3 / 49 / 32

HEX #ADA858

RGB 173 168 88

HSL 56.47, 0.34%, 0.51%

LAB 67.72, -9.45, 41.63

 

CMYK 11 / 0 / 49 / 32

HEX #9AAD58

RGB 154 173 88

HSL 73.41, 0.34%, 0.51%

LAB 67.62, -19.89, 41.16

 

CMYK 24 / 0 / 49 / 32

HEX #83AD58

RGB 131 173 88

HSL 89.65, 0.34%, 0.51%

LAB 66.07, -28.91, 38.91

 

CMYK 38 / 0 / 49 / 32

HEX #6CAD58

RGB 108 173 88

HSL 105.88, 0.34%, 0.51%

LAB 64.79, -37.14, 37.05

 

CMYK 0 / 16 / 49 / 32

HEX #AD9258

RGB 173 146 88

HSL 40.94, 0.34%, 0.51%

LAB 61.78, 2.4, 34.35

 

CMYK 0 / 21 / 65 / 24

HEX #C19943

RGB 193 153 67

HSL 40.95, 0.5%, 0.51%

LAB 65.38, 5.55, 49.59

 

CMYK 0 / 25 / 78 / 16

HEX #D5A02F

RGB 213 160 47

HSL 40.84, 0.66%, 0.51%

LAB 69.11, 9.48, 62.36

 

CMYK 0 / 28 / 88 / 9

HEX #E9A81B

RGB 233 168 27

HSL 41.07, 0.82%, 0.51%

LAB 73.16, 13.32, 72.54

 

CMYK 0 / 31 / 97 / 1

HEX #FDAF07

RGB 253 175 7

HSL 40.98, 0.98%, 0.51%

LAB 77.02, 17.93, 79.47

 

CMYK 0 / 16 / 49 / 32

HEX #AD9258

RGB 173 146 88

HSL 40.94, 0.34%, 0.51%

LAB 61.78, 2.4, 34.35

 

CMYK 0 / 9 / 29 / 40

HEX #988A6C

RGB 152 138 108

HSL 40.91, 0.18%, 0.51%

LAB 57.98, 0.4, 18

 

CMYK 0 / 1 / 3 / 48

HEX #848380

RGB 132 131 128

HSL 45, 0.02%, 0.51%

LAB 54.76, -0.21, 1.74

 

CMYK 24 / 17 / 0 / 42

HEX #707B94

RGB 112 123 148

HSL 221.67, 0.14%, 0.51%

LAB 51.55, 1.75, -14.85

 

CMYK 45 / 31 / 0 / 34

HEX #5C74A8

RGB 92 116 168

HSL 221.05, 0.3%, 0.51%

LAB 49, 5.5, -30.58

 

CMYK 0 / 43 / 49 / 32

HEX #AD6358

RGB 173 99 88

HSL 7.76, 0.34%, 0.51%

LAB 50.11, 28.66, 19.26

 

CMYK 0 / 29 / 49 / 32

HEX #AD7A58

RGB 173 122 88

HSL 24, 0.34%, 0.51%

LAB 55.59, 15.8, 26.49

 

CMYK 0 / 17 / 49 / 32

HEX #AD9058

RGB 173 144 88

HSL 39.53, 0.34%, 0.51%

LAB 61.25, 3.5, 33.69

 

CMYK 0 / 3 / 49 / 32

HEX #ADA758

RGB 173 167 88

HSL 55.76, 0.34%, 0.51%

LAB 67.45, -8.92, 41.3

 

CMYK 10 / 0 / 49 / 32

HEX #9CAD58

RGB 156 173 88

HSL 72, 0.34%, 0.51%

LAB 67.77, -19.08, 41.37

 

CMYK 0 / 16 / 50 / 53

HEX #77643B

RGB 119 100 59

HSL 41, 0.34%, 0.35%

LAB 43.29, 1.76, 25.98

 

CMYK 0 / 16 / 51 / 42

HEX #937B48

RGB 147 123 72

HSL 40.8, 0.34%, 0.43%

LAB 52.77, 2.38, 31.18

 

CMYK 0 / 16 / 49 / 32

HEX #AD9258

RGB 173 146 88

HSL 40.94, 0.34%, 0.51%

LAB 61.78, 2.4, 34.35

 

CMYK 0 / 12 / 38 / 27

HEX #BAA473

RGB 186 164 115

HSL 41.41, 0.34%, 0.59%

LAB 68.19, 0.95, 28.39

 

CMYK 0 / 9 / 29 / 22

HEX #C8B68F

RGB 200 182 143

HSL 41.05, 0.34%, 0.67%

LAB 74.65, 0.43, 22.22

 

CMYK 0 / 16 / 49 / 32

HEX #AD9258

RGB 173 146 88

HSL 40.94, 0.34%, 0.51%

LAB 61.78, 2.4, 34.35

 

CMYK 43 / 0 / 49 / 32

HEX #63AD58

RGB 99 173 88

HSL 112.24, 0.34%, 0.51%

LAB 64.36, -40.07, 36.42

 

CMYK 36 / 49 / 0 / 32

HEX #6E58AD

RGB 110 88 173

HSL 255.53, 0.34%, 0.51%

LAB 43.23, 28.95, -42.52

 

CMYK 0 / 16 / 49 / 32

HEX #AD9258

RGB 173 146 88

HSL 40.94, 0.34%, 0.51%

LAB 61.78, 2.4, 34.35

 

CMYK 49 / 0 / 17 / 32

HEX #58AD90

RGB 88 173 144

HSL 159.53, 0.34%, 0.51%

LAB 64.94, -32.85, 7.03

 

CMYK 17 / 49 / 0 / 32

HEX #9058AD

RGB 144 88 173

HSL 279.53, 0.34%, 0.51%

LAB 46.88, 38.44, -36.51

 

CMYK 0 / 16 / 49 / 32

HEX #AD9258

RGB 173 146 88

HSL 40.94, 0.34%, 0.51%

LAB 61.78, 2.4, 34.35

 

CMYK 43 / 0 / 49 / 32

HEX #63AD58

RGB 99 173 88

HSL 112.24, 0.34%, 0.51%

LAB 64.36, -40.07, 36.42

 

CMYK 49 / 33 / 0 / 32

HEX #5874AD

RGB 88 116 173

HSL 220.24, 0.34%, 0.51%

LAB 48.99, 6.02, -33.53

 

CMYK 7 / 49 / 0 / 32

HEX #A158AD

RGB 161 88 173

HSL 291.53, 0.34%, 0.51%

LAB 48.97, 43.39, -33.07

 

CMYK 0 / 16 / 49 / 32

HEX #AD9258

RGB 173 146 88

HSL 40.94, 0.34%, 0.51%

LAB 61.78, 2.4, 34.35

 

CMYK 49 / 0 / 41 / 32

HEX #58AD66

RGB 88 173 102

HSL 129.88, 0.34%, 0.51%

LAB 64.1, -41.23, 28.74

 

CMYK 49 / 33 / 0 / 32

HEX #5874AD

RGB 88 116 173

HSL 220.24, 0.34%, 0.51%

LAB 48.99, 6.02, -33.53

 

CMYK 0 / 49 / 9 / 32

HEX #AD589E

RGB 173 88 158

HSL 310.59, 0.34%, 0.51%

LAB 49.9, 44.22, -22.69

 

Description

Color code: HEX #AD9258 | qconv.com Color code: HEX #AD9258 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 146 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 146 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 49 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 49% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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