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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD84A2 it is the complementary color #527B5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD84A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD84A2 shade: #B2849D, #C396B0, #D4A8C3, #E5BAD6 and #F6CCE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD84A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD84A2 shade: #AD84A2, #9C728F, #8B607C, #7A4E69 and #693C56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD84A2 shade: #AD85A2, #AD8597, #AD858C and #AD8585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD84A2 shade: #AD85A2, #AD85AD, #A285AD, #9785AD and #8C85AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD84A2 shade matches the following richer shades: #AD85A2, #BE74AA, #CE64B2, #DF53B9 and #EF43C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD84A2 shade: #AD85A2, #9D959B, #8CA693, #7CB68C and #6BC784

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD84A2 shade: #A385AD, #AD85AD, #AD85A3, #AD8598 and #AD858D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD84A2 shade: #86597A, #9D6C90, #AD85A2, #BE9DB5 and #CEB6C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD84A2 shade: #AD84A2, #AD9885 and #85ADA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD84A2 shade: #AD84A2, #A3AD85 and #85A3AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD84A2 shade: #AD84A2, #AD9885, #85AD8F and #859AAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD84A2 shade: #AD84A2, #ADA485, #85AD8F and #858EAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 6 / 32

HEX #AD84A2

RGB 173 132 162

HSL 316.1, 0.2%, 0.6%

LAB 59.88, 20.77, -9.85

 

Complementary color

CMYK 33 / 0 / 24 / 52

HEX #527B5D

RGB 82 123 93

HSL 136.1, 0.2%, 0.4%

LAB 47.94, -21.09, 11.95

 

CMYK 0 / 26 / 12 / 30

HEX #B2849D

RGB 178 132 157

HSL 327.39, 0.23%, 0.61%

LAB 60.25, 21.68, -6.39

 

CMYK 0 / 23 / 10 / 24

HEX #C396B0

RGB 195 150 176

HSL 325.33, 0.27%, 0.68%

LAB 66.94, 21.06, -7.03

 

CMYK 0 / 21 / 8 / 17

HEX #D4A8C3

RGB 212 168 195

HSL 323.18, 0.34%, 0.75%

LAB 73.51, 20.5, -7.62

 

CMYK 0 / 19 / 7 / 10

HEX #E5BAD6

RGB 229 186 214

HSL 320.93, 0.45%, 0.81%

LAB 79.97, 19.98, -8.19

 

CMYK 0 / 17 / 5 / 4

HEX #F6CCE9

RGB 246 204 233

HSL 318.57, 0.7%, 0.88%

LAB 86.34, 19.51, -8.74

 

CMYK 0 / 24 / 6 / 32

HEX #AD84A2

RGB 173 132 162

HSL 316.1, 0.2%, 0.6%

LAB 59.88, 20.77, -9.85

 

CMYK 0 / 27 / 8 / 39

HEX #9C728F

RGB 156 114 143

HSL 318.57, 0.18%, 0.53%

LAB 53.04, 21.41, -9.28

 

CMYK 0 / 31 / 11 / 45

HEX #8B607C

RGB 139 96 124

HSL 320.93, 0.18%, 0.46%

LAB 46.06, 22.12, -8.65

 

CMYK 0 / 36 / 14 / 52

HEX #7A4E69

RGB 122 78 105

HSL 323.18, 0.22%, 0.39%

LAB 38.91, 22.91, -7.95

 

CMYK 0 / 43 / 18 / 59

HEX #693C56

RGB 105 60 86

HSL 325.33, 0.27%, 0.32%

LAB 31.59, 23.77, -7.13

 

CMYK 0 / 23 / 6 / 32

HEX #AD85A2

RGB 173 133 162

HSL 316.5, 0.2%, 0.6%

LAB 60.13, 20.21, -9.48

 

CMYK 0 / 23 / 13 / 32

HEX #AD8597

RGB 173 133 151

HSL 333, 0.2%, 0.6%

LAB 59.79, 18.25, -3.69

 

