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Color name
HEX #AD842D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD842D it is the complementary color #527BD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD842D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD842D shade: #B28428, #C3963B, #D4A84E, #E5BA61 and #F6CC74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD842D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD842D shade: #AD842D, #9C721A, #8B6007, #7A4E00 and #693C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD842D shade: #AE852D, #AE622D, #AE3F2D and #AE2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD842D shade: #AE852D, #AEA82D, #92AE2D, #6FAE2D and #4CAE2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD842D shade matches the following richer shades: #AE852D, #C08B1B and #D29209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD842D shade: #AE852D, #9D7F3F, #8B7850, #797262 and #676B74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD842D shade: #AE3E2D, #AE612D, #AE832D, #AEA62D and #94AE2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD842D shade: #6D531C, #8E6C24, #AE852D, #CC9D39 and #D4AD59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD842D shade: #AD842D, #3EAE2D and #4F2DAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD842D shade: #AD842D, #2DAE83 and #832DAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD842D shade: #AD842D, #3EAE2D, #2D58AE and #9D2DAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD842D shade: #AD842D, #2DAE43, #2D58AE and #AE2D99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 74 / 32

HEX #AD842D

RGB 173 132 45

HSL 40.78, 0.59%, 0.43%

LAB 57.63, 7.02, 50.63

 

Complementary color

CMYK 61 / 41 / 0 / 18

HEX #527BD2

RGB 82 123 210

HSL 220.78, 0.59%, 0.57%

LAB 52.52, 12.54, -49.2

 

CMYK 0 / 26 / 78 / 30

HEX #B28428

RGB 178 132 40

HSL 40, 0.63%, 0.43%

LAB 58.15, 9.04, 53.35

 

CMYK 0 / 23 / 70 / 24

HEX #C3963B

RGB 195 150 59

HSL 40.15, 0.54%, 0.5%

LAB 64.75, 7.58, 52.6

 

CMYK 0 / 21 / 63 / 17

HEX #D4A84E

RGB 212 168 78

HSL 40.3, 0.61%, 0.57%

LAB 71.25, 6.35, 51.5

 

CMYK 0 / 19 / 58 / 10

HEX #E5BA61

RGB 229 186 97

HSL 40.45, 0.72%, 0.64%

LAB 77.66, 5.3, 50.26

 

CMYK 0 / 17 / 53 / 4

HEX #F6CC74

RGB 246 204 116

HSL 40.62, 0.88%, 0.71%

LAB 83.99, 4.4, 48.99

 

CMYK 0 / 24 / 74 / 32

HEX #AD842D

RGB 173 132 45

HSL 40.78, 0.59%, 0.43%

LAB 57.63, 7.02, 50.63

 

CMYK 0 / 27 / 83 / 39

HEX #9C721A

RGB 156 114 26

HSL 40.62, 0.71%, 0.36%

LAB 50.89, 8.63, 50.97

 

CMYK 0 / 31 / 95 / 45

HEX #8B6007

RGB 139 96 7

HSL 40.45, 0.9%, 0.29%

LAB 44.05, 10.59, 49.94

 

CMYK 0 / 36 / 100 / 52

HEX #7A4E00

RGB 122 78 0

HSL 38.36, 1%, 0.24%

LAB 37.09, 12.97, 46.01

 

CMYK 0 / 43 / 100 / 59

HEX #693C00

RGB 105 60 0

HSL 34.29, 1%, 0.21%

LAB 30, 15.63, 40.12

 

CMYK 0 / 24 / 74 / 32

HEX #AE852D

RGB 174 133 45

HSL 40.93, 0.59%, 0.43%

LAB 58, 6.91, 51.03

 

CMYK 0 / 44 / 74 / 32

HEX #AE622D

RGB 174 98 45

HSL 24.65, 0.59%, 0.43%

LAB 49.4, 26.46, 42.27

 

