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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD8C45 it is the complementary color #5273BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD8C45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD8C45 shade: #B28C40, #C39E53, #D4B066, #E5C279 and #F6D48C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD8C45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD8C45 shade: #AD8C45, #9C7A32, #8B681F, #7A560C and #694400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD8C45 shade: #AB8B44, #AB6F44, #AB5344 and #AB4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD8C45 shade: #AB8B44, #ABA644, #95AB44, #79AB44 and #5DAB44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD8C45 shade matches the following richer shades: #AB8B44, #BF9231, #D2991E and #E6A00A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD8C45 shade: #AB8B44, #988458, #857D6B, #71757E and #5E6E92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD8C45 shade: #AB5244, #AB6E44, #AB8944, #ABA544 and #97AB44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD8C45 shade: #705B2D, #8E7339, #AB8B44, #BE9E5B and #C9B079

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD8C45 shade: #AD8C45, #52AB44 and #6044AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD8C45 shade: #AD8C45, #44AB89 and #8944AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD8C45 shade: #AD8C45, #52AB44, #4467AB and #9E44AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD8C45 shade: #AD8C45, #44AB55, #4467AB and #AB449A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 60 / 32

HEX #AD8C45

RGB 173 140 69

HSL 40.96, 0.43%, 0.47%

LAB 59.95, 4.06, 41.97

 

Complementary color

CMYK 56 / 38 / 0 / 27

HEX #5273BA

RGB 82 115 186

HSL 220.96, 0.43%, 0.53%

LAB 49.01, 9.42, -41.05

 

CMYK 0 / 21 / 64 / 30

HEX #B28C40

RGB 178 140 64

HSL 40, 0.47%, 0.47%

LAB 60.42, 5.91, 45.1

 

CMYK 0 / 19 / 57 / 24

HEX #C39E53

RGB 195 158 83

HSL 40.18, 0.48%, 0.55%

LAB 67.04, 4.83, 43.81

 

CMYK 0 / 17 / 52 / 17

HEX #D4B066

RGB 212 176 102

HSL 40.36, 0.56%, 0.62%

LAB 73.55, 3.92, 42.49

 

CMYK 0 / 15 / 47 / 10

HEX #E5C279

RGB 229 194 121

HSL 40.56, 0.68%, 0.69%

LAB 79.97, 3.15, 41.19

 

CMYK 0 / 14 / 43 / 4

HEX #F6D48C

RGB 246 212 140

HSL 40.75, 0.85%, 0.76%

LAB 86.29, 2.48, 39.95

 

CMYK 0 / 19 / 60 / 32

HEX #AD8C45

RGB 173 140 69

HSL 40.96, 0.43%, 0.47%

LAB 59.95, 4.06, 41.97

 

CMYK 0 / 22 / 68 / 39

HEX #9C7A32

RGB 156 122 50

HSL 40.75, 0.51%, 0.4%

LAB 53.19, 5.23, 43.21

 

CMYK 0 / 25 / 78 / 45

HEX #8B681F

RGB 139 104 31

HSL 40.56, 0.64%, 0.33%

LAB 46.3, 6.67, 44.12

 

CMYK 0 / 30 / 90 / 52

HEX #7A560C

RGB 122 86 12

HSL 40.36, 0.82%, 0.26%

LAB 39.28, 8.47, 44.03

 

CMYK 0 / 35 / 100 / 59

HEX #694400

RGB 105 68 0

HSL 38.86, 1%, 0.21%

LAB 32.12, 10.73, 41.62

 

CMYK 0 / 19 / 60 / 33

HEX #AB8B44

RGB 171 139 68

HSL 41.36, 0.43%, 0.47%

LAB 59.47, 3.66, 41.86

 

CMYK 0 / 35 / 60 / 33

HEX #AB6F44

RGB 171 111 68

HSL 25.05, 0.43%, 0.47%

LAB 52.34, 19.37, 33.45

 

