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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD6283 it is the complementary color #529D7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD6283. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD6283 shade: #B2627E, #C37491, #D486A4, #E598B7 and #F6AACA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD6283. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD6283 shade: #AD6283, #9C5070, #8B3E5D, #7A2C4A and #691A37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD6283 shade: #AC6283, #AC626F and #AC6262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD6283 shade: #AC6283, #AC6297, #AC62AB, #9A62AC and #8662AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD6283 shade matches the following richer shades: #AC6283, #C04F80, #D33B7E, #E6287C and #FA1479

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD6283 shade: #AC6283, #997585, #868987, #729C8A and #5FB08C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD6283 shade: #AC62AB, #AC6297, #AC6283, #AC6270 and #AC6862

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD6283 shade: #7B415A, #964F6E, #AC6283, #BB7D98 and #C998AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD6283 shade: #AD6283, #AC9A62 and #62A1AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD6283 shade: #AD6283, #83AC62 and #6283AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD6283 shade: #AD6283, #AC9A62, #62AC8B and #6275AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD6283 shade: #AD6283, #A9AC62, #62AC8B and #6662AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 24 / 32

HEX #AD6283

RGB 173 98 131

HSL 333.6, 0.31%, 0.53%

LAB 50.99, 34.57, -5.04

 

Complementary color

CMYK 48 / 0 / 21 / 38

HEX #529D7C

RGB 82 157 124

HSL 153.6, 0.31%, 0.47%

LAB 59.31, -31.36, 10.15

 

CMYK 0 / 45 / 29 / 30

HEX #B2627E

RGB 178 98 126

HSL 339, 0.34%, 0.54%

LAB 51.5, 35.65, -1.23

 

CMYK 0 / 41 / 26 / 24

HEX #C37491

RGB 195 116 145

HSL 337.97, 0.4%, 0.61%

LAB 58.17, 34.77, -2.34

 

CMYK 0 / 37 / 23 / 17

HEX #D486A4

RGB 212 134 164

HSL 336.92, 0.48%, 0.68%

LAB 64.75, 33.93, -3.3

 

CMYK 0 / 34 / 20 / 10

HEX #E598B7

RGB 229 152 183

HSL 335.84, 0.6%, 0.75%

LAB 71.24, 33.15, -4.16

 

CMYK 0 / 31 / 18 / 4

HEX #F6AACA

RGB 246 170 202

HSL 334.74, 0.81%, 0.82%

LAB 77.64, 32.42, -4.95

 

CMYK 0 / 43 / 24 / 32

HEX #AD6283

RGB 173 98 131

HSL 333.6, 0.31%, 0.53%

LAB 50.99, 34.57, -5.04

 

CMYK 0 / 49 / 28 / 39

HEX #9C5070

RGB 156 80 112

HSL 334.74, 0.32%, 0.46%

LAB 44.2, 35.44, -3.9

 

CMYK 0 / 55 / 33 / 45

HEX #8B3E5D

RGB 139 62 93

HSL 335.84, 0.38%, 0.39%

LAB 37.34, 36.29, -2.5

 

CMYK 0 / 64 / 39 / 52

HEX #7A2C4A

RGB 122 44 74

HSL 336.92, 0.47%, 0.33%

LAB 30.48, 36.97, -0.68

 

CMYK 0 / 75 / 48 / 59

HEX #691A37

RGB 105 26 55

HSL 337.97, 0.6%, 0.26%

LAB 23.73, 37.17, 1.87

 

CMYK 0 / 43 / 24 / 33

HEX #AC6283

RGB 172 98 131

HSL 333.24, 0.31%, 0.53%

LAB 50.86, 34.21, -5.25

 

CMYK 0 / 43 / 35 / 33

HEX #AC626F

RGB 172 98 111

HSL 349.46, 0.31%, 0.53%

LAB 50.28, 31.44, 5.82

 

