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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD7B56 it is the complementary color #5284A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD7B56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD7B56 shade: #B27B51, #C38D64, #D49F77, #E5B18A and #F6C39D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD7B56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD7B56 shade: #AD7B56, #9C6943, #8B5730, #7A451D and #69330A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD7B56 shade: #AE7C56, #AE6456 and #AE5656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD7B56 shade: #AE7C56, #AE9356, #AEAB56, #99AE56 and #82AE56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD7B56 shade matches the following richer shades: #AE7C56, #C27942, #D6752E, #EA721A and #FF6F05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD7B56 shade: #AE7C56, #9A7F6B, #85827F, #718593 and #5D88A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD7B56 shade: #AE5661, #AE6356, #AE7B56, #AE9256 and #AEA956

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD7B56 shade: #78543A, #946847, #AE7C56, #BB9172 and #C9A78E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD7B56 shade: #AD7B56, #78AE56 and #5856AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD7B56 shade: #AD7B56, #56AE7B and #7B56AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD7B56 shade: #AD7B56, #78AE56, #5689AE and #8C56AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD7B56 shade: #AD7B56, #5EAE56, #5689AE and #A656AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 50 / 32

HEX #AD7B56

RGB 173 123 86

HSL 25.52, 0.35%, 0.51%

LAB 55.81, 15.04, 27.88

 

Complementary color

CMYK 51 / 22 / 0 / 34

HEX #5284A9

RGB 82 132 169

HSL 205.52, 0.35%, 0.49%

LAB 53.13, -6.15, -24.8

 

CMYK 0 / 31 / 54 / 30

HEX #B27B51

RGB 178 123 81

HSL 25.98, 0.39%, 0.51%

LAB 56.31, 16.7, 31.41

 

CMYK 0 / 28 / 49 / 24

HEX #C38D64

RGB 195 141 100

HSL 25.89, 0.44%, 0.58%

LAB 62.99, 15.62, 29.9

 

CMYK 0 / 25 / 44 / 17

HEX #D49F77

RGB 212 159 119

HSL 25.81, 0.52%, 0.65%

LAB 69.56, 14.69, 28.51

 

CMYK 0 / 23 / 40 / 10

HEX #E5B18A

RGB 229 177 138

HSL 25.71, 0.64%, 0.72%

LAB 76.03, 13.88, 27.23

 

CMYK 0 / 21 / 36 / 4

HEX #F6C39D

RGB 246 195 157

HSL 25.62, 0.83%, 0.79%

LAB 82.41, 13.17, 26.04

 

CMYK 0 / 29 / 50 / 32

HEX #AD7B56

RGB 173 123 86

HSL 25.52, 0.35%, 0.51%

LAB 55.81, 15.04, 27.88

 

CMYK 0 / 33 / 57 / 39

HEX #9C6943

RGB 156 105 67

HSL 25.62, 0.4%, 0.44%

LAB 48.98, 16.2, 29.47

 

CMYK 0 / 37 / 65 / 45

HEX #8B5730

RGB 139 87 48

HSL 25.71, 0.49%, 0.37%

LAB 42.03, 17.59, 31.19

 

CMYK 0 / 43 / 76 / 52

HEX #7A451D

RGB 122 69 29

HSL 25.81, 0.62%, 0.3%

LAB 34.97, 19.27, 32.97

 

CMYK 0 / 51 / 90 / 59

HEX #69330A

RGB 105 51 10

HSL 25.89, 0.83%, 0.23%

LAB 27.83, 21.32, 34.31

 

CMYK 0 / 29 / 51 / 32

HEX #AE7C56

RGB 174 124 86

HSL 25.91, 0.35%, 0.51%

LAB 56.17, 14.9, 28.38

 

CMYK 0 / 43 / 51 / 32

HEX #AE6456

RGB 174 100 86

HSL 9.55, 0.35%, 0.51%

LAB 50.43, 28.32, 20.89

 

