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Color name
HEX #AD6F2ACE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD6F2ACE it is the complementary color #5290D5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD6F2ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD6F2ACE shade: #B26F25CE, #C38138CE, #D4934BCE, #E5A55ECE and #F6B771CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD6F2ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD6F2ACE shade: #AD6F2ACE, #9C5D17CE, #8B4B04CE, #7A3900CE and #692700CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD6F2ACE shade: #AC6F2A, #AC4B2A and #AC2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD6F2ACE shade: #AC6F2A, #AC922A, #A4AC2A, #81AC2A and #5DAC2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD6F2ACE shade matches the following richer shades: #AC6F2A, #BE7018 and #CF7007

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD6F2ACE shade: #AC6F2A, #9B6E3B, #8A6D4C, #786C5E and #676B6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD6F2ACE shade: #AC2A2C, #AC4A2A, #AC6D2A, #AC902A and #A6AC2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD6F2ACE shade: #6A441A, #8B5922, #AC6F2A, #CD8432 and #D59853

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD6F2ACE shade: #AD6F2A, #4FAC2A and #392AAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD6F2ACE shade: #AD6F2A, #2AAC6D and #6D2AAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD6F2ACE shade: #AD6F2A, #4FAC2A, #2A69AC and #872AAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD6F2ACE shade: #AD6F2A, #2AAC2C, #2A69AC and #AC2AAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 61 / 26

HEX #AD6F2ACE

RGBA 173 111 42 0.81

HSLA 31.6, 0.61%, 0.42%, 0.81

LABA 52.31, 18.65, 46.63, 0.81

 

Complementary color

CMYK 50 / 26 / 0 / 13

HEX #5290D5CE

RGBA 82 144 213 0.81

HSLA 211.6, 0.61%, 0.58%, 0.81

LABA 58.55, 0.99, -41.35, 0.81

 

CMYK 0 / 30 / 64 / 24

HEX #B26F25CE

RGBA 178 111 37 0.81

HSLA 31.49, 0.66%, 0.42%, 0.81

LABA 52.91, 20.64, 49.6, 0.81

 

CMYK 0 / 27 / 58 / 19

HEX #C38138CE

RGBA 195 129 56 0.81

HSLA 31.51, 0.55%, 0.49%, 0.81

LABA 59.51, 18.94, 48.47, 0.81

 

CMYK 0 / 25 / 52 / 14

HEX #D4934BCE

RGBA 212 147 75 0.81

HSLA 31.53, 0.61%, 0.56%, 0.81

LABA 66.04, 17.47, 47.08, 0.81

 

CMYK 0 / 23 / 48 / 8

HEX #E5A55ECE

RGBA 229 165 94 0.81

HSLA 31.56, 0.72%, 0.63%, 0.81

LABA 72.48, 16.21, 45.63, 0.81

 

CMYK 0 / 21 / 44 / 3

HEX #F6B771CE

RGBA 246 183 113 0.81

HSLA 31.58, 0.88%, 0.7%, 0.81

LABA 78.84, 15.11, 44.2, 0.81

 

CMYK 0 / 29 / 61 / 26

HEX #AD6F2ACE

RGBA 173 111 42 0.81

HSLA 31.6, 0.61%, 0.42%, 0.81

LABA 52.31, 18.65, 46.63, 0.81

 

CMYK 0 / 33 / 69 / 31

HEX #9C5D17CE

RGBA 156 93 23 0.81

HSLA 31.58, 0.74%, 0.35%, 0.81

LABA 45.58, 20.53, 47.41, 0.81

 

CMYK 0 / 37 / 79 / 37

HEX #8B4B04CE

RGBA 139 75 4 0.81

HSLA 31.56, 0.94%, 0.28%, 0.81

LABA 38.78, 22.73, 47.01, 0.81

 

CMYK 0 / 43 / 81 / 42

HEX #7A3900CE

RGBA 122 57 0 0.81

HSLA 28.03, 1%, 0.24%, 0.81

LABA 31.95, 25.26, 42.74, 0.81

 