CMYK 0 / 23 / 19 / 32

HEX #AD858C

RGB 173 133 140

HSL 349.5, 0.2%, 0.6%

LAB 59.48, 16.41, 2.16

 

CMYK 0 / 23 / 23 / 32

HEX #AD8585

RGB 173 133 133

HSL 0, 0.2%, 0.6%

LAB 59.3, 15.32, 5.91

 

CMYK 0 / 23 / 6 / 32

HEX #AD85A2

RGB 173 133 162

HSL 316.5, 0.2%, 0.6%

LAB 60.13, 20.21, -9.48

 

CMYK 0 / 23 / 0 / 32

HEX #AD85AD

RGB 173 133 173

HSL 300, 0.2%, 0.6%

LAB 60.49, 22.28, -15.21

 

CMYK 6 / 23 / 0 / 32

HEX #A285AD

RGB 162 133 173

HSL 283.5, 0.2%, 0.6%

LAB 59.41, 18.5, -16.96

 

CMYK 13 / 23 / 0 / 32

HEX #9785AD

RGB 151 133 173

HSL 267, 0.2%, 0.6%

LAB 58.39, 14.78, -18.61

 

CMYK 19 / 23 / 0 / 32

HEX #8C85AD

RGB 140 133 173

HSL 250.5, 0.2%, 0.6%

LAB 57.43, 11.13, -20.15

 

CMYK 0 / 23 / 6 / 32

HEX #AD85A2

RGB 173 133 162

HSL 316.5, 0.2%, 0.6%

LAB 60.13, 20.21, -9.48

 

CMYK 0 / 39 / 11 / 25

HEX #BE74AA

RGB 190 116 170

HSL 316.22, 0.36%, 0.6%

LAB 58.36, 36.97, -16.55

 

CMYK 0 / 51 / 14 / 19

HEX #CE64B2

RGB 206 100 178

HSL 315.85, 0.52%, 0.6%

LAB 57.51, 51.63, -22.26

 

CMYK 0 / 63 / 17 / 13

HEX #DF53B9

RGB 223 83 185

HSL 316.29, 0.69%, 0.6%

LAB 57.44, 65.13, -26.19

 

CMYK 0 / 72 / 19 / 6

HEX #EF43C1

RGB 239 67 193

HSL 316.05, 0.84%, 0.6%

LAB 58.24, 76.03, -29.35

 

CMYK 0 / 23 / 6 / 32

HEX #AD85A2

RGB 173 133 162

HSL 316.5, 0.2%, 0.6%

LAB 60.13, 20.21, -9.48

 

CMYK 0 / 5 / 1 / 38

HEX #9D959B

RGB 157 149 155

HSL 315, 0.04%, 0.6%

LAB 62.53, 4.07, -2.11

 

CMYK 16 / 0 / 11 / 35

HEX #8CA693

RGB 140 166 147

HSL 136.15, 0.13%, 0.6%

LAB 65.71, -12.85, 6.84

 

CMYK 32 / 0 / 23 / 29

HEX #7CB68C

RGB 124 182 140

HSL 136.55, 0.28%, 0.6%

LAB 69.21, -27.7, 15.49

 

CMYK 46 / 0 / 34 / 22

HEX #6BC784

RGB 107 199 132

HSL 136.3, 0.45%, 0.6%

LAB 73.31, -42.08, 25.27

 

CMYK 6 / 23 / 0 / 32

HEX #A385AD

RGB 163 133 173

HSL 285, 0.2%, 0.6%

LAB 59.51, 18.84, -16.8

 

CMYK 0 / 23 / 0 / 32

HEX #AD85AD

RGB 173 133 173

HSL 300, 0.2%, 0.6%

LAB 60.49, 22.28, -15.21

 

CMYK 0 / 23 / 6 / 32

HEX #AD85A3

RGB 173 133 163

HSL 315, 0.2%, 0.6%

LAB 60.16, 20.39, -10.01

 

CMYK 0 / 23 / 12 / 32

HEX #AD8598

RGB 173 133 152

HSL 331.5, 0.2%, 0.6%

LAB 59.82, 18.42, -4.22

 

