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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD77CC it is the complementary color #528833. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD77CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD77CC shade: #B277C7, #C389DA, #D49BED, #E5ADFF and #F6BFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD77CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD77CC shade: #AD77CC, #9C65B9, #8B53A6, #7A4193 and #692F80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD77CC shade: #AC76CB, #C376CB, #CB76BC, #CB76A5 and #CB768E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD77CC shade: #AC76CB, #9576CB, #7E76CB and #7676CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD77CC shade matches the following richer shades: #AC76CB, #B067DA, #B458EA and #B948F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD77CC shade: #AC76CB, #A885BC, #A495AD, #A0A49D and #9CB38E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD77CC shade: #7F76CB, #9576CB, #AC76CB, #C376CB and #CB76BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD77CC shade: #8642AD, #9A58C0, #AC76CB, #BE94D6 and #D0B2E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD77CC shade: #AD77CC, #CB7684 and #76CB8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD77CC shade: #AD77CC, #CBAC76 and #76CBAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD77CC shade: #AD77CC, #CB7684, #95CB76 and #76CBBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD77CC shade: #AD77CC, #CB8276, #95CB76 and #76C0CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 42 / 0 / 20

HEX #AD77CC

RGB 173 119 204

HSL 278.12, 0.45%, 0.63%

LAB 58.45, 36.55, -35.97

 

Complementary color

CMYK 40 / 0 / 63 / 47

HEX #528833

RGB 82 136 51

HSL 98.12, 0.45%, 0.37%

LAB 51.43, -33.81, 39.13

 

CMYK 11 / 40 / 0 / 22

HEX #B277C7

RGB 178 119 199

HSL 284.25, 0.42%, 0.62%

LAB 58.77, 36.99, -32.59

 

CMYK 11 / 37 / 0 / 15

HEX #C389DA

RGB 195 137 218

HSL 282.96, 0.52%, 0.7%

LAB 65.4, 36.23, -32.82

 

CMYK 11 / 35 / 0 / 7

HEX #D49BED

RGB 212 155 237

HSL 281.71, 0.69%, 0.77%

LAB 71.93, 35.51, -33.04

 

CMYK 10 / 32 / 0 / 0

HEX #E5ADFF

RGB 229 173 255

HSL 280.98, 1%, 0.84%

LAB 78.32, 34.64, -32.77

 

CMYK 4 / 25 / 0 / 0

HEX #F6BFFF

RGB 246 191 255

HSL 291.56, 1%, 0.87%

LAB 84, 30.34, -23.93

 

CMYK 15 / 42 / 0 / 20

HEX #AD77CC

RGB 173 119 204

HSL 278.12, 0.45%, 0.63%

LAB 58.45, 36.55, -35.97

 

CMYK 16 / 45 / 0 / 27

HEX #9C65B9

RGB 156 101 185

HSL 279.29, 0.38%, 0.56%

LAB 51.7, 37.37, -35.82

 

CMYK 16 / 50 / 0 / 35

HEX #8B53A6

RGB 139 83 166

HSL 280.48, 0.33%, 0.49%

LAB 44.84, 38.21, -35.63

 

CMYK 17 / 56 / 0 / 42

HEX #7A4193

RGB 122 65 147

HSL 281.71, 0.39%, 0.42%

LAB 37.89, 39.02, -35.38

 

CMYK 18 / 63 / 0 / 50

HEX #692F80

RGB 105 47 128

HSL 282.96, 0.46%, 0.34%

LAB 30.87, 39.71, -34.99

 

CMYK 15 / 42 / 0 / 20

HEX #AC76CB

RGB 172 118 203

HSL 278.12, 0.45%, 0.63%

LAB 58.07, 36.59, -36

 

CMYK 4 / 42 / 0 / 20

HEX #C376CB

RGB 195 118 203

HSL 294.35, 0.45%, 0.63%

LAB 60.67, 43.49, -31.76

 

