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Color name
HEX #AD87113F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD87113F it is the complementary color #5278EE3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD87113F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD87113F shade: #B2870C3F, #C3991F3F, #D4AB323F, #E5BD453F and #F6CF583F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD87113F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD87113F shade: #AD87113F, #9C75003F, #8B63003F, #7A51003F and #693F003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD87113F shade: #AC8611, #AC5C11, #AC3311 and #AC1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD87113F shade: #AC8611, #A8AC11, #7EAC11, #54AC11 and #2BAC11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD87113F shade matches the following richer shades: #AC8611 and #BB8E02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD87113F shade: #AC8611, #9C7E20, #8D7630, #7E6F3F and #6F674E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD87113F shade: #AC3311, #AC5C11, #AC8511, #A9AC11 and #80AC11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD87113F shade: #614B0A, #86690D, #AC8611, #D1A315 and #EABA26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD87113F shade: #AD8711, #19AC11 and #4711AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD87113F shade: #AD8711, #11AC85 and #8511AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD87113F shade: #AD8711, #19AC11, #1138AC and #A411AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD87113F shade: #AD8711, #11AC38, #1138AC and #AC1185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 23 / 8

HEX #AD87113F

RGBA 173 135 17 0.25

HSLA 45.38, 0.82%, 0.37%, 0.25

LABA 58.28, 4.41, 60.34, 0.25

 

Complementary color

CMYK 16 / 12 / 0 / 2

HEX #5278EE3F

RGBA 82 120 238 0.25

HSLA 225.38, 0.82%, 0.63%, 0.25

LABA 53.38, 23.95, -63.56, 0.25

 

CMYK 0 / 6 / 23 / 8

HEX #B2870C3F

RGBA 178 135 12 0.25

HSLA 44.46, 0.87%, 0.37%, 0.25

LABA 58.81, 6.61, 61.96, 0.25

 

CMYK 0 / 5 / 21 / 6

HEX #C3991F3F

RGBA 195 153 31 0.25

HSLA 44.63, 0.73%, 0.44%, 0.25

LABA 65.34, 4.81, 63.5, 0.25

 

CMYK 0 / 5 / 19 / 4

HEX #D4AB323F

RGBA 212 171 50 0.25

HSLA 44.81, 0.65%, 0.51%, 0.25

LABA 71.79, 3.29, 63.75, 0.25

 

CMYK 0 / 4 / 17 / 3

HEX #E5BD453F

RGBA 229 189 69 0.25

HSLA 45, 0.75%, 0.58%, 0.25

LABA 78.16, 1.99, 63.27, 0.25

 

CMYK 0 / 4 / 16 / 1

HEX #F6CF583F

RGBA 246 207 88 0.25

HSLA 45.19, 0.9%, 0.65%, 0.25

LABA 84.44, 0.87, 62.42, 0.25

 

CMYK 0 / 5 / 23 / 8

HEX #AD87113F

RGBA 173 135 17 0.25

HSLA 45.38, 0.82%, 0.37%, 0.25

LABA 58.28, 4.41, 60.34, 0.25

 

CMYK 0 / 6 / 25 / 10

HEX #9C75003F

RGBA 156 117 0 0.25

HSLA 45, 1%, 0.31%, 0.25

LABA 51.6, 6.37, 57.79, 0.25

 

CMYK 0 / 7 / 25 / 11

HEX #8B63003F

RGBA 139 99 0 0.25

HSLA 42.73, 1%, 0.27%, 0.25

LABA 44.82, 8.71, 52.22, 0.25

 

CMYK 0 / 8 / 25 / 13

HEX #7A51003F

RGBA 122 81 0 0.25

HSLA 39.84, 1%, 0.24%, 0.25

LABA 37.88, 11.18, 46.54, 0.25

 

CMYK 0 / 10 / 25 / 15

HEX #693F003F

RGBA 105 63 0 0.25

HSLA 36, 1%, 0.21%, 0.25

LABA 30.78, 13.8, 40.69, 0.25

 