CMYK 0 / 43 / 43 / 33

HEX #AC6262

RGB 172 98 98

HSL 0, 0.31%, 0.53%

LAB 49.96, 29.88, 13.12

 

CMYK 0 / 43 / 24 / 33

HEX #AC6283

RGB 172 98 131

HSL 333.24, 0.31%, 0.53%

LAB 50.86, 34.21, -5.25

 

CMYK 0 / 43 / 12 / 33

HEX #AC6297

RGB 172 98 151

HSL 317.03, 0.31%, 0.53%

LAB 51.54, 37.42, -16.06

 

CMYK 0 / 43 / 1 / 33

HEX #AC62AB

RGB 172 98 171

HSL 300.81, 0.31%, 0.53%

LAB 52.34, 41, -26.55

 

CMYK 10 / 43 / 0 / 33

HEX #9A62AC

RGB 154 98 172

HSL 285.41, 0.31%, 0.53%

LAB 50.2, 35.63, -30.63

 

CMYK 22 / 43 / 0 / 33

HEX #8662AC

RGB 134 98 172

HSL 269.19, 0.31%, 0.53%

LAB 47.98, 29.54, -34.26

 

CMYK 0 / 43 / 24 / 33

HEX #AC6283

RGB 172 98 131

HSL 333.24, 0.31%, 0.53%

LAB 50.86, 34.21, -5.25

 

CMYK 0 / 59 / 33 / 25

HEX #C04F80

RGB 192 79 128

HSL 333.98, 0.47%, 0.53%

LAB 49.93, 50.22, -4.52

 

CMYK 0 / 72 / 40 / 17

HEX #D33B7E

RGB 211 59 126

HSL 333.55, 0.63%, 0.53%

LAB 50.08, 63.72, -2.73

 

CMYK 0 / 83 / 46 / 10

HEX #E6287C

RGB 230 40 124

HSL 333.47, 0.79%, 0.53%

LAB 51.61, 73.78, 1.12

 

CMYK 0 / 92 / 52 / 2

HEX #FA1479

RGB 250 20 121

HSL 333.65, 0.96%, 0.53%

LAB 54.24, 81.44, 7.23

 

CMYK 0 / 43 / 24 / 33

HEX #AC6283

RGB 172 98 131

HSL 333.24, 0.31%, 0.53%

LAB 50.86, 34.21, -5.25

 

CMYK 0 / 24 / 13 / 40

HEX #997585

RGB 153 117 133

HSL 333.33, 0.15%, 0.53%

LAB 53.16, 16.77, -3.28

 

CMYK 2 / 0 / 1 / 46

HEX #868987

RGB 134 137 135

HSL 140, 0.01%, 0.53%

LAB 56.79, -1.5, 0.68

 

CMYK 27 / 0 / 12 / 39

HEX #729C8A

RGB 114 156 138

HSL 154.29, 0.18%, 0.53%

LAB 60.95, -18.23, 4.82

 

CMYK 46 / 0 / 20 / 31

HEX #5FB08C

RGB 95 176 140

HSL 153.33, 0.34%, 0.53%

LAB 66.04, -33.36, 10.84

 

CMYK 0 / 43 / 1 / 33

HEX #AC62AB

RGB 172 98 171

HSL 300.81, 0.31%, 0.53%

LAB 52.34, 41, -26.55

 

CMYK 0 / 43 / 12 / 33

HEX #AC6297

RGB 172 98 151

HSL 317.03, 0.31%, 0.53%

LAB 51.54, 37.42, -16.06

 

CMYK 0 / 43 / 24 / 33

HEX #AC6283

RGB 172 98 131

HSL 333.24, 0.31%, 0.53%

LAB 50.86, 34.21, -5.25

 

CMYK 0 / 43 / 35 / 33

HEX #AC6270

RGB 172 98 112

HSL 348.65, 0.31%, 0.53%

LAB 50.31, 31.56, 5.26

 

CMYK 0 / 40 / 43 / 33

HEX #AC6862

RGB 172 104 98

HSL 4.86, 0.31%, 0.53%

LAB 51.33, 26.56, 15

 

