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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD5E57 it is the complementary color #52A1A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD5E57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD5E57 shade: #B25E52, #C37065, #D48278, #E5948B and #F6A69E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD5E57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD5E57 shade: #AD5E57, #9C4C44, #8B3A31, #7A281E and #69160B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD5E57 shade: #AD5E58 and #AD5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD5E57 shade: #AD5E58, #AD7558, #AD8C58, #ADA358 and #9FAD58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD5E57 shade matches the following richer shades: #AD5E58, #C14E43, #D53D2F, #E92C1B and #FD1B07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD5E57 shade: #AD5E58, #986F6C, #848080, #709194 and #5CA2A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD5E57 shade: #AD587F, #AD5869, #AD5D58, #AD7458 and #AD8B58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD5E57 shade: #77403B, #934E48, #AD5E58, #BA7973 and #C8938F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD5E57 shade: #AD5E57, #96AD58 and #5874AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD5E57 shade: #AD5E57, #58AD5D and #5D58AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD5E57 shade: #AD5E57, #96AD58, #58A7AD and #6E58AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD5E57 shade: #AD5E57, #7CAD58, #58A7AD and #8858AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 50 / 32

HEX #AD5E57

RGB 173 94 87

HSL 4.88, 0.34%, 0.51%

LAB 48.98, 31.3, 18.33

 

Complementary color

CMYK 51 / 4 / 0 / 34

HEX #52A1A8

RGB 82 161 168

HSL 184.88, 0.34%, 0.49%

LAB 61.75, -22.24, -11.11

 

CMYK 0 / 47 / 54 / 30

HEX #B25E52

RGB 178 94 82

HSL 7.5, 0.38%, 0.51%

LAB 49.59, 32.8, 22.22

 

CMYK 0 / 43 / 48 / 24

HEX #C37065

RGB 195 112 101

HSL 7.02, 0.44%, 0.58%

LAB 56.22, 31.59, 20.41

 

CMYK 0 / 39 / 43 / 17

HEX #D48278

RGB 212 130 120

HSL 6.52, 0.52%, 0.65%

LAB 62.78, 30.48, 18.85

 

CMYK 0 / 35 / 39 / 10

HEX #E5948B

RGB 229 148 139

HSL 6, 0.63%, 0.72%

LAB 69.26, 29.48, 17.46

 

CMYK 0 / 33 / 36 / 4

HEX #F6A69E

RGB 246 166 158

HSL 5.45, 0.83%, 0.79%

LAB 75.66, 28.56, 16.21

 

CMYK 0 / 46 / 50 / 32

HEX #AD5E57

RGB 173 94 87

HSL 4.88, 0.34%, 0.51%

LAB 48.98, 31.3, 18.33

 

CMYK 0 / 51 / 56 / 39

HEX #9C4C44

RGB 156 76 68

HSL 5.45, 0.39%, 0.44%

LAB 42.24, 32.54, 20.3

 

CMYK 0 / 58 / 65 / 45

HEX #8B3A31

RGB 139 58 49

HSL 6, 0.48%, 0.37%

LAB 35.47, 33.85, 22.7

 

CMYK 0 / 67 / 75 / 52

HEX #7A281E

RGB 122 40 30

HSL 6.52, 0.61%, 0.3%

LAB 28.77, 35.08, 25.66

 

CMYK 0 / 79 / 90 / 59

HEX #69160B

RGB 105 22 11

HSL 7.02, 0.81%, 0.23%

LAB 22.31, 35.87, 28.64

 

CMYK 0 / 46 / 49 / 32

HEX #AD5E58

RGB 173 94 88

HSL 4.24, 0.34%, 0.51%

LAB 49, 31.39, 17.76

 

CMYK 0 / 49 / 49 / 32

HEX #AD5858

RGB 173 88 88

HSL 0, 0.34%, 0.51%

LAB 47.71, 34.62, 16.01

 

