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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD8A53 it is the complementary color #5275AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD8A53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD8A53 shade: #B28A4E, #C39C61, #D4AE74, #E5C087 and #F6D29A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD8A53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD8A53 shade: #AD8A53, #9C7840, #8B662D, #7A541A and #694207

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD8A53 shade: #AC8953, #AC7153, #AC5953 and #AC5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD8A53 shade: #AC8953, #ACA153, #9FAC53, #87AC53 and #6FAC53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD8A53 shade matches the following richer shades: #AC8953, #C18E3E, #D5932A, #EA9715 and #FF9C00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD8A53 shade: #AC8953, #978568, #83807C, #6E7C91 and #5A77A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD8A53 shade: #AC5953, #AC7153, #AC8853, #ACA053 and #A0AC53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD8A53 shade: #745D38, #907345, #AC8953, #BA9C6F and #C7AF8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD8A53 shade: #AD8A53, #65AC53 and #6553AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD8A53 shade: #AD8A53, #53AC88 and #8853AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD8A53 shade: #AD8A53, #65AC53, #5377AC and #9A53AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD8A53 shade: #AD8A53, #53AC5C, #5377AC and #AC53A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 52 / 32

HEX #AD8A53

RGB 173 138 83

HSL 36.67, 0.35%, 0.5%

LAB 59.6, 6.35, 34.31

 

Complementary color

CMYK 52 / 32 / 0 / 33

HEX #5275AC

RGB 82 117 172

HSL 216.67, 0.35%, 0.5%

LAB 48.88, 3.65, -33.14

 

CMYK 0 / 22 / 56 / 30

HEX #B28A4E

RGB 178 138 78

HSL 36, 0.39%, 0.5%

LAB 60.06, 8.07, 37.63

 

CMYK 0 / 20 / 50 / 24

HEX #C39C61

RGB 195 156 97

HSL 36.12, 0.45%, 0.57%

LAB 66.7, 7.12, 36.23

 

CMYK 0 / 18 / 45 / 17

HEX #D4AE74

RGB 212 174 116

HSL 36.25, 0.53%, 0.64%

LAB 73.24, 6.31, 34.89

 

CMYK 0 / 16 / 41 / 10

HEX #E5C087

RGB 229 192 135

HSL 36.38, 0.64%, 0.71%

LAB 79.67, 5.62, 33.63

 

CMYK 0 / 15 / 37 / 4

HEX #F6D29A

RGB 246 210 154

HSL 36.52, 0.84%, 0.78%

LAB 86.02, 5.01, 32.44

 

CMYK 0 / 20 / 52 / 32

HEX #AD8A53

RGB 173 138 83

HSL 36.67, 0.35%, 0.5%

LAB 59.6, 6.35, 34.31

 

CMYK 0 / 23 / 59 / 39

HEX #9C7840

RGB 156 120 64

HSL 36.52, 0.42%, 0.43%

LAB 52.81, 7.37, 35.74

 

CMYK 0 / 27 / 68 / 45

HEX #8B662D

RGB 139 102 45

HSL 36.38, 0.51%, 0.36%

LAB 45.88, 8.61, 37.16

 

CMYK 0 / 31 / 79 / 52

HEX #7A541A

RGB 122 84 26

HSL 36.25, 0.65%, 0.29%

LAB 38.82, 10.18, 38.32

 

CMYK 0 / 37 / 93 / 59

HEX #694207

RGB 105 66 7

HSL 36.12, 0.88%, 0.22%

LAB 31.61, 12.17, 38.54

 

CMYK 0 / 20 / 52 / 33

HEX #AC8953

RGB 172 137 83

HSL 36.4, 0.35%, 0.5%

LAB 59.24, 6.48, 33.83

 

CMYK 0 / 34 / 52 / 33

HEX #AC7153

RGB 172 113 83

HSL 20.22, 0.35%, 0.5%

LAB 53.17, 19.96, 26.15

 

CMYK 0 / 48 / 52 / 33

HEX #AC5953

RGB 172 89 83

HSL 4.04, 0.35%, 0.5%

LAB 47.68, 33.22, 18.93

 