CMYK 0 / 64 / 74 / 32

HEX #AE3F2D

RGB 174 63 45

HSL 8.37, 0.59%, 0.43%

LAB 42.37, 44.32, 34.7

 

CMYK 0 / 74 / 74 / 32

HEX #AE2D2D

RGB 174 45 45

HSL 0, 0.59%, 0.43%

LAB 39.69, 51.63, 31.68

 

CMYK 0 / 24 / 74 / 32

HEX #AE852D

RGB 174 133 45

HSL 40.93, 0.59%, 0.43%

LAB 58, 6.91, 51.03

 

CMYK 0 / 3 / 74 / 32

HEX #AEA82D

RGB 174 168 45

HSL 57.21, 0.59%, 0.43%

LAB 67.42, -11.99, 60.14

 

CMYK 16 / 0 / 74 / 32

HEX #92AE2D

RGB 146 174 45

HSL 73.02, 0.59%, 0.43%

LAB 66.96, -27.01, 58.93

 

CMYK 36 / 0 / 74 / 32

HEX #6FAE2D

RGB 111 174 45

HSL 89.3, 0.59%, 0.43%

LAB 64.84, -40.67, 56.15

 

CMYK 56 / 0 / 74 / 32

HEX #4CAE2D

RGB 76 174 45

HSL 105.58, 0.59%, 0.43%

LAB 63.34, -51.75, 54.16

 

CMYK 0 / 24 / 74 / 32

HEX #AE852D

RGB 174 133 45

HSL 40.93, 0.59%, 0.43%

LAB 58, 6.91, 51.03

 

CMYK 0 / 28 / 86 / 25

HEX #C08B1B

RGB 192 139 27

HSL 40.73, 0.75%, 0.43%

LAB 61.44, 11.01, 61.25

 

CMYK 0 / 30 / 96 / 18

HEX #D29209

RGB 210 146 9

HSL 40.9, 0.92%, 0.43%

LAB 65.18, 14.85, 68.69

 

CMYK 0 / 24 / 74 / 32

HEX #AE852D

RGB 174 133 45

HSL 40.93, 0.59%, 0.43%

LAB 58, 6.91, 51.03

 

CMYK 0 / 19 / 60 / 38

HEX #9D7F3F

RGB 157 127 63

HSL 40.85, 0.43%, 0.43%

LAB 54.77, 3.77, 38.58

 

CMYK 0 / 14 / 42 / 45

HEX #8B7850

RGB 139 120 80

HSL 40.68, 0.27%, 0.43%

LAB 51.27, 1.44, 24.67

 

CMYK 0 / 6 / 19 / 53

HEX #797262

RGB 121 114 98

HSL 41.74, 0.11%, 0.43%

LAB 48.24, -0.19, 9.85

 

CMYK 11 / 8 / 0 / 55

HEX #676B74

RGB 103 107 116

HSL 221.54, 0.06%, 0.43%

LAB 45.16, 0.44, -5.54

 

CMYK 0 / 64 / 74 / 32

HEX #AE3E2D

RGB 174 62 45

HSL 7.91, 0.59%, 0.43%

LAB 42.21, 44.77, 34.51

 

CMYK 0 / 44 / 74 / 32

HEX #AE612D

RGB 174 97 45

HSL 24.19, 0.59%, 0.43%

LAB 49.18, 27.01, 42.04

 

CMYK 0 / 25 / 74 / 32

HEX #AE832D

RGB 174 131 45

HSL 40, 0.59%, 0.43%

LAB 57.48, 8.03, 50.52

 

CMYK 0 / 5 / 74 / 32

HEX #AEA62D

RGB 174 166 45

HSL 56.28, 0.59%, 0.43%

LAB 66.87, -10.95, 59.62

 

CMYK 15 / 0 / 74 / 32

HEX #94AE2D

RGB 148 174 45

HSL 72.09, 0.59%, 0.43%

LAB 67.09, -26.18, 59.11

 