CMYK 0 / 46 / 49 / 32

HEX #AD5E58

RGB 173 94 88

HSL 4.24, 0.34%, 0.51%

LAB 49, 31.39, 17.76

 

CMYK 0 / 32 / 49 / 32

HEX #AD7558

RGB 173 117 88

HSL 20.47, 0.34%, 0.51%

LAB 54.36, 18.62, 24.88

 

CMYK 0 / 19 / 49 / 32

HEX #AD8C58

RGB 173 140 88

HSL 36.71, 0.34%, 0.51%

LAB 60.2, 5.72, 32.37

 

CMYK 0 / 6 / 49 / 32

HEX #ADA358

RGB 173 163 88

HSL 52.94, 0.34%, 0.51%

LAB 66.35, -6.8, 39.98

 

CMYK 8 / 0 / 49 / 32

HEX #9FAD58

RGB 159 173 88

HSL 69.88, 0.34%, 0.51%

LAB 67.99, -17.85, 41.69

 

CMYK 0 / 46 / 49 / 32

HEX #AD5E58

RGB 173 94 88

HSL 4.24, 0.34%, 0.51%

LAB 49, 31.39, 17.76

 

CMYK 0 / 60 / 65 / 24

HEX #C14E43

RGB 193 78 67

HSL 5.24, 0.5%, 0.51%

LAB 48.5, 45.43, 30.06

 

CMYK 0 / 71 / 78 / 16

HEX #D53D2F

RGB 213 61 47

HSL 5.06, 0.66%, 0.51%

LAB 49.12, 58.32, 42.91

 

CMYK 0 / 81 / 88 / 9

HEX #E92C1B

RGB 233 44 27

HSL 4.95, 0.82%, 0.51%

LAB 50.93, 68.89, 55.56

 

CMYK 0 / 89 / 97 / 1

HEX #FD1B07

RGB 253 27 7

HSL 4.88, 0.98%, 0.51%

LAB 53.69, 77.22, 65.45

 

CMYK 0 / 46 / 49 / 32

HEX #AD5E58

RGB 173 94 88

HSL 4.24, 0.34%, 0.51%

LAB 49, 31.39, 17.76

 

CMYK 0 / 27 / 29 / 40

HEX #986F6C

RGB 152 111 108

HSL 4.09, 0.18%, 0.51%

LAB 50.84, 15.81, 8.06

 

CMYK 0 / 3 / 3 / 48

HEX #848080

RGB 132 128 128

HSL 0, 0.02%, 0.51%

LAB 53.92, 1.51, 0.53

 

CMYK 24 / 2 / 0 / 42

HEX #709194

RGB 112 145 148

HSL 185, 0.14%, 0.51%

LAB 57.88, -10.74, -5.37

 

CMYK 45 / 4 / 0 / 34

HEX #5CA2A8

RGB 92 162 168

HSL 184.74, 0.3%, 0.51%

LAB 62.46, -20.4, -10

 

CMYK 0 / 49 / 27 / 32

HEX #AD587F

RGB 173 88 127

HSL 332.47, 0.34%, 0.51%

LAB 48.76, 39.33, -5.96

 

CMYK 0 / 49 / 39 / 32

HEX #AD5869

RGB 173 88 105

HSL 348, 0.34%, 0.51%

LAB 48.11, 36.46, 6.34

 

CMYK 0 / 46 / 49 / 32

HEX #AD5D58

RGB 173 93 88

HSL 3.53, 0.34%, 0.51%

LAB 48.78, 31.94, 17.46

 

CMYK 0 / 33 / 49 / 32

HEX #AD7458

RGB 173 116 88

HSL 19.76, 0.34%, 0.51%

LAB 54.11, 19.18, 24.56

 

CMYK 0 / 20 / 49 / 32

HEX #AD8B58

RGB 173 139 88

HSL 36, 0.34%, 0.51%

LAB 59.94, 6.27, 32.04

 