CMYK 0 / 51 / 51 / 32

HEX #AE5656

RGB 174 86 86

HSL 0, 0.35%, 0.51%

LAB 47.4, 35.86, 16.81

 

CMYK 0 / 29 / 51 / 32

HEX #AE7C56

RGB 174 124 86

HSL 25.91, 0.35%, 0.51%

LAB 56.17, 14.9, 28.38

 

CMYK 0 / 16 / 51 / 32

HEX #AE9356

RGB 174 147 86

HSL 41.59, 0.35%, 0.51%

LAB 62.12, 2.09, 35.85

 

CMYK 0 / 2 / 51 / 32

HEX #AEAB56

RGB 174 171 86

HSL 57.95, 0.35%, 0.51%

LAB 68.6, -10.79, 43.7

 

CMYK 12 / 0 / 51 / 32

HEX #99AE56

RGB 153 174 86

HSL 74.32, 0.35%, 0.51%

LAB 67.81, -21, 42.36

 

CMYK 25 / 0 / 51 / 32

HEX #82AE56

RGB 130 174 86

HSL 90, 0.35%, 0.51%

LAB 66.28, -30, 40.15

 

CMYK 0 / 29 / 51 / 32

HEX #AE7C56

RGB 174 124 86

HSL 25.91, 0.35%, 0.51%

LAB 56.17, 14.9, 28.38

 

CMYK 0 / 38 / 66 / 24

HEX #C27942

RGB 194 121 66

HSL 25.78, 0.51%, 0.51%

LAB 57.6, 23.47, 41.42

 

CMYK 0 / 45 / 79 / 16

HEX #D6752E

RGB 214 117 46

HSL 25.36, 0.67%, 0.51%

LAB 59.17, 32.94, 53.44

 

CMYK 0 / 51 / 89 / 8

HEX #EA721A

RGB 234 114 26

HSL 25.38, 0.83%, 0.51%

LAB 61.31, 41.89, 63.76

 

CMYK 0 / 56 / 98 / 0

HEX #FF6F05

RGB 255 111 5

HSL 25.44, 1%, 0.51%

LAB 63.87, 50.99, 71.39

 

CMYK 0 / 29 / 51 / 32

HEX #AE7C56

RGB 174 124 86

HSL 25.91, 0.35%, 0.51%

LAB 56.17, 14.9, 28.38

 

CMYK 0 / 18 / 31 / 40

HEX #9A7F6B

RGB 154 127 107

HSL 25.53, 0.19%, 0.51%

LAB 55.19, 7.29, 14.77

 

CMYK 0 / 2 / 5 / 48

HEX #85827F

RGB 133 130 127

HSL 30, 0.02%, 0.51%

LAB 54.54, 0.55, 2.01

 

CMYK 23 / 10 / 0 / 42

HEX #718593

RGB 113 133 147

HSL 204.71, 0.14%, 0.51%

LAB 54.44, -3.95, -9.91

 

CMYK 44 / 19 / 0 / 35

HEX #5D88A7

RGB 93 136 167

HSL 205.14, 0.3%, 0.51%

LAB 54.79, -6.28, -21.04

 

CMYK 0 / 51 / 44 / 32

HEX #AE5661

RGB 174 86 97

HSL 352.5, 0.35%, 0.51%

LAB 47.65, 36.97, 10.53

 

CMYK 0 / 43 / 51 / 32

HEX #AE6356

RGB 174 99 86

HSL 8.86, 0.35%, 0.51%

LAB 50.21, 28.87, 20.59

 

CMYK 0 / 29 / 51 / 32

HEX #AE7B56

RGB 174 123 86

HSL 25.23, 0.35%, 0.51%

LAB 55.92, 15.46, 28.06

 

CMYK 0 / 16 / 51 / 32

HEX #AE9256

RGB 174 146 86

HSL 40.91, 0.35%, 0.51%

LAB 61.85, 2.64, 35.52

 

CMYK 0 / 3 / 51 / 32

HEX #AEA956

RGB 174 169 86

HSL 56.59, 0.35%, 0.51%

LAB 68.05, -9.74, 43.04

 