CMYK 0 / 47 / 27 / 52

HEX #7B415A

RGB 123 65 90

HSL 334.14, 0.31%, 0.37%

LAB 35.46, 28.36, -3.66

 

CMYK 0 / 47 / 27 / 41

HEX #964F6E

RGB 150 79 110

HSL 333.8, 0.31%, 0.45%

LAB 43.07, 33.54, -4.45

 

CMYK 0 / 43 / 24 / 33

HEX #AC6283

RGB 172 98 131

HSL 333.24, 0.31%, 0.53%

LAB 50.86, 34.21, -5.25

 

CMYK 0 / 33 / 19 / 27

HEX #BB7D98

RGB 187 125 152

HSL 333.87, 0.31%, 0.61%

LAB 59.43, 28.02, -4.62

 

CMYK 0 / 24 / 14 / 21

HEX #C998AD

RGB 201 152 173

HSL 334.29, 0.31%, 0.69%

LAB 67.94, 21.6, -3.8

 

CMYK 0 / 43 / 24 / 32

HEX #AD6283

RGB 173 98 131

HSL 333.6, 0.31%, 0.53%

LAB 50.99, 34.57, -5.04

 

CMYK 0 / 10 / 43 / 33

HEX #AC9A62

RGB 172 154 98

HSL 45.41, 0.31%, 0.53%

LAB 63.97, -1.36, 31.78

 

CMYK 43 / 6 / 0 / 33

HEX #62A1AC

RGB 98 161 172

HSL 188.92, 0.31%, 0.53%

LAB 62.56, -17.3, -12.07

 

CMYK 0 / 43 / 24 / 32

HEX #AD6283

RGB 173 98 131

HSL 333.6, 0.31%, 0.53%

LAB 50.99, 34.57, -5.04

 

CMYK 24 / 0 / 43 / 33

HEX #83AC62

RGB 131 172 98

HSL 93.24, 0.31%, 0.53%

LAB 65.91, -27.19, 33.61

 

CMYK 43 / 24 / 0 / 33

HEX #6283AC

RGB 98 131 172

HSL 213.24, 0.31%, 0.53%

LAB 53.82, -0.62, -25.38

 

CMYK 0 / 43 / 24 / 32

HEX #AD6283

RGB 173 98 131

HSL 333.6, 0.31%, 0.53%

LAB 50.99, 34.57, -5.04

 

CMYK 0 / 10 / 43 / 33

HEX #AC9A62

RGB 172 154 98

HSL 45.41, 0.31%, 0.53%

LAB 63.97, -1.36, 31.78

 

CMYK 43 / 0 / 19 / 33

HEX #62AC8B

RGB 98 172 139

HSL 153.24, 0.31%, 0.53%

LAB 64.94, -30.87, 9.85

 

CMYK 43 / 32 / 0 / 33

HEX #6275AC

RGB 98 117 172

HSL 224.59, 0.31%, 0.53%

LAB 49.86, 7.7, -31.54

 

CMYK 0 / 43 / 24 / 32

HEX #AD6283

RGB 173 98 131

HSL 333.6, 0.31%, 0.53%

LAB 50.99, 34.57, -5.04

 

CMYK 2 / 0 / 43 / 33

HEX #A9AC62

RGB 169 172 98

HSL 62.43, 0.31%, 0.53%

LAB 68.62, -12.2, 37.59

 

CMYK 43 / 0 / 19 / 33

HEX #62AC8B

RGB 98 172 139

HSL 153.24, 0.31%, 0.53%

LAB 64.94, -30.87, 9.85

 

CMYK 41 / 43 / 0 / 33

HEX #6662AC

RGB 102 98 172

HSL 243.24, 0.31%, 0.53%

LAB 45, 20.41, -39.17

 

Description

Color code: HEX #AD6283 | qconv.com Color code: HEX #AD6283 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 98 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 98 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 24 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 24% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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