CMYK 0 / 46 / 50 / 53

HEX #77403B

RGB 119 64 59

HSL 5, 0.34%, 0.35%

LAB 33.78, 23.26, 13.63

 

CMYK 0 / 47 / 51 / 42

HEX #934E48

RGB 147 78 72

HSL 4.8, 0.34%, 0.43%

LAB 41.41, 28.22, 16.52

 

CMYK 0 / 46 / 49 / 32

HEX #AD5E58

RGB 173 94 88

HSL 4.24, 0.34%, 0.51%

LAB 49, 31.39, 17.76

 

CMYK 0 / 35 / 38 / 27

HEX #BA7973

RGB 186 121 115

HSL 5.07, 0.34%, 0.59%

LAB 57.42, 24.67, 13.8

 

CMYK 0 / 27 / 29 / 22

HEX #C8938F

RGB 200 147 143

HSL 4.21, 0.34%, 0.67%

LAB 65.85, 19.41, 9.97

 

CMYK 0 / 46 / 50 / 32

HEX #AD5E57

RGB 173 94 87

HSL 4.88, 0.34%, 0.51%

LAB 48.98, 31.3, 18.33

 

CMYK 13 / 0 / 49 / 32

HEX #96AD58

RGB 150 173 88

HSL 76.24, 0.34%, 0.51%

LAB 67.33, -21.5, 40.74

 

CMYK 49 / 33 / 0 / 32

HEX #5874AD

RGB 88 116 173

HSL 220.24, 0.34%, 0.51%

LAB 48.99, 6.02, -33.53

 

CMYK 0 / 46 / 50 / 32

HEX #AD5E57

RGB 173 94 87

HSL 4.88, 0.34%, 0.51%

LAB 48.98, 31.3, 18.33

 

CMYK 49 / 0 / 46 / 32

HEX #58AD5D

RGB 88 173 93

HSL 123.53, 0.34%, 0.51%

LAB 63.96, -42.65, 33.27

 

CMYK 46 / 49 / 0 / 32

HEX #5D58AD

RGB 93 88 173

HSL 243.53, 0.34%, 0.51%

LAB 41.73, 24.63, -45.01

 

CMYK 0 / 46 / 50 / 32

HEX #AD5E57

RGB 173 94 87

HSL 4.88, 0.34%, 0.51%

LAB 48.98, 31.3, 18.33

 

CMYK 13 / 0 / 49 / 32

HEX #96AD58

RGB 150 173 88

HSL 76.24, 0.34%, 0.51%

LAB 67.33, -21.5, 40.74

 

CMYK 49 / 3 / 0 / 32

HEX #58A7AD

RGB 88 167 173

HSL 184.24, 0.34%, 0.51%

LAB 63.94, -22.57, -10.61

 

CMYK 36 / 49 / 0 / 32

HEX #6E58AD

RGB 110 88 173

HSL 255.53, 0.34%, 0.51%

LAB 43.23, 28.95, -42.52

 

CMYK 0 / 46 / 50 / 32

HEX #AD5E57

RGB 173 94 87

HSL 4.88, 0.34%, 0.51%

LAB 48.98, 31.3, 18.33

 

CMYK 28 / 0 / 49 / 32

HEX #7CAD58

RGB 124 173 88

HSL 94.59, 0.34%, 0.51%

LAB 65.65, -31.52, 38.31

 

CMYK 49 / 3 / 0 / 32

HEX #58A7AD

RGB 88 167 173

HSL 184.24, 0.34%, 0.51%

LAB 63.94, -22.57, -10.61

 

CMYK 21 / 49 / 0 / 32

HEX #8858AD

RGB 136 88 173

HSL 273.88, 0.34%, 0.51%

LAB 45.95, 36.14, -38.03

 

Description

Color code: HEX #AD5E57 | qconv.com Color code: HEX #AD5E57 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 94 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 94 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 50 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 50% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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