CMYK 0 / 22 / 90 / 33

HEX #AC8611

RGB 172 134 17

HSL 45.29, 0.82%, 0.37%

LAB 57.91, 4.51, 60

 

CMYK 0 / 47 / 90 / 33

HEX #AC5C11

RGB 172 92 17

HSL 29.03, 0.82%, 0.37%

LAB 47.58, 27.94, 51.99

 

CMYK 0 / 70 / 90 / 33

HEX #AC3311

RGB 172 51 17

HSL 13.16, 0.82%, 0.37%

LAB 39.88, 47.85, 46.13

 

CMYK 0 / 90 / 90 / 33

HEX #AC1111

RGB 172 17 17

HSL 0, 0.82%, 0.37%

LAB 36.39, 57.63, 43.52

 

CMYK 0 / 22 / 90 / 33

HEX #AC8611

RGB 172 134 17

HSL 45.29, 0.82%, 0.37%

LAB 57.91, 4.51, 60

 

CMYK 2 / 0 / 90 / 33

HEX #A8AC11

RGB 168 172 17

HSL 61.55, 0.82%, 0.37%

LAB 67.92, -17.56, 67.73

 

CMYK 27 / 0 / 90 / 33

HEX #7EAC11

RGB 126 172 17

HSL 77.81, 0.82%, 0.37%

LAB 64.95, -35.28, 64.08

 

CMYK 51 / 0 / 90 / 33

HEX #54AC11

RGB 84 172 17

HSL 94.06, 0.82%, 0.37%

LAB 62.87, -50.14, 61.51

 

CMYK 75 / 0 / 90 / 33

HEX #2BAC11

RGB 43 172 17

HSL 109.94, 0.82%, 0.37%

LAB 61.71, -59.72, 60.06

 

CMYK 0 / 22 / 90 / 33

HEX #AC8611

RGB 172 134 17

HSL 45.29, 0.82%, 0.37%

LAB 57.91, 4.51, 60

 

CMYK 0 / 24 / 99 / 27

HEX #BB8E02

RGB 187 142 2

HSL 45.41, 0.98%, 0.37%

LAB 61.58, 6.7, 65.96

 

CMYK 0 / 22 / 90 / 33

HEX #AC8611

RGB 172 134 17

HSL 45.29, 0.82%, 0.37%

LAB 57.91, 4.51, 60

 

CMYK 0 / 19 / 79 / 39

HEX #9C7E20

RGB 156 126 32

HSL 45.48, 0.66%, 0.37%

LAB 54.13, 2.06, 51.75

 

CMYK 0 / 16 / 66 / 45

HEX #8D7630

RGB 141 118 48

HSL 45.16, 0.49%, 0.37%

LAB 50.49, 0.51, 40.78

 

CMYK 0 / 12 / 50 / 51

HEX #7E6F3F

RGB 126 111 63

HSL 45.71, 0.33%, 0.37%

LAB 47.19, -1.05, 28.74

 

CMYK 0 / 7 / 30 / 56

HEX #6F674E

RGB 111 103 78

HSL 45.45, 0.17%, 0.37%

LAB 43.7, -1.16, 15.28

 

CMYK 0 / 70 / 90 / 33

HEX #AC3311

RGB 172 51 17

HSL 13.16, 0.82%, 0.37%

LAB 39.88, 47.85, 46.13

 

CMYK 0 / 47 / 90 / 33

HEX #AC5C11

RGB 172 92 17

HSL 29.03, 0.82%, 0.37%

LAB 47.58, 27.94, 51.99

 

CMYK 0 / 23 / 90 / 33

HEX #AC8511

RGB 172 133 17

HSL 44.9, 0.82%, 0.37%

LAB 57.64, 5.07, 59.8

 

CMYK 2 / 0 / 90 / 33

HEX #A9AC11

RGB 169 172 17

HSL 61.16, 0.82%, 0.37%

LAB 68.01, -17.13, 67.83

 