CMYK 0 / 51 / 81 / 48

HEX #692700CE

RGBA 105 39 0 0.81

HSLA 22.29, 1%, 0.21%, 0.81

LABA 25.12, 27.76, 35.95, 0.81

 

CMYK 0 / 35 / 76 / 33

HEX #AC6F2A

RGB 172 111 42

HSL 31.85, 0.61%, 0.42%

LAB 52.18, 18.21, 46.46

 

CMYK 0 / 56 / 76 / 33

HEX #AC4B2A

RGB 172 75 42

HSL 15.23, 0.61%, 0.42%

LAB 44.19, 37.69, 38.21

 

CMYK 0 / 76 / 76 / 33

HEX #AC2A2A

RGB 172 42 42

HSL 0, 0.61%, 0.42%

LAB 38.89, 51.92, 32.45

 

CMYK 0 / 35 / 76 / 33

HEX #AC6F2A

RGB 172 111 42

HSL 31.85, 0.61%, 0.42%

LAB 52.18, 18.21, 46.46

 

CMYK 0 / 15 / 76 / 33

HEX #AC922A

RGB 172 146 42

HSL 48, 0.61%, 0.42%

LAB 61.22, -1.29, 55.28

 

CMYK 5 / 0 / 76 / 33

HEX #A4AC2A

RGB 164 172 42

HSL 63.69, 0.61%, 0.42%

LAB 67.7, -18.53, 61.12

 

CMYK 25 / 0 / 76 / 33

HEX #81AC2A

RGB 129 172 42

HSL 79.85, 0.61%, 0.42%

LAB 65.23, -33.13, 57.92

 

CMYK 46 / 0 / 76 / 33

HEX #5DAC2A

RGB 93 172 42

HSL 96.46, 0.61%, 0.42%

LAB 63.34, -46.17, 55.44

 

CMYK 0 / 35 / 76 / 33

HEX #AC6F2A

RGB 172 111 42

HSL 31.85, 0.61%, 0.42%

LAB 52.18, 18.21, 46.46

 

CMYK 0 / 41 / 87 / 25

HEX #BE7018

RGB 190 112 24

HSL 31.81, 0.78%, 0.42%

LAB 54.66, 24.9, 56.51

 

CMYK 0 / 46 / 97 / 19

HEX #CF7007

RGB 207 112 7

HSL 31.5, 0.93%, 0.42%

LAB 56.95, 31.82, 63.18

 

CMYK 0 / 35 / 76 / 33

HEX #AC6F2A

RGB 172 111 42

HSL 31.85, 0.61%, 0.42%

LAB 52.18, 18.21, 46.46

 

CMYK 0 / 29 / 62 / 39

HEX #9B6E3B

RGB 155 110 59

HSL 31.88, 0.45%, 0.42%

LAB 50.02, 12.24, 35.07

 

CMYK 0 / 21 / 45 / 46

HEX #8A6D4C

RGB 138 109 76

HSL 31.94, 0.29%, 0.42%

LAB 48.09, 6.88, 22.79

 

CMYK 0 / 10 / 22 / 53

HEX #786C5E

RGB 120 108 94

HSL 32.31, 0.12%, 0.42%

LAB 46.35, 2.24, 9.55

 

CMYK 7 / 4 / 0 / 56

HEX #676B6F

RGB 103 107 111

HSL 210, 0.04%, 0.42%

LAB 45.01, -0.67, -2.77

 

CMYK 0 / 76 / 74 / 33

HEX #AC2A2C

RGB 172 42 44

HSL 359.08, 0.61%, 0.42%

LAB 38.91, 52, 31.29

 

CMYK 0 / 57 / 76 / 33

HEX #AC4A2A

RGB 172 74 42

HSL 14.77, 0.61%, 0.42%

LAB 44, 38.2, 38.01

 

CMYK 0 / 37 / 76 / 33

HEX #AC6D2A

RGB 172 109 42

HSL 30.92, 0.61%, 0.42%

LAB 51.7, 19.33, 45.97

 

CMYK 0 / 16 / 76 / 33

HEX #AC902A

RGB 172 144 42

HSL 47.08, 0.61%, 0.42%

LAB 60.68, -0.2, 54.76

 