CMYK 0 / 42 / 7 / 20

HEX #CB76BC

RGB 203 118 188

HSL 310.59, 0.45%, 0.63%

LAB 61.03, 43.24, -22.62

 

CMYK 0 / 42 / 19 / 20

HEX #CB76A5

RGB 203 118 165

HSL 326.82, 0.45%, 0.63%

LAB 60.22, 39.47, -10.71

 

CMYK 0 / 42 / 30 / 20

HEX #CB768E

RGB 203 118 142

HSL 343.06, 0.45%, 0.63%

LAB 59.53, 36.16, 1.51

 

CMYK 15 / 42 / 0 / 20

HEX #AC76CB

RGB 172 118 203

HSL 278.12, 0.45%, 0.63%

LAB 58.07, 36.59, -36

 

CMYK 27 / 42 / 0 / 20

HEX #9576CB

RGB 149 118 203

HSL 261.88, 0.45%, 0.63%

LAB 55.74, 29.87, -39.82

 

CMYK 38 / 42 / 0 / 20

HEX #7E76CB

RGB 126 118 203

HSL 245.65, 0.45%, 0.63%

LAB 53.71, 23.52, -43.16

 

CMYK 42 / 42 / 0 / 20

HEX #7676CB

RGB 118 118 203

HSL 240, 0.45%, 0.63%

LAB 53.08, 21.44, -44.2

 

CMYK 15 / 42 / 0 / 20

HEX #AC76CB

RGB 172 118 203

HSL 278.12, 0.45%, 0.63%

LAB 58.07, 36.59, -36

 

CMYK 19 / 53 / 0 / 15

HEX #B067DA

RGB 176 103 218

HSL 278.09, 0.61%, 0.63%

LAB 56.08, 49.08, -47.59

 

CMYK 23 / 62 / 0 / 8

HEX #B458EA

RGB 180 88 234

HSL 277.81, 0.78%, 0.63%

LAB 54.68, 60.95, -58.79

 

CMYK 26 / 71 / 0 / 2

HEX #B948F9

RGB 185 72 249

HSL 278.31, 0.94%, 0.63%

LAB 53.8, 72.02, -68.56

 

CMYK 15 / 42 / 0 / 20

HEX #AC76CB

RGB 172 118 203

HSL 278.12, 0.45%, 0.63%

LAB 58.07, 36.59, -36

 

CMYK 11 / 29 / 0 / 26

HEX #A885BC

RGB 168 133 188

HSL 278.18, 0.29%, 0.63%

LAB 60.54, 23.66, -23.71

 

CMYK 5 / 14 / 0 / 32

HEX #A495AD

RGB 164 149 173

HSL 277.5, 0.13%, 0.63%

LAB 63.68, 10.11, -10.51

 

CMYK 2 / 0 / 4 / 36

HEX #A0A49D

RGB 160 164 157

HSL 94.29, 0.04%, 0.63%

LAB 66.87, -2.75, 3.12

 

CMYK 13 / 0 / 21 / 30

HEX #9CB38E

RGB 156 179 142

HSL 97.3, 0.2%, 0.63%

LAB 70.36, -14.84, 16.3

 

CMYK 37 / 42 / 0 / 20

HEX #7F76CB

RGB 127 118 203

HSL 246.35, 0.45%, 0.63%

LAB 53.79, 23.78, -43.03

 

CMYK 27 / 42 / 0 / 20

HEX #9576CB

RGB 149 118 203

HSL 261.88, 0.45%, 0.63%

LAB 55.74, 29.87, -39.82

 

CMYK 15 / 42 / 0 / 20

HEX #AC76CB

RGB 172 118 203

HSL 278.12, 0.45%, 0.63%

LAB 58.07, 36.59, -36

 

CMYK 4 / 42 / 0 / 20

HEX #C376CB

RGB 195 118 203

HSL 294.35, 0.45%, 0.63%

LAB 60.67, 43.49, -31.76

 

CMYK 0 / 42 / 7 / 20

HEX #CB76BD

RGB 203 118 189

HSL 309.88, 0.45%, 0.63%

LAB 61.07, 43.41, -23.13

 

