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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD8BDF it is the complementary color #527420. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD8BDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD8BDF shade: #B28BDA, #C39DED, #D4AFFF, #E5C1FF and #F6D3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD8BDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD8BDF shade: #AD8BDF, #9C79CC, #8B67B9, #7A55A6 and #694393

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD8BDF shade: #AD8BDF, #C48BDF, #DA8BDF, #DF8BCD and #DF8BB6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD8BDF shade: #AD8BDF, #968BDF and #8B8BDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD8BDF shade matches the following richer shades: #AD8BDF, #AB7FEB and #A873F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD8BDF shade: #AD8BDF, #AF97D3, #B2A3C7, #B4AFBB and #B6BBAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD8BDF shade: #8B96DF, #968BDF, #AD8BDF, #C38BDF and #DA8BDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD8BDF shade: #7F4ACD, #966BD6, #AD8BDF, #C4ABE8 and #DBCCF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD8BDF shade: #AD8BDF, #DF8BAD and #8BDF8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD8BDF shade: #AD8BDF, #DFAD8B and #8BDFAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD8BDF shade: #AD8BDF, #DF8BAD, #BDDF8B and #8BDFBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD8BDF shade: #AD8BDF, #DF8B93, #BDDF8B and #8BDFD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 38 / 0 / 13

HEX #AD8BDF

RGB 173 139 223

HSL 264.29, 0.57%, 0.71%

LAB 63.9, 29.63, -38.1

 

Complementary color

CMYK 29 / 0 / 72 / 55

HEX #527420

RGB 82 116 32

HSL 84.29, 0.57%, 0.29%

LAB 44.79, -26.08, 40.51

 

CMYK 18 / 36 / 0 / 15

HEX #B28BDA

RGB 178 139 218

HSL 269.62, 0.52%, 0.7%

LAB 64.15, 29.97, -34.89

 

CMYK 18 / 34 / 0 / 7

HEX #C39DED

RGB 195 157 237

HSL 268.5, 0.69%, 0.77%

LAB 70.75, 29.28, -34.99

 

CMYK 17 / 31 / 0 / 0

HEX #D4AFFF

RGB 212 175 255

HSL 267.75, 1%, 0.84%

LAB 77.21, 28.43, -34.63

 

CMYK 10 / 24 / 0 / 0

HEX #E5C1FF

RGB 229 193 255

HSL 274.84, 1%, 0.88%

LAB 82.92, 23.92, -25.72

 

CMYK 4 / 17 / 0 / 0

HEX #F6D3FF

RGB 246 211 255

HSL 287.73, 1%, 0.91%

LAB 88.64, 19.77, -16.93

 

CMYK 22 / 38 / 0 / 13

HEX #AD8BDF

RGB 173 139 223

HSL 264.29, 0.57%, 0.71%

LAB 63.9, 29.63, -38.1

 

CMYK 24 / 41 / 0 / 20

HEX #9C79CC

RGB 156 121 204

HSL 265.3, 0.45%, 0.64%

LAB 57.17, 30.41, -38.09

 

CMYK 25 / 44 / 0 / 27

HEX #8B67B9

RGB 139 103 185

HSL 266.34, 0.37%, 0.56%

LAB 50.33, 31.26, -38.1

 

CMYK 27 / 49 / 0 / 35

HEX #7A55A6

RGB 122 85 166

HSL 267.41, 0.32%, 0.49%

LAB 43.34, 32.18, -38.13

 

CMYK 29 / 54 / 0 / 42

HEX #694393

RGB 105 67 147

HSL 268.5, 0.37%, 0.42%

LAB 36.22, 33.17, -38.16

 

CMYK 22 / 38 / 0 / 13

HEX #AD8BDF

RGB 173 139 223

HSL 264.29, 0.57%, 0.71%

LAB 63.9, 29.63, -38.1

 

