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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD8D2E it is the complementary color #5272D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD8D2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD8D2E shade: #B28D29, #C39F3C, #D4B14F, #E5C362 and #F6D575

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD8D2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD8D2E shade: #AD8D2E, #9C7B1B, #8B6908, #7A5700 and #694500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD8D2E shade: #AD8D2E, #AD6A2E, #AD482E and #AD2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD8D2E shade: #AD8D2E, #AAAD2E, #88AD2E, #66AD2E and #44AD2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD8D2E shade matches the following richer shades: #AD8D2E, #BE951C and #D09E0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD8D2E shade: #AD8D2E, #9B843F, #897B51, #787263 and #666975

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD8D2E shade: #AD472E, #AD692E, #AD8B2E, #ADAD2E and #8BAD2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD8D2E shade: #6C581C, #8C7225, #AD8D2E, #CAA639 and #D3B45A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD8D2E shade: #AD8D2E, #36AD2E and #582EAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD8D2E shade: #AD8D2E, #2EAD8B and #8B2EAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD8D2E shade: #AD8D2E, #36AD2E, #2E4FAD and #A42EAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD8D2E shade: #AD8D2E, #2EAD4B, #2E4FAD and #AD2E8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 73 / 32

HEX #AD8D2E

RGB 173 141 46

HSL 44.88, 0.58%, 0.43%

LAB 60.01, 2.08, 52.57

 

Complementary color

CMYK 61 / 45 / 0 / 18

HEX #5272D1

RGB 82 114 209

HSL 224.88, 0.58%, 0.57%

LAB 50.02, 17.75, -52.64

 

CMYK 0 / 21 / 77 / 30

HEX #B28D29

RGB 178 141 41

HSL 43.8, 0.63%, 0.43%

LAB 60.49, 4.1, 55.18

 

CMYK 0 / 18 / 69 / 24

HEX #C39F3C

RGB 195 159 60

HSL 44, 0.53%, 0.5%

LAB 67.07, 2.76, 54.58

 

CMYK 0 / 17 / 63 / 17

HEX #D4B14F

RGB 212 177 79

HSL 44.21, 0.61%, 0.57%

LAB 73.55, 1.63, 53.59

 

CMYK 0 / 15 / 57 / 10

HEX #E5C362

RGB 229 195 98

HSL 44.43, 0.72%, 0.64%

LAB 79.94, 0.68, 52.43

 

CMYK 0 / 13 / 52 / 4

HEX #F6D575

RGB 246 213 117

HSL 44.65, 0.88%, 0.71%

LAB 86.24, -0.14, 51.22

 

CMYK 0 / 18 / 73 / 32

HEX #AD8D2E

RGB 173 141 46

HSL 44.88, 0.58%, 0.43%

LAB 60.01, 2.08, 52.57

 

CMYK 0 / 21 / 83 / 39

HEX #9C7B1B

RGB 156 123 27

HSL 44.65, 0.7%, 0.36%

LAB 53.29, 3.56, 52.74

 

CMYK 0 / 24 / 94 / 45

HEX #8B6908

RGB 139 105 8

HSL 44.43, 0.89%, 0.29%

LAB 46.46, 5.37, 51.51

 

CMYK 0 / 29 / 100 / 52

HEX #7A5700

RGB 122 87 0

HSL 42.79, 1%, 0.24%

LAB 39.5, 7.59, 47.63

 

CMYK 0 / 34 / 100 / 59

HEX #694500

RGB 105 69 0

HSL 39.43, 1%, 0.21%

LAB 32.39, 10.12, 41.8

 

CMYK 0 / 18 / 73 / 32

HEX #AD8D2E

RGB 173 141 46

HSL 44.88, 0.58%, 0.43%

LAB 60.01, 2.08, 52.57

 

CMYK 0 / 39 / 73 / 32

HEX #AD6A2E

RGB 173 106 46

HSL 28.35, 0.58%, 0.43%

LAB 51.14, 21.64, 43.56

 

