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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD80E7 it is the complementary color #527F18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD80E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD80E7 shade: #B280E2, #C392F5, #D4A4FF, #E5B6FF and #F6C8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD80E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD80E7 shade: #AD80E7, #9C6ED4, #8B5CC1, #7A4AAE and #69389B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD80E7 shade: #AC7EE7, #C87EE7, #E47EE7, #E77ECD and #E77EB1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD80E7 shade: #AC7EE7, #907EE7 and #7E7EE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD80E7 shade matches the following richer shades: #AC7EE7 and #AA72F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD80E7 shade: #AC7EE7, #AD8BDA, #AF97CE, #B1A4C1 and #B2B0B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD80E7 shade: #7E89E7, #907EE7, #AC7EE7, #C77EE7 and #E37EE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD80E7 shade: #7F39D9, #965CE0, #AC7EE7, #C2A1ED and #D9C4F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD80E7 shade: #AD80E7, #E77EA5 and #7EE782

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD80E7 shade: #AD80E7, #E7AC7E and #7EE7AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD80E7 shade: #AD80E7, #E77EA5, #B9E77E and #7EE7C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD80E7 shade: #AD80E7, #E77E85, #B9E77E and #7EE7E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 45 / 0 / 9

HEX #AD80E7

RGB 173 128 231

HSL 266.21, 0.68%, 0.7%

LAB 61.73, 37.68, -45.95

 

Complementary color

CMYK 35 / 0 / 81 / 50

HEX #527F18

RGB 82 127 24

HSL 86.21, 0.68%, 0.3%

LAB 48.31, -31.81, 46.92

 

CMYK 21 / 43 / 0 / 11

HEX #B280E2

RGB 178 128 226

HSL 270.61, 0.63%, 0.69%

LAB 61.99, 37.91, -42.72

 

CMYK 20 / 40 / 0 / 4

HEX #C392F5

RGB 195 146 245

HSL 269.7, 0.83%, 0.77%

LAB 68.57, 37.11, -42.76

 

CMYK 17 / 36 / 0 / 0

HEX #D4A4FF

RGB 212 164 255

HSL 271.65, 1%, 0.82%

LAB 74.68, 34.4, -38.55

 

CMYK 10 / 29 / 0 / 0

HEX #E5B6FF

RGB 229 182 255

HSL 278.63, 1%, 0.86%

LAB 80.37, 29.81, -29.63

 

CMYK 4 / 22 / 0 / 0

HEX #F6C8FF

RGB 246 200 255

HSL 290.18, 1%, 0.89%

LAB 86.07, 25.58, -20.81

 

CMYK 25 / 45 / 0 / 9

HEX #AD80E7

RGB 173 128 231

HSL 266.21, 0.68%, 0.7%

LAB 61.73, 37.68, -45.95

 

CMYK 26 / 48 / 0 / 17

HEX #9C6ED4

RGB 156 110 212

HSL 267.06, 0.54%, 0.63%

LAB 55.04, 38.57, -45.98

 

CMYK 28 / 52 / 0 / 24

HEX #8B5CC1

RGB 139 92 193

HSL 267.92, 0.45%, 0.56%

LAB 48.25, 39.52, -46.01

 

CMYK 30 / 57 / 0 / 32

HEX #7A4AAE

RGB 122 74 174

HSL 268.8, 0.4%, 0.49%

LAB 41.36, 40.5, -46.02

 

CMYK 32 / 64 / 0 / 39

HEX #69389B

RGB 105 56 155

HSL 269.7, 0.47%, 0.41%

LAB 34.39, 41.44, -45.95

 

CMYK 26 / 45 / 0 / 9

HEX #AC7EE7

RGB 172 126 231

HSL 266.29, 0.69%, 0.7%

LAB 61.19, 38.52, -46.81

 

CMYK 13 / 45 / 0 / 9

HEX #C87EE7

RGB 200 126 231

HSL 282.29, 0.69%, 0.7%

LAB 64.14, 46.3, -41.97

 

CMYK 1 / 45 / 0 / 9

HEX #E47EE7

RGB 228 126 231

HSL 298.29, 0.69%, 0.7%

LAB 67.42, 54.26, -36.6

 

CMYK 0 / 45 / 11 / 9

HEX #E77ECD

RGB 231 126 205

HSL 314.86, 0.69%, 0.7%

LAB 66.76, 50.72, -23.13

 

CMYK 0 / 45 / 23 / 9

HEX #E77EB1

RGB 231 126 177

HSL 330.86, 0.69%, 0.7%

LAB 65.81, 46.49, -8.81

 

CMYK 26 / 45 / 0 / 9

HEX #AC7EE7

RGB 172 126 231

HSL 266.29, 0.69%, 0.7%

LAB 61.19, 38.52, -46.81

 

CMYK 38 / 45 / 0 / 9

HEX #907EE7

RGB 144 126 231

HSL 250.29, 0.69%, 0.7%

LAB 58.62, 31.14, -51.04

 

CMYK 45 / 45 / 0 / 9

HEX #7E7EE7

RGB 126 126 231

HSL 240, 0.69%, 0.7%

LAB 57.2, 26.76, -53.39

 

CMYK 26 / 45 / 0 / 9

HEX #AC7EE7

RGB 172 126 231

HSL 266.29, 0.69%, 0.7%

LAB 61.19, 38.52, -46.81

 

CMYK 30 / 53 / 0 / 5

HEX #AA72F3

RGB 170 114 243

HSL 266.05, 0.84%, 0.7%

LAB 59.02, 47.45, -56.93

 

CMYK 26 / 45 / 0 / 9

HEX #AC7EE7

RGB 172 126 231

HSL 266.29, 0.69%, 0.7%

LAB 61.19, 38.52, -46.81

 