CMYK 0 / 52 / 52 / 33

HEX #AC5353

RGB 172 83 83

HSL 0, 0.35%, 0.5%

LAB 46.42, 36.39, 17.24

 

CMYK 0 / 20 / 52 / 33

HEX #AC8953

RGB 172 137 83

HSL 36.4, 0.35%, 0.5%

LAB 59.24, 6.48, 33.83

 

CMYK 0 / 6 / 52 / 33

HEX #ACA153

RGB 172 161 83

HSL 52.58, 0.35%, 0.5%

LAB 65.66, -6.63, 41.64

 

CMYK 8 / 0 / 52 / 33

HEX #9FAC53

RGB 159 172 83

HSL 68.76, 0.35%, 0.5%

LAB 67.65, -17.83, 43.74

 

CMYK 22 / 0 / 52 / 33

HEX #87AC53

RGB 135 172 83

HSL 84.94, 0.35%, 0.5%

LAB 65.97, -27.46, 41.33

 

CMYK 35 / 0 / 52 / 33

HEX #6FAC53

RGB 111 172 83

HSL 101.12, 0.35%, 0.5%

LAB 64.57, -36.3, 39.32

 

CMYK 0 / 20 / 52 / 33

HEX #AC8953

RGB 172 137 83

HSL 36.4, 0.35%, 0.5%

LAB 59.24, 6.48, 33.83

 

CMYK 0 / 26 / 68 / 24

HEX #C18E3E

RGB 193 142 62

HSL 36.64, 0.51%, 0.5%

LAB 62.53, 11.25, 48.83

 

CMYK 0 / 31 / 80 / 16

HEX #D5932A

RGB 213 147 42

HSL 36.84, 0.67%, 0.5%

LAB 65.89, 16.31, 61.21

 

CMYK 0 / 35 / 91 / 8

HEX #EA9715

RGB 234 151 21

HSL 36.62, 0.84%, 0.5%

LAB 69.24, 22.67, 70.9

 

CMYK 0 / 39 / 100 / 0

HEX #FF9C00

RGB 255 156 0

HSL 36.71, 1%, 0.5%

LAB 72.92, 28.62, 77.65

HEX #FF9C00

CMYK 0 / 20 / 52 / 33

HEX #AC8953

RGB 172 137 83

HSL 36.4, 0.35%, 0.5%

LAB 59.24, 6.48, 33.83

 

CMYK 0 / 12 / 31 / 41

HEX #978568

RGB 151 133 104

HSL 37.02, 0.18%, 0.5%

LAB 56.44, 2.24, 18.16

 

CMYK 0 / 2 / 5 / 49

HEX #83807C

RGB 131 128 124

HSL 34.29, 0.03%, 0.5%

LAB 53.73, 0.36, 2.56

 

CMYK 24 / 14 / 0 / 43

HEX #6E7C91

RGB 110 124 145

HSL 216, 0.14%, 0.5%

LAB 51.58, -0.24, -13.07

 

CMYK 45 / 28 / 0 / 35

HEX #5A77A5

RGB 90 119 165

HSL 216.8, 0.29%, 0.5%

LAB 49.6, 2.27, -27.91

 

CMYK 0 / 48 / 52 / 33

HEX #AC5953

RGB 172 89 83

HSL 4.04, 0.35%, 0.5%

LAB 47.68, 33.22, 18.93

 

CMYK 0 / 34 / 52 / 33

HEX #AC7153

RGB 172 113 83

HSL 20.22, 0.35%, 0.5%

LAB 53.17, 19.96, 26.15

 

CMYK 0 / 21 / 52 / 33

HEX #AC8853

RGB 172 136 83

HSL 35.73, 0.35%, 0.5%

LAB 58.98, 7.03, 33.51

 

CMYK 0 / 7 / 52 / 33

HEX #ACA053

RGB 172 160 83

HSL 51.91, 0.35%, 0.5%

LAB 65.39, -6.09, 41.32

 

