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Color name
HEX #AD901BCE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD901BCE it is the complementary color #526FE4CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD901BCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD901BCE shade: #B29016CE, #C3A229CE, #D4B43CCE, #E5C64FCE and #F6D862CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD901BCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD901BCE shade: #AD901BCE, #9C7E08CE, #8B6C00CE, #7A5A00CE and #694800CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD901BCE shade: #AC8F1B, #AC681B, #AC411B and #AC1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD901BCE shade: #AC8F1B, #A2AC1B, #7BAC1B, #53AC1B and #2CAC1B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD901BCE shade matches the following richer shades: #AC8F1B and #BC990B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD901BCE shade: #AC8F1B, #9C862B, #8C7C3B, #7C724B and #6C685B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD901BCE shade: #AC421B, #AC681B, #AC8F1B, #A2AC1B and #7CAC1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD901BCE shade: #655410, #887115, #AC8F1B, #D0AD20 and #E0BF39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD901BCE shade: #AD901B, #1BAC1B and #551BAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD901BCE shade: #AD901B, #1BAC8F and #8F1BAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD901BCE shade: #AD901B, #1BAC1B, #1B38AC and #AC1BAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD901BCE shade: #AD901B, #1BAC46, #1B38AC and #AC1B80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 68 / 26

HEX #AD901BCE

RGBA 173 144 27 0.81

HSLA 48.08, 0.73%, 0.39%, 0.81

LABA 60.7, -0.29, 59.81, 0.81

 

Complementary color

CMYK 52 / 42 / 0 / 9

HEX #526FE4CE

RGBA 82 111 228 0.81

HSLA 228.08, 0.73%, 0.61%, 0.81

LABA 50.41, 26.08, -62.75, 0.81

 

CMYK 0 / 15 / 71 / 24

HEX #B29016CE

RGBA 178 144 22 0.81

HSLA 46.92, 0.78%, 0.39%, 0.81

LABA 61.19, 1.84, 61.73, 0.81

 

CMYK 0 / 14 / 64 / 19

HEX #C3A229CE

RGBA 195 162 41 0.81

HSLA 47.14, 0.65%, 0.46%, 0.81

LABA 67.73, 0.29, 62.49, 0.81

 

CMYK 0 / 12 / 58 / 14

HEX #D4B43CCE

RGBA 212 180 60 0.81

HSLA 47.37, 0.64%, 0.53%, 0.81

LABA 74.17, -1.02, 62.3, 0.81

 

CMYK 0 / 11 / 53 / 8

HEX #E5C64FCE

RGBA 229 198 79 0.81

HSLA 47.6, 0.74%, 0.6%, 0.81

LABA 80.52, -2.14, 61.6, 0.81

 

CMYK 0 / 10 / 49 / 3

HEX #F6D862CE

RGBA 246 216 98 0.81

HSLA 47.84, 0.89%, 0.67%, 0.81

LABA 86.79, -3.09, 60.63, 0.81

 

CMYK 0 / 14 / 68 / 26

HEX #AD901BCE

RGBA 173 144 27 0.81

HSLA 48.08, 0.73%, 0.39%, 0.81

LABA 60.7, -0.29, 59.81, 0.81

 

CMYK 0 / 16 / 77 / 31

HEX #9C7E08CE

RGBA 156 126 8 0.81

HSLA 47.84, 0.9%, 0.32%, 0.81

LABA 54.03, 1.43, 58.02, 0.81

 

CMYK 0 / 18 / 81 / 37

HEX #8B6C00CE

RGBA 139 108 0 0.81

HSLA 46.62, 1%, 0.27%, 0.81

LABA 47.25, 3.49, 53.89, 0.81

 

CMYK 0 / 21 / 81 / 42

HEX #7A5A00CE

RGBA 122 90 0 0.81

HSLA 44.26, 1%, 0.24%, 0.81

LABA 40.33, 5.81, 48.19, 0.81

 

CMYK 0 / 25 / 81 / 48

HEX #694800CE

RGBA 105 72 0 0.81

HSLA 41.14, 1%, 0.21%, 0.81

LABA 33.22, 8.28, 42.35, 0.81

 