CMYK 26 / 0 / 90 / 33

HEX #80AC11

RGB 128 172 17

HSL 77.03, 0.82%, 0.37%

LAB 65.07, -34.48, 64.23

 

CMYK 0 / 23 / 90 / 62

HEX #614B0A

RGB 97 75 10

HSL 44.83, 0.81%, 0.21%

LAB 33.13, 2.72, 38.32

 

CMYK 0 / 22 / 90 / 47

HEX #86690D

RGB 134 105 13

HSL 45.62, 0.82%, 0.29%

LAB 45.91, 3.09, 49.69

 

CMYK 0 / 22 / 90 / 33

HEX #AC8611

RGB 172 134 17

HSL 45.29, 0.82%, 0.37%

LAB 57.91, 4.51, 60

 

CMYK 0 / 22 / 90 / 18

HEX #D1A315

RGB 209 163 21

HSL 45.32, 0.82%, 0.45%

LAB 69.33, 5.41, 69.73

 

CMYK 0 / 21 / 84 / 8

HEX #EABA26

RGB 234 186 38

HSL 45.31, 0.82%, 0.53%

LAB 77.73, 4.52, 73.57

 

CMYK 0 / 22 / 90 / 32

HEX #AD8711

RGB 173 135 17

HSL 45.38, 0.82%, 0.37%

LAB 58.28, 4.41, 60.34

 

CMYK 85 / 0 / 90 / 33

HEX #19AC11

RGB 25 172 17

HSL 116.9, 0.82%, 0.37%

LAB 61.44, -62.07, 59.72

 

CMYK 59 / 90 / 0 / 33

HEX #4711AC

RGB 71 17 172

HSL 260.9, 0.82%, 0.37%

LAB 25.92, 57.27, -70.25

 

CMYK 0 / 22 / 90 / 32

HEX #AD8711

RGB 173 135 17

HSL 45.38, 0.82%, 0.37%

LAB 58.28, 4.41, 60.34

 

CMYK 90 / 0 / 23 / 33

HEX #11AC85

RGB 17 172 133

HSL 164.9, 0.82%, 0.37%

LAB 62.77, -46.08, 9.82

 

CMYK 23 / 90 / 0 / 33

HEX #8511AC

RGB 133 17 172

HSL 284.9, 0.82%, 0.37%

LAB 34.73, 64.79, -55.45

 

CMYK 0 / 22 / 90 / 32

HEX #AD8711

RGB 173 135 17

HSL 45.38, 0.82%, 0.37%

LAB 58.28, 4.41, 60.34

 

CMYK 85 / 0 / 90 / 33

HEX #19AC11

RGB 25 172 17

HSL 116.9, 0.82%, 0.37%

LAB 61.44, -62.07, 59.72

 

CMYK 90 / 67 / 0 / 33

HEX #1138AC

RGB 17 56 172

HSL 224.9, 0.82%, 0.37%

LAB 29.23, 33.73, -64.9

 

CMYK 5 / 90 / 0 / 33

HEX #A411AC

RGB 164 17 172

HSL 296.9, 0.82%, 0.37%

LAB 40.03, 69.85, -46.62

 

CMYK 0 / 22 / 90 / 32

HEX #AD8711

RGB 173 135 17

HSL 45.38, 0.82%, 0.37%

LAB 58.28, 4.41, 60.34

 

CMYK 90 / 0 / 67 / 33

HEX #11AC38

RGB 17 172 56

HSL 135.1, 0.82%, 0.37%

LAB 61.58, -60.05, 47.65

 

CMYK 90 / 67 / 0 / 33

HEX #1138AC

RGB 17 56 172

HSL 224.9, 0.82%, 0.37%

LAB 29.23, 33.73, -64.9

 

CMYK 0 / 90 / 23 / 33

HEX #AC1185

RGB 172 17 133

HSL 315.1, 0.82%, 0.37%

LAB 39.35, 65.82, -23.95

 

Description

Color code: HEX #AD87113F | qconv.com Color code: HEX #AD87113F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 135 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 135 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 23 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 23% 8% C M Y K

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