CMYK 0 / 58 / 73 / 32

HEX #AD482E

RGB 173 72 46

HSL 12.28, 0.58%, 0.43%

LAB 43.82, 39.75, 35.7

 

CMYK 0 / 73 / 73 / 32

HEX #AD2E2E

RGB 173 46 46

HSL 0, 0.58%, 0.43%

LAB 39.64, 51, 30.98

 

CMYK 0 / 18 / 73 / 32

HEX #AD8D2E

RGB 173 141 46

HSL 44.88, 0.58%, 0.43%

LAB 60.01, 2.08, 52.57

 

CMYK 2 / 0 / 73 / 32

HEX #AAAD2E

RGB 170 173 46

HSL 61.42, 0.58%, 0.43%

LAB 68.48, -16.26, 60.68

 

CMYK 21 / 0 / 73 / 32

HEX #88AD2E

RGB 136 173 46

HSL 77.48, 0.58%, 0.43%

LAB 66, -30.57, 57.42

 

CMYK 41 / 0 / 73 / 32

HEX #66AD2E

RGB 102 173 46

HSL 93.54, 0.58%, 0.43%

LAB 64.09, -43.34, 54.9

 

CMYK 61 / 0 / 73 / 32

HEX #44AD2E

RGB 68 173 46

HSL 109.61, 0.58%, 0.43%

LAB 62.77, -53.36, 53.14

 

CMYK 0 / 18 / 73 / 32

HEX #AD8D2E

RGB 173 141 46

HSL 44.88, 0.58%, 0.43%

LAB 60.01, 2.08, 52.57

 

CMYK 0 / 22 / 85 / 25

HEX #BE951C

RGB 190 149 28

HSL 44.81, 0.74%, 0.43%

LAB 63.78, 4.67, 62.81

 

CMYK 0 / 24 / 95 / 18

HEX #D09E0A

RGB 208 158 10

HSL 44.85, 0.91%, 0.43%

LAB 67.94, 7.5, 70.42

 

CMYK 0 / 18 / 73 / 32

HEX #AD8D2E

RGB 173 141 46

HSL 44.88, 0.58%, 0.43%

LAB 60.01, 2.08, 52.57

 

CMYK 0 / 15 / 59 / 39

HEX #9B843F

RGB 155 132 63

HSL 45, 0.42%, 0.43%

LAB 55.92, 0.07, 39.85

 

CMYK 0 / 10 / 41 / 46

HEX #897B51

RGB 137 123 81

HSL 45, 0.26%, 0.43%

LAB 51.93, -1.02, 24.92

 

CMYK 0 / 5 / 18 / 53

HEX #787263

RGB 120 114 99

HSL 42.86, 0.1%, 0.43%

LAB 48.17, -0.43, 9.15

 

CMYK 13 / 10 / 0 / 54

HEX #666975

RGB 102 105 117

HSL 228, 0.07%, 0.43%

LAB 44.54, 1.5, -7.09

 

CMYK 0 / 59 / 73 / 32

HEX #AD472E

RGB 173 71 46

HSL 11.81, 0.58%, 0.43%

LAB 43.64, 40.24, 35.49

 

CMYK 0 / 39 / 73 / 32

HEX #AD692E

RGB 173 105 46

HSL 27.87, 0.58%, 0.43%

LAB 50.9, 22.2, 43.32

 

CMYK 0 / 20 / 73 / 32

HEX #AD8B2E

RGB 173 139 46

HSL 43.94, 0.58%, 0.43%

LAB 59.48, 3.19, 52.04

 

CMYK 0 / 0 / 73 / 32

HEX #ADAD2E

RGB 173 173 46

HSL 60, 0.58%, 0.43%

LAB 68.73, -14.96, 61

 

CMYK 20 / 0 / 73 / 32

HEX #8BAD2E

RGB 139 173 46

HSL 76.06, 0.58%, 0.43%

LAB 66.19, -29.35, 57.68

 