CMYK 0 / 17 / 84 / 33

HEX #AC8F1B

RGB 172 143 27

HSL 48, 0.73%, 0.39%

LAB 60.33, -0.2, 59.46

 

CMYK 0 / 40 / 84 / 33

HEX #AC681B

RGB 172 104 27

HSL 31.86, 0.73%, 0.39%

LAB 50.39, 21.56, 50.95

 

CMYK 0 / 62 / 84 / 33

HEX #AC411B

RGB 172 65 27

HSL 15.72, 0.73%, 0.39%

LAB 42.2, 42.01, 43.74

 

CMYK 0 / 84 / 84 / 33

HEX #AC1B1B

RGB 172 27 27

HSL 0, 0.73%, 0.39%

LAB 37.18, 55.8, 39.19

 

CMYK 0 / 17 / 84 / 33

HEX #AC8F1B

RGB 172 143 27

HSL 48, 0.73%, 0.39%

LAB 60.33, -0.2, 59.46

 

CMYK 6 / 0 / 84 / 33

HEX #A2AC1B

RGB 162 172 27

HSL 64.14, 0.73%, 0.39%

LAB 67.48, -19.94, 65.14

 

CMYK 28 / 0 / 84 / 33

HEX #7BAC1B

RGB 123 172 27

HSL 80.28, 0.73%, 0.39%

LAB 64.8, -36.16, 61.78

 

CMYK 52 / 0 / 84 / 33

HEX #53AC1B

RGB 83 172 27

HSL 96.83, 0.73%, 0.39%

LAB 62.86, -50.07, 59.33

 

CMYK 74 / 0 / 84 / 33

HEX #2CAC1B

RGB 44 172 27

HSL 112.97, 0.73%, 0.39%

LAB 61.76, -59.15, 57.92

 

CMYK 0 / 17 / 84 / 33

HEX #AC8F1B

RGB 172 143 27

HSL 48, 0.73%, 0.39%

LAB 60.33, -0.2, 59.46

 

CMYK 0 / 19 / 94 / 26

HEX #BC990B

RGB 188 153 11

HSL 48.14, 0.89%, 0.39%

LAB 64.56, 1.27, 66.87

 

CMYK 0 / 17 / 84 / 33

HEX #AC8F1B

RGB 172 143 27

HSL 48, 0.73%, 0.39%

LAB 60.33, -0.2, 59.46

 

CMYK 0 / 14 / 72 / 39

HEX #9C862B

RGB 156 134 43

HSL 48.32, 0.57%, 0.39%

LAB 56.38, -1.89, 49.63

 

CMYK 0 / 11 / 58 / 45

HEX #8C7C3B

RGB 140 124 59

HSL 48.15, 0.41%, 0.39%

LAB 52.18, -2.5, 37.18

 

CMYK 0 / 8 / 40 / 51

HEX #7C724B

RGB 124 114 75

HSL 47.76, 0.25%, 0.39%

LAB 48.04, -2.29, 23.03

 

CMYK 0 / 4 / 16 / 58

HEX #6C685B

RGB 108 104 91

HSL 45.88, 0.09%, 0.39%

LAB 44.01, -0.89, 7.89

 

CMYK 0 / 62 / 84 / 33

HEX #AC421B

RGB 172 66 27

HSL 16.14, 0.73%, 0.39%

LAB 42.38, 41.54, 43.9

 

CMYK 0 / 40 / 84 / 33

HEX #AC681B

RGB 172 104 27

HSL 31.86, 0.73%, 0.39%

LAB 50.39, 21.56, 50.95

 

CMYK 0 / 17 / 84 / 33

HEX #AC8F1B

RGB 172 143 27

HSL 48, 0.73%, 0.39%

LAB 60.33, -0.2, 59.46

 

CMYK 6 / 0 / 84 / 33

HEX #A2AC1B

RGB 162 172 27

HSL 64.14, 0.73%, 0.39%

LAB 67.48, -19.94, 65.14

 

