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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD6CE0 it is the complementary color #52931F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD6CE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD6CE0 shade: #B26CDB, #C37EEE, #D490FF, #E5A2FF and #F6B4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD6CE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD6CE0 shade: #AD6CE0, #9C5ACD, #8B48BA, #7A36A7 and #692494

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD6CE0 shade: #AC6BDF, #CC6BDF, #DF6BD4, #DF6BB4 and #DF6B95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD6CE0 shade: #AC6BDF, #8D6BDF, #6E6BDF and #6B6BDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD6CE0 shade matches the following richer shades: #AC6BDF, #AE5DEE and #B04EFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD6CE0 shade: #AC6BDF, #AB7AD1, #A988C2, #A797B4 and #A5A5A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD6CE0 shade: #6D6BDF, #8C6BDF, #AB6BDF, #CA6BDF and #DF6BD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD6CE0 shade: #862BCD, #9949D8, #AC6BDF, #BF8DE6 and #D2AFEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD6CE0 shade: #AD6CE0, #DF6B88 and #6BDF7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD6CE0 shade: #AD6CE0, #DFAB6B and #6BDFAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD6CE0 shade: #AD6CE0, #DF6B88, #9FDF6B and #6BDFC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD6CE0 shade: #AD6CE0, #DF716B, #9FDF6B and #6BD9DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 52 / 0 / 12

HEX #AD6CE0

RGB 173 108 224

HSL 273.62, 0.65%, 0.65%

LAB 57.07, 46.99, -49.42

 

Complementary color

CMYK 44 / 0 / 79 / 42

HEX #52931F

RGB 82 147 31

HSL 93.62, 0.65%, 0.35%

LAB 54.82, -40.21, 50.76

 

CMYK 19 / 51 / 0 / 14

HEX #B26CDB

RGB 178 108 219

HSL 277.84, 0.61%, 0.64%

LAB 57.37, 47.21, -46.09

 

CMYK 18 / 47 / 0 / 7

HEX #C37EEE

RGB 195 126 238

HSL 276.96, 0.77%, 0.71%

LAB 63.91, 46.39, -46.23

 

CMYK 17 / 44 / 0 / 0

HEX #D490FF

RGB 212 144 255

HSL 276.76, 1%, 0.78%

LAB 70.29, 45.16, -45.4

 

CMYK 10 / 36 / 0 / 0

HEX #E5A2FF

RGB 229 162 255

HSL 283.23, 1%, 0.82%

LAB 75.9, 40.5, -36.53

 

CMYK 4 / 29 / 0 / 0

HEX #F6B4FF

RGB 246 180 255

HSL 292.8, 1%, 0.85%

LAB 81.54, 36.15, -27.69

 

CMYK 23 / 52 / 0 / 12

HEX #AD6CE0

RGB 173 108 224

HSL 273.62, 0.65%, 0.65%

LAB 57.07, 46.99, -49.42

 

CMYK 24 / 56 / 0 / 20

HEX #9C5ACD

RGB 156 90 205

HSL 274.43, 0.53%, 0.58%

LAB 50.44, 47.84, -49.32

 

CMYK 25 / 61 / 0 / 27

HEX #8B48BA

RGB 139 72 186

HSL 275.26, 0.45%, 0.51%

LAB 43.75, 48.63, -49.13

 

CMYK 27 / 68 / 0 / 35

HEX #7A36A7

RGB 122 54 167

HSL 276.11, 0.51%, 0.43%

LAB 37.05, 49.24, -48.78

 

CMYK 29 / 76 / 0 / 42

HEX #692494

RGB 105 36 148

HSL 276.96, 0.61%, 0.36%

LAB 30.41, 49.41, -48.12

 

CMYK 23 / 52 / 0 / 13

HEX #AC6BDF

RGB 172 107 223

HSL 273.62, 0.64%, 0.65%

LAB 56.7, 47.04, -49.46

 