CMYK 0 / 51 / 60 / 33

HEX #AB5344

RGB 171 83 68

HSL 8.74, 0.43%, 0.47%

LAB 45.99, 34.74, 25.59

 

CMYK 0 / 60 / 60 / 33

HEX #AB4444

RGB 171 68 68

HSL 0, 0.43%, 0.47%

LAB 43.08, 42.28, 21.85

 

CMYK 0 / 19 / 60 / 33

HEX #AB8B44

RGB 171 139 68

HSL 41.36, 0.43%, 0.47%

LAB 59.47, 3.66, 41.86

 

CMYK 0 / 3 / 60 / 33

HEX #ABA644

RGB 171 166 68

HSL 57.09, 0.43%, 0.47%

LAB 66.78, -10.91, 50.08

 

CMYK 13 / 0 / 60 / 33

HEX #95AB44

RGB 149 171 68

HSL 72.82, 0.43%, 0.47%

LAB 66.47, -22.77, 49.24

 

CMYK 29 / 0 / 60 / 33

HEX #79AB44

RGB 121 171 68

HSL 89.13, 0.43%, 0.47%

LAB 64.65, -33.85, 46.71

 

CMYK 46 / 0 / 60 / 33

HEX #5DAB44

RGB 93 171 68

HSL 105.44, 0.43%, 0.47%

LAB 63.24, -43.54, 44.72

 

CMYK 0 / 19 / 60 / 33

HEX #AB8B44

RGB 171 139 68

HSL 41.36, 0.43%, 0.47%

LAB 59.47, 3.66, 41.86

 

CMYK 0 / 24 / 74 / 25

HEX #BF9231

RGB 191 146 49

HSL 40.99, 0.59%, 0.47%

LAB 63.22, 7.51, 55.15

 

CMYK 0 / 27 / 86 / 18

HEX #D2991E

RGB 210 153 30

HSL 41, 0.75%, 0.47%

LAB 66.96, 11.42, 65.78

 

CMYK 0 / 30 / 96 / 10

HEX #E6A00A

RGB 230 160 10

HSL 40.91, 0.92%, 0.47%

LAB 70.86, 16.04, 73.63

 

CMYK 0 / 19 / 60 / 33

HEX #AB8B44

RGB 171 139 68

HSL 41.36, 0.43%, 0.47%

LAB 59.47, 3.66, 41.86

 

CMYK 0 / 13 / 42 / 40

HEX #988458

RGB 152 132 88

HSL 41.25, 0.27%, 0.47%

LAB 55.97, 1.19, 26.54

 

CMYK 0 / 6 / 20 / 48

HEX #857D6B

RGB 133 125 107

HSL 41.54, 0.11%, 0.47%

LAB 52.64, -0.15, 10.92

 

CMYK 10 / 7 / 0 / 51

HEX #71757E

RGB 113 117 126

HSL 221.54, 0.05%, 0.47%

LAB 49.18, 0.42, -5.46

 

CMYK 36 / 25 / 0 / 43

HEX #5E6E92

RGB 94 110 146

HSL 221.54, 0.22%, 0.47%

LAB 46.45, 3.27, -21.58

 

CMYK 0 / 52 / 60 / 33

HEX #AB5244

RGB 171 82 68

HSL 8.16, 0.43%, 0.47%

LAB 45.78, 35.26, 25.33

 

CMYK 0 / 36 / 60 / 33

HEX #AB6E44

RGB 171 110 68

HSL 24.47, 0.43%, 0.47%

LAB 52.09, 19.93, 33.15

 

CMYK 0 / 20 / 60 / 33

HEX #AB8944

RGB 171 137 68

HSL 40.19, 0.43%, 0.47%

LAB 58.94, 4.77, 41.25

 

CMYK 0 / 4 / 60 / 33

HEX #ABA544

RGB 171 165 68

HSL 56.5, 0.43%, 0.47%

LAB 66.51, -10.39, 49.78

 

CMYK 12 / 0 / 60 / 33

HEX #97AB44

RGB 151 171 68

HSL 71.65, 0.43%, 0.47%

LAB 66.61, -21.95, 49.44

 