CMYK 7 / 0 / 52 / 33

HEX #A0AC53

RGB 160 172 83

HSL 68.09, 0.35%, 0.5%

LAB 67.73, -17.42, 43.85

 

CMYK 0 / 20 / 52 / 55

HEX #745D38

RGB 116 93 56

HSL 37, 0.35%, 0.34%

LAB 40.94, 4.22, 24.69

 

CMYK 0 / 20 / 52 / 44

HEX #907345

RGB 144 115 69

HSL 36.8, 0.35%, 0.42%

LAB 50.24, 5.32, 29.62

 

CMYK 0 / 20 / 52 / 33

HEX #AC8953

RGB 172 137 83

HSL 36.4, 0.35%, 0.5%

LAB 59.24, 6.48, 33.83

 

CMYK 0 / 16 / 40 / 27

HEX #BA9C6F

RGB 186 156 111

HSL 36, 0.35%, 0.58%

LAB 66.03, 4.83, 27.71

 

CMYK 0 / 12 / 30 / 22

HEX #C7AF8B

RGB 199 175 139

HSL 36, 0.35%, 0.66%

LAB 72.67, 3.24, 21.66

 

CMYK 0 / 20 / 52 / 32

HEX #AD8A53

RGB 173 138 83

HSL 36.67, 0.35%, 0.5%

LAB 59.6, 6.35, 34.31

 

CMYK 41 / 0 / 52 / 33

HEX #65AC53

RGB 101 172 83

HSL 107.87, 0.35%, 0.5%

LAB 64.08, -39.66, 38.6

 

CMYK 41 / 52 / 0 / 33

HEX #6553AC

RGB 101 83 172

HSL 252.13, 0.35%, 0.5%

LAB 41.11, 29.39, -45.37

 

CMYK 0 / 20 / 52 / 32

HEX #AD8A53

RGB 173 138 83

HSL 36.67, 0.35%, 0.5%

LAB 59.6, 6.35, 34.31

 

CMYK 52 / 0 / 21 / 33

HEX #53AC88

RGB 83 172 136

HSL 155.73, 0.35%, 0.5%

LAB 64.26, -35.44, 10.46

 

CMYK 21 / 52 / 0 / 33

HEX #8853AC

RGB 136 83 172

HSL 275.73, 0.35%, 0.5%

LAB 44.8, 38.72, -39.26

 

CMYK 0 / 20 / 52 / 32

HEX #AD8A53

RGB 173 138 83

HSL 36.67, 0.35%, 0.5%

LAB 59.6, 6.35, 34.31

 

CMYK 41 / 0 / 52 / 33

HEX #65AC53

RGB 101 172 83

HSL 107.87, 0.35%, 0.5%

LAB 64.08, -39.66, 38.6

 

CMYK 52 / 31 / 0 / 33

HEX #5377AC

RGB 83 119 172

HSL 215.73, 0.35%, 0.5%

LAB 49.51, 2.68, -32.15

 

CMYK 10 / 52 / 0 / 33

HEX #9A53AC

RGB 154 83 172

HSL 287.87, 0.35%, 0.5%

LAB 47.02, 43.8, -35.61

 

CMYK 0 / 20 / 52 / 32

HEX #AD8A53

RGB 173 138 83

HSL 36.67, 0.35%, 0.5%

LAB 59.6, 6.35, 34.31

 

CMYK 52 / 0 / 47 / 33

HEX #53AC5C

RGB 83 172 92

HSL 126.07, 0.35%, 0.5%

LAB 63.44, -43.77, 33.08

 

CMYK 52 / 31 / 0 / 33

HEX #5377AC

RGB 83 119 172

HSL 215.73, 0.35%, 0.5%

LAB 49.51, 2.68, -32.15

 

CMYK 0 / 52 / 5 / 33

HEX #AC53A3

RGB 172 83 163

HSL 306.07, 0.35%, 0.5%

LAB 49.01, 47.32, -27.03

 

Description

Color code: HEX #AD8A53 | qconv.com Color code: HEX #AD8A53 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 138 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 138 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 52 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 52% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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