CMYK 12 / 38 / 0 / 13

HEX #C48BDF

RGB 196 139 223

HSL 280.71, 0.57%, 0.71%

LAB 66.16, 36.48, -34.41

 

CMYK 2 / 38 / 0 / 13

HEX #DA8BDF

RGB 218 139 223

HSL 296.43, 0.57%, 0.71%

LAB 68.53, 43.17, -30.55

 

CMYK 0 / 38 / 8 / 13

HEX #DF8BCD

RGB 223 139 205

HSL 312.86, 0.57%, 0.71%

LAB 68.43, 41.53, -20.67

 

CMYK 0 / 38 / 18 / 13

HEX #DF8BB6

RGB 223 139 182

HSL 329.29, 0.57%, 0.71%

LAB 67.67, 37.81, -8.96

 

CMYK 22 / 38 / 0 / 13

HEX #AD8BDF

RGB 173 139 223

HSL 264.29, 0.57%, 0.71%

LAB 63.9, 29.63, -38.1

 

CMYK 33 / 38 / 0 / 13

HEX #968BDF

RGB 150 139 223

HSL 247.86, 0.57%, 0.71%

LAB 61.89, 23.08, -41.39

 

CMYK 38 / 38 / 0 / 13

HEX #8B8BDF

RGB 139 139 223

HSL 240, 0.57%, 0.71%

LAB 61.03, 20.1, -42.8

 

CMYK 22 / 38 / 0 / 13

HEX #AD8BDF

RGB 173 139 223

HSL 264.29, 0.57%, 0.71%

LAB 63.9, 29.63, -38.1

 

CMYK 27 / 46 / 0 / 8

HEX #AB7FEB

RGB 171 127 235

HSL 264.44, 0.73%, 0.71%

LAB 61.51, 38.65, -48.53

 

CMYK 32 / 53 / 0 / 3

HEX #A873F7

RGB 168 115 247

HSL 264.09, 0.89%, 0.71%

LAB 59.25, 47.4, -58.79

 

CMYK 22 / 38 / 0 / 13

HEX #AD8BDF

RGB 173 139 223

HSL 264.29, 0.57%, 0.71%

LAB 63.9, 29.63, -38.1

 

CMYK 17 / 28 / 0 / 17

HEX #AF97D3

RGB 175 151 211

HSL 264, 0.41%, 0.71%

LAB 66.48, 20.73, -27.42

 

CMYK 11 / 18 / 0 / 22

HEX #B2A3C7

RGB 178 163 199

HSL 265, 0.24%, 0.71%

LAB 69.31, 12.39, -16.43

 

CMYK 4 / 6 / 0 / 27

HEX #B4AFBB

RGB 180 175 187

HSL 265, 0.08%, 0.71%

LAB 72.2, 4.05, -5.49

 

CMYK 3 / 0 / 6 / 27

HEX #B6BBAF

RGB 182 187 175

HSL 85, 0.08%, 0.71%

LAB 75.19, -3.94, 5.46

 

CMYK 38 / 33 / 0 / 13

HEX #8B96DF

RGB 139 150 223

HSL 232.14, 0.57%, 0.71%

LAB 63.86, 13.73, -38.37

 

CMYK 33 / 38 / 0 / 13

HEX #968BDF

RGB 150 139 223

HSL 247.86, 0.57%, 0.71%

LAB 61.89, 23.08, -41.39

 

CMYK 22 / 38 / 0 / 13

HEX #AD8BDF

RGB 173 139 223

HSL 264.29, 0.57%, 0.71%

LAB 63.9, 29.63, -38.1

 

CMYK 13 / 38 / 0 / 13

HEX #C38BDF

RGB 195 139 223

HSL 280, 0.57%, 0.71%

LAB 66.06, 36.18, -34.58

 

CMYK 2 / 38 / 0 / 13

HEX #DA8BDF

RGB 218 139 223

HSL 296.43, 0.57%, 0.71%

LAB 68.53, 43.17, -30.55

 