CMYK 9 / 52 / 0 / 13

HEX #CC6BDF

RGB 204 107 223

HSL 290.17, 0.64%, 0.65%

LAB 60.5, 55.52, -43.2

 

CMYK 0 / 52 / 5 / 13

HEX #DF6BD4

RGB 223 107 212

HSL 305.69, 0.64%, 0.65%

LAB 62.47, 58.75, -33.76

 

CMYK 0 / 52 / 19 / 13

HEX #DF6BB4

RGB 223 107 180

HSL 322.24, 0.64%, 0.65%

LAB 61.22, 53.74, -17.54

 

CMYK 0 / 52 / 33 / 13

HEX #DF6B95

RGB 223 107 149

HSL 338.28, 0.64%, 0.65%

LAB 60.22, 49.59, -1.19

 

CMYK 23 / 52 / 0 / 13

HEX #AC6BDF

RGB 172 107 223

HSL 273.62, 0.64%, 0.65%

LAB 56.7, 47.04, -49.46

 

CMYK 37 / 52 / 0 / 13

HEX #8D6BDF

RGB 141 107 223

HSL 257.59, 0.64%, 0.65%

LAB 53.5, 39.2, -54.74

 

CMYK 51 / 52 / 0 / 13

HEX #6E6BDF

RGB 110 107 223

HSL 241.55, 0.64%, 0.65%

LAB 50.87, 32.15, -59.1

 

CMYK 52 / 52 / 0 / 13

HEX #6B6BDF

RGB 107 107 223

HSL 240, 0.64%, 0.65%

LAB 50.65, 31.53, -59.47

 

CMYK 23 / 52 / 0 / 13

HEX #AC6BDF

RGB 172 107 223

HSL 273.62, 0.64%, 0.65%

LAB 56.7, 47.04, -49.46

 

CMYK 27 / 61 / 0 / 7

HEX #AE5DEE

RGB 174 93 238

HSL 273.52, 0.81%, 0.65%

LAB 55.07, 58.08, -60.44

 

CMYK 30 / 69 / 0 / 1

HEX #B04EFC

RGB 176 78 252

HSL 273.79, 0.97%, 0.65%

LAB 53.71, 68.49, -70.42

 

CMYK 23 / 52 / 0 / 13

HEX #AC6BDF

RGB 172 107 223

HSL 273.62, 0.64%, 0.65%

LAB 56.7, 47.04, -49.46

 

CMYK 18 / 42 / 0 / 18

HEX #AB7AD1

RGB 171 122 209

HSL 273.79, 0.49%, 0.65%

LAB 59.14, 35.39, -37.73

 

CMYK 13 / 30 / 0 / 24

HEX #A988C2

RGB 169 136 194

HSL 274.14, 0.32%, 0.65%

LAB 61.6, 23.57, -25.46

 

CMYK 7 / 16 / 0 / 29

HEX #A797B4

RGB 167 151 180

HSL 273.1, 0.16%, 0.65%

LAB 64.68, 11.45, -12.92

 

CMYK 51 / 52 / 0 / 13

HEX #6D6BDF

RGB 109 107 223

HSL 241.03, 0.64%, 0.65%

LAB 50.8, 31.94, -59.22

 

CMYK 37 / 52 / 0 / 13

HEX #8C6BDF

RGB 140 107 223

HSL 257.07, 0.64%, 0.65%

LAB 53.4, 38.96, -54.9

 

CMYK 23 / 52 / 0 / 13

HEX #AB6BDF

RGB 171 107 223

HSL 273.1, 0.64%, 0.65%

LAB 56.59, 46.78, -49.64

 

CMYK 9 / 52 / 0 / 13

HEX #CA6BDF

RGB 202 107 223

HSL 289.14, 0.64%, 0.65%

LAB 60.25, 54.99, -43.61

 

CMYK 0 / 52 / 4 / 13

HEX #DF6BD6

RGB 223 107 214

HSL 304.66, 0.64%, 0.65%

LAB 62.56, 59.09, -34.75

 