CMYK 3 / 0 / 76 / 33

HEX #A6AC2A

RGB 166 172 42

HSL 62.77, 0.61%, 0.42%

LAB 67.86, -17.67, 61.33

 

CMYK 0 / 36 / 75 / 58

HEX #6A441A

RGB 106 68 26

HSL 31.5, 0.61%, 0.26%

LAB 32.42, 12.2, 31.17

 

CMYK 0 / 36 / 76 / 45

HEX #8B5922

RGB 139 89 34

HSL 31.43, 0.61%, 0.34%

LAB 42.38, 15.57, 38.88

 

CMYK 0 / 35 / 76 / 33

HEX #AC6F2A

RGB 172 111 42

HSL 31.85, 0.61%, 0.42%

LAB 52.18, 18.21, 46.46

 

CMYK 0 / 36 / 76 / 20

HEX #CD8432

RGB 205 132 50

HSL 31.74, 0.61%, 0.5%

LAB 61.4, 21.31, 53.49

 

CMYK 0 / 29 / 61 / 16

HEX #D59853

RGB 213 152 83

HSL 31.85, 0.61%, 0.58%

LAB 67.45, 15.73, 44.77

 

CMYK 0 / 36 / 76 / 32

HEX #AD6F2A

RGB 173 111 42

HSL 31.6, 0.61%, 0.42%

LAB 52.31, 18.65, 46.63

 

CMYK 54 / 0 / 76 / 33

HEX #4FAC2A

RGB 79 172 42

HSL 102.92, 0.61%, 0.42%

LAB 62.79, -50.39, 54.71

 

CMYK 67 / 76 / 0 / 33

HEX #392AAC

RGB 57 42 172

HSL 246.92, 0.61%, 0.42%

LAB 28.13, 45.54, -66.64

 

CMYK 0 / 36 / 76 / 32

HEX #AD6F2A

RGB 173 111 42

HSL 31.6, 0.61%, 0.42%

LAB 52.31, 18.65, 46.63

 

CMYK 76 / 0 / 37 / 33

HEX #2AAC6D

RGB 42 172 109

HSL 150.92, 0.61%, 0.42%

LAB 62.59, -49.17, 22.78

 

CMYK 37 / 76 / 0 / 33

HEX #6D2AAC

RGB 109 42 172

HSL 270.92, 0.61%, 0.42%

LAB 33.74, 53.25, -57.22

 

CMYK 0 / 36 / 76 / 32

HEX #AD6F2A

RGB 173 111 42

HSL 31.6, 0.61%, 0.42%

LAB 52.31, 18.65, 46.63

 

CMYK 54 / 0 / 76 / 33

HEX #4FAC2A

RGB 79 172 42

HSL 102.92, 0.61%, 0.42%

LAB 62.79, -50.39, 54.71

 

CMYK 76 / 39 / 0 / 33

HEX #2A69AC

RGB 42 105 172

HSL 210.92, 0.61%, 0.42%

LAB 43.62, 3.61, -41.57

 

CMYK 22 / 76 / 0 / 33

HEX #872AAC

RGB 135 42 172

HSL 282.92, 0.61%, 0.42%

LAB 37.45, 58.13, -51.02

 

CMYK 0 / 36 / 76 / 32

HEX #AD6F2A

RGB 173 111 42

HSL 31.6, 0.61%, 0.42%

LAB 52.31, 18.65, 46.63

 

CMYK 76 / 0 / 74 / 33

HEX #2AAC2C

RGB 42 172 44

HSL 120.92, 0.61%, 0.42%

LAB 61.81, -58.38, 52.7

 

CMYK 76 / 39 / 0 / 33

HEX #2A69AC

RGB 42 105 172

HSL 210.92, 0.61%, 0.42%

LAB 43.62, 3.61, -41.57

 

CMYK 0 / 76 / 1 / 33

HEX #AC2AAA

RGB 172 42 170

HSL 300.92, 0.61%, 0.42%

LAB 43.25, 65.36, -40.21

 

Description

Color code: HEX #AD6F2ACE | qconv.com Color code: HEX #AD6F2ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 111 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 111 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 61 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 61% 26% C M Y K

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