CMYK 23 / 62 / 0 / 32

HEX #8642AD

RGB 134 66 173

HSL 278.13, 0.45%, 0.47%

LAB 41.19, 47.5, -45.62

 

CMYK 20 / 54 / 0 / 25

HEX #9A58C0

RGB 154 88 192

HSL 278.08, 0.45%, 0.55%

LAB 49.08, 45.45, -44.02

 

CMYK 15 / 42 / 0 / 20

HEX #AC76CB

RGB 172 118 203

HSL 278.12, 0.45%, 0.63%

LAB 58.07, 36.59, -36

 

CMYK 11 / 31 / 0 / 16

HEX #BE94D6

RGB 190 148 214

HSL 278.18, 0.45%, 0.71%

LAB 67.26, 27.79, -27.76

 

CMYK 8 / 21 / 0 / 11

HEX #D0B2E2

RGB 208 178 226

HSL 277.5, 0.45%, 0.79%

LAB 76.52, 19.51, -20.05

 

CMYK 15 / 42 / 0 / 20

HEX #AD77CC

RGB 173 119 204

HSL 278.12, 0.45%, 0.63%

LAB 58.45, 36.55, -35.97

 

CMYK 0 / 42 / 35 / 20

HEX #CB7684

RGB 203 118 132

HSL 350.12, 0.45%, 0.63%

LAB 59.27, 34.87, 6.91

 

CMYK 42 / 0 / 32 / 20

HEX #76CB8A

RGB 118 203 138

HSL 134.12, 0.45%, 0.63%

LAB 75.08, -39.68, 24.58

 

CMYK 15 / 42 / 0 / 20

HEX #AD77CC

RGB 173 119 204

HSL 278.12, 0.45%, 0.63%

LAB 58.45, 36.55, -35.97

 

CMYK 0 / 15 / 42 / 20

HEX #CBAC76

RGB 203 172 118

HSL 38.12, 0.45%, 0.63%

LAB 71.9, 3.92, 31.94

 

CMYK 42 / 0 / 15 / 20

HEX #76CBAC

RGB 118 203 172

HSL 158.12, 0.45%, 0.63%

LAB 75.79, -32.96, 7.45

 

CMYK 15 / 42 / 0 / 20

HEX #AD77CC

RGB 173 119 204

HSL 278.12, 0.45%, 0.63%

LAB 58.45, 36.55, -35.97

 

CMYK 0 / 42 / 35 / 20

HEX #CB7684

RGB 203 118 132

HSL 350.12, 0.45%, 0.63%

LAB 59.27, 34.87, 6.91

 

CMYK 27 / 0 / 42 / 20

HEX #95CB76

RGB 149 203 118

HSL 98.12, 0.45%, 0.63%

LAB 76.32, -32.78, 36.84

 

CMYK 42 / 0 / 7 / 20

HEX #76CBBD

RGB 118 203 189

HSL 170.12, 0.45%, 0.63%

LAB 76.21, -29.1, -1.09

 

CMYK 15 / 42 / 0 / 20

HEX #AD77CC

RGB 173 119 204

HSL 278.12, 0.45%, 0.63%

LAB 58.45, 36.55, -35.97

 

CMYK 0 / 36 / 42 / 20

HEX #CB8276

RGB 203 130 118

HSL 8.47, 0.45%, 0.63%

LAB 61.63, 26.76, 18.23

 

CMYK 27 / 0 / 42 / 20

HEX #95CB76

RGB 149 203 118

HSL 98.12, 0.45%, 0.63%

LAB 76.32, -32.78, 36.84

 

CMYK 42 / 5 / 0 / 20

HEX #76C0CB

RGB 118 192 203

HSL 187.76, 0.45%, 0.63%

LAB 73.46, -20.18, -12.77

 

Description

Color code: HEX #AD77CC | qconv.com Color code: HEX #AD77CC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 119 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 119 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 42 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 42% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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