CMYK 28 / 0 / 84 / 33

HEX #7CAC1B

RGB 124 172 27

HSL 79.86, 0.73%, 0.39%

LAB 64.86, -35.77, 61.86

 

CMYK 0 / 17 / 84 / 60

HEX #655410

RGB 101 84 16

HSL 48, 0.73%, 0.23%

LAB 36.26, -0.53, 39.15

 

CMYK 0 / 17 / 85 / 47

HEX #887115

RGB 136 113 21

HSL 48, 0.73%, 0.31%

LAB 48.38, -0.33, 49.57

 

CMYK 0 / 17 / 84 / 33

HEX #AC8F1B

RGB 172 143 27

HSL 48, 0.73%, 0.39%

LAB 60.33, -0.2, 59.46

 

CMYK 0 / 17 / 85 / 18

HEX #D0AD20

RGB 208 173 32

HSL 48.07, 0.73%, 0.47%

LAB 71.83, -0.11, 69.18

 

CMYK 0 / 15 / 75 / 12

HEX #E0BF39

RGB 224 191 57

HSL 48.14, 0.73%, 0.55%

LAB 78.11, -1.74, 67.62

 

CMYK 0 / 17 / 84 / 32

HEX #AD901B

RGB 173 144 27

HSL 48.08, 0.73%, 0.39%

LAB 60.7, -0.29, 59.81

 

CMYK 84 / 0 / 84 / 33

HEX #1BAC1B

RGB 27 172 27

HSL 120, 0.73%, 0.39%

LAB 61.5, -61.44, 57.59

 

CMYK 51 / 84 / 0 / 33

HEX #551BAC

RGB 85 27 172

HSL 264, 0.73%, 0.39%

LAB 28.63, 55.55, -65.72

 

CMYK 0 / 17 / 84 / 32

HEX #AD901B

RGB 173 144 27

HSL 48.08, 0.73%, 0.39%

LAB 60.7, -0.29, 59.81

 

CMYK 84 / 0 / 17 / 33

HEX #1BAC8F

RGB 27 172 143

HSL 168, 0.73%, 0.39%

LAB 63.11, -42.8, 4.76

 

CMYK 17 / 84 / 0 / 33

HEX #8F1BAC

RGB 143 27 172

HSL 288, 0.73%, 0.39%

LAB 37.12, 64.24, -51.5

 

CMYK 0 / 17 / 84 / 32

HEX #AD901B

RGB 173 144 27

HSL 48.08, 0.73%, 0.39%

LAB 60.7, -0.29, 59.81

 

CMYK 84 / 0 / 84 / 33

HEX #1BAC1B

RGB 27 172 27

HSL 120, 0.73%, 0.39%

LAB 61.5, -61.44, 57.59

 

CMYK 84 / 67 / 0 / 33

HEX #1B38AC

RGB 27 56 172

HSL 228, 0.73%, 0.39%

LAB 29.51, 34.33, -64.42

 

CMYK 0 / 84 / 0 / 33

HEX #AC1BAC

RGB 172 27 172

HSL 300, 0.73%, 0.39%

LAB 42.05, 69.5, -43.32

 

CMYK 0 / 17 / 84 / 32

HEX #AD901B

RGB 173 144 27

HSL 48.08, 0.73%, 0.39%

LAB 60.7, -0.29, 59.81

 

CMYK 84 / 0 / 59 / 33

HEX #1BAC46

RGB 27 172 70

HSL 137.79, 0.73%, 0.39%

LAB 61.81, -57.54, 41.69

 

CMYK 84 / 67 / 0 / 33

HEX #1B38AC

RGB 27 56 172

HSL 228, 0.73%, 0.39%

LAB 29.51, 34.33, -64.42

 

CMYK 0 / 84 / 26 / 33

HEX #AC1B80

RGB 172 27 128

HSL 318.21, 0.73%, 0.39%

LAB 39.77, 63.32, -20.21

 

Description

Color code: HEX #AD901BCE | qconv.com Color code: HEX #AD901BCE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 144 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 144 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 68 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 68% 26% C M Y K

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Provide designers and agencies with accurate color values.

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