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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD853A it is the complementary color #527AC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD853A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD853A shade: #B28535, #C39748, #D4A95B, #E5BB6E and #F6CD81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD853A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD853A shade: #AD853A, #9C7327, #8B6114, #7A4F01 and #693D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD853A shade: #AC8439, #AC6539, #AC4639 and #AC3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD853A shade: #AC8439, #ACA339, #96AC39, #77AC39 and #58AC39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD853A shade matches the following richer shades: #AC8439, #BF8A27, #D19014 and #E49502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD853A shade: #AC8439, #9A7F4C, #87795F, #747371 and #626E84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD853A shade: #AC4739, #AC6539, #AC8439, #ACA339 and #97AC39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD853A shade: #6E5525, #8D6C2F, #AC8439, #C39A4C and #CEAB6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD853A shade: #AD853A, #4BAC39 and #5639AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD853A shade: #AD853A, #39AC84 and #8439AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD853A shade: #AD853A, #4BAC39, #3962AC and #9B39AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD853A shade: #AD853A, #39AC4B, #3962AC and #AC399B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 66 / 32

HEX #AD853A

RGB 173 133 58

HSL 39.13, 0.5%, 0.45%

LAB 58, 7.19, 45.16

 

Complementary color

CMYK 58 / 38 / 0 / 23

HEX #527AC5

RGB 82 122 197

HSL 219.13, 0.5%, 0.55%

LAB 51.55, 8.79, -43.35

 

CMYK 0 / 25 / 70 / 30

HEX #B28535

RGB 178 133 53

HSL 38.4, 0.54%, 0.45%

LAB 58.51, 9.11, 48.19

 

CMYK 0 / 23 / 63 / 24

HEX #C39748

RGB 195 151 72

HSL 38.54, 0.51%, 0.52%

LAB 65.12, 7.83, 47

 

CMYK 0 / 20 / 57 / 17

HEX #D4A95B

RGB 212 169 91

HSL 38.68, 0.58%, 0.59%

LAB 71.64, 6.75, 45.69

 

CMYK 0 / 18 / 52 / 10

HEX #E5BB6E

RGB 229 187 110

HSL 38.82, 0.7%, 0.66%

LAB 78.07, 5.82, 44.37

 

CMYK 0 / 17 / 48 / 4

HEX #F6CD81

RGB 246 205 129

HSL 38.97, 0.87%, 0.74%

LAB 84.4, 5.02, 43.08

 

CMYK 0 / 23 / 66 / 32

HEX #AD853A

RGB 173 133 58

HSL 39.13, 0.5%, 0.45%

LAB 58, 7.19, 45.16

 

CMYK 0 / 26 / 75 / 39

HEX #9C7327

RGB 156 115 39

HSL 38.97, 0.6%, 0.38%

LAB 51.24, 8.59, 46.2

 

CMYK 0 / 30 / 86 / 45

HEX #8B6114

RGB 139 97 20

HSL 38.82, 0.75%, 0.31%

LAB 44.36, 10.32, 46.56

 

CMYK 0 / 35 / 99 / 52

HEX #7A4F01

RGB 122 79 1

HSL 38.68, 0.98%, 0.24%

LAB 37.36, 12.4, 45.86

 

CMYK 0 / 42 / 100 / 59

HEX #693D00

RGB 105 61 0

HSL 34.86, 1%, 0.21%

LAB 30.26, 15.03, 40.31

 

CMYK 0 / 23 / 67 / 33

HEX #AC8439

RGB 172 132 57

HSL 39.13, 0.5%, 0.45%

LAB 57.63, 7.24, 45.19

 

CMYK 0 / 41 / 67 / 33

HEX #AC6539

RGB 172 101 57

HSL 22.96, 0.5%, 0.45%

LAB 49.95, 24.62, 36.61

 

CMYK 0 / 59 / 67 / 33

HEX #AC4639

RGB 172 70 57

HSL 6.78, 0.5%, 0.45%

LAB 43.43, 40.95, 28.91

 