CMYK 0 / 19 / 74 / 58

HEX #6C581C

RGB 108 88 28

HSL 45, 0.59%, 0.27%

LAB 38.29, 1.12, 36.33

 

CMYK 0 / 19 / 74 / 45

HEX #8C7225

RGB 140 114 37

HSL 44.85, 0.58%, 0.35%

LAB 49.18, 1.67, 44.43

 

CMYK 0 / 18 / 73 / 32

HEX #AD8D2E

RGB 173 141 46

HSL 44.88, 0.58%, 0.43%

LAB 60.01, 2.08, 52.57

 

CMYK 0 / 18 / 72 / 21

HEX #CAA639

RGB 202 166 57

HSL 45.1, 0.58%, 0.51%

LAB 69.56, 1.91, 58.58

 

CMYK 0 / 15 / 57 / 17

HEX #D3B45A

RGB 211 180 90

HSL 44.63, 0.58%, 0.59%

LAB 74.34, 0.41, 49.31

 

CMYK 0 / 18 / 73 / 32

HEX #AD8D2E

RGB 173 141 46

HSL 44.88, 0.58%, 0.43%

LAB 60.01, 2.08, 52.57

 

CMYK 69 / 0 / 73 / 32

HEX #36AD2E

RGB 54 173 46

HSL 116.22, 0.58%, 0.43%

LAB 62.4, -56.44, 52.64

 

CMYK 49 / 73 / 0 / 32

HEX #582EAD

RGB 88 46 173

HSL 259.84, 0.58%, 0.43%

LAB 31.91, 48.06, -60.91

 

CMYK 0 / 18 / 73 / 32

HEX #AD8D2E

RGB 173 141 46

HSL 44.88, 0.58%, 0.43%

LAB 60.01, 2.08, 52.57

 

CMYK 73 / 0 / 20 / 32

HEX #2EAD8B

RGB 46 173 139

HSL 163.94, 0.58%, 0.43%

LAB 63.62, -42.2, 7.75

 

CMYK 20 / 73 / 0 / 32

HEX #8B2EAD

RGB 139 46 173

HSL 283.94, 0.58%, 0.43%

LAB 38.66, 57.62, -49.65

 

CMYK 0 / 18 / 73 / 32

HEX #AD8D2E

RGB 173 141 46

HSL 44.88, 0.58%, 0.43%

LAB 60.01, 2.08, 52.57

 

CMYK 69 / 0 / 73 / 32

HEX #36AD2E

RGB 54 173 46

HSL 116.22, 0.58%, 0.43%

LAB 62.4, -56.44, 52.64

 

CMYK 73 / 54 / 0 / 32

HEX #2E4FAD

RGB 46 79 173

HSL 224.41, 0.58%, 0.43%

LAB 36.35, 21.42, -53.82

 

CMYK 5 / 73 / 0 / 32

HEX #A42EAD

RGB 164 46 173

HSL 295.75, 0.58%, 0.43%

LAB 42.56, 62.88, -43.18

 

CMYK 0 / 18 / 73 / 32

HEX #AD8D2E

RGB 173 141 46

HSL 44.88, 0.58%, 0.43%

LAB 60.01, 2.08, 52.57

 

CMYK 73 / 0 / 57 / 32

HEX #2EAD4B

RGB 46 173 75

HSL 133.7, 0.58%, 0.43%

LAB 62.49, -54.73, 40.18

 

CMYK 73 / 54 / 0 / 32

HEX #2E4FAD

RGB 46 79 173

HSL 224.41, 0.58%, 0.43%

LAB 36.35, 21.42, -53.82

 

CMYK 0 / 73 / 17 / 32

HEX #AD2E8F

RGB 173 46 143

HSL 314.17, 0.58%, 0.43%

LAB 42.49, 60.21, -25.17

 

Description

Color code: HEX #AD8D2E | qconv.com Color code: HEX #AD8D2E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 141 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 141 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 73 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 73% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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