CMYK 21 / 36 / 0 / 15

HEX #AD8BDA

RGB 173 139 218

HSL 265.82, 0.52%, 0.7%

LAB 63.68, 28.48, -35.66

 

CMYK 15 / 27 / 0 / 19

HEX #AF97CE

RGB 175 151 206

HSL 266.18, 0.36%, 0.7%

LAB 66.29, 19.63, -24.93

 

CMYK 8 / 15 / 0 / 24

HEX #B1A4C1

RGB 177 164 193

HSL 266.9, 0.19%, 0.7%

LAB 69.29, 10.26, -13.15

 

CMYK 2 / 3 / 0 / 29

HEX #B2B0B5

RGB 178 176 181

HSL 264, 0.03%, 0.7%

LAB 72.13, 1.65, -2.31

 

CMYK 45 / 41 / 0 / 9

HEX #7E89E7

RGB 126 137 231

HSL 233.71, 0.69%, 0.7%

LAB 59.98, 20.26, -48.98

 

CMYK 38 / 45 / 0 / 9

HEX #907EE7

RGB 144 126 231

HSL 250.29, 0.69%, 0.7%

LAB 58.62, 31.14, -51.04

 

CMYK 26 / 45 / 0 / 9

HEX #AC7EE7

RGB 172 126 231

HSL 266.29, 0.69%, 0.7%

LAB 61.19, 38.52, -46.81

 

CMYK 14 / 45 / 0 / 9

HEX #C77EE7

RGB 199 126 231

HSL 281.71, 0.69%, 0.7%

LAB 64.03, 46.02, -42.15

 

CMYK 2 / 45 / 0 / 9

HEX #E37EE7

RGB 227 126 231

HSL 297.71, 0.69%, 0.7%

LAB 67.29, 53.97, -36.8

 

CMYK 41 / 74 / 0 / 15

HEX #7F39D9

RGB 127 57 217

HSL 266.25, 0.68%, 0.54%

LAB 41.92, 60.75, -70.12

 

CMYK 33 / 59 / 0 / 12

HEX #965CE0

RGB 150 92 224

HSL 266.36, 0.68%, 0.62%

LAB 51.29, 49.86, -58.8

 

CMYK 26 / 45 / 0 / 9

HEX #AC7EE7

RGB 172 126 231

HSL 266.29, 0.69%, 0.7%

LAB 61.19, 38.52, -46.81

 

CMYK 18 / 32 / 0 / 7

HEX #C2A1ED

RGB 194 161 237

HSL 266.05, 0.68%, 0.78%

LAB 71.6, 26.77, -33.68

 

CMYK 11 / 20 / 0 / 4

HEX #D9C4F4

RGB 217 196 244

HSL 266.25, 0.69%, 0.86%

LAB 82.25, 16.3, -20.98

 

CMYK 25 / 45 / 0 / 9

HEX #AD80E7

RGB 173 128 231

HSL 266.21, 0.68%, 0.7%

LAB 61.73, 37.68, -45.95

 

CMYK 0 / 45 / 29 / 9

HEX #E77EA5

RGB 231 126 165

HSL 337.71, 0.69%, 0.7%

LAB 65.46, 44.86, -2.55

 

CMYK 45 / 0 / 44 / 9

HEX #7EE782

RGB 126 231 130

HSL 122.29, 0.69%, 0.7%

LAB 83.55, -50.65, 39.85

 

CMYK 25 / 45 / 0 / 9

HEX #AD80E7

RGB 173 128 231

HSL 266.21, 0.68%, 0.7%

LAB 61.73, 37.68, -45.95

 

CMYK 0 / 26 / 45 / 9

HEX #E7AC7E

RGB 231 172 126

HSL 26.29, 0.69%, 0.7%

LAB 74.83, 16.07, 32.05

 

CMYK 45 / 0 / 26 / 9

HEX #7EE7AC

RGB 126 231 172

HSL 146.29, 0.69%, 0.7%

LAB 84.26, -43.54, 19.45

 

CMYK 25 / 45 / 0 / 9

HEX #AD80E7

RGB 173 128 231

HSL 266.21, 0.68%, 0.7%

LAB 61.73, 37.68, -45.95

 

CMYK 0 / 45 / 29 / 9

HEX #E77EA5

RGB 231 126 165

HSL 337.71, 0.69%, 0.7%

LAB 65.46, 44.86, -2.55

 

CMYK 20 / 0 / 45 / 9

HEX #B9E77E

RGB 185 231 126

HSL 86.29, 0.69%, 0.7%

LAB 86.49, -31.92, 46.14

 

CMYK 45 / 0 / 17 / 9

HEX #7EE7C0

RGB 126 231 192

HSL 157.71, 0.69%, 0.7%

LAB 84.69, -39.46, 9.6

 

CMYK 25 / 45 / 0 / 9

HEX #AD80E7

RGB 173 128 231

HSL 266.21, 0.68%, 0.7%

LAB 61.73, 37.68, -45.95

 

CMYK 0 / 45 / 42 / 9

HEX #E77E85

RGB 231 126 133

HSL 356, 0.69%, 0.7%

LAB 64.65, 41.07, 14.45

 

CMYK 20 / 0 / 45 / 9

HEX #B9E77E

RGB 185 231 126

HSL 86.29, 0.69%, 0.7%

LAB 86.49, -31.92, 46.14

 

CMYK 45 / 0 / 3 / 9

HEX #7EE7E0

RGB 126 231 224

HSL 176, 0.69%, 0.7%

LAB 85.49, -32.12, -6.07

 

Description

Color code: HEX #AD80E7 | qconv.com Color code: HEX #AD80E7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 128 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 128 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 45 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 45% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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