CMYK 0 / 24 / 74 / 57

HEX #6D531C

RGB 109 83 28

HSL 40.74, 0.59%, 0.27%

LAB 36.97, 4.61, 35.02

 

CMYK 0 / 24 / 75 / 44

HEX #8E6C24

RGB 142 108 36

HSL 40.75, 0.6%, 0.35%

LAB 47.76, 5.99, 43.51

 

CMYK 0 / 24 / 74 / 32

HEX #AE852D

RGB 174 133 45

HSL 40.93, 0.59%, 0.43%

LAB 58, 6.91, 51.03

 

CMYK 0 / 23 / 72 / 20

HEX #CC9D39

RGB 204 157 57

HSL 40.82, 0.59%, 0.51%

LAB 67.46, 7.61, 56.54

 

CMYK 0 / 18 / 58 / 17

HEX #D4AD59

RGB 212 173 89

HSL 40.98, 0.59%, 0.59%

LAB 72.63, 4.46, 47.83

 

CMYK 0 / 24 / 74 / 32

HEX #AD842D

RGB 173 132 45

HSL 40.78, 0.59%, 0.43%

LAB 57.63, 7.02, 50.63

 

CMYK 64 / 0 / 74 / 32

HEX #3EAE2D

RGB 62 174 45

HSL 112.09, 0.59%, 0.43%

LAB 62.92, -55.18, 53.6

 

CMYK 55 / 74 / 0 / 32

HEX #4F2DAE

RGB 79 45 174

HSL 255.81, 0.59%, 0.43%

LAB 30.87, 47.44, -63.26

 

CMYK 0 / 24 / 74 / 32

HEX #AD842D

RGB 173 132 45

HSL 40.78, 0.59%, 0.43%

LAB 57.63, 7.02, 50.63

 

CMYK 74 / 0 / 25 / 32

HEX #2DAE83

RGB 45 174 131

HSL 160, 0.59%, 0.43%

LAB 63.73, -44.71, 12.33

 

CMYK 25 / 74 / 0 / 32

HEX #832DAE

RGB 131 45 174

HSL 280, 0.59%, 0.43%

LAB 37.4, 56.61, -52.33

 

CMYK 0 / 24 / 74 / 32

HEX #AD842D

RGB 173 132 45

HSL 40.78, 0.59%, 0.43%

LAB 57.63, 7.02, 50.63

 

CMYK 64 / 0 / 74 / 32

HEX #3EAE2D

RGB 62 174 45

HSL 112.09, 0.59%, 0.43%

LAB 62.92, -55.18, 53.6

 

CMYK 74 / 49 / 0 / 32

HEX #2D58AE

RGB 45 88 174

HSL 220, 0.59%, 0.43%

LAB 38.89, 15.72, -50.31

 

CMYK 10 / 74 / 0 / 32

HEX #9D2DAE

RGB 157 45 174

HSL 292.09, 0.59%, 0.43%

LAB 41.38, 61.92, -45.73

 

CMYK 0 / 24 / 74 / 32

HEX #AD842D

RGB 173 132 45

HSL 40.78, 0.59%, 0.43%

LAB 57.63, 7.02, 50.63

 

CMYK 74 / 0 / 61 / 32

HEX #2DAE43

RGB 45 174 67

HSL 130.23, 0.59%, 0.43%

LAB 62.71, -56.26, 44.19

 

CMYK 74 / 49 / 0 / 32

HEX #2D58AE

RGB 45 88 174

HSL 220, 0.59%, 0.43%

LAB 38.89, 15.72, -50.31

 

CMYK 0 / 74 / 12 / 32

HEX #AE2D99

RGB 174 45 153

HSL 309.77, 0.59%, 0.43%

LAB 43.03, 62.24, -30.38

 

Description

Color code: HEX #AD842D | qconv.com Color code: HEX #AD842D | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 132 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 132 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 74 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 74% 32% C M Y K

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Provide designers and agencies with accurate color values.

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