CMYK 35 / 79 / 0 / 20

HEX #862BCD

RGB 134 43 205

HSL 273.7, 0.65%, 0.49%

LAB 39.92, 64.62, -66.43

 

CMYK 29 / 66 / 0 / 15

HEX #9949D8

RGB 153 73 216

HSL 273.57, 0.65%, 0.57%

LAB 47.62, 58.14, -60.15

 

CMYK 23 / 52 / 0 / 13

HEX #AC6BDF

RGB 172 107 223

HSL 273.62, 0.64%, 0.65%

LAB 56.7, 47.04, -49.46

 

CMYK 17 / 39 / 0 / 10

HEX #BF8DE6

RGB 191 141 230

HSL 273.71, 0.64%, 0.73%

LAB 66.4, 35.38, -37.95

 

CMYK 12 / 26 / 0 / 7

HEX #D2AFEE

RGB 210 175 238

HSL 273.33, 0.65%, 0.81%

LAB 76.4, 24.23, -26.72

 

CMYK 23 / 52 / 0 / 12

HEX #AD6CE0

RGB 173 108 224

HSL 273.62, 0.65%, 0.65%

LAB 57.07, 46.99, -49.42

 

CMYK 0 / 52 / 39 / 13

HEX #DF6B88

RGB 223 107 136

HSL 345, 0.64%, 0.65%

LAB 59.87, 48.08, 5.82

 

CMYK 52 / 0 / 44 / 13

HEX #6BDF7D

RGB 107 223 125

HSL 129.31, 0.64%, 0.65%

LAB 80.39, -53.22, 38.15

 

CMYK 23 / 52 / 0 / 12

HEX #AD6CE0

RGB 173 108 224

HSL 273.62, 0.65%, 0.65%

LAB 57.07, 46.99, -49.42

 

CMYK 0 / 23 / 52 / 13

HEX #DFAB6B

RGB 223 171 107

HSL 33.1, 0.64%, 0.65%

LAB 73.46, 11.57, 40.08

 

CMYK 52 / 0 / 23 / 13

HEX #6BDFAB

RGB 107 223 171

HSL 153.1, 0.64%, 0.65%

LAB 81.2, -44.91, 15.6

 

CMYK 23 / 52 / 0 / 12

HEX #AD6CE0

RGB 173 108 224

HSL 273.62, 0.65%, 0.65%

LAB 57.07, 46.99, -49.42

 

CMYK 0 / 52 / 39 / 13

HEX #DF6B88

RGB 223 107 136

HSL 345, 0.64%, 0.65%

LAB 59.87, 48.08, 5.82

 

CMYK 29 / 0 / 52 / 13

HEX #9FDF6B

RGB 159 223 107

HSL 93.1, 0.64%, 0.65%

LAB 82.49, -39.68, 49.95

 

CMYK 52 / 0 / 13 / 13

HEX #6BDFC2

RGB 107 223 194

HSL 165, 0.64%, 0.65%

LAB 81.73, -39.83, 4.2

 

CMYK 23 / 52 / 0 / 12

HEX #AD6CE0

RGB 173 108 224

HSL 273.62, 0.65%, 0.65%

LAB 57.07, 46.99, -49.42

 

CMYK 0 / 49 / 52 / 13

HEX #DF716B

RGB 223 113 107

HSL 3.1, 0.64%, 0.65%

LAB 60.39, 42.24, 23.24

 

CMYK 29 / 0 / 52 / 13

HEX #9FDF6B

RGB 159 223 107

HSL 93.1, 0.64%, 0.65%

LAB 82.49, -39.68, 49.95

 

CMYK 52 / 3 / 0 / 13

HEX #6BD9DF

RGB 107 217 223

HSL 183.1, 0.64%, 0.65%

LAB 80.78, -29.81, -12.62

 

Description

Color code: HEX #AD6CE0 | qconv.com Color code: HEX #AD6CE0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 108 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 108 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 52 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 52% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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