CMYK 0 / 30 / 52 / 53

HEX #78543A

RGB 120 84 58

HSL 25.16, 0.35%, 0.35%

LAB 38.97, 11.66, 21.1

 

CMYK 0 / 30 / 52 / 42

HEX #946847

RGB 148 104 71

HSL 25.71, 0.35%, 0.43%

LAB 47.82, 13.64, 25.53

 

CMYK 0 / 29 / 51 / 32

HEX #AE7C56

RGB 174 124 86

HSL 25.91, 0.35%, 0.51%

LAB 56.17, 14.9, 28.38

 

CMYK 0 / 22 / 39 / 27

HEX #BB9172

RGB 187 145 114

HSL 25.48, 0.35%, 0.59%

LAB 63.37, 11.63, 22.53

 

CMYK 0 / 17 / 29 / 21

HEX #C9A78E

RGB 201 167 142

HSL 25.42, 0.35%, 0.67%

LAB 70.88, 8.74, 17.59

 

CMYK 0 / 29 / 50 / 32

HEX #AD7B56

RGB 173 123 86

HSL 25.52, 0.35%, 0.51%

LAB 55.81, 15.04, 27.88

 

CMYK 31 / 0 / 51 / 32

HEX #78AE56

RGB 120 174 86

HSL 96.82, 0.35%, 0.51%

LAB 65.7, -33.68, 39.31

 

CMYK 49 / 51 / 0 / 32

HEX #5856AE

RGB 88 86 174

HSL 241.36, 0.35%, 0.51%

LAB 40.87, 25.01, -46.98

 

CMYK 0 / 29 / 50 / 32

HEX #AD7B56

RGB 173 123 86

HSL 25.52, 0.35%, 0.51%

LAB 55.81, 15.04, 27.88

 

CMYK 51 / 0 / 29 / 32

HEX #56AE7B

RGB 86 174 123

HSL 145.23, 0.35%, 0.51%

LAB 64.71, -38.35, 18.25

 

CMYK 29 / 51 / 0 / 32

HEX #7B56AE

RGB 123 86 174

HSL 265.23, 0.35%, 0.51%

LAB 44.12, 33.91, -41.61

 

CMYK 0 / 29 / 50 / 32

HEX #AD7B56

RGB 173 123 86

HSL 25.52, 0.35%, 0.51%

LAB 55.81, 15.04, 27.88

 

CMYK 31 / 0 / 51 / 32

HEX #78AE56

RGB 120 174 86

HSL 96.82, 0.35%, 0.51%

LAB 65.7, -33.68, 39.31

 

CMYK 51 / 21 / 0 / 32

HEX #5689AE

RGB 86 137 174

HSL 205.23, 0.35%, 0.51%

LAB 55, -6.54, -24.77

 

CMYK 20 / 51 / 0 / 32

HEX #8C56AE

RGB 140 86 174

HSL 276.82, 0.35%, 0.51%

LAB 46.02, 38.63, -38.47

 

CMYK 0 / 29 / 50 / 32

HEX #AD7B56

RGB 173 123 86

HSL 25.52, 0.35%, 0.51%

LAB 55.81, 15.04, 27.88

 

CMYK 46 / 0 / 51 / 32

HEX #5EAE56

RGB 94 174 86

HSL 114.55, 0.35%, 0.51%

LAB 64.42, -42.32, 37.46

 

CMYK 51 / 21 / 0 / 32

HEX #5689AE

RGB 86 137 174

HSL 205.23, 0.35%, 0.51%

LAB 55, -6.54, -24.77

 

CMYK 5 / 51 / 0 / 32

HEX #A656AE

RGB 166 86 174

HSL 294.55, 0.35%, 0.51%

LAB 49.28, 46.08, -33.13

 

Description

Color code: HEX #AD7B56 | qconv.com Color code: HEX #AD7B56 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 123 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 123 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 50 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 50% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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