CMYK 0 / 23 / 18 / 32

HEX #AD858D

RGB 173 133 141

HSL 348, 0.2%, 0.6%

LAB 59.51, 16.57, 1.63

 

CMYK 0 / 34 / 9 / 47

HEX #86597A

RGB 134 89 122

HSL 316, 0.2%, 0.44%

LAB 43.68, 24.01, -11.07

 

CMYK 0 / 31 / 8 / 38

HEX #9D6C90

RGB 157 108 144

HSL 315.92, 0.2%, 0.52%

LAB 51.73, 25.4, -11.82

 

CMYK 0 / 23 / 6 / 32

HEX #AD85A2

RGB 173 133 162

HSL 316.5, 0.2%, 0.6%

LAB 60.13, 20.21, -9.48

 

CMYK 0 / 17 / 5 / 25

HEX #BE9DB5

RGB 190 157 181

HSL 316.36, 0.2%, 0.68%

LAB 68.31, 16.31, -7.83

 

CMYK 0 / 12 / 3 / 19

HEX #CEB6C8

RGB 206 182 200

HSL 315, 0.2%, 0.76%

LAB 76.53, 11.7, -5.94

 

CMYK 0 / 24 / 6 / 32

HEX #AD84A2

RGB 173 132 162

HSL 316.1, 0.2%, 0.6%

LAB 59.88, 20.77, -9.85

 

CMYK 0 / 12 / 23 / 32

HEX #AD9885

RGB 173 152 133

HSL 28.5, 0.2%, 0.6%

LAB 64.19, 4.7, 12.85

 

CMYK 23 / 0 / 3 / 32

HEX #85ADA8

RGB 133 173 168

HSL 172.5, 0.2%, 0.6%

LAB 67.8, -14.52, -1.86

 

CMYK 0 / 24 / 6 / 32

HEX #AD84A2

RGB 173 132 162

HSL 316.1, 0.2%, 0.6%

LAB 59.88, 20.77, -9.85

 

CMYK 6 / 0 / 23 / 32

HEX #A3AD85

RGB 163 173 133

HSL 75, 0.2%, 0.6%

LAB 69.02, -10.54, 19.42

 

CMYK 23 / 6 / 0 / 32

HEX #85A3AD

RGB 133 163 173

HSL 195, 0.2%, 0.6%

LAB 65.12, -8.04, -8.6

 

CMYK 0 / 24 / 6 / 32

HEX #AD84A2

RGB 173 132 162

HSL 316.1, 0.2%, 0.6%

LAB 59.88, 20.77, -9.85

 

CMYK 0 / 12 / 23 / 32

HEX #AD9885

RGB 173 152 133

HSL 28.5, 0.2%, 0.6%

LAB 64.19, 4.7, 12.85

 

CMYK 23 / 0 / 17 / 32

HEX #85AD8F

RGB 133 173 143

HSL 135, 0.2%, 0.6%

LAB 67.17, -19.67, 11.06

 

CMYK 23 / 11 / 0 / 32

HEX #859AAD

RGB 133 154 173

HSL 208.5, 0.2%, 0.6%

LAB 62.6, -3.09, -12.37

 

CMYK 0 / 24 / 6 / 32

HEX #AD84A2

RGB 173 132 162

HSL 316.1, 0.2%, 0.6%

LAB 59.88, 20.77, -9.85

 

CMYK 0 / 5 / 23 / 32

HEX #ADA485

RGB 173 164 133

HSL 46.5, 0.2%, 0.6%

LAB 67.37, -1.87, 17.29

 

CMYK 23 / 0 / 17 / 32

HEX #85AD8F

RGB 133 173 143

HSL 135, 0.2%, 0.6%

LAB 67.17, -19.67, 11.06

 

CMYK 23 / 18 / 0 / 32

HEX #858EAD

RGB 133 142 173

HSL 226.5, 0.2%, 0.6%

LAB 59.3, 3.68, -17.36

 

Description

Color code: HEX #AD84A2 | qconv.com Color code: HEX #AD84A2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 132 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 132 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 6 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 6% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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