CMYK 0 / 67 / 67 / 33

HEX #AC3939

RGB 172 57 57

HSL 0, 0.5%, 0.45%

LAB 41.2, 46.88, 26.19

 

CMYK 0 / 23 / 67 / 33

HEX #AC8439

RGB 172 132 57

HSL 39.13, 0.5%, 0.45%

LAB 57.63, 7.24, 45.19

 

CMYK 0 / 5 / 67 / 33

HEX #ACA339

RGB 172 163 57

HSL 55.3, 0.5%, 0.45%

LAB 65.95, -9.62, 54.01

 

CMYK 13 / 0 / 67 / 33

HEX #96AC39

RGB 150 172 57

HSL 71.48, 0.5%, 0.45%

LAB 66.74, -23.66, 54.27

 

CMYK 31 / 0 / 67 / 33

HEX #77AC39

RGB 119 172 57

HSL 87.65, 0.5%, 0.45%

LAB 64.74, -36, 51.57

 

CMYK 49 / 0 / 67 / 33

HEX #58AC39

RGB 88 172 57

HSL 103.83, 0.5%, 0.45%

LAB 63.24, -46.58, 49.52

 

CMYK 0 / 23 / 67 / 33

HEX #AC8439

RGB 172 132 57

HSL 39.13, 0.5%, 0.45%

LAB 57.63, 7.24, 45.19

 

CMYK 0 / 28 / 80 / 25

HEX #BF8A27

RGB 191 138 39

HSL 39.08, 0.66%, 0.45%

LAB 61.13, 11.48, 57.04

 

CMYK 0 / 31 / 90 / 18

HEX #D19014

RGB 209 144 20

HSL 39.37, 0.83%, 0.45%

LAB 64.61, 15.64, 66.32

 

CMYK 0 / 35 / 99 / 11

HEX #E49502

RGB 228 149 2

HSL 39.03, 0.98%, 0.45%

LAB 68.02, 20.97, 72.58

 

CMYK 0 / 23 / 67 / 33

HEX #AC8439

RGB 172 132 57

HSL 39.13, 0.5%, 0.45%

LAB 57.63, 7.24, 45.19

 

CMYK 0 / 18 / 51 / 40

HEX #9A7F4C

RGB 154 127 76

HSL 39.23, 0.34%, 0.45%

LAB 54.63, 3.59, 31.47

 

CMYK 0 / 10 / 30 / 47

HEX #87795F

RGB 135 121 95

HSL 39, 0.17%, 0.45%

LAB 51.44, 1.12, 16.25

 

CMYK 0 / 1 / 3 / 55

HEX #747371

RGB 116 115 113

HSL 40, 0.01%, 0.45%

LAB 48.47, -0.01, 1.23

 

CMYK 26 / 17 / 0 / 48

HEX #626E84

RGB 98 110 132

HSL 218.82, 0.15%, 0.45%

LAB 46.2, 0.77, -13.62

 

CMYK 0 / 59 / 67 / 33

HEX #AC4739

RGB 172 71 57

HSL 7.3, 0.5%, 0.45%

LAB 43.61, 40.47, 29.14

 

CMYK 0 / 41 / 67 / 33

HEX #AC6539

RGB 172 101 57

HSL 22.96, 0.5%, 0.45%

LAB 49.95, 24.62, 36.61

 

CMYK 0 / 23 / 67 / 33

HEX #AC8439

RGB 172 132 57

HSL 39.13, 0.5%, 0.45%

LAB 57.63, 7.24, 45.19

 

CMYK 0 / 5 / 67 / 33

HEX #ACA339

RGB 172 163 57

HSL 55.3, 0.5%, 0.45%

LAB 65.95, -9.62, 54.01

 

CMYK 12 / 0 / 67 / 33

HEX #97AC39

RGB 151 172 57

HSL 70.96, 0.5%, 0.45%

LAB 66.81, -23.24, 54.37

 