CMYK 0 / 19 / 60 / 56

HEX #705B2D

RGB 112 91 45

HSL 41.19, 0.43%, 0.31%

LAB 39.78, 2.49, 29.38

 

CMYK 0 / 19 / 60 / 44

HEX #8E7339

RGB 142 115 57

HSL 40.94, 0.43%, 0.39%

LAB 49.87, 3.35, 35.58

 

CMYK 0 / 19 / 60 / 33

HEX #AB8B44

RGB 171 139 68

HSL 41.36, 0.43%, 0.47%

LAB 59.47, 3.66, 41.86

 

CMYK 0 / 17 / 52 / 25

HEX #BE9E5B

RGB 190 158 91

HSL 40.61, 0.43%, 0.55%

LAB 66.64, 3.37, 39.16

 

CMYK 0 / 12 / 40 / 21

HEX #C9B079

RGB 201 176 121

HSL 41.25, 0.43%, 0.63%

LAB 72.79, 1.3, 31.48

 

CMYK 0 / 19 / 60 / 32

HEX #AD8C45

RGB 173 140 69

HSL 40.96, 0.43%, 0.47%

LAB 59.95, 4.06, 41.97

 

CMYK 52 / 0 / 60 / 33

HEX #52AB44

RGB 82 171 68

HSL 111.84, 0.43%, 0.47%

LAB 62.79, -46.82, 44.1

 

CMYK 44 / 60 / 0 / 33

HEX #6044AB

RGB 96 68 171

HSL 256.31, 0.43%, 0.47%

LAB 37.04, 36.93, -51.33

 

CMYK 0 / 19 / 60 / 32

HEX #AD8C45

RGB 173 140 69

HSL 40.96, 0.43%, 0.47%

LAB 59.95, 4.06, 41.97

 

CMYK 60 / 0 / 20 / 33

HEX #44AB89

RGB 68 171 137

HSL 160.19, 0.43%, 0.47%

LAB 63.48, -38.09, 8.73

 

CMYK 20 / 60 / 0 / 33

HEX #8944AB

RGB 137 68 171

HSL 280.19, 0.43%, 0.47%

LAB 41.83, 46.79, -43.38

 

CMYK 0 / 19 / 60 / 32

HEX #AD8C45

RGB 173 140 69

HSL 40.96, 0.43%, 0.47%

LAB 59.95, 4.06, 41.97

 

CMYK 52 / 0 / 60 / 33

HEX #52AB44

RGB 82 171 68

HSL 111.84, 0.43%, 0.47%

LAB 62.79, -46.82, 44.1

 

CMYK 60 / 40 / 0 / 33

HEX #4467AB

RGB 68 103 171

HSL 219.61, 0.43%, 0.47%

LAB 44.05, 8.87, -40.23

 

CMYK 8 / 60 / 0 / 33

HEX #9E44AB

RGB 158 68 171

HSL 292.43, 0.43%, 0.47%

LAB 44.72, 52.17, -38.62

 

CMYK 0 / 19 / 60 / 32

HEX #AD8C45

RGB 173 140 69

HSL 40.96, 0.43%, 0.47%

LAB 59.95, 4.06, 41.97

 

CMYK 60 / 0 / 50 / 33

HEX #44AB55

RGB 68 171 85

HSL 129.9, 0.43%, 0.47%

LAB 62.52, -48.22, 35.4

 

CMYK 60 / 40 / 0 / 33

HEX #4467AB

RGB 68 103 171

HSL 219.61, 0.43%, 0.47%

LAB 44.05, 8.87, -40.23

 

CMYK 0 / 60 / 10 / 33

HEX #AB449A

RGB 171 68 154

HSL 309.9, 0.43%, 0.47%

LAB 45.81, 52.65, -26.67

 

Description

Color code: HEX #AD8C45 | qconv.com Color code: HEX #AD8C45 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 140 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 140 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 60 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 60% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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