CMYK 38 / 64 / 0 / 20

HEX #7F4ACD

RGB 127 74 205

HSL 264.27, 0.57%, 0.55%

LAB 43.97, 49.53, -59.89

 

CMYK 30 / 50 / 0 / 16

HEX #966BD6

RGB 150 107 214

HSL 264.11, 0.57%, 0.63%

LAB 53.87, 39.16, -49.01

 

CMYK 22 / 38 / 0 / 13

HEX #AD8BDF

RGB 173 139 223

HSL 264.29, 0.57%, 0.71%

LAB 63.9, 29.63, -38.1

 

CMYK 16 / 26 / 0 / 9

HEX #C4ABE8

RGB 196 171 232

HSL 264.59, 0.57%, 0.79%

LAB 73.99, 20.77, -27.27

 

CMYK 9 / 15 / 0 / 5

HEX #DBCCF1

RGB 219 204 241

HSL 264.32, 0.57%, 0.87%

LAB 84.28, 12.06, -16.31

 

CMYK 22 / 38 / 0 / 13

HEX #AD8BDF

RGB 173 139 223

HSL 264.29, 0.57%, 0.71%

LAB 63.9, 29.63, -38.1

 

CMYK 0 / 38 / 22 / 13

HEX #DF8BAD

RGB 223 139 173

HSL 335.71, 0.57%, 0.71%

LAB 67.4, 36.46, -4.31

 

CMYK 38 / 0 / 38 / 13

HEX #8BDF8B

RGB 139 223 139

HSL 120, 0.57%, 0.71%

LAB 81.91, -42.1, 33.34

 

CMYK 22 / 38 / 0 / 13

HEX #AD8BDF

RGB 173 139 223

HSL 264.29, 0.57%, 0.71%

LAB 63.9, 29.63, -38.1

 

CMYK 0 / 22 / 38 / 13

HEX #DFAD8B

RGB 223 173 139

HSL 24.29, 0.57%, 0.71%

LAB 74.47, 13.77, 24.49

 

CMYK 38 / 0 / 22 / 13

HEX #8BDFAD

RGB 139 223 173

HSL 144.29, 0.57%, 0.71%

LAB 82.53, -36.22, 16.6

 

CMYK 22 / 38 / 0 / 13

HEX #AD8BDF

RGB 173 139 223

HSL 264.29, 0.57%, 0.71%

LAB 63.9, 29.63, -38.1

 

CMYK 0 / 38 / 22 / 13

HEX #DF8BAD

RGB 223 139 173

HSL 335.71, 0.57%, 0.71%

LAB 67.4, 36.46, -4.31

 

CMYK 15 / 0 / 38 / 13

HEX #BDDF8B

RGB 189 223 139

HSL 84.29, 0.57%, 0.71%

LAB 84.72, -25.11, 37.55

 

CMYK 38 / 0 / 15 / 13

HEX #8BDFBD

RGB 139 223 189

HSL 155.71, 0.57%, 0.71%

LAB 82.88, -33.02, 8.67

 

CMYK 22 / 38 / 0 / 13

HEX #AD8BDF

RGB 173 139 223

HSL 264.29, 0.57%, 0.71%

LAB 63.9, 29.63, -38.1

 

CMYK 0 / 38 / 34 / 13

HEX #DF8B93

RGB 223 139 147

HSL 354.29, 0.57%, 0.71%

LAB 66.72, 32.95, 9.32

 

CMYK 15 / 0 / 38 / 13

HEX #BDDF8B

RGB 189 223 139

HSL 84.29, 0.57%, 0.71%

LAB 84.72, -25.11, 37.55

 

CMYK 38 / 0 / 4 / 13

HEX #8BDFD7

RGB 139 223 215

HSL 174.29, 0.57%, 0.71%

LAB 83.53, -27.28, -4.14

 

Description

Color code: HEX #AD8BDF | qconv.com Color code: HEX #AD8BDF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 139 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 139 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 38 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 38% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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