CMYK 0 / 23 / 66 / 57

HEX #6E5525

RGB 110 85 37

HSL 39.45, 0.5%, 0.29%

LAB 37.74, 4.49, 31.32

 

CMYK 0 / 23 / 67 / 45

HEX #8D6C2F

RGB 141 108 47

HSL 38.94, 0.5%, 0.37%

LAB 47.74, 6.18, 38.27

 

CMYK 0 / 23 / 67 / 33

HEX #AC8439

RGB 172 132 57

HSL 39.13, 0.5%, 0.45%

LAB 57.63, 7.24, 45.19

 

CMYK 0 / 21 / 61 / 24

HEX #C39A4C

RGB 195 154 76

HSL 39.33, 0.5%, 0.53%

LAB 65.93, 6.47, 45.98

 

CMYK 0 / 17 / 48 / 19

HEX #CEAB6B

RGB 206 171 107

HSL 38.79, 0.5%, 0.61%

LAB 71.76, 4.56, 37.59

 

CMYK 0 / 23 / 66 / 32

HEX #AD853A

RGB 173 133 58

HSL 39.13, 0.5%, 0.45%

LAB 58, 7.19, 45.16

 

CMYK 56 / 0 / 67 / 33

HEX #4BAC39

RGB 75 172 57

HSL 110.61, 0.5%, 0.45%

LAB 62.76, -50.26, 48.85

 

CMYK 50 / 67 / 0 / 33

HEX #5639AC

RGB 86 57 172

HSL 255.13, 0.5%, 0.45%

LAB 33.74, 41.54, -57.34

 

CMYK 0 / 23 / 66 / 32

HEX #AD853A

RGB 173 133 58

HSL 39.13, 0.5%, 0.45%

LAB 58, 7.19, 45.16

 

CMYK 67 / 0 / 23 / 33

HEX #39AC84

RGB 57 172 132

HSL 159.13, 0.5%, 0.45%

LAB 63.38, -41.78, 11.32

 

CMYK 23 / 67 / 0 / 33

HEX #8439AC

RGB 132 57 172

HSL 279.13, 0.5%, 0.45%

LAB 39.26, 51.19, -48.14

 

CMYK 0 / 23 / 66 / 32

HEX #AD853A

RGB 173 133 58

HSL 39.13, 0.5%, 0.45%

LAB 58, 7.19, 45.16

 

CMYK 56 / 0 / 67 / 33

HEX #4BAC39

RGB 75 172 57

HSL 110.61, 0.5%, 0.45%

LAB 62.76, -50.26, 48.85

 

CMYK 67 / 43 / 0 / 33

HEX #3962AC

RGB 57 98 172

HSL 218.61, 0.5%, 0.45%

LAB 42.13, 10.33, -43.9

 

CMYK 10 / 67 / 0 / 33

HEX #9B39AC

RGB 155 57 172

HSL 291.13, 0.5%, 0.45%

LAB 42.57, 56.5, -42.65

 

CMYK 0 / 23 / 66 / 32

HEX #AD853A

RGB 173 133 58

HSL 39.13, 0.5%, 0.45%

LAB 58, 7.19, 45.16

 

CMYK 67 / 0 / 56 / 33

HEX #39AC4B

RGB 57 172 75

HSL 129.39, 0.5%, 0.45%

LAB 62.41, -52.39, 40.15

 

CMYK 67 / 43 / 0 / 33

HEX #3962AC

RGB 57 98 172

HSL 218.61, 0.5%, 0.45%

LAB 42.13, 10.33, -43.9

 

CMYK 0 / 67 / 10 / 33

HEX #AC399B

RGB 172 57 155

HSL 308.87, 0.5%, 0.45%

LAB 44.32, 57.73, -29.57

 

Description

Color code: HEX #AD853A | qconv.com Color code: HEX #AD853A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 133 